21: You Rolled 38
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From relay FM it's Upgrade episode number 21.
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Today's episode of Upgrade is brought to you by lynda.com where you can instantly
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stream thousands of courses created by industry experts.
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For a 10-day free trial visit lynda.com/upgrade.
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Squarespace. Start here, go anywhere. Mailroute. A secure hosted email service
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for protection from viruses and spam and Stamps.com,
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postage on demand. My name is Myke Hurley and I am joined as always
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by the one and only Mr. Jason Snow. Hi Myke, how's it going?
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I'm good PowerSlider, how are you? Oh I'm doing great. I did,
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I sent you guys a picture of me listening to Connected
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while driving past one infinite loop in Cupertino last week, that was just for
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you. It was, that was old school, kicking it
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I was power sliding through the loop, as we do.
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It's the only way to roll.
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So we have a big show today.
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Big show, lots of stuff.
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We have lots of...
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I'm looking at the document right now, and we have a whole series worth of follow-up.
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But we have a little special thing that we're gonna do...
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At the end today.
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So last week...
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I'll tease it for now.
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Last week, we were talking about the Holocaust Cloak.
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Which is a reference to the Princess Bride.
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horrified to find out that I have not seen The Princess Bride. So I watched The Princess
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Bride yesterday and we're going to talk about it today.
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Yes, so stay tuned till the end if you want to hear that.
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So should we kick it off with some good old-fashioned follow-up?
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Yeah, let's do the follow-up. I had one quick bit of follow-up from Lister Michael about
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Marco Marketing, which is from a couple of shows ago, but I wanted to pass this along
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because the idea here is, you know, yes, Marco is, Marco Armet is high profile, but he's
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also putting himself out there and becoming high profile. And I think the argument I made
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was that 21st century marketing, that's part of the deal. That's not cheating. That's part
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of the deal. So Lister Michael wrote in and said, "I'm in the process of changing jobs
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for the second time in almost exactly a year. I'm going from a pretty good to a great one.
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And I can partly lay that on the fact that I was willing to do something in public and
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be a professional about it. I'm an iOS developer, and most of the openings understandably want
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to see candidates who have an app they can point to in the app store to even be considered.
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I don't really get to do that because I used to work for the government making interactive
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training and the job I'm just winding down is an enterprise app for sales reps and managers.
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In theory I could make an app in my free time, but trying to put the effort to make an app
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that I consider worth releasing is daunting. So last year I set writing at least one blog
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post a week in a professional voice and stuck with it. I'm nearing almost a full year of
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of posts without missing a week now,
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and it's lucky to break 20 page views on a good week.
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Some weeks it feels like pulling teeth to write anything,
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other weeks it goes well.
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The thing that amazed me is when I decided to apply
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to a handful of the very best iOS developer shops
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in my area, right around the one year mark
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of starting my new job,
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both because I wanted a change of culture
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from my current job and to see if I was good enough,
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I got an interview at my number one choice,
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which I had gotten a form letter rejection from a year ago.
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In the interview, three of the four interviewers
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mentioned checking my blog, which I put on my resume under contact info and in a positive
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light as they had skimmed it over before the interview to get a feel for me.
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Even more surprisingly, one of them skipped the technical portion of the interview because
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of it and instead focused much more on the cultural process section.
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The blog probably isn't the whole story.
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Not being a relocation hire probably made me a lot more appealing and I've done a whole
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lot of professional development in the last year, but I'm convinced it helped get me in
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So yeah, being willing to put yourself out there has value, even if you're not remotely
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popular, listener Michael. Thank you. I just thought that was a great story.
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I think that, like, I enjoy reading this as well, because it's a good--I think it's good
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to show these days that you have the ability to do other things, you know?
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Yeah, yeah, and that you're serious about. I mean, this is--I think we might have talked
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about this on an earlier show, I know I've talked about it on a podcast somewhere, that
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when I hired somebody, when I would interview people at IDG, especially for junior editor
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jobs. I would ask them about things like if they were straight out of college or recently
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out of college, what they did in college in terms of writing and editing. And, you know,
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it was a check to see how committed they were to this as a profession. And if they said,
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"Well, you know, I wrote papers for my English classes," I was much less impressed than if
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they said, "Oh, well, I worked on the student newspaper and I started this online journal
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and I did this other thing," because that's a sign. That's a sign that this is somebody
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who takes this area, this business, this profession seriously. And I think listener Michael is
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doing that here where he's saying, he's not even raising his profile necessarily as he's
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putting himself out there and demonstrating his commitment. And I think that's a big deal.
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And I think it's something people look for in interviews. That checks a box. That's like,
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oh, this person is serious about this,
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has something to commend themselves.
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I think it's very valuable if you're trying
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to hire somebody to look at something like that.
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- My brother's in university,
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and he would like to do journalism one day.
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That's what he's interested in.
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And he's really interested in sports journalism.
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So he's done some stuff,
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like he wrote for a couple of websites,
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but I'm always really, really pushing him
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to have his own blog because whenever he applies for internships or any kind of like small
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position somewhere or writing programs they all just want to see examples of his work
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and the best place to do that is to just have a blog and it's like what I kind of take it
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back to how I got started doing this stuff.
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I just had a podcast I did every week and I showed up every week and just got better
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over time and you can kind of practice in obscurity in a way because it's very rare
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that you'll put something onto the internet and all of a sudden all of the internet find
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out about it on day one.
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But it allows you to hone your skills and to practice.
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So if you have any sort of interest in anything technology related, I'm assuming that you
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If you want to have a job in it or anything that you're interested in, if you want a job
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in a certain field that is a passion of yours, get a blog about it and write about it or
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do a podcast about it.
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- Yeah, showing passion for the subject
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that is also what you want to have be your profession
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is generally a really good sign.
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It's a good sign for people who are hiring you
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and it's a good sign for people who want,
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you know, who are colleagues
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or potential future colleagues that,
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oh, this is somebody who's got enthusiasm
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and wants to talk about this stuff.
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And it makes a difference
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and it's not necessarily a calculation of like,
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score them from one to 10 on enthusiasm.
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But it just, it's,
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The fact is that most of the other people in that industry
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are enthusiastic about that too.
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And seeing your enthusiasm about it makes a connection too.
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So yeah, I thought-- anyway, I thought
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it was really great feedback.
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And it was a hole that I didn't expect this podcast to go down.
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But it's actually been kind of a very interesting place
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to go, this idea that in this modern era,
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There's a perception of what deserved success looks like.
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And then we throw a lot of things away
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that are actually a huge part of whether something
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is succeeding or failing and you can't ignore it.
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And this was just another example of something.
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This is a site that nobody read.
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But the people who needed to read it read it
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and it made a difference and that's cool.
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It's good to know.
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- I'm gonna be a good brother, Jason,
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and get my brothers.
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I'm going to put his site in the show notes today.
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Good for you.
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Scoring some good brotherly love points there, I think.
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Let's move on.
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What else do we have today?
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Oh, so much feedback about pens and tablet computing.
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Do you wish you'd never said anything?
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No, no I don't.
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I think this gives me perspective.
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I will point out up front that when I brought up this subject, the very first thing I said
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is I hate pens and can't write and don't like styluses because I don't like pens and pencils
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and writing things out longhand. I'm really bad at it. My handwriting is illegible. I
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don't enjoy it. I would much rather type notes. But I did profess a skepticism from seeing
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pen-based computing technologies in the past. And we had a really interesting spectrum of
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responses from people about their experience with pen input and tablet computers. So I'm
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going to run a bunch of it down. Really, hopefully really quickly, but probably not. Okay, here
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we go. So listener Alec wrote in and said notability changed the game for him. Beside
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the benefit of syncing with the cloud and audio recording, he said there were some key
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features copy and paste not just for text but for drawn figures this is
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something that I think you might have mentioned briefly this idea that that if
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you're if you're taking notes on something that requires figures or that
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requires little pictures things like that having that available and being able
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to kind of copy and paste it it's not something you can type you have to write
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you have to write that down so so we listed that colors didn't need multiple
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Pen's laying around on a small pullout desk. Sorry, Myke, but I could change the color
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later if I wanted to. Easier to tap a swatch and change the color than physically drop
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and regrip a new pen. "Hey dude, I missed class. Can you send me the notes?" Share sheet. Boom.
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That's good. And he said, "Notability subtly tweaks your strokes and I found that made
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my handwriting and figures look better." So I thought that was interesting. Notability
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listener Troy wrote in to say, "For most undergraduate students, tech needs are driven by two things,
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cost and reliability, and it's going to be a long time before any type of digital note-taking
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technology beats pen and paper on either of those. By far the most common note-taking
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technology used in my classes is pen and paper. That said, I see students take notes on just
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about every sort of device except pen input tablet. I've actually seen students two thumb-type
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notes on a phone, something I wouldn't have thought possible. Those students are going
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to fail, by the way.
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I can type pretty quickly.
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No, they're probably fine.
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That was my initial thought, was they're not the best students, but they are trying to
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get something down on their phone.
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No, it may be.
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I like listener Troy's point here, which is he thought it impossible, but hey, if it works
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for them, then that's great.
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So here's my question to you.
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Would you think that someone would fail if they were typing on a keyboard on a laptop
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their notes.
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No, my concern is just that, I mean, we don't have any judgment here about how good these
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students are.
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They could either be great phone typers or they could be people who just like couldn't
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find their pen and need to take a couple notes, but it's not very good.
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If I was taking notes on a phone, that would be bad.
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But they could also be just geniuses who are great at taking notes on the phone.
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that could be just a purely generational shift. I feel way faster on the iPhone.
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Like, I feel it. Whether I am or not, like, I feel like I'm a faster typer on the
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iPhone than I am on the on the Mac. Wow. I should do some sort of test. I don't
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even understand. I can't even understand what you're saying, Myke. Are you speaking
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English anymore? Have you lapsed into some other words you're using? Not words
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that I understand. Is this, has the Atlantic Ocean separated us again? Oh no, okay.
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Listen, Troy goes on to say, "I see a variety of Mac and Windows laptops,
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occasional iPad, a handful of Surface devices. I've seen some live scribe pens." Live scribe is
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that thing that records audio and, but you know, but he asked students if they use the audio and
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they say they thought they would, but they never do. But here's the key point from Listen to Troy.
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"If I can go a little professory on you for a bit, most of the time the tech gets in the way.
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The purpose of class notes is to provide something for your memory to latch onto so you can remember
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the material, not to produce a verbatim transcript.
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An aside from me, Jason, we used to have a lecture note service when I was in college
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and the whole...and sometimes what they'll do is, even now, is sometimes professors will
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record their lectures and post them as podcasts.
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The idea is, you know, if verbatim...don't do a lot of work to generate the verbatim.
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It's like trying to do a verbatim transcript of an Apple event.
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It's like, you know what?
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They're gonna post the video.
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You can get the verbatim transcript later.
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Take the important notes, get the highlights here.
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And this is what he's saying is,
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verbatim transcript is not the objective.
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The key, he goes on to say,
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is to have as close to a friction-free environment
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for that as you can.
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Note-taking is as much about the process
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as it is the result.
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Having to quickly summarize the material
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and reshape it in a way that makes sense to the note-taker
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is a large part of it.
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For people like Jason, who type, that's me,
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100 words per minute, that probably means a laptop
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with a good keyboard for a majority of my students,
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the note-taking method with the least friction
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and least distraction from the task at hand
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to still pen and paper,
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and I don't see that changing for many years yet."
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Listener Troy.
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So thank you for that.
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I would say actually, as a college student,
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I was not, even when I got a laptop in grad school,
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typing to take notes was not something that I did.
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And the only time I type to take notes now
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and type quickly is when I am trying to get quotes down
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because if I'm doing an interview or something like that,
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where there is no transcript
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and I need to get the direct quotes,
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I will type because I can type down
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what they're saying really fast.
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But in general, I prefer much shorter notes.
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Like Troy says, I'm really trying to hit the highlights
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and give myself, and give my memory,
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like he says, something to latch onto.
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And there's other feedback we got,
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not all of it in our document here, that was very similar,
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which is the point to having notes is more a process
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that leads to you pondering the information
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and filtering it and attaching it
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and it's part of the learning process.
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Not, you're not a court recorder,
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you're not writing down a transcript
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of everything that's said.
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Listener Gary wrote in to say,
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"Regarding note taking on the iPad,
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"I prefer it over pen and paper
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"for the same reason I prefer reading books on the iPad.
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"I can have all my notes with me.
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"I can have other documents that I need
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for a meeting on the iPad and mark them up with notes. So that's a fair point.
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I think the interesting thing about this feedback, and we do have some more, is how much we received.
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I was surprised how much came through. I have strong feelings about this topic, and I think
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you do too, but it didn't necessarily mean for me that I thought we were going to get
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this much feedback about it. Just because we have opinions doesn't mean
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that anyone else cares at all about what we care about.
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I think of all of the things we've spoken about, this may be by word count the most
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feedback we've ever received. Lots of long emails about this.
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Not handwritten, I'll point out. There should be. Well, we're waiting, you
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know. Post takes a little bit longer than email, so we're waiting for the handwritten
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stuff to come through. We do have a sponsor break I would like to
00:15:42
◼
►
take now, Jason, if that is okay before we continue the rest of the follow-up for today.
00:15:46
◼
►
All right, epic follow-up. You know it's epic when there's a sponsor break in the middle
00:15:51
◼
►
It's already February. What are you waiting for? Invest in yourself this year and start
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learning something new at lynda.com with a 10-day free trial for listeners of Upgrade.
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lynda.com is used by millions of people around the world and has over 3,000 courses on topics
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like web development, photography, visual design, business, and so much more. Whether
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you want to set new financial goals, invest in a new hobby, or improve upon some current
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skills for your personal life or for your job, lynda.com has something for you.
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You'll get unlimited access to every single course that they have. You can view these
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on your tablet, your mobile device, their apps for iOS and Android, and of course you
00:16:29
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can look at them on the desktop and they have searchable transcripts and they have different
00:16:33
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►
speed settings you can play for the videos as well if you want to learn super fast at
00:16:37
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lynda.com you can do that.
00:16:39
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Maybe you want to learn a little bit about marketing online to help with your business
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or website, which goes back to what we were talking about a little earlier.
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You want to improve some skills in something that you love and you set up a blog.
00:16:50
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These guys at lynda.com, they can help you out with that.
00:16:52
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They can help you think about how to present yourself a little bit differently.
00:16:56
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And then when you want to build your own app as well, they have courses on Swift.
00:16:59
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They have courses on iOS app development.
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They even have courses on Android development too, if that's something that you're interested
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Listen yourself today and sign up for a free 10-day trial to lynda.com by visiting lynda.com/upgrade.
00:17:12
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That's L-Y-N-D-A dot com slash upgrade.
00:17:16
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Go ahead, I challenge you to learn something new.
00:17:18
◼
►
Thank you so much to lynda.com for supporting this show and all of Relay FM.
00:17:22
◼
►
- All right, again not handwritten.
00:17:25
◼
►
This comes from a good, good friend of the show.
00:17:28
◼
►
It's Upgrading Tony.
00:17:30
◼
►
This is Tony Sindelar from various Uncomfortable podcasts.
00:17:35
◼
►
This is not about Dungeons and Dragons though.
00:17:37
◼
►
Tony is in academia.
00:17:38
◼
►
He says, "I would say that students have overwhelmingly moved to doing note-taking electronically,
00:17:41
◼
►
whether typed on a laptop or inked on a tablet, just as faculty have overwhelmingly moved
00:17:45
◼
►
from chalk talk to PowerPoint.
00:17:48
◼
►
Inking with an iPad or Surface does have a lot of advantages for note-taking, especially
00:17:51
◼
►
diagrams, symbols, concept mapping, but we still aren't there yet in terms of ease of
00:17:55
◼
►
use of the tools.
00:17:56
◼
►
So I guess I agree with Jason's skepticism.
00:17:59
◼
►
People in education have been hoping for crazy new improvements that will fix everything,
00:18:03
◼
►
but it keeps not being here regardless of the latest vendor trying to push something.
00:18:06
◼
►
I remember a pre-iPad era associate provost lobbying for all first-year students at a
00:18:10
◼
►
large state school to be required to buy one of those clunky expensive Windows XP-based
00:18:16
◼
►
So Tony—interesting points because he's saying electronic note-taking is predominant
00:18:24
◼
►
now but that he's skeptical about whether the tools are just good enough yet, which
00:18:31
◼
►
is sort of where I am is I don't dispute that this could be great. I just am a
00:18:35
◼
►
little bit skeptical about whether people who are writing and saying "oh yes
00:18:38
◼
►
I use digital link for note-taking" whether they're doing that despite it
00:18:43
◼
►
being clunky or because it's just not it's just super awesome and I need to
00:18:48
◼
►
get a rush out and get a stylus and start writing everything. That's never
00:18:53
◼
►
gonna happen. It's never gonna happen.
00:18:57
◼
►
This makes me think of that Surface Hub, you know, like the digital kind of note-taking type thing.
00:19:04
◼
►
Yeah, because you know it's like that sort of idea, right?
00:19:07
◼
►
Everything's better if it's on a screen instead, but none of these things have really caught on.
00:19:12
◼
►
I remember in school we had smart boards, they were called, where basically the teachers could...
00:19:25
◼
►
They were kind of like projected screens.
00:19:28
◼
►
It was weird. It was like it was a whiteboard,
00:19:30
◼
►
but they would write on them with these pens that didn't actually write on the board.
00:19:33
◼
►
It just created something that was projected onto them.
00:19:35
◼
►
But very often, the projector was turned off and they just used the whiteboard.
00:19:40
◼
►
Yeah. We had one that was...
00:19:43
◼
►
It was a real whiteboard, but you used these pens with special little stickers on them.
00:19:47
◼
►
And the idea was that it was recording everything that was written up on the whiteboard,
00:19:51
◼
►
and you could play that back later.
00:19:54
◼
►
But yeah, it didn't. I don't know. I mean, the world, this is one of the reasons why I think I
00:19:59
◼
►
bring more skepticism to this than a lot of the listeners is because I've been in this, I've been,
00:20:05
◼
►
this is one of those areas where my, my, I've lost my childlike enthusiasm for technology
00:20:10
◼
►
that I, I, that I keep in other areas. I have lots of areas where I'm very enthusiastic about
00:20:15
◼
►
new technology. This is one of those where I've been disappointed so many times that I, I now have,
00:20:22
◼
►
I view it much more cynically.
00:20:24
◼
►
I can't tell you, it's been like 15 or 20 years
00:20:26
◼
►
that people have been saying,
00:20:28
◼
►
we're gonna change how people take notes.
00:20:29
◼
►
And I just, I remain quite skeptical that it's good enough.
00:20:34
◼
►
Not that it doesn't have advantages,
00:20:35
◼
►
but that is it good enough?
00:20:36
◼
►
Is it, and maybe that's,
00:20:38
◼
►
and we were originally talking about Apple doing a stylus.
00:20:41
◼
►
I mean, maybe that is what, you know,
00:20:43
◼
►
Apple is trying to do here is can we make something
00:20:45
◼
►
that is good enough for Apple standards?
00:20:47
◼
►
'Cause boy, if Apple comes out with a stylus
00:20:49
◼
►
and it's lame, then that's not good.
00:20:52
◼
►
So I have two more pieces of feedback here
00:20:55
◼
►
about this issue that I wanna get to
00:20:57
◼
►
'cause so many people wrote in.
00:20:59
◼
►
Listener Dave writes in,
00:21:01
◼
►
"My previous two laptops were Windows tablets.
00:21:03
◼
►
Much of my work involves being onsite
00:21:05
◼
►
with clients and their environments.
00:21:06
◼
►
I'm mostly on the normal work floor rather than in meetings.
00:21:09
◼
►
When you're sitting next to someone's desk,
00:21:10
◼
►
I find writing notes much easier than typing.
00:21:12
◼
►
You can sit in what is for me a much more natural position.
00:21:16
◼
►
You can also make notes standing up.
00:21:17
◼
►
As Myke said, the notes are automatically backed up.
00:21:19
◼
►
My tool of choice was OneNote synced via Dropbox.
00:21:22
◼
►
Therefore, I have all my notes instantly accessible.
00:21:25
◼
►
My handwriting's pretty awful.
00:21:26
◼
►
Yay, me too.
00:21:28
◼
►
But it's important to remember software
00:21:29
◼
►
to understand handwriting has a much easier job
00:21:31
◼
►
when it knows the strokes you used
00:21:33
◼
►
as opposed to trying to OCR a random scrawl.
00:21:35
◼
►
This is a really good point.
00:21:36
◼
►
From my initial use in 2004,
00:21:38
◼
►
the recognition was very impressive
00:21:39
◼
►
and improved with new Windows versions.
00:21:41
◼
►
I never formally converted my notes.
00:21:43
◼
►
OneNote just made them searchable.
00:21:44
◼
►
Combined with OneNote's fuzzy searching,
00:21:46
◼
►
it was very rare for searches to fail.
00:21:48
◼
►
In fact, it felt like it was sometimes better
00:21:49
◼
►
at reading my handwriting than I was.
00:21:51
◼
►
I thought that was good feedback.
00:21:53
◼
►
That's some positive words about Windows tablets.
00:21:57
◼
►
And finally on this topic, Upgrader Darcy wrote in
00:22:00
◼
►
and said, "I really enjoy this show,
00:22:03
◼
►
"especially when you two disagree.
00:22:04
◼
►
"In that vein, allow me to take issue
00:22:08
◼
►
"with something that Myke said."
00:22:11
◼
►
I deleted all feedback that disagreed with me.
00:22:15
◼
►
So every feature that people think they need,
00:22:18
◼
►
whether they need it or not,
00:22:19
◼
►
if they think they need it and then Microsoft's doing it,
00:22:22
◼
►
that's a potential sale that you lose to Microsoft.
00:22:24
◼
►
This is something that you've said on the last show.
00:22:26
◼
►
I think that's accurate.
00:22:27
◼
►
And what Darcy says is,
00:22:28
◼
►
"Isn't this the opposite of what made Apple so successful?
00:22:30
◼
►
Apple's products are typically less feature rich
00:22:33
◼
►
than its competitors.
00:22:34
◼
►
Instead, Apple focuses on certain core functionality,
00:22:37
◼
►
making the product as easy
00:22:38
◼
►
and as enjoyable to use as possible."
00:22:40
◼
►
Darcy goes on, "I've been an Apple user since '96
00:22:43
◼
►
and have been with a company through the darkest times."
00:22:44
◼
►
that's true, I can verify that.
00:22:46
◼
►
While I'm elated that Apple's been so successful,
00:22:48
◼
►
I'm terrified its success will cause the company
00:22:50
◼
►
to lose focus and to try to fill
00:22:52
◼
►
every product niche imaginable.
00:22:54
◼
►
I'm not saying that a stylus is necessarily a bad idea.
00:22:57
◼
►
It may be part of a focused, well thought out strategy
00:22:59
◼
►
for the iPad, but focus is key and it is so easily lost
00:23:02
◼
►
when a company continually breaks its own sales records
00:23:05
◼
►
quarter after quarter.
00:23:06
◼
►
Okay, that doesn't apply to recent iPad sales, but still.
00:23:09
◼
►
In this, I am in complete agreement with Steve.
00:23:13
◼
►
Oh, Steve Jobs, right.
00:23:14
◼
►
when he said, "Innovation is saying no to a thousand things.
00:23:18
◼
►
In light of the recent,
00:23:19
◼
►
Apple is losing the functional high ground discussion."
00:23:23
◼
►
"It is perhaps more important than ever
00:23:25
◼
►
that Apple focus on core functionality
00:23:26
◼
►
and making sure it's hard earned,
00:23:28
◼
►
it just works, reputation isn't tarnished any further."
00:23:31
◼
►
Any thoughts about that?
00:23:32
◼
►
About how wrong you were, Myke?
00:23:33
◼
►
Any apologies to Upgrader Darcy?
00:23:36
◼
►
- Yes, 'cause I don't think I am wrong.
00:23:38
◼
►
So my feeling on this is I agree
00:23:42
◼
►
that that is how Apple was.
00:23:45
◼
►
I don't think it's where Apple will be like into the future.
00:23:48
◼
►
I think that Apple are trying to attract different markets now.
00:23:54
◼
►
They have a lot more of a focus on the Asian markets than they
00:24:01
◼
►
did before which is probably a really good reason for why the
00:24:04
◼
►
iPhones got bigger. And I think it's if they do a stylus I think
00:24:08
◼
►
that's another reason for why they've done that.
00:24:10
◼
►
I do believe that if Apple wants to grow,
00:24:13
◼
►
they have to start doing things like this.
00:24:15
◼
►
They have to start going for the features
00:24:18
◼
►
that other people have to attract the other customers.
00:24:20
◼
►
And I just see that that is a path that they may take.
00:24:24
◼
►
I agree it's not the one that they have had before,
00:24:27
◼
►
but I think it's the one
00:24:28
◼
►
that they could start to take going forward.
00:24:30
◼
►
That's my own personal opinion.
00:24:33
◼
►
- All right.
00:24:33
◼
►
- My punditry.
00:24:34
◼
►
- I guess, I don't think either of these approaches
00:24:40
◼
►
is wrong. I think what I would say is Apple is trying to reach different markets. That's
00:24:46
◼
►
absolutely true. I do feel like that Apple, look, if all Apple was concerned about was
00:24:52
◼
►
checking a feature box in a list of features, then they would have had an Apple stylus available
00:25:01
◼
►
for a phone and tablet years ago. So there is a line that Apple needs to cross, a bar
00:25:08
◼
►
they need to clear. That is, you know, we've got a story with this, that it's good
00:25:14
◼
►
enough for us. It meets our--I don't mean it good enough in a negative way, I mean
00:25:18
◼
►
like it meets our standards. Below this point we can't ship it. That bar
00:25:24
◼
►
may change depending on the market, but I do think it is there, and I think
00:25:28
◼
►
that's sort of what Darcy is saying here is--
00:25:30
◼
►
Yeah, that makes sense.
00:25:32
◼
►
--is it needs to--you can't just throw a pen out there because other people have pens, and they
00:25:37
◼
►
haven't right they Samsung has been waving that stylus in Apple's face for
00:25:42
◼
►
years and Apple's done nothing yeah it's a it's like taunting them look at the
00:25:47
◼
►
stylus the s-pen is here and nothing so when if Apple does come out with
00:25:54
◼
►
something that would be an interesting moment because what they're saying is
00:25:57
◼
►
now we've got a story to tell now we've got a product that meets our standards
00:26:01
◼
►
and what's that going to be and the software and the hardware need to be
00:26:05
◼
►
good enough to make that something.
00:26:08
◼
►
'Cause otherwise, if it's good enough now,
00:26:10
◼
►
if everything is good enough now,
00:26:11
◼
►
then why doesn't Apple have that product?
00:26:13
◼
►
I think that's the argument is,
00:26:14
◼
►
it may be good enough for some people now,
00:26:16
◼
►
but it seems to not be good enough for Apple,
00:26:18
◼
►
'cause Apple is content to not upgrade their digitizer
00:26:21
◼
►
and not come out with its own pen
00:26:23
◼
►
that kicks all the other pens out of the market.
00:26:26
◼
►
So what makes that change?
00:26:28
◼
►
And what's the thing that pushes them to do that?
00:26:30
◼
►
And maybe it's just to find a reason for an iPad Pro
00:26:34
◼
►
for being, maybe it's just we need reasons
00:26:37
◼
►
why we would sell this thing,
00:26:39
◼
►
but that's troubling in its own way, if that's the case.
00:26:42
◼
►
I don't know, but I think, yeah,
00:26:45
◼
►
I think it'll be interesting to see.
00:26:46
◼
►
This is one of those things that's very,
00:26:49
◼
►
the answer to this, what happens here,
00:26:51
◼
►
will give us an interesting data point
00:26:53
◼
►
on where Apple is right now
00:26:54
◼
►
in terms of its product philosophy in 2015.
00:26:58
◼
►
If it does this, that'll be fascinating to see.
00:27:02
◼
►
And I will try some note-taking app at some point here
00:27:06
◼
►
against my better judgment because I don't like pens
00:27:10
◼
►
just to get a better idea
00:27:11
◼
►
of what the current experience is like,
00:27:12
◼
►
at least on the iPad, I don't have a surface to try out.
00:27:16
◼
►
But, all right, that's follow-up.
00:27:22
◼
►
- Time for follow-out.
00:27:24
◼
►
- Time for some follow-out.
00:27:25
◼
►
We should mention #AskUpgrade on Twitter.
00:27:28
◼
►
You can go to Relay FM
00:27:30
◼
►
and send feedback via the feedback form.
00:27:33
◼
►
That works too.
00:27:34
◼
►
And you can be a part of follow up.
00:27:36
◼
►
We love to hear from you.
00:27:37
◼
►
Follow out, I just wanted to mention Connected24 this week.
00:27:41
◼
►
This was your big, and I mean big,
00:27:45
◼
►
it's like three hours long podcast
00:27:48
◼
►
where you break down the iPad launch.
00:27:50
◼
►
- Yeah, it was quite an undertaking.
00:27:54
◼
►
People may have been familiar with the prompt episode 30
00:27:59
◼
►
where we did this for the iPhone.
00:28:00
◼
►
The difference being from a production perspective,
00:28:05
◼
►
this time we went back a bit further as well
00:28:07
◼
►
and we looked at the run up to the iPad's introduction.
00:28:10
◼
►
- Yeah, a lot of research.
00:28:11
◼
►
- Yeah, Federico did some incredible research
00:28:14
◼
►
and he took a look at kind of what the rumors
00:28:17
◼
►
were like leading up.
00:28:18
◼
►
And so we did that, then we did like the play by play
00:28:22
◼
►
breakdown of the iPad introduction
00:28:26
◼
►
and spoke about how we feel about the iPad.
00:28:28
◼
►
So it was a lot of fun and we really enjoyed it.
00:28:30
◼
►
- Yeah, I liked it a lot.
00:28:32
◼
►
I really enjoyed, I listened to that on my drive
00:28:34
◼
►
down to Cupertino and back last week.
00:28:36
◼
►
I was just visiting a friend, nothing secret,
00:28:39
◼
►
just visiting a friend.
00:28:40
◼
►
I've got more friends at Apple these days
00:28:43
◼
►
'cause some of my former colleagues
00:28:45
◼
►
are doing work at Apple now, so, but I can say no more.
00:28:48
◼
►
It's not that exciting.
00:28:51
◼
►
It's just, it's nice to go down there and visit with pals
00:28:55
◼
►
who are inside the rainbow curtain now.
00:28:58
◼
►
That's not a phrase.
00:29:00
◼
►
- I like it though.
00:29:02
◼
►
- I wanted to mention this mostly
00:29:05
◼
►
because I wanted to tell a story
00:29:06
◼
►
about when I went to the iPad event
00:29:08
◼
►
related to our note-taking thing.
00:29:13
◼
►
I think Dan Morin was live blogging it
00:29:17
◼
►
and I was, or maybe I was live blogging it.
00:29:20
◼
►
Anyway, you do that and when you're covering it
00:29:22
◼
►
that intensely, you kind of miss, you miss seeing it.
00:29:26
◼
►
You miss the, you lose the, you lose the big picture.
00:29:31
◼
►
You don't see the forest for the trees
00:29:33
◼
►
when you're covering an event like that.
00:29:34
◼
►
So I will often watch an event video afterward.
00:29:37
◼
►
So the later that day, or maybe the next day I'm home,
00:29:43
◼
►
and I'm watching on my Apple TV,
00:29:46
◼
►
I am watching the iPad launch on the TV.
00:29:52
◼
►
And I don't realize that my son,
00:29:58
◼
►
who was five at the time, is behind the couch
00:30:01
◼
►
and is transfixed by this.
00:30:04
◼
►
And it's a fond memory for me now
00:30:05
◼
►
because he was exposed
00:30:08
◼
►
to the untempered reality distortion field.
00:30:11
◼
►
And I had that moment where I was like,
00:30:12
◼
►
"Oh my God, he's been inside the RDF."
00:30:14
◼
►
Because he doesn't usually see TV commercials,
00:30:18
◼
►
he doesn't know. And now he's got Apple event, Steve Jobs just talking to him about how great
00:30:23
◼
►
the iPad is. And it totally worked because for the next whatever, four months, he would
00:30:28
◼
►
not stop talking about how we needed an iPad. He's like, "We need an iPad. We have to have
00:30:32
◼
►
an iPad." This five-year-old kid, "We have to have an iPad. It does this. It does this.
00:30:36
◼
►
Is the iPad out yet? When are we going to get an iPad? We have to get an iPad." And it
00:30:39
◼
►
was amazing how powerful that event was, whatever, you know, 30-minute chunk of it he saw was
00:30:45
◼
►
to him because he was completely enthralled and then could not stop talking about the
00:30:49
◼
►
iPad. And you know flash forward 10 years and his favorite device is in fact an iPad
00:30:57
◼
►
and he uses it all the time. So you know he's an iPad kid. Thanks Steve.
00:31:04
◼
►
I love that. I mean that he was caught up in it. I feel like I was caught up in it as
00:31:09
◼
►
well. Like I mentioned on the show I was watching the I was watching Steve through the intro
00:31:14
◼
►
I was like, I should buy an iPad Air 2.
00:31:17
◼
►
It'd be so amazing to read the New York Times.
00:31:20
◼
►
And then I was able to break out of it
00:31:21
◼
►
not too long after, thankfully.
00:31:23
◼
►
But it will get ya.
00:31:26
◼
►
- It's dangerous.
00:31:28
◼
►
- It's very dangerous.
00:31:29
◼
►
Right, we have completed follow up and out.
00:31:33
◼
►
And we do have a couple of topics today.
00:31:35
◼
►
So why don't we take a quick break here and jump right in.
00:31:39
◼
►
This episode of Upgrade is brought to you by Squarespace,
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◼
►
the all-in-one platform that makes it fast and easy to create your own professional website,
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portfolio and online store. For a free trial and 10% off, visit squarespace.com and enter
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the offer code UPGRADE at checkout. When it comes to giving yourself a place online,
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there is nowhere better than Squarespace, whether you're me, you or Jeff Bridges.
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Squarespace have made an incredible ad campaign for the Super Bowl, which I'm sure many of
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you would have seen during the Super Bowl features. The one I named is Jeff Bridges.
00:32:13
◼
►
Super Bowl! Super Bowl indeed. Jeff made a sleeping tape
00:32:19
◼
►
in collaboration with Squarespace. So basically it's like an album of music to help you sleep
00:32:24
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and dream. Mr. Bridges is all about the dreaming. They've made some really great videos like
00:32:29
◼
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they've made the ad but there's also some more videos of Jeff in a forest with a boom
00:32:33
◼
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mic and then sitting down in front of a MacBook to actually create your Squarespace website.
00:32:38
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And of course Squarespace have built a really great site to go along with this, which you
00:32:41
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can find at DreamingWithJeff.com.
00:32:44
◼
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And I wanted to bring this up because it is a great example of everything you can do with
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Squarespace.
00:32:50
◼
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If you go to DreamingWithJeff.com, you'll see a great website that looks good on loads
00:32:53
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of different devices, all the devices that you have, because it features responsive web
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It has an inbuilt music player, so you can listen to the album right there.
00:33:00
◼
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You can buy the album using the commerce platform.
00:33:04
◼
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And it basically just gives a really great overview of what you will get with Squarespace.
00:33:09
◼
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So go to DreamingWithJeff.com, you can check it out.
00:33:13
◼
►
They're giving away all the proceeds of people that buy the album to charity and it just
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◼
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shows how great a Squarespace website can be.
00:33:20
◼
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Go check it out, but you should sign up for Squarespace.
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They have 24/7 customer support, they have a great commerce platform, they have rock
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off your first purchase and to show your support for this show.
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◼
►
Thank you so much to Squarespace for the support of all of Relay FM.
00:33:51
◼
►
Squarespace.
00:33:53
◼
►
Go anywhere.
00:33:55
◼
►
A website on the internet you said?
00:33:57
◼
►
I have created a website on my computer that is not on the internet and here's the address.
00:34:02
◼
►
MacintoshHD/sites/Jason'scoolwebsite/coolwebsitepage1_is-this-file.html
00:34:19
◼
►
That sounds really good. I look forward to visiting that.
00:34:23
◼
►
Yeah, check it out. It's not on the internet, but you can get to it on my hard drive.
00:34:27
◼
►
I'll be right over.
00:34:31
◼
►
We have topics now.
00:34:32
◼
►
We should put a thing at the beginning of the show
00:34:34
◼
►
that says, "If you would like to skip the follow-up,
00:34:38
◼
►
please advance to 30 minutes in."
00:34:40
◼
►
- We could make it like one of those
00:34:43
◼
►
tech space adventure games.
00:34:45
◼
►
- Yeah, yeah, exactly, exactly.
00:34:48
◼
►
You need to know the cheat code to get to the...
00:34:50
◼
►
So here's the thing.
00:34:51
◼
►
One of the reasons I'm excited about doing this show
00:34:55
◼
►
every week is the follow-up.
00:34:57
◼
►
I've thought a lot about the problems of doing—I think it's an advantage of these sequential
00:35:01
◼
►
shows, shows that people listen to every week, is that it's telling an ongoing story and
00:35:07
◼
►
the follow-up is—not only does that allow the listeners to interact, but it also means
00:35:12
◼
►
that like sort of—there are these echoes that move through the episodes that as you
00:35:16
◼
►
listen to them you're like, "Oh yeah, I remember that and they said this," and it all kind
00:35:19
◼
►
of builds, and I think that's great.
00:35:20
◼
►
I think one of the challenges with it is if you do 30 minutes of follow-up at the beginning
00:35:24
◼
►
of the show. This is, I think, hypercritical I always felt this about, is I liked the follow-up,
00:35:29
◼
►
and yet I also felt like you go back and you want to listen to the TiVo episode of hypercritical,
00:35:34
◼
►
but you've got to go through 20 minutes of follow-up to get there, and it's follow-up
00:35:37
◼
►
from shows that you haven't listened to in ages. So it hurts on that. It's not like instantly
00:35:44
◼
►
accessible. You have to wait, or you have to just go through follow-up of things you
00:35:48
◼
►
haven't heard. And, you know, we don't do anything incomparable for a bunch of reasons,
00:35:52
◼
►
I always thought the way you could do it is just stick it all at the end, but the danger
00:35:57
◼
►
there is that then you never get to it. So I don't know what the best... short of putting
00:36:02
◼
►
in chapter marks, Myke, and that's not gonna happen.
00:36:05
◼
►
I like the chronology of having the follow-up at the front, because it's leading on from
00:36:16
◼
►
Well, like I said, that gives you, for regular listeners, I agree, I think that is the power
00:36:21
◼
►
of it. I think that's, like I said, that's why I was excited to do this show in this
00:36:24
◼
►
way is I listen to all these shows that have the follow-up at the beginning and I love
00:36:28
◼
►
the follow-up at the beginning and the other shows that I do don't have it. So I like that
00:36:34
◼
►
part of it but there's always that, the downside of it is that, you know, it's 30 minutes of
00:36:39
◼
►
talk before you, you know, it's not like follow-up isn't topics, it's just in a context that
00:36:47
◼
►
is lost if it's the first episode you listen to.
00:36:49
◼
►
I don't know I totally get that because it makes logical sense but I've listened to
00:36:56
◼
►
shows I've jumped into podcasts before and I've still drawn entertainment from
00:37:01
◼
►
listening to the follow-up I don't know maybe I'm crazy but I'm assuming that
00:37:06
◼
►
people well I know people don't go right back to the start and listen all the way
00:37:11
◼
►
but we do get new people every week so all right
00:37:14
◼
►
Rifola in the chat room suggests a follow-up sandwich so there's a term
00:37:18
◼
►
that we need to copyright immediately and steal from Rifola. Follow-up sandwich would
00:37:22
◼
►
be you start with a hot topic and then you move to follow-up and then you go on with
00:37:26
◼
►
the rest of the stories. I don't know, that feels a little choppy too. There's no, that's
00:37:31
◼
►
the beauty of this medium, this format is there's no right answer. We could try different
00:37:38
◼
►
things. We moved Ask Upgrade to the end, so you know, or near the end. I mean the big
00:37:45
◼
►
topic this week is Apple's huge results last week.
00:37:50
◼
►
Yeah, they were huge.
00:37:54
◼
►
That was a crazy thing the last Tuesday afternoon that Dan Morin and I were covering on Six
00:38:01
◼
►
You get to listen to Tim Cook talk, you get to listen to Luca, the CFO, talk about headwinds
00:38:08
◼
►
and foreign financial transactions and hedging and things that I do not understand because
00:38:17
◼
►
they are business and finance things. But you get Tim Cook dropping little tidbits here
00:38:21
◼
►
and there about sort of, again, I love that stuff about why, you know, why does Apple,
00:38:25
◼
►
what's it thinking? Why do they do what they do? What is their approach to this? And we
00:38:29
◼
►
got and we got some of that. There was a good ask upgrade item that we put in here from
00:38:38
◼
►
a listener whose name I did not translate,
00:38:40
◼
►
'cause one of the problems with the Ask upgrade
00:38:43
◼
►
is it just gives us the username.
00:38:44
◼
►
It's David, it's listener David,
00:38:47
◼
►
said, "How does Apple produce 34,000 iPhones an hour
00:38:52
◼
►
and still be supply constrained
00:38:54
◼
►
and ship them around the world?"
00:38:56
◼
►
It's a good question.
00:38:59
◼
►
Nine phones a second were sold in that three month span,
00:39:05
◼
►
nine iPhones a second.
00:39:07
◼
►
- Magic and robots.
00:39:09
◼
►
- It is hard to imagine.
00:39:13
◼
►
I mean, it's just, I said this,
00:39:15
◼
►
I can't remember where I said this.
00:39:17
◼
►
I think I said this somewhere,
00:39:18
◼
►
but maybe not on this show.
00:39:20
◼
►
It gets to the point, maybe it was on Clockwise,
00:39:22
◼
►
it gets to the point where the numbers are hard
00:39:24
◼
►
just for people to fathom.
00:39:26
◼
►
It's like the law of large numbers that we talk about
00:39:30
◼
►
is this idea that, I mean,
00:39:34
◼
►
and people misuse the term law of large numbers,
00:39:36
◼
►
But it's often used in terms of Apple in saying that at some point you're so big that you
00:39:40
◼
►
can't get -- you can't grow much, you can't get much bigger because the number's just
00:39:44
◼
►
too big to begin with.
00:39:46
◼
►
This is sort of the argument about Facebook growth will eventually be constrained because
00:39:50
◼
►
they will run out of human beings.
00:39:52
◼
►
I think though when we talk about large numbers with Apple, sometimes the problem is it's
00:39:58
◼
►
just hard for our brains to comprehend what it means that they made that many billions
00:40:02
◼
►
of dollars and sold that many iPhones.
00:40:04
◼
►
These are very large numbers.
00:40:06
◼
►
They're outside of the scope of our day-to-day experience.
00:40:10
◼
►
And when you look at the numbers too, you see how huge the iPhone is and it continues
00:40:14
◼
►
to be bigger.
00:40:15
◼
►
I mean, Apple is essentially iPhone incorporated with a nice side business of computers and
00:40:21
◼
►
iPads and iTunes and Apple Pay.
00:40:25
◼
►
But those are all like little cute little side businesses that on their own would be
00:40:29
◼
►
big businesses, but the iPhone just dwarfs them and every other tech company in, and
00:40:37
◼
►
maybe every other company in existence. It's hard to fathom.
00:40:44
◼
►
How do you think Apple feel about having their company so iPhone heavy, and do you think
00:40:51
◼
►
that it is a, or should be a concern to have one product line out of their maybe five or
00:40:58
◼
►
or six product lines drive that amount,
00:41:01
◼
►
that sort of percentage of revenue?
00:41:03
◼
►
- It's a good problem to have.
00:41:06
◼
►
I don't think anybody's going to turn down a product
00:41:10
◼
►
that is that successful and profitable,
00:41:13
◼
►
but I do think it's potentially distorting.
00:41:18
◼
►
And I've been thinking about this
00:41:21
◼
►
with regard to the Apple Watch.
00:41:24
◼
►
The Apple Watch is a really interesting product, right?
00:41:28
◼
►
But there are lots of interesting products
00:41:30
◼
►
Apple could come up with.
00:41:31
◼
►
In fact, Apple's got some interesting products,
00:41:33
◼
►
not just the Mac and the iPad, but like the Apple TV.
00:41:37
◼
►
And they say, "Well, are we looking at that?
00:41:38
◼
►
"That's an area of interest."
00:41:40
◼
►
But what's the Apple Watch?
00:41:42
◼
►
The Apple Watch is an iPhone accessory.
00:41:45
◼
►
It does not work without the iPhone.
00:41:47
◼
►
It is an iPhone accessory.
00:41:49
◼
►
And it may be very successful
00:41:52
◼
►
as a really, really great iPhone accessory
00:41:54
◼
►
because we know, I mean, looking at the other smartwatches
00:41:57
◼
►
that are out there, the only one that really even works
00:41:59
◼
►
with the iPhone is the Pebble, and as a Pebble user,
00:42:02
◼
►
I can tell you it doesn't work that well.
00:42:04
◼
►
They are sort of, it works despite the OS's issues
00:42:07
◼
►
with the Pebble, not because of.
00:42:10
◼
►
And so this thing is instantly going to be the,
00:42:16
◼
►
not just a cool piece of hardware
00:42:19
◼
►
and not just a fashion item,
00:42:20
◼
►
but it's going to be really the only way you would interact
00:42:25
◼
►
with a smartwatch and an iPhone because of that.
00:42:28
◼
►
It's not just Apple's trademark hardware
00:42:31
◼
►
and software integration, it's their hardware, software,
00:42:33
◼
►
and accessory connectivity to other hardware and software.
00:42:38
◼
►
It's this ecosystem integration on a really,
00:42:43
◼
►
not like ecosystem like there's a Mac over there,
00:42:45
◼
►
but it's like there's a watch and a phone
00:42:47
◼
►
and they're connected together just perfectly, seamlessly.
00:42:50
◼
►
This is the kind of product you make
00:42:54
◼
►
when you have a product as huge as the iPhone.
00:42:57
◼
►
The Apple Watch is exactly what kind of a product
00:43:04
◼
►
a company makes when they are the iPhone company,
00:43:09
◼
►
because it's an iPhone accessory.
00:43:12
◼
►
And I'm not saying that's not gonna be
00:43:14
◼
►
a really interesting product,
00:43:15
◼
►
but I was just thinking about it this weekend.
00:43:19
◼
►
It just, it feels,
00:43:20
◼
►
if the iPhone was as successful as the iPad and the Mac,
00:43:25
◼
►
the Apple Watch wouldn't be a thing, I think,
00:43:27
◼
►
or it wouldn't be the thing that it is,
00:43:29
◼
►
because you're only gonna sell it to a certain percentage
00:43:32
◼
►
of the people who have iPhones.
00:43:34
◼
►
And so you need this giant number
00:43:36
◼
►
in order to justify making that product.
00:43:38
◼
►
But they've got the giant number.
00:43:40
◼
►
They've got the giant number.
00:43:42
◼
►
What percentage of iPhone users need to buy an Apple Watch
00:43:44
◼
►
to make the Apple Watch bigger than the iPad and the Mac.
00:43:47
◼
►
There's a number and it's probably not that big.
00:43:51
◼
►
Not in saying they'll get there,
00:43:52
◼
►
but they could theoretically.
00:43:54
◼
►
- It seems like that the margins might be quite high,
00:43:58
◼
►
like if the rumored price is believed to be true, right?
00:44:02
◼
►
'Cause they're charging kind of like
00:44:04
◼
►
fashion accessory price lines, you know?
00:44:08
◼
►
There is a potential, maybe not initially
00:44:10
◼
►
'cause these things can be difficult to produce,
00:44:12
◼
►
But eventually there could be at least some models
00:44:15
◼
►
of the Apple Watch where the margins are quite good
00:44:17
◼
►
on it for Apple, maybe.
00:44:21
◼
►
So without putting a value judgment on it,
00:44:27
◼
►
I think the Apple Watch is a good example
00:44:29
◼
►
of what is probably a distortion from,
00:44:32
◼
►
again, I'm trying not to be negative about it.
00:44:34
◼
►
I'm trying to say this is behavior that is changed
00:44:38
◼
►
because the number that goes along with the iPhone
00:44:42
◼
►
and Apple TV is a different product
00:44:45
◼
►
and it's relying on Apple's ecosystem.
00:44:48
◼
►
And yeah, iPhone is a part of that,
00:44:50
◼
►
but it's the iTunes ecosystem
00:44:53
◼
►
and Macs and iPads and other things.
00:44:55
◼
►
And if you're prioritizing,
00:44:57
◼
►
when the iPhone gets this big, I feel like,
00:45:01
◼
►
any math you do about what kind of products
00:45:05
◼
►
should you do next comes back to,
00:45:08
◼
►
well, yeah, but look at this iPhone.
00:45:09
◼
►
It's like, should we do more iPhones?
00:45:11
◼
►
should we do things that we sell to iPhone users?
00:45:14
◼
►
Because even if you sell a small percentage of,
00:45:19
◼
►
sell a product to a small percentage of those users,
00:45:21
◼
►
that number is just so large now that, you know,
00:45:25
◼
►
it's, I don't think this is ever gonna happen,
00:45:27
◼
►
but I think it's worth just as an exercise, ask yourself,
00:45:32
◼
►
what would the decisions that an Apple
00:45:35
◼
►
that just had the Mac and the iPad,
00:45:40
◼
►
or the Mac, the iPad, and an iPhone that was at the same sales level as the Mac and the
00:45:45
◼
►
iPad, they're roughly comparable in terms of revenue. What decisions would that company
00:45:49
◼
►
make in terms of its product direction and development? And what decisions does the real
00:45:53
◼
►
Apple make? And, you know, those decisions are going to be different, I think, because
00:45:59
◼
►
I don't think it's a question of like, there's only one path forward. I think there's a question
00:46:02
◼
►
of there are lots of paths forward, which paths do we choose to walk down? And how much
00:46:06
◼
►
do energy do we invest in them? And the existence of the iPhone is this great success, you know,
00:46:12
◼
►
that is going to lead you down those paths, the paths that are fed by and can feed the
00:46:18
◼
►
iPhone. I think it benefits, ultimately, I do think the Mac and the iPad benefit to a
00:46:23
◼
►
certain degree just because there's so much money, and it makes Apple successful, and
00:46:27
◼
►
there's a halo around the iPhone that extends to those products. But, you know, at the same
00:46:32
◼
►
time if you stand up and say, "Yeah, the iOS for iPads, you know, that interface and
00:46:37
◼
►
software should be better," you may get a lot of agreement even inside Apple, even inside
00:46:43
◼
►
the iOS development team that the iPad could be a better product, that iOS could be tuned
00:46:47
◼
►
more for the iPad. At the same time, look at the numbers. What are you going to prioritize?
00:46:53
◼
►
It's very difficult to prioritize the iPad ever, I think, when you look at the iPhone.
00:46:59
◼
►
So it's a challenge.
00:47:01
◼
►
It's fascinating to look at that number and try to imagine what that does to a company's
00:47:09
◼
►
Lester Jeff wrote in and related to this and said, "Has the iPhone become a little boring
00:47:15
◼
►
into mainstream?
00:47:16
◼
►
Is it time for Apple to do something with the next major model that either does something
00:47:20
◼
►
interesting hardware or software wise?
00:47:22
◼
►
I'd personally like them to incorporate some gesture-based maneuvers for app switching,
00:47:26
◼
►
for example."
00:47:27
◼
►
bad idea, Jeff, but I think what I would say is boring and boring mainstream when
00:47:34
◼
►
it is this making this much money. Again, how motivated is Apple to do something
00:47:40
◼
►
big that's like different? Other than wanting to improve things, but I think
00:47:45
◼
►
there's also a feeling like why would you mess up the thing that's doing so
00:47:49
◼
►
crazily well? And I guess this is one of those things that I always hear on ATP
00:47:53
◼
►
that John Siracusa especially talks about, which is this, you know, the idea that success
00:47:59
◼
►
hides a lot of problems. And I think this is one of those good examples, which is at
00:48:05
◼
►
some point, if the iPhone really could make a step and be that much better, is there a
00:48:12
◼
►
point at which Apple would be hesitant to do that because it's just too successful now?
00:48:19
◼
►
I mean, the counterargument would be back in the day, and this is in Apple's DNA, I
00:48:22
◼
►
really do believe is that the iPod mini was the biggest selling iPod and they killed it
00:48:27
◼
►
and replaced it with the Nano because they thought it was better. And you would like
00:48:32
◼
►
that to be part of this company's culture that they will not be afraid to make a big
00:48:37
◼
►
change. But at the same time, they are not going to want to alienate their existing iPhone
00:48:43
◼
►
audience. I don't know.
00:48:45
◼
►
- Yeah, sure. - What do you think?
00:48:47
◼
►
- I think boring and mainstream is a little harsh.
00:48:52
◼
►
I don't think I would agree with that.
00:48:55
◼
►
I think it's always good and fun to have new things,
00:48:59
◼
►
but I don't, by kind of, I don't think necessarily
00:49:03
◼
►
that gestures like the pre would then make the iPhone
00:49:08
◼
►
not boring if your current concern is that it's boring.
00:49:11
◼
►
I don't really, considering the phone
00:49:15
◼
►
significantly changed form factor. Like I don't think you can get bigger than that.
00:49:20
◼
►
- The six is a big thing. I wrote a piece on Macworld back in April of last year titled "Apple is not here to entertain you."
00:49:32
◼
►
And it came out of a conversation I was having with Rene Ritchie over lunch in Petaluma, actually, after we did one of the Twitch shows.
00:49:40
◼
►
And the idea is, yeah, I get it.
00:49:45
◼
►
People want Apple to do new things,
00:49:46
◼
►
but Apple's business is not to keep analysts and reporters
00:49:50
◼
►
and even fans of technology entertained by new things.
00:49:55
◼
►
That's not their job.
00:49:57
◼
►
Their job is to make great products
00:49:59
◼
►
and have a successful business.
00:50:01
◼
►
And they do entertain us from time to time,
00:50:05
◼
►
but their job is not to like,
00:50:08
◼
►
'Cause it's like, you know,
00:50:09
◼
►
we have this incredibly successful product.
00:50:11
◼
►
Come on, that's boring.
00:50:12
◼
►
You already had that product.
00:50:13
◼
►
Give us a new product.
00:50:14
◼
►
Like, no, we're gonna keep doing this good product
00:50:16
◼
►
that we have.
00:50:17
◼
►
Entertain, you know,
00:50:18
◼
►
I get that it might not be as entertaining,
00:50:21
◼
►
but it's incredibly successful and a popular product
00:50:24
◼
►
and people like it.
00:50:25
◼
►
And so that's okay.
00:50:28
◼
►
As long as it isn't hiding problems.
00:50:31
◼
►
You know, I would hate for Apple to bypass
00:50:33
◼
►
a revolutionary change to the iPhone
00:50:35
◼
►
because they don't need to bother.
00:50:38
◼
►
but they seem to try very hard to not go down that path.
00:50:42
◼
►
- Should we address something?
00:50:46
◼
►
- Yeah, yeah, we should.
00:50:49
◼
►
Well, I want one more point on this just really quickly,
00:50:52
◼
►
which was I liked that Tim Cook talked about the iPad
00:50:55
◼
►
and gave it his, and it's in my transcript
00:51:00
◼
►
that I put on six colors about it
00:51:02
◼
►
'cause I transcribed everything Tim Cook said.
00:51:05
◼
►
I recorded and then I used those fast typing fingers
00:51:08
◼
►
to get a transcript of everything Tim Cook said in the call.
00:51:13
◼
►
And he makes his sort of impassioned defense of the iPad
00:51:15
◼
►
and says, look, it's obviously the refresh cycle,
00:51:19
◼
►
the buying cycle is not as rapid as it is for iPhones,
00:51:24
◼
►
but he's a believer in the category.
00:51:26
◼
►
I think it's interesting to watch that
00:51:27
◼
►
because iPad sales were flat and they're flat.
00:51:31
◼
►
iPad sales are flat.
00:51:32
◼
►
So it's something to watch.
00:51:34
◼
►
It's interesting to see that Apple's not backing away
00:51:38
◼
►
from it in the sense that Tim Cook says that over time,
00:51:40
◼
►
he believes that this is a fantastic category.
00:51:43
◼
►
I also feel like the iPad is unfairly being compared
00:51:46
◼
►
to the iPhone because smartphones
00:51:49
◼
►
are just a different category.
00:51:50
◼
►
Smartphones do not follow the same laws
00:51:52
◼
►
as computers and tablets.
00:51:55
◼
►
It's much more, the iPad business is roughly
00:51:57
◼
►
the Mac business at this point, which is not bad.
00:52:00
◼
►
that's a good business to be in, but it's not the iPhone,
00:52:03
◼
►
and it's not gonna be the iPhone.
00:52:05
◼
►
So it's something that's worth watching,
00:52:07
◼
►
but I do think it's worth people checking out
00:52:10
◼
►
what Tim Cook said about the iPad,
00:52:11
◼
►
because it's a statement about how they believe in it,
00:52:15
◼
►
but that they're still learning what the issues are,
00:52:18
◼
►
and how often people are gonna buy a new iPad,
00:52:21
◼
►
because the iPads last, iPads last,
00:52:23
◼
►
and there's no subsidy to drive you
00:52:24
◼
►
to buy a new model every two years.
00:52:26
◼
►
- That's totally it.
00:52:28
◼
►
I think Apple in the long term, I believe,
00:52:31
◼
►
will need to get accustomed to the fact
00:52:34
◼
►
that people will upgrade their iPads
00:52:36
◼
►
as frequently as they upgrade their Macs or PCs.
00:52:39
◼
►
I think that that's the thing that they maybe hoped
00:52:45
◼
►
wouldn't be the case, naturally.
00:52:47
◼
►
But I think time is telling that that is kind of
00:52:51
◼
►
the way people treat these devices.
00:52:53
◼
►
- Yeah, well I mean you upgrade every two years,
00:52:55
◼
►
you'll upgrade an iPhone for $200,
00:52:57
◼
►
but that's because your phone company
00:52:59
◼
►
is paying the other three or 400.
00:53:01
◼
►
And the iPad doesn't, if the iPad was 199,
00:53:05
◼
►
maybe that would be the case, but that's just not,
00:53:08
◼
►
and that's just not how it works.
00:53:09
◼
►
It's not how it works.
00:53:11
◼
►
- Do you know what, I still don't even think
00:53:12
◼
►
that that would be it.
00:53:13
◼
►
I think it's the inertia of the contract ending
00:53:17
◼
►
that pushes people.
00:53:20
◼
►
- And it just isn't there. - Because they can't do it.
00:53:21
◼
►
Yeah, and there just isn't a thing.
00:53:23
◼
►
- Right, you could argue that most of the phone's
00:53:26
◼
►
Phone life can be much longer than two years too.
00:53:29
◼
►
Maybe not as long as an iPad, but longer than it is.
00:53:32
◼
►
But if you're on a contract cycle,
00:53:34
◼
►
it makes it that much easier.
00:53:35
◼
►
You actually, in the US, the way the contracts
00:53:38
◼
►
generally have worked up to now, some are changing this,
00:53:41
◼
►
but generally the phone companies calculated out,
00:53:45
◼
►
their subsidy is covered in two years,
00:53:47
◼
►
and your contract is two years.
00:53:49
◼
►
You can keep your phone for three years.
00:53:50
◼
►
They don't make your bill, in most cases, any lower.
00:53:55
◼
►
So you're motivated to get a new phone every two years
00:53:58
◼
►
because otherwise you're just handing money back
00:54:02
◼
►
to the phone company.
00:54:04
◼
►
So there's actually a bunch of motivations.
00:54:08
◼
►
Now that is changing.
00:54:09
◼
►
Some of the plans now are more specifically subsidy plans
00:54:12
◼
►
and you're paying extra for the length of the subsidy
00:54:15
◼
►
and not forever.
00:54:17
◼
►
And then there's less motivation to get a new phone
00:54:19
◼
►
right away because your bill goes down.
00:54:23
◼
►
Okay, we should make a note before we move on
00:54:26
◼
►
to our next topic that something crazy happened.
00:54:29
◼
►
I used to play a dice baseball game.
00:54:33
◼
►
This is gonna be right up your alley, Myke.
00:54:37
◼
►
A tabletop dice baseball game, a couple actually.
00:54:42
◼
►
And both of them had the same mechanic,
00:54:44
◼
►
which is if you rolled a certain set of dice,
00:54:47
◼
►
a certain dice roll,
00:54:49
◼
►
it's like D&D for sports nerds basically,
00:54:52
◼
►
is what I'm saying.
00:54:53
◼
►
There would be, I remember in the game that I played in high school, it was 38 was "Something Crazy Happens."
00:54:59
◼
►
It's like, almost everything else was just a normal play, but then the crazy thing would come up and you'd be like,
00:55:04
◼
►
"Oh, what happened?" And then something weird, there'd be a guy would be hit by a pitch or there'd be an injury or whatever.
00:55:10
◼
►
You, during the middle of the last segment, rolled 38.
00:55:14
◼
►
Yeah, I did.
00:55:15
◼
►
And all the crazy things happened simultaneously.
00:55:18
◼
►
So, you are now hearing me locally recorded. Up to this point you have heard
00:55:24
◼
►
the Skype recording. I apologize if it sounded below our usual standards.
00:55:30
◼
►
Basically, Skype seemed to be the catalyst for a catastrophic destruction of my Mac,
00:55:36
◼
►
in which my entire UI froze. The clock didn't move for five minutes and I had
00:55:44
◼
►
to suffer multiple restarts, I upgraded Skype, then it couldn't read or see any of my audio
00:55:52
◼
►
inputs or outputs. So after lots of troubleshooting and reading the K-base, here we are and I
00:56:00
◼
►
think we're okay and we can move on ahead. But it was kind of a catastrophic failure
00:56:06
◼
►
enough that we wanted to point it out at this point during the show and then move on from
00:56:12
◼
►
We survived, apparently.
00:56:15
◼
►
That's the rumor.
00:56:16
◼
►
You shouldn't say up to this point, "Now it all sounds good," because you don't know.
00:56:21
◼
►
We may be patching in, "You may have another failure here."
00:56:24
◼
►
It's possible, but probably not.
00:56:26
◼
►
Well, we'll address that one when we come to it.
00:56:29
◼
►
Sorry, wait for the next footnote.
00:56:30
◼
►
All right, do you want to talk, before we get to Ask Upgrade and the movie, do you want
00:56:34
◼
►
to talk about YouTube a little bit?
00:56:35
◼
►
Because this was a link you put in the show notes actually last week and we didn't get
00:56:39
◼
►
Yeah, I did want to talk about this.
00:56:42
◼
►
I'm actually currently listening,
00:56:43
◼
►
well before we started the show today,
00:56:46
◼
►
I was listening to an episode of Hello Internet,
00:56:48
◼
►
which is a show that everybody knows I love so much.
00:56:50
◼
►
And Brady and Gray were just about
00:56:52
◼
►
to start discussing this issue.
00:56:55
◼
►
So for the YouTube discussion, I haven't heard it yet.
00:57:00
◼
►
- This sort of advanced follow out.
00:57:01
◼
►
It's follow out with us having not heard it yet.
00:57:04
◼
►
- Yeah, I would assume that that's probably
00:57:06
◼
►
the way we could look at things.
00:57:07
◼
►
But I think that they are probably gonna have
00:57:10
◼
►
much better discussion about the YouTube side and it isn't really I don't really
00:57:14
◼
►
want to talk about YouTube per se so let me just set this up so basically
00:57:20
◼
►
musician Zoe Keating she is kind of being pushed by YouTube into signing the
00:57:27
◼
►
contract for the new YouTube music deal so basically at the moment she can
00:57:32
◼
►
currently decide whether if her music is used in a video if she wants to take a
00:57:36
◼
►
cut of the ads from it that's kind of the contract that she's currently on she
00:57:40
◼
►
then YouTube want to move her into a totally different contract which has
00:57:43
◼
►
totally different rules and regulations about the way that her music is done and
00:57:48
◼
►
she could be a pay channel and there'll be ads on everything and
00:57:51
◼
►
basically the stuff that she doesn't want to do. Now the reason I wanted to
00:57:55
◼
►
bring this up is because there was a bit of discussion on the day that you wrote
00:57:58
◼
►
a little piece, this is like a week or so ago, with people that are on YouTube,
00:58:02
◼
►
people that are not on YouTube and looking at how kind of YouTube owns this
00:58:07
◼
►
market and if you want to create videos on the internet you have to be on
00:58:12
◼
►
YouTube. Like there is nowhere else. You can be on other places but you will not
00:58:17
◼
►
get the critical mass that you want. If you want to get the audience the
00:58:20
◼
►
audience is there. And it made me think about what we do and the fact that there
00:58:24
◼
►
is not currently one single source and how important I think that that is for
00:58:31
◼
►
entertainment and media for there not to be one single source because you're
00:58:36
◼
►
you're destroyed. I am very intrigued looking at how Microsoft was
00:58:41
◼
►
completely railroaded by the European Union. That YouTube is not finding itself
00:58:45
◼
►
or Google is not finding itself in a sort of sticky situation with them.
00:58:48
◼
►
Because it is very much like they own the pipe, they own everything. It's all
00:58:53
◼
►
there, you have no say, there's nowhere else you can go. But I know that there's
00:58:56
◼
►
there's lots of different reasons as to why it was a problem for Microsoft. But I
00:59:00
◼
►
just look at it and think you are such a dominant force, you are such an
00:59:04
◼
►
incredible monopoly on the video streaming world. It scares me to think
00:59:12
◼
►
that somebody might come and try and do this to podcasts. And there are companies
00:59:16
◼
►
that are trying but they are not really... I don't... they're having success. I don't
00:59:21
◼
►
know how much they're succeeding though, you know? Well yeah, it's the... I mean the
00:59:26
◼
►
fact that podcasts are founded on RSS is a fundamentally decentralizing feature.
00:59:32
◼
►
that even when you have a big podcast directory like iTunes, in the end all
00:59:37
◼
►
iTunes is doing is pointing you back at an RSS feed that is elsewhere, and that
00:59:43
◼
►
has had this great democratizing effect, although it also, you know, not having an
00:59:49
◼
►
official central point for all podcasts does make it harder to find podcasts. I
00:59:53
◼
►
would argue that this is one of the great things about the iTunes directory
00:59:55
◼
►
for podcasts, is there is a place run by a company everybody knows that has a
01:00:01
◼
►
a directory of podcasts. And that's really good. You need to be in that directory. You
01:00:06
◼
►
don't have to be, but it's a really good place to go. People know that they can look on iTunes
01:00:11
◼
►
for podcasts. And it's like YouTube, except that Apple doesn't actually serve the files
01:00:16
◼
►
or, you know, they could remove you from the podcast directory, but they just don't care.
01:00:22
◼
►
It's a hands-off kind of thing. It's just the podcast directory is there for you to
01:00:27
◼
►
to use and it's decentralized behind it.
01:00:29
◼
►
And YouTube is not the case and it is scary.
01:00:32
◼
►
And yes, I'm sure Stitcher or some company like that
01:00:37
◼
►
would love to be able to be,
01:00:40
◼
►
it's not like, I think what would need to happen
01:00:46
◼
►
is there would need to be some sort of ground swell
01:00:49
◼
►
for a particular kind of technology
01:00:52
◼
►
or all the cars get only one way that they can.
01:00:57
◼
►
that podcasts get into cars are only two ways.
01:01:00
◼
►
And they're through Stitcher or, you know, Company X,
01:01:04
◼
►
and that's it.
01:01:05
◼
►
That would be the scary thing,
01:01:06
◼
►
because then they could really exert power and say,
01:01:09
◼
►
you know, if you wanna play,
01:01:12
◼
►
if you wanna be in the only place that most listeners go,
01:01:16
◼
►
then we have power over you.
01:01:18
◼
►
And that's where YouTube is right now.
01:01:19
◼
►
And it's scary because YouTube is,
01:01:21
◼
►
I mean, Gray called it a, it's a monopoly and a monopsony.
01:01:24
◼
►
It is the only market,
01:01:25
◼
►
and it is the only place for people to receive the goods.
01:01:29
◼
►
And it is, you know, it is the Soviet grocery store
01:01:32
◼
►
with the long bread line.
01:01:34
◼
►
My kids are huge YouTube fans.
01:01:38
◼
►
They are YouTube viewers.
01:01:39
◼
►
They watch YouTube like I watched sitcoms
01:01:44
◼
►
at four in the afternoon when I was a kid.
01:01:46
◼
►
I mean, like they don't need to watch "Gilligan's Island."
01:01:49
◼
►
They have YouTube and they watch it.
01:01:52
◼
►
That's what, that's their TV.
01:01:55
◼
►
and it's all on YouTube,
01:01:56
◼
►
and it all links to other things on YouTube,
01:01:57
◼
►
and all the creators are on YouTube.
01:01:59
◼
►
And maybe we'll get to the point
01:02:01
◼
►
where there's an alternative to YouTube.
01:02:04
◼
►
I'm sure people are trying,
01:02:06
◼
►
but Google's purchase of YouTube
01:02:08
◼
►
has turned out to be pretty powerful
01:02:10
◼
►
because that is the place.
01:02:12
◼
►
It's like its own genre, its own network,
01:02:15
◼
►
it is everything, and it is wildly successful,
01:02:19
◼
►
and there's a whole generation coming up now
01:02:23
◼
►
that is going to view YouTube as just the definitive place where all video lives. So
01:02:28
◼
►
it's, it's, it'll be interesting to see how it goes. In fact, I mean, I could see like
01:02:34
◼
►
five or ten years out a scenario where Google's, you know, what we think of as Google's big
01:02:40
◼
►
businesses, especially like the text ad stuff, is a lot less relevant, but Google controls
01:02:46
◼
►
all video advertising on the internet essentially with this, with YouTube.
01:02:50
◼
►
- I actually do believe, and I've been thinking about this
01:02:52
◼
►
recently, that in 50, 60, 100 years,
01:02:56
◼
►
Google will be remembered for YouTube primarily.
01:02:58
◼
►
I think that that is gonna be the thing
01:03:01
◼
►
that people will remember them for.
01:03:03
◼
►
I think it's that powerful. - It'll be like a trivia
01:03:04
◼
►
question, did you know that that Google search engine
01:03:06
◼
►
also was behind YouTube?
01:03:09
◼
►
- Yeah. - Wow, really?
01:03:10
◼
►
Both of those things were from the same company, yeah?
01:03:13
◼
►
In fact, Google bought YouTube, wow, they bought them, wow.
01:03:17
◼
►
I hope they spent a lot of money on,
01:03:19
◼
►
I mean, 'cause YouTube,
01:03:20
◼
►
I was trying to explain this to somebody,
01:03:21
◼
►
I think maybe it was on the talk show,
01:03:23
◼
►
'cause Jon Gruber's son is roughly my son's age.
01:03:26
◼
►
You know, YouTube is not like,
01:03:29
◼
►
even like a channel two showing "Gilligan's Island" reruns
01:03:33
◼
►
in the afternoon when I was a kid.
01:03:34
◼
►
YouTube is all the TV networks.
01:03:36
◼
►
YouTube is not like a TV network when I was a kid.
01:03:39
◼
►
It's all, it's television.
01:03:41
◼
►
Imagine one company owning all of television.
01:03:45
◼
►
For my kids' generation, that's what this is.
01:03:48
◼
►
It's not, that's why I think it's a good buy.
01:03:52
◼
►
And Minecraft, it's the same deal.
01:03:53
◼
►
Microsoft buying Minecraft,
01:03:55
◼
►
they're not buying a game,
01:03:59
◼
►
they're kind of buying the game.
01:04:02
◼
►
And between Minecraft and YouTube,
01:04:04
◼
►
you've pretty much described 80% of my kids'
01:04:09
◼
►
entertainment life over the last four years.
01:04:12
◼
►
- It's like it's not even so much it's all of the TV,
01:04:17
◼
►
It's everything you could ever want to watch.
01:04:20
◼
►
Like that's the difference.
01:04:21
◼
►
It's not just it's all the TV channels.
01:04:23
◼
►
It's like what do you wanna watch right now?
01:04:25
◼
►
Okay, it's on YouTube.
01:04:27
◼
►
Like because somebody is making it.
01:04:29
◼
►
Someone somewhere is making it.
01:04:31
◼
►
Like my nephew watches people,
01:04:35
◼
►
like videos of people unboxing toys.
01:04:37
◼
►
- Yeah, oh yeah.
01:04:39
◼
►
- And just showing toys on YouTube.
01:04:42
◼
►
Or he watches people play Disney Infinity.
01:04:46
◼
►
Like, it's just what he does.
01:04:48
◼
►
And it's just this crazy world.
01:04:50
◼
►
And I remember when he was like,
01:04:52
◼
►
maybe 18 months old,
01:04:55
◼
►
and he was playing with my iPhone.
01:05:00
◼
►
For the first time playing with my iPhone,
01:05:01
◼
►
he watches YouTube on my brother's,
01:05:04
◼
►
like his dad's iPhone.
01:05:06
◼
►
But I gave him my iPhone,
01:05:08
◼
►
and he navigated to the screen,
01:05:09
◼
►
and opened the folder in which he could see the YouTube icon.
01:05:13
◼
►
Like, and I was just blown away,
01:05:15
◼
►
because he didn't know where it was,
01:05:17
◼
►
but he saw that little red play button inside that folder
01:05:20
◼
►
and he knew what that meant.
01:05:21
◼
►
And then he started going around the recent history
01:05:25
◼
►
'cause he knew that was where the videos were in his mind.
01:05:29
◼
►
- That he's been watching.
01:05:31
◼
►
That's his remote control, right?
01:05:33
◼
►
That is his world, his entertainment view.
01:05:37
◼
►
Now I think that this is incredibly powerful
01:05:39
◼
►
and I think that YouTube fundamentally is a great thing
01:05:43
◼
►
because it enables that and it enables creation
01:05:46
◼
►
and it enables people to find a voice for themselves online.
01:05:49
◼
►
Anything like that is fantastic.
01:05:51
◼
►
The problem is when it becomes a business
01:05:53
◼
►
and it's the only option.
01:05:55
◼
►
I think that it,
01:05:56
◼
►
YouTube, the great thing about YouTube is not Google
01:06:01
◼
►
or the YouTube company.
01:06:03
◼
►
The great thing about YouTube is the people within it
01:06:05
◼
►
creating the stuff and like that's when it becomes a problem.
01:06:09
◼
►
So like with podcasts, we have all of the people
01:06:12
◼
►
but there is no company that is making us do anything.
01:06:17
◼
►
- And if you don't like your deal,
01:06:19
◼
►
you go somewhere else and get a better deal.
01:06:21
◼
►
- Yeah, because all of the companies
01:06:23
◼
►
that you might get deals with, there are other ones.
01:06:26
◼
►
- Right, and with YouTube, the Zoe Keating example
01:06:28
◼
►
that was chilling, and it's unclear whether this was just
01:06:30
◼
►
some overzealous rep or what, but the message was
01:06:34
◼
►
essentially, here are our new terms, you can either say yes
01:06:39
◼
►
or you can go away.
01:06:41
◼
►
- And where are you gonna go?
01:06:43
◼
►
- And where are you gonna go?
01:06:44
◼
►
- Like this is your living, what are you gonna do?
01:06:46
◼
►
- Yeah, it'll happen though.
01:06:48
◼
►
Some YouTuber or set of YouTube stars will do something
01:06:53
◼
►
where they go off of YouTube and all that's left on YouTube
01:06:59
◼
►
is pointers to this other place.
01:07:02
◼
►
And that'll, I mean, I think it's already happened,
01:07:05
◼
►
but not super successfully,
01:07:07
◼
►
but I feel like that will just keep happening.
01:07:09
◼
►
You're gonna try to,
01:07:11
◼
►
somebody's gonna try to establish a competitor
01:07:13
◼
►
and try to make deals with these YouTubers to come over.
01:07:17
◼
►
But it's scary for them because, you know,
01:07:19
◼
►
unless you're guaranteeing them revenue,
01:07:21
◼
►
you know, you're really risking,
01:07:22
◼
►
you're losing that ecosystem.
01:07:24
◼
►
'Cause not only do they have their followers,
01:07:26
◼
►
but those people are subscribed to, you know,
01:07:28
◼
►
20 or 30 different YouTubers
01:07:29
◼
►
and they're all kind of mixed in together.
01:07:31
◼
►
It's like leaving a TV network.
01:07:33
◼
►
You're out of the rotation over there
01:07:34
◼
►
and instead you have to remember to go to this other site
01:07:37
◼
►
and watch the videos over there, it's tough.
01:07:40
◼
►
I mean, that's the kind of mind share YouTube has.
01:07:42
◼
►
So yeah, I hope that doesn't happen for podcasting,
01:07:44
◼
►
but it would really,
01:07:45
◼
►
at this point it would really require
01:07:47
◼
►
some technological shift
01:07:52
◼
►
where somebody gets in somewhere
01:07:53
◼
►
that really opens the door to a huge audience
01:07:55
◼
►
and that's why I keep bringing up the car.
01:07:57
◼
►
And if it ended up that every car had Stitcher
01:08:01
◼
►
and that was the only way people were listening
01:08:04
◼
►
to podcasts and cars anymore,
01:08:06
◼
►
then we would all be like,
01:08:08
◼
►
"God, I guess we have to go to Stitcher
01:08:10
◼
►
and that would be scary."
01:08:11
◼
►
But I don't think it's gonna happen
01:08:12
◼
►
because I think in all those cases,
01:08:14
◼
►
it's like AppRadio and there'll be multiple options.
01:08:17
◼
►
Even if it ends up being, unfortunately,
01:08:19
◼
►
like you have to make a deal with somebody
01:08:21
◼
►
to get into the car.
01:08:23
◼
►
But even there, I feel like there will be
01:08:26
◼
►
some better independent options.
01:08:30
◼
►
- Yep, 'cause that's why we're not on Stitcher.
01:08:32
◼
►
Like, I've taken a look at some of their contract terms,
01:08:37
◼
►
and me and Steven, we just, we don't wanna sign it
01:08:41
◼
►
'cause we don't think we have to.
01:08:42
◼
►
So we're not going to.
01:08:44
◼
►
It's as simple as that.
01:08:45
◼
►
Like, we're perfectly fine with the audience that we have,
01:08:48
◼
►
and that audience grows,
01:08:50
◼
►
and that audience comes from where it comes from.
01:08:53
◼
►
I'm not really in the interest of signing
01:08:55
◼
►
my, our souls away, you know?
01:08:58
◼
►
All right, we should move on.
01:09:02
◼
►
Yes, so we should do some Ask Upgrade before we do our special inaugural movie segment.
01:09:10
◼
►
Would you like to tell our friends who is sponsoring Ask Upgrade this week?
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because he is not in the US.
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and you're trying to put together shipping at home
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in the evening and you've got your day job
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and shipping is a pain and you don't wanna wait.
01:10:06
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You don't have the time to wait at the post office.
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It's a great solution for that.
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And right now you can use our promo code,
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which is UPGRADE, the name of the podcast
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which includes a digital scale.
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click on the microphone at the top of the page
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I will endeavor to send,
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I've got a couple of packages to mail out now
01:10:55
◼
►
using stamps.com.
01:10:56
◼
►
I have to put together my care package for Myke.
01:10:58
◼
►
I haven't done that yet.
01:10:59
◼
►
And I'm sending a little care package to Dan Morin
01:11:02
◼
►
all the way in Boston.
01:11:03
◼
►
And I'm gonna put that together later today
01:11:06
◼
►
and stick it in my mailbox.
01:11:07
◼
►
And I'm not gonna even walk to the post office 'cause why?
01:11:10
◼
►
There are people there.
01:11:11
◼
►
I don't wanna deal with those people.
01:11:13
◼
►
- If anything, stamps.com is great
01:11:16
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►
for Jason Snell to send people gifts.
01:11:18
◼
►
And if that's not a reason enough to sign up
01:11:20
◼
►
so you can send gifts, then I don't know what is.
01:11:24
◼
►
- Care packages.
01:11:25
◼
►
It's important for my business.
01:11:27
◼
►
It's business development for the incomparable incorporated.
01:11:31
◼
►
Askupgradetime, just a few selected entries from the hashtag.
01:11:36
◼
►
Lister Brian wrote in to say,
01:11:38
◼
►
"Do you pirate movies or television?
01:11:40
◼
►
"If so, how do you explain this to your kids
01:11:42
◼
►
"or your future kids?"
01:11:43
◼
►
How do you explain this to your future kids, Myke?
01:11:45
◼
►
And is it different than jailbreak and app pirating?
01:11:50
◼
►
So I'll answer first.
01:11:53
◼
►
I don't pirate stuff.
01:11:54
◼
►
I will make a minor exception
01:11:56
◼
►
for things that are completely unavailable
01:11:58
◼
►
for purchase or rent.
01:11:59
◼
►
And even then I feel like I need to buy something
01:12:02
◼
►
in order to balance out my media karma.
01:12:05
◼
►
So for example, there was a period where Doctor Who
01:12:08
◼
►
was airing months in advance in the UK.
01:12:11
◼
►
And I bit torrented those and pre-ordered the DVDs.
01:12:16
◼
►
And I felt like, eh, it's a fair trade.
01:12:18
◼
►
And back in the pre-comicsology days,
01:12:22
◼
►
I would occasionally download comic torrents.
01:12:25
◼
►
And that would basically drive sales of,
01:12:29
◼
►
I would buy the trades or the hardcovers of those comics.
01:12:32
◼
►
And I wasn't downloading new issues.
01:12:35
◼
►
I was sort of like downloading the,
01:12:36
◼
►
"Oh, here's 50 issues of this comic."
01:12:38
◼
►
And I'd read them and I'd be like, "Okay."
01:12:40
◼
►
And then I'd buy the hardcover of that.
01:12:41
◼
►
So I don't do it much at all anymore.
01:12:44
◼
►
Like I said, unless there's something
01:12:46
◼
►
that's just totally unavailable in the US,
01:12:49
◼
►
and then occasionally I'll do that.
01:12:50
◼
►
Like, let's see, "Black Mirror," which is now on Netflix,
01:12:54
◼
►
was not available in the US for several years.
01:12:56
◼
►
And one of the incomparable people saw it,
01:12:59
◼
►
presumably on BitTorrent and recommended it highly.
01:13:03
◼
►
And I watched that through that means, but that's about it.
01:13:07
◼
►
I would say the only difference between that
01:13:08
◼
►
and something like app pirating for me
01:13:10
◼
►
is that without pirating,
01:13:11
◼
►
you are often harming a small business
01:13:14
◼
►
and with movie and TV show pirating,
01:13:15
◼
►
you're usually harming a huge conglomerate
01:13:18
◼
►
or set of conglomerates.
01:13:19
◼
►
I'm not sure that really makes it any better or worse,
01:13:21
◼
►
but it is different in that way.
01:13:23
◼
►
But anyway, yeah, that's my feeling about piracy
01:13:27
◼
►
is that at this point, I'm not using it
01:13:29
◼
►
to get around buying things.
01:13:31
◼
►
I'm using it occasionally to get around
01:13:33
◼
►
geographic restrictions or distribution problems
01:13:36
◼
►
or just an unavailability of something digitally,
01:13:39
◼
►
that happens.
01:13:40
◼
►
Sometimes for the incomparable, we have that
01:13:43
◼
►
where we're trying to talk about something
01:13:44
◼
►
that's not widely available.
01:13:46
◼
►
Or I've downloaded some British stuff early
01:13:50
◼
►
because we had, I did a Dr. Who recap
01:13:53
◼
►
with somebody in Scotland and it wasn't gonna air in the US
01:13:57
◼
►
until like four in the morning his time.
01:13:58
◼
►
So I downloaded the BitTorrent version, watched it,
01:14:00
◼
►
we talked and then I watched it again with my family
01:14:03
◼
►
on TV that night.
01:14:05
◼
►
So, and when I can I buy things
01:14:07
◼
►
in order to balance out the books.
01:14:09
◼
►
So that's mine.
01:14:10
◼
►
Myke, what about you?
01:14:12
◼
►
- I do feel like the balancing out the books thing
01:14:15
◼
►
should be like, that should make it okay.
01:14:18
◼
►
Like legally, like that should be fine.
01:14:21
◼
►
- It doesn't, but I feel better about it.
01:14:24
◼
►
I felt better about those Doctor Who downloads
01:14:26
◼
►
because I bought the DVD.
01:14:27
◼
►
It's like, all right, well look,
01:14:29
◼
►
I was not patronizing,
01:14:32
◼
►
I think I even recorded them when they aired in the US,
01:14:35
◼
►
just to feel better about having recorded them
01:14:37
◼
►
when they aired in the US.
01:14:38
◼
►
But ideally, yes, I should have waited patiently
01:14:41
◼
►
for them to air months later in the US,
01:14:43
◼
►
and watched those, and watched the commercials,
01:14:45
◼
►
and then felt good about it.
01:14:47
◼
►
But at least, like with the comics, it's the same thing.
01:14:49
◼
►
I downloaded a BitTorrent of whatever, of Invincible,
01:14:53
◼
►
and then I liked it, and then I bought the trades,
01:14:56
◼
►
or Why the Last Man, something like that.
01:14:57
◼
►
And it's not ideal, and I don't do that anymore
01:15:00
◼
►
because it's a lot easier to get that stuff legally
01:15:04
◼
►
through a digital means,
01:15:05
◼
►
'cause I was also reading comics on a device,
01:15:06
◼
►
I wasn't reading them on paper.
01:15:08
◼
►
So that made a big difference too.
01:15:10
◼
►
So, you know, but it doesn't,
01:15:13
◼
►
I don't think it absolves me legally,
01:15:15
◼
►
but I feel like it absolves me somehow morally,
01:15:18
◼
►
karmically in some way to have given the creator money after the fact?
01:15:24
◼
►
I mean obviously like before before people email us, yes I understand that if
01:15:31
◼
►
you are not being very careful with your settings, your peer-to-peer settings, by
01:15:39
◼
►
using BitTorrent you are helping other people find the stuff and I know
01:15:44
◼
►
know that that's that's probably the bigger problem but you know you can you
01:15:48
◼
►
can lock off your upload and not not be sharing out you're just but I'm sure
01:15:53
◼
►
they're you know anyway invincible by the way is a great comic book it is I
01:15:58
◼
►
thoroughly recommend it it's a favorite of mine so I'm gonna put that in the
01:16:02
◼
►
show notes which you can find at relay.fm/upgrade/21 or in your
01:16:07
◼
►
podcast app of choice right now. Indeed. So I've, my main reason for not pirating
01:16:16
◼
►
these days is I cannot be bothered with the aggravation of pirating. I find it to
01:16:22
◼
►
be a frustrating experience full of just things that I'm not interested in doing.
01:16:27
◼
►
That's the classic Steve Jobs line, right, when he announced the iTunes Store.
01:16:31
◼
►
One of the things he said was it's hard to use these peer-to-peer networks and
01:16:36
◼
►
the quality is questionable and the tagging is bad and it's hard to find the stuff and
01:16:41
◼
►
it's much easier to just go on iTunes and click a button. And you know, he was right.
01:16:46
◼
►
There is something to that. People will pay, not everybody, but a lot of people will pay
01:16:49
◼
►
for convenience. And so if you can make the legal means convenient and pirating is sort
01:16:55
◼
►
of fundamentally inconvenient in many or most cases, then you know, that makes a difference.
01:17:00
◼
►
Unless you're like literally like, I cannot and will not buy this, but that's a different
01:17:05
◼
►
approach than saying it's I'm willing to pay to get that convenience.
01:17:10
◼
►
So I just believe in streaming just please make it available like that's all I want just
01:17:16
◼
►
make it available I will pay like I will pay like when I was looking for the Princess Bride
01:17:22
◼
►
I googled for it and there were a bunch of like daily motion videos or whatever and I
01:17:27
◼
►
just ignored them until I could find the easiest way to pay and I went to iTunes like because
01:17:32
◼
►
I just don't want the aggravation. There are, I mean, I guess the only thing that I
01:17:36
◼
►
maybe do that's questionable is like I use like American Netflix via using a
01:17:42
◼
►
VPN. Cloak is my VPN of choice by the way. Big fan of that. I like Cloak a lot.
01:17:48
◼
►
Getcloak.com. Works on iOS and Mac. It's really fancy. I'm a big fan.
01:17:54
◼
►
But, so you know, sometimes I will do that. Like I will sign into
01:17:59
◼
►
American Netflix like we're watching Parks and Recreation at the
01:18:02
◼
►
moment and Amazon Prime Instant only has the first three seasons in the UK so to
01:18:09
◼
►
get more to get like seasons four to seven I can sign into American Netflix
01:18:12
◼
►
like I don't even understand why these things happen like okay I do but like it
01:18:18
◼
►
makes no sense to me like why do this just make it available to me like don't
01:18:22
◼
►
don't make me do this you are making me want to pirate like season three ended
01:18:27
◼
►
in like 2010. Come on! Anyway, so Parks and Rec is a great show by the way.
01:18:34
◼
►
I'm enjoying it. Fantastic show. I'm really really enjoying it a lot. So that's kind of my
01:18:42
◼
►
thing. I do that. I use cloak. But I'm a paying customer of those services. So if I
01:18:47
◼
►
was in the United States of America that's what I would be seeing. But I'm not.
01:18:50
◼
►
I'm here. There's nothing I can do about it. All right. Well that's a good mini topic. I bet
01:18:56
◼
►
We'll have some feedback on that one.
01:18:59
◼
►
- Another Ask Upgrade, listener Chris said,
01:19:02
◼
►
"Podcasting is a large chunk of both of your careers.
01:19:04
◼
►
"How many hours a week do you guys spend
01:19:06
◼
►
"working on your shows?"
01:19:07
◼
►
What do you think, Myke?
01:19:09
◼
►
- This is so hard for me to answer now
01:19:12
◼
►
because it's literally all of my time, you know?
01:19:15
◼
►
Because there's so much more that goes into it.
01:19:18
◼
►
So like for example, for this show,
01:19:20
◼
►
for the like the standard pre-preparation,
01:19:24
◼
►
Jason puts the majority of the work in,
01:19:26
◼
►
he puts together the document, which is fantastic,
01:19:29
◼
►
and I love him dearly for that.
01:19:30
◼
►
And that's the same with most of my shows, actually,
01:19:33
◼
►
is that the co-hosts that I work with
01:19:35
◼
►
put together the document,
01:19:37
◼
►
and then I take care of all of the other bits, you know?
01:19:41
◼
►
Like, make sure that there's advertisers,
01:19:42
◼
►
and make sure that my Mac doesn't blow up.
01:19:46
◼
►
I didn't do very well doing that today.
01:19:49
◼
►
But you know, I do the editing and the posting
01:19:50
◼
►
and that kind of stuff.
01:19:52
◼
►
I don't know, maybe, let's say,
01:19:55
◼
►
We used to kind of say like, oh, for every hour
01:19:59
◼
►
that we record, it's probably an hour's worth
01:20:02
◼
►
of other stuff as well.
01:20:03
◼
►
And I think that that's still a pretty fair thing to say.
01:20:07
◼
►
But one of my big things is it's not even like active time
01:20:12
◼
►
working on the shows, it's thinking about them.
01:20:16
◼
►
I think about them all the time, you know?
01:20:18
◼
►
Like what can we do for this show?
01:20:20
◼
►
Like I have a little idea and then I put that in a document
01:20:23
◼
►
or why don't we try this and send a message to you.
01:20:26
◼
►
So there's so much even unconscious time, I guess,
01:20:31
◼
►
that goes into the now.
01:20:32
◼
►
But for me, it's all I do.
01:20:34
◼
►
I mean, it's probably different for you.
01:20:37
◼
►
- Because you do other things as well.
01:20:38
◼
►
But basically, all of my working time is on podcasts.
01:20:43
◼
►
But one of the big things is it's changing show by show now.
01:20:46
◼
►
It used to be very clear cut, I would do this,
01:20:49
◼
►
these are my responsibilities,
01:20:50
◼
►
these are responsibilities of my co-hosts,
01:20:52
◼
►
and this is how long it would take to edit.
01:20:54
◼
►
But now I have different shows
01:20:55
◼
►
that I edit in different ways,
01:20:56
◼
►
and I prepare for some shows differently to this show.
01:20:59
◼
►
So it's very flexible right now,
01:21:01
◼
►
but it's all of my working time.
01:21:04
◼
►
- Well, all of my shows are different.
01:21:07
◼
►
I mentioned this actually in a piece that we'll link to,
01:21:10
◼
►
which went up on Six Colors
01:21:13
◼
►
the day that we recorded this, February 2nd.
01:21:15
◼
►
It's about how I edit podcasts.
01:21:18
◼
►
And in there, I say,
01:21:20
◼
►
look, every one of my shows is different,
01:21:22
◼
►
and the amount of work that goes into it is different.
01:21:23
◼
►
You're absolutely right, there is this unconscious time.
01:21:26
◼
►
This is true about writing stuff too.
01:21:28
◼
►
There's the time where you're thinking about things
01:21:30
◼
►
that somebody on the outside would look at and say,
01:21:31
◼
►
"Look, you're not doing anything now,"
01:21:33
◼
►
but you actually are.
01:21:34
◼
►
And we have the Relay FM Slack group
01:21:36
◼
►
and there's stuff that shoots around in there
01:21:38
◼
►
that I think is informing what we end up with on the shows.
01:21:42
◼
►
There's a lot of stuff that's hard to define,
01:21:45
◼
►
but it's also true that there's the specific stuff.
01:21:48
◼
►
So yeah, on Friday afternoon,
01:21:50
◼
►
as I'm wrapping up my work week,
01:21:52
◼
►
I have that moment where I start to think
01:21:54
◼
►
about what am I gonna talk about on upgrade?
01:21:57
◼
►
And that kind of goes through the weekend
01:21:59
◼
►
and at some point on Sunday night or Monday morning,
01:22:03
◼
►
I will go through our document
01:22:05
◼
►
and start to cull things from the Ask Upgrade list
01:22:10
◼
►
and from Twitter and from email
01:22:12
◼
►
and think about what the topics are of the last week
01:22:14
◼
►
and what's worth talking about.
01:22:16
◼
►
And then there's the time to record.
01:22:19
◼
►
This show is different because you do the editing.
01:22:21
◼
►
So that's actually very different in terms of my time input
01:22:24
◼
►
because I'm really spending the time we spend talking
01:22:26
◼
►
and then the thinking about it beforehand
01:22:28
◼
►
and assembling a document,
01:22:30
◼
►
which isn't a massive amount of time,
01:22:31
◼
►
but it's definitely time.
01:22:33
◼
►
For something like Clockwise,
01:22:35
◼
►
there's time spent booking guests
01:22:36
◼
►
'cause we have to book two guests every week.
01:22:39
◼
►
And I'm trying to do that more in advance,
01:22:41
◼
►
which actually saves me time
01:22:42
◼
►
because I can send out invitations
01:22:43
◼
►
and try to schedule people weeks in advance
01:22:46
◼
►
instead of every week having to try
01:22:48
◼
►
and beat the bushes and find a couple of people
01:22:51
◼
►
who are free at that particular time.
01:22:53
◼
►
So that takes time.
01:22:54
◼
►
And doing the show doesn't take a lot of time.
01:22:57
◼
►
It's, you know, probably we're on Skype
01:22:59
◼
►
for about 40 minutes, but it's a half an hour show.
01:23:02
◼
►
So that's easy.
01:23:02
◼
►
And then the editing time is mostly me getting it to length.
01:23:07
◼
►
Like last week's show was 34 minutes long.
01:23:10
◼
►
So I had to pull four minutes of conversation out
01:23:12
◼
►
of a pretty tight show, which is hard,
01:23:15
◼
►
but that's the format.
01:23:16
◼
►
So that's what it is.
01:23:17
◼
►
For something like "TV Talk Machine,"
01:23:20
◼
►
which I do with the TV critic Tim Goodman,
01:23:22
◼
►
that's a Skype conversation.
01:23:23
◼
►
That's a two-person Skype conversation.
01:23:25
◼
►
I do almost nothing to that show.
01:23:26
◼
►
So we talk for an hour or a little bit less than an hour.
01:23:29
◼
►
And then in about 10 minutes, I've edited it and posted it
01:23:32
◼
►
because there's very little for me to do.
01:23:34
◼
►
I don't really, unless I note something where, you know,
01:23:37
◼
►
one of us had to, you know, had a technical problem
01:23:40
◼
►
or had to go talk to our kids who were being too loud
01:23:42
◼
►
or something like that,
01:23:43
◼
►
that's pretty much a just very straightforward kind of show.
01:23:47
◼
►
Something like "The Incomparable,"
01:23:48
◼
►
not only is there, there is scheduling time for that,
01:23:51
◼
►
but, and then those shows,
01:23:55
◼
►
recording sessions tend to be a couple hours long.
01:23:57
◼
►
And then that is, I posted a video of my edit process
01:24:01
◼
►
for an episode of "The Incomparable."
01:24:03
◼
►
That's a two to four hour long post-production for most.
01:24:07
◼
►
I'd say on average it's probably about two or three hours
01:24:11
◼
►
to do an episode of that.
01:24:12
◼
►
And that's, I edit that more,
01:24:15
◼
►
in a more detailed fashion than I do other shows.
01:24:17
◼
►
And part of that is the content of the show.
01:24:20
◼
►
And part of that is the number of panelists on the show
01:24:22
◼
►
and the fact that it's an unstructured conversation.
01:24:25
◼
►
So there's more interruptions that have to get smoothed out
01:24:27
◼
►
and all of that.
01:24:28
◼
►
And then the total party kill is, you know,
01:24:30
◼
►
that's a totally different commitment because that's a,
01:24:33
◼
►
you know, three or four hour gameplay,
01:24:34
◼
►
which we usually have about a half an hour
01:24:36
◼
►
of technical frustrations at the beginning
01:24:38
◼
►
to get it rolling.
01:24:39
◼
►
But then it's just me having fun.
01:24:40
◼
►
And then over the course of several weeks,
01:24:43
◼
►
I have to go through the edit
01:24:45
◼
►
and do a less detailed edit than I do
01:24:47
◼
►
for something like the incomparable,
01:24:49
◼
►
but still, you know, I'm still looking for stray noises
01:24:52
◼
►
and things like that.
01:24:53
◼
►
So it varies.
01:24:54
◼
►
I numbered it up.
01:24:55
◼
►
I haven't tallied in a while
01:24:56
◼
►
how much time I spend on podcasts,
01:24:58
◼
►
but you know, I think it's pretty efficient.
01:25:00
◼
►
Like this podcast, I probably spend three hours a week on,
01:25:04
◼
►
and clockwise, I probably spend two hours a week on,
01:25:07
◼
►
and incomparable, I probably spend five hours a week on,
01:25:10
◼
►
and TV Talk Machine, that's probably like an hour and a half.
01:25:14
◼
►
So it varies based on what the show is.
01:25:17
◼
►
- But like, so like saying about that,
01:25:18
◼
►
that episode of "Connected" that we did.
01:25:20
◼
►
- Oh my God.
01:25:22
◼
►
- That took me between five and six hours to edit that.
01:25:25
◼
►
- Well, we talked about on one of your previous
01:25:27
◼
►
interview shows, we talked about the radio drama
01:25:30
◼
►
and the incomparable radio drama, you know,
01:25:32
◼
►
the first one and the second one too,
01:25:34
◼
►
they probably both took me 30, 40 hours to edit,
01:25:36
◼
►
but those are, you know, exceptions to the rule.
01:25:38
◼
►
There's the weekly cycle of like,
01:25:41
◼
►
this is what a regular episode is.
01:25:43
◼
►
And then there's the, it's just like anything, right?
01:25:44
◼
►
Then there's the week where you have to work above
01:25:46
◼
►
and beyond 'cause you're on some crazy project.
01:25:48
◼
►
And then you go back down and it's like,
01:25:49
◼
►
now we're back in kind of regular time mode.
01:25:52
◼
►
Anyway, I hope that answers your question, Lister Chris.
01:25:58
◼
►
You do the math, add it all up.
01:26:02
◼
►
But it varies, the recording time
01:26:05
◼
►
and the edit time can really vary.
01:26:07
◼
►
And then there's the prep time that can vary.
01:26:09
◼
►
But it's not, I get the impression from some people,
01:26:11
◼
►
it's like I can't believe you do like you do what six shows and I do five four a week six weekly shows and four weekly
01:26:17
◼
►
Shows and there's like how do you have time for anything else? And for me the answer is
01:26:21
◼
►
It's a part-time job. It is a big chunk of my time, but it's still not
01:26:27
◼
►
You know, it's you can do the math there, but it's less than 20 hours a week that I spend on this
01:26:35
◼
►
Could do more but I'm not gonna
01:26:39
◼
►
Yeah, you can do more. Trust me. I do. But like, you know, for me, it's, it's, it's,
01:26:43
◼
►
there's so much more, you know, now than for me to do than there ever was before with all
01:26:49
◼
►
of my arrangements. Because we run the machine. And, and that, and the machine takes a lot
01:26:57
◼
►
of oil to get it to run.
01:26:59
◼
►
Right. Well, there's the running the business part of it too, that is totally, that's not
01:27:04
◼
►
on every show. That's like running your business. It's separate from the shows, but that's also
01:27:08
◼
►
and I have that with the incomparable and six colors both.
01:27:11
◼
►
Brian, real time follow up,
01:27:14
◼
►
Brian Hamilton asks in the chat room,
01:27:15
◼
►
how does, how do my sound quality standards
01:27:18
◼
►
shift between shows?
01:27:19
◼
►
- That's a really good question.
01:27:22
◼
►
That is an excellent question
01:27:24
◼
►
'cause I do have different standards.
01:27:26
◼
►
- Yeah, me too, me too.
01:27:28
◼
►
Like I said, I do TV Talk Machine and I don't even record,
01:27:32
◼
►
I just use the Skype call.
01:27:34
◼
►
I don't even have Tim record his end.
01:27:37
◼
►
And my two reasons for doing that is,
01:27:39
◼
►
generally our Skype call is very good quality,
01:27:42
◼
►
and we're both local, we're both in the Bay Area,
01:27:45
◼
►
it's very good quality, it's fine.
01:27:48
◼
►
And two is, he's not a super technical guy,
01:27:51
◼
►
and I kinda just don't wanna walk him through the steps
01:27:54
◼
►
every week of doing his own recording
01:27:56
◼
►
and then getting it to me.
01:27:57
◼
►
And if it was a problem, I would probably go through
01:27:59
◼
►
and set him up with Dropbox,
01:28:00
◼
►
and set him up with Call Recorder and all of that,
01:28:02
◼
►
but it's never been a problem, and I don't wanna bother.
01:28:05
◼
►
So my standards are a little lower,
01:28:06
◼
►
But since it's only two people talking
01:28:08
◼
►
and it generally is of good quality,
01:28:10
◼
►
it's good enough for me.
01:28:11
◼
►
And I still do take the two tracks
01:28:13
◼
►
and noise gate them and compress them
01:28:15
◼
►
and do some stuff with them.
01:28:16
◼
►
But I don't ask for a self-recorded track for him.
01:28:18
◼
►
And that's the only show I do like that.
01:28:21
◼
►
All the rest of them, you know,
01:28:23
◼
►
it varies somewhat,
01:28:25
◼
►
but I try to have everybody record their end.
01:28:28
◼
►
And then it's just a matter of what you prioritize.
01:28:30
◼
►
With "Incomparable," I'm prioritizing overtalking
01:28:32
◼
►
and interruptions because that's a panel show.
01:28:34
◼
►
With Clockwise, because the format is so regimented,
01:28:37
◼
►
there's not a lot of overtalking and interruption,
01:28:39
◼
►
but it has to fit in 30 minutes.
01:28:41
◼
►
So that's what I prioritize is cutting it to fit.
01:28:44
◼
►
It just varies.
01:28:45
◼
►
In Total Party Kill, I'm all over the place.
01:28:46
◼
►
'Cause I told myself when we started doing that,
01:28:48
◼
►
that I wasn't gonna edit that heavily at all.
01:28:50
◼
►
And it turns out I edited about as heavily.
01:28:53
◼
►
In my Six Colors piece, I say I don't.
01:28:57
◼
►
I kind of edit that as heavily,
01:28:58
◼
►
almost as heavily as I do the incomparable.
01:29:00
◼
►
And that's, I probably shouldn't,
01:29:02
◼
►
because it takes too much time.
01:29:05
◼
►
But I kinda do.
01:29:07
◼
►
I kinda just get into the habit of saying,
01:29:09
◼
►
I wanna get out all those,
01:29:11
◼
►
all the over talking and all the weird,
01:29:12
◼
►
like people bumping their microphones
01:29:14
◼
►
'cause it sounds better.
01:29:16
◼
►
But sometimes it's just,
01:29:17
◼
►
what I said in that article,
01:29:18
◼
►
and Myke, I know we've talked about this too,
01:29:20
◼
►
is there's a spectrum.
01:29:21
◼
►
There's like on the one side,
01:29:22
◼
►
it's like my wife listens to a knitting podcast
01:29:24
◼
►
that literally they press record and then they press stop.
01:29:28
◼
►
And like the act of pressing record is in the podcast.
01:29:32
◼
►
And if they have to go away for a moment,
01:29:34
◼
►
they say, okay, we're gonna pause it.
01:29:36
◼
►
And then, and now we're back.
01:29:38
◼
►
They like literally there was no editing.
01:29:40
◼
►
And then on the other end of the spectrum
01:29:41
◼
►
is something that's like an NPR podcast
01:29:43
◼
►
or something that's like super edited
01:29:44
◼
►
within an inch of its life.
01:29:45
◼
►
And as you move from the one side to the other,
01:29:48
◼
►
it's just time.
01:29:49
◼
►
It's more and more exponentially increasing time.
01:29:53
◼
►
And you gotta decide every show is different.
01:29:55
◼
►
And that's what I found is every podcast that I do
01:29:57
◼
►
falls somewhere on that spectrum and it's different based on what the needs are of that
01:30:01
◼
►
show and I think that's absolutely true. The relay shows are more similar than my shows
01:30:06
◼
►
are but they're, but still every show is going to be different. You're editing someone else's
01:30:11
◼
►
show now too and that, the rocket, so that's got to be a different experience still.
01:30:15
◼
►
That's totally different. Editing a show that's not mine is weird. It's weird. I like to do
01:30:22
◼
►
it because whilst we're getting kind of the kinks worked out, I have the ability to help
01:30:29
◼
►
guide the show a little bit, which I quite like, so I can give them thoughts and stuff
01:30:36
◼
►
I like that.
01:30:37
◼
►
And also I would be listening to the show anyway, so I may as well make it part of my
01:30:41
◼
►
work at the moment, which is fun.
01:30:48
◼
►
But yeah, it's different.
01:30:50
◼
►
It's totally different because it's, I don't know, there's something strange about it because
01:30:54
◼
►
I don't know what's going to happen next.
01:30:56
◼
►
Like, if I'm editing something of my own, I kind of have a feeling of like, "Oh, I know
01:31:00
◼
►
I need to work on this bit."
01:31:02
◼
►
It's strange.
01:31:05
◼
►
It's just a different kind of experience.
01:31:07
◼
►
I probably won't edit Rocket forever.
01:31:09
◼
►
We're probably going to get someone to help us on it, but just for the time being, I am,
01:31:15
◼
►
which is a good thing.
01:31:16
◼
►
I like doing that for them to lend a hand.
01:31:20
◼
►
But I agree, different shows that we do, they're similar, but I do have different standards
01:31:28
◼
►
of the amount of time that I spend on shows.
01:31:32
◼
►
And that comes from audience size to the discerningness of the audience.
01:31:40
◼
►
So I feel like, and I believe there's listeners of The Pen Addict are less critical about
01:31:44
◼
►
audio then this is this show and if you listen to Bonanza well God help you
01:31:50
◼
►
that just rolls out as it rolls out you know it's just kind of there's just
01:31:55
◼
►
different different kind of different strokes for different folks I think
01:32:00
◼
►
yep too quick we have two more quick bits of ask upgrade that I'll just blow
01:32:07
◼
►
through here really quickly listener Yap wrote in to say every time I see
01:32:13
◼
►
Manchego cheese, I have to think about the Manchego vertical and send a picture of Manchego
01:32:17
◼
►
cheese. So I wanted to mention this only to throw in my Super Bowl fact. We had Manchego.
01:32:23
◼
►
Philip Michaels, Lisa Schmeiser, and their daughter came over for the Super Bowl. Always
01:32:28
◼
►
nice to have more people around for the Super Bowl. We had some Manchego. We had a nice
01:32:31
◼
►
cheddar that I got from Whole Foods. And some Gouda. So that's your cheese update, your
01:32:38
◼
►
cheese vertical update Super Bowl you missed the Super Bowl this year Myke
01:32:43
◼
►
you're sleeping so frustrating so that was the plan because I had something I
01:32:47
◼
►
needed to do this morning then I couldn't sleep oh just just read about
01:32:51
◼
►
the Super Bowl on Twitter themed I was awake for the entire Super Bowl I'm so
01:32:56
◼
►
annoyed because I really enjoy watching it but but didn't like I could have even
01:33:00
◼
►
watched it online but no I didn't I thought I was trying to sleep and I was
01:33:07
◼
►
just kind of reading Twitter when I couldn't sleep. Never mind, never mind. It looked like
01:33:11
◼
►
it was an exciting one.
01:33:13
◼
►
And last bit of Ask Upgrade is Peanut Gallery who said, "I wish for an iOS app that would
01:33:17
◼
►
let me listen to Relay FM live and participate in the live chat room," which I think is a
01:33:21
◼
►
good idea and I mentioned this in my monologue in the chat room earlier. I don't think a
01:33:28
◼
►
dedicated app for this is necessarily going to reach a big enough audience, but if you've
01:33:31
◼
►
got a--if somebody has a suggestion, if there's some app out there that does this, that would
01:33:36
◼
►
great I'd love to hear about it but if you are a developer of an iOS IRC app
01:33:42
◼
►
IRC chat app I guess C stands for chat IRC app you could probably make a nice
01:33:51
◼
►
differentiator of a feature by point it letting your users also point the app to
01:33:57
◼
►
a stream URL and do audio while you're in the chat room because that is a use
01:34:04
◼
►
for podcast fans. So I don't know about a dedicated app or not but if somebody
01:34:09
◼
►
knows something because that it happens that like you you set it to you set it
01:34:13
◼
►
to stream audio in the background and then you go to the IRC app and at some
01:34:16
◼
►
point there's memory problems and it quits the stream and you're not
01:34:20
◼
►
listening anymore. If only you knew the man in charge. Yeah, if only.
01:34:26
◼
►
Anyway. So this is going to be the first Myke watches a movie vertical. Yes. And
01:34:33
◼
►
And at the end of the episode, I will announce there is going to be another one next week.
01:34:38
◼
►
Which I'm excited about. But the Myke Watches a Movie vertical is brought to you by our friends
01:34:44
◼
►
at MailRoute.
01:34:46
◼
►
Yes, indeed. MailRoute is the sponsor of this vertical. Imagine a world without spam,
01:34:51
◼
►
viruses, or bounced email. You don't need to imagine it because it's real if you use
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MailRoute has made this a daily reality for me
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and it can do for you.
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They receive your mail, sort it,
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and then pass it on to your mail server,
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cleaned of all of that junk,
01:35:20
◼
►
all that bad stuff that you don't wanna see.
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It's easy to set up, it's reliable,
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it's trusted by not just me,
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but the largest universities and corporations out there.
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If you're a desktop user,
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◼
►
you'll find that the MailRoute user interface
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◼
►
super simple and effective. I always talk about this digest I get, which I find very
01:35:35
◼
►
entertaining. What subjects are spammers trying to send through their trends that happen?
01:35:40
◼
►
It's kind of hilarious, but I check that to see if there are any false readings, which
01:35:44
◼
►
there almost never are. It's maybe happened once in the last month. If I do find a good
01:35:50
◼
►
message in there, I click once and I can whitelist that person. They'll never be filtered again,
01:35:55
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and that mail is immediately delivered to my inbox. So it's super easy to use. And if
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So thank you to MailRoute for sponsoring the "Myke watches a movie" vertical and for filtering
01:36:36
◼
►
So The Princess Bride.
01:36:40
◼
►
Now can you please give a little bit of context to this movie?
01:36:45
◼
►
Because it's one of those films that is a cult classic, right?
01:36:48
◼
►
It is a cult classic.
01:36:50
◼
►
Why is that the case?
01:36:51
◼
►
Like, do you have any kind of feeling as to why The Princess Bride is a cult classic?
01:36:56
◼
►
So we talked about it in "Incomparable" episode 25.
01:36:59
◼
►
I think one of the-- so I was late to "The Princess Bride."
01:37:02
◼
►
I went off to college, and people were quoting lines
01:37:04
◼
►
from "The Princess Bride," and I had no idea what was going on.
01:37:08
◼
►
And then I didn't see the movie until I was maybe out
01:37:11
◼
►
of college even at that point.
01:37:13
◼
►
So I think for some reason, this movie is particularly quotable.
01:37:20
◼
►
I think the heightened--
01:37:24
◼
►
It's the storybook element that these are tropes
01:37:26
◼
►
that we're used to seeing in fairytales
01:37:29
◼
►
with a knowing and kind of postmodern,
01:37:34
◼
►
you know, knowing spin.
01:37:35
◼
►
There's a commentary on this kind of story
01:37:38
◼
►
that's happening inside the story.
01:37:40
◼
►
Plus it's got the framing device
01:37:41
◼
►
with Peter Falk and Fred Savage.
01:37:43
◼
►
So, you know, you're commenting on it as a story
01:37:46
◼
►
while it's happening.
01:37:48
◼
►
I think all of that is kind of mixed in there
01:37:50
◼
►
that this is very quotable.
01:37:53
◼
►
And I would say for the period in my life,
01:37:55
◼
►
when this came out, the reason that all the college students
01:37:58
◼
►
in my college were quoting it also is,
01:38:00
◼
►
you know, when you're younger,
01:38:04
◼
►
this is the kind of movie that is both familiar
01:38:06
◼
►
in the sense that it is an old fashioned fairytale
01:38:09
◼
►
and also, you know, beautifully different
01:38:13
◼
►
in that it is winking at the whole thing.
01:38:15
◼
►
And that's clever.
01:38:17
◼
►
And I think, especially when you're,
01:38:19
◼
►
you know, high school college age,
01:38:21
◼
►
You love that idea that somebody is taking this form
01:38:25
◼
►
that you've been seeing your entire life
01:38:26
◼
►
and is now playing with it and winking at it.
01:38:29
◼
►
So, but if I had to pick one thing,
01:38:31
◼
►
it's that it's just insanely quotable.
01:38:34
◼
►
- So when I first started hearing people mention
01:38:38
◼
►
the Princess Bride kind of on the internet
01:38:40
◼
►
and on shows like yours, there was something in my brain
01:38:45
◼
►
that got it mixed up with the Anne Hathaway movie,
01:38:48
◼
►
Princess Diaries and I was very confused as to why all of these nerds enjoyed the
01:38:54
◼
►
Princess Diaries so much. The Princess Diaries has a 6.2 on IMDb and it's about
01:39:03
◼
►
Mia Thermopolis has just found out that she is the heir to the apparent throne
01:39:08
◼
►
of Genovia so it's like a regular American girl who finds out she's a
01:39:14
◼
►
Princess basically it's so I was very confused but then once I was able to to
01:39:19
◼
►
break the confusion the interest in Hathaway is not in the Princess Bride
01:39:24
◼
►
she is not in the Princess Bride Julie Andrews not in the Princess Bride not at
01:39:28
◼
►
all not even a little bit it is interesting though that even though I
01:39:33
◼
►
have never seen this movie it has snuck into my conscience like I am aware of
01:39:37
◼
►
the references I am aware of inconceivable I am aware of would you
01:39:43
◼
►
like a peanut. You know, I am aware of these things. They have snuck in.
01:39:49
◼
►
I always find that interesting when you can relate to the reference and can even
01:39:56
◼
►
make the reference without actually knowing the source material. So that's
01:40:01
◼
►
one of those interesting things that happens in college.
01:40:03
◼
►
That's what happened to me in college at first too. It's like, "Hello, my name is
01:40:08
◼
►
Negan Montoya. You killed my father. Prepare to die. Oh yeah, I know that reference.
01:40:12
◼
►
I know it from other references, but not from the actual movie, but from the references!
01:40:17
◼
►
So, I have to make one brief aside, just to read verbatim from my notes.
01:40:25
◼
►
And my notes say, "Oh my, Robin Wright."
01:40:28
◼
►
"She is beautiful."
01:40:31
◼
►
"In this movie, she is just incredibly beautiful."
01:40:34
◼
►
I am only very familiar with her from House of Cards.
01:40:39
◼
►
House of Cards, right, sure.
01:40:40
◼
►
where of course she is also a beautiful lady, but she's younger, probably closer to my age
01:40:46
◼
►
in the Princess Bride. I was going to call it Diaries. She's very stunning and she's kind of
01:40:54
◼
►
in her look, the perfect look for a fairy tale princess. It makes perfect sense, right?
01:41:02
◼
►
And as well, the way that the movie starts, I find to be very interesting because it starts off as
01:41:08
◼
►
this idyllic romance story right and and it's it's very it's very well done I
01:41:15
◼
►
like that a lot because it's kind of like with is it care how do you say
01:41:20
◼
►
Carrie Carrie Elwes that's it Carrie Elwes and and Robin Wright are these two
01:41:25
◼
►
blonde beautiful blue-eyed you know like sure perfect fairy tale stars and it's
01:41:32
◼
►
like you know like soft focus lens you know they're like in love it's it starts
01:41:36
◼
►
off really well and I love how the young boy, is it Fred Savage, right?
01:41:42
◼
►
Yeah. He's just like, "Is this a kissing book?" And I just think it's so funny, like the way
01:41:47
◼
►
I just really enjoyed the way that it started. I have a real love for Andre the
01:41:52
◼
►
Giant, just in general. I was a pro wrestling fan as a kid and remember fondly
01:42:00
◼
►
watching Andre, you know, the biggest man in the world, you know, fighting Hulk Hogan.
01:42:05
◼
►
He apparently was given his lines phonetically for this because he doesn't he didn't speak
01:42:10
◼
►
English very well at all.
01:42:11
◼
►
No, no, he's French.
01:42:12
◼
►
French, yeah.
01:42:13
◼
►
Yeah, and does not, never did speak English very well.
01:42:16
◼
►
Yeah, but I would argue that it enhances that character that he's sort of this somewhat
01:42:23
◼
►
impenetrable, confusing giant man.
01:42:26
◼
►
It's like, yeah.
01:42:28
◼
►
And they paint him as quite simple as well, you know, because he's like, yeah, which is
01:42:32
◼
►
which is great and I really like that because when Inigo says to you know says
01:42:38
◼
►
right at the very end he's like is it Fezzik? Fezzik. Fezzik, like you have
01:42:45
◼
►
finally done something right like when they're making their escape right right
01:42:49
◼
►
there's a nice moment where where they're they're they're on the chase and
01:42:54
◼
►
and he said he wants to fight he wants to fight them and he says no no hide
01:43:01
◼
►
behind a rock and throw a boulder and throw rocks at them and he says my way
01:43:06
◼
►
is not very sporting. He's like upset he's like no that's not because he's a
01:43:11
◼
►
good he's a good guy he's not a bad guy. Vizzini is bad but Fezzik is a very nice
01:43:15
◼
►
giant person.
01:43:17
◼
►
Like he's Andre in this role is so fantastically terrible like
01:43:23
◼
►
yeah that's what's so good about him.
01:43:25
◼
►
It's endearing yeah it's endearing he is an
01:43:27
◼
►
endearing character and it is in part because he is not an actor and he's his
01:43:32
◼
►
lines are kind of you know muddled and and yet I think I think it works because
01:43:38
◼
►
of that I think it makes you love love that big that big lug yeah I mean
01:43:42
◼
►
because he's cast because he's the closest you can get to a giant to a
01:43:45
◼
►
giant yeah like he's seven foot tall also and he suffers with gigantism you
01:43:52
◼
►
know so he kind of has these larger-than-life features and he so he's
01:43:57
◼
►
kind of perfect for the role that they're fitting. One of the things that I
01:44:03
◼
►
really liked about the book, like the storytelling device, is when it would
01:44:08
◼
►
break to like the present day and then the grandpa would, the grandfather,
01:44:14
◼
►
would start to read the story back and you'd see the flashes of it happening.
01:44:20
◼
►
So like he would start to tell the story and it would be his narration.
01:44:23
◼
►
Where was I? And he'd start reading the parts and then start flashing
01:44:26
◼
►
around again. And I don't know if this is something that is intended and I wonder
01:44:32
◼
►
how you feel about that but you know when the grandson complains about
01:44:37
◼
►
certain ways that the story's going I had the feeling that his grandfather was
01:44:41
◼
►
changing the story. Ah interesting. Because he's like oh but you know such
01:44:47
◼
►
as they they shouldn't get away or whatever and he'd be like oh no wait
01:44:51
◼
►
just just let me continue because they seem to like at these points that the
01:44:54
◼
►
the story takes sharp turns. Well, but what goes against that is that there's a moment where he says,
01:45:02
◼
►
you know, what happens to Prince Humperdinck? You know, how does he die in the end? And he says,
01:45:12
◼
►
"No, he lives. He lives. He gets away with it." And the grandson says, "Jesus, Grandpa,
01:45:19
◼
►
"Why are you reading this book to me?"
01:45:21
◼
►
[ Laughter ]
01:45:24
◼
►
Yeah. -Yeah, I like that bit.
01:45:26
◼
►
I like that. -Yeah, the whole commentary,
01:45:28
◼
►
the, you know, "Stop with the kissing" and all of that,
01:45:30
◼
►
and, you know, that is a -- Yeah, it's a great --
01:45:33
◼
►
I think it's a great framing sequence to have them all,
01:45:36
◼
►
you know, commenting on the story as they go.
01:45:39
◼
►
Like, this is a fairy tale.
01:45:40
◼
►
We are listening to and watching a fairy tale as it happens.
01:45:45
◼
►
-I think single-handedly, the best scene in this movie
01:45:49
◼
►
is the whole scene when Wesley,
01:45:53
◼
►
who is the Dread Pirate Roberts,
01:45:55
◼
►
is scaling the wall and Inigo is waiting for him.
01:45:59
◼
►
And their whole back and forth,
01:46:01
◼
►
and then the very civil conversation that they have
01:46:04
◼
►
about their lives, and talking about how they got there,
01:46:08
◼
►
and then have the fantastic fight, which is so well done.
01:46:12
◼
►
'Cause there are so many parts of it where it's clearly,
01:46:15
◼
►
it is Mandy Patinkin and Carrie Elwes.
01:46:19
◼
►
Mandy Patinkin, like the guy from Homeland.
01:46:21
◼
►
I was like, oh my God, the guy from Homeland.
01:46:23
◼
►
That whole scene makes the movie.
01:46:28
◼
►
The movie could have been so much worse than it was
01:46:31
◼
►
'cause overall, I will spoil it,
01:46:32
◼
►
overall I really enjoyed this movie.
01:46:34
◼
►
That is just so, it's such fantastic, just everything.
01:46:39
◼
►
Comedy and just great storytelling,
01:46:41
◼
►
like the whole, it just worked so well for me.
01:46:45
◼
►
I really, 'cause it frames those characters so well.
01:46:48
◼
►
full of honor and like, you know, they will die for the cause.
01:46:54
◼
►
You seem a good man, I hate to kill you. You seem a good man, I hate to die.
01:46:57
◼
►
And you get the double, I'm not left-handed. I'm not left-handed either.
01:47:03
◼
►
Yeah, and then like, you know, one would knock the sword out of his hand, so he'd pick up the sword
01:47:08
◼
►
and knock the sword, and like no one would kill each other at that point. And I really love the
01:47:13
◼
►
the line, "There's not a lot of money in revenge."
01:47:15
◼
►
- Yeah. - "I'm in the revenge business."
01:47:17
◼
►
Like, that is just so fantastic.
01:47:20
◼
►
- That's like, one of my favorite lines in the movie
01:47:23
◼
►
is also where they're talking about
01:47:24
◼
►
the different sword techniques,
01:47:25
◼
►
and Mandy Patinkin says, "If he has studied his Agrippa,
01:47:29
◼
►
which I have,"
01:47:31
◼
►
so it's just, it's a non-segue, "which I have,"
01:47:34
◼
►
okay, Mandy Patinkin, angry Spaniard with a sword.
01:47:38
◼
►
And I like that he, you know,
01:47:40
◼
►
in the end, Cary Elwes knocks him out, right?
01:47:42
◼
►
He's not gonna kill him.
01:47:44
◼
►
This pirate that we don't know anything about,
01:47:46
◼
►
he's not gonna kill Inigo.
01:47:48
◼
►
He's a good guy.
01:47:50
◼
►
- Right, so this is where that leads
01:47:52
◼
►
to a big question for me.
01:47:54
◼
►
And please correct me if I've got something wrong here.
01:47:57
◼
►
So Wesley knocks out Inigo.
01:48:01
◼
►
He does the same to Fesic.
01:48:05
◼
►
He puts him in a sleeper hold.
01:48:06
◼
►
That whole thing is hilarious
01:48:07
◼
►
'cause there's no way Wesley would have survived that.
01:48:10
◼
►
Like, he's ribbed crushed.
01:48:14
◼
►
Which, that's a great, I love all of that as well.
01:48:19
◼
►
- Sleep well and dream of large women, he says,
01:48:23
◼
►
he leaves Fezzik behind.
01:48:24
◼
►
- That's good. - Be quotable.
01:48:26
◼
►
- Good line, good line.
01:48:27
◼
►
And then when it comes to Vizzini, he kills him.
01:48:31
◼
►
- Yes, well, Vizzini really kills himself,
01:48:34
◼
►
but he is the worst of them, right?
01:48:36
◼
►
He is the instigator of this and he's telling them to kill,
01:48:39
◼
►
That's why you see him say, "Throw rocks at their heads," and all that,
01:48:43
◼
►
and don't be sporting about it, just kill them.
01:48:45
◼
►
It's because Vizzini is, he's arrogant, he doesn't care if they die,
01:48:49
◼
►
he's just in it for the money, and then it's his own arrogance that kills him in the end,
01:48:54
◼
►
because he dies with his own poison.
01:48:58
◼
►
Which is funny.
01:48:59
◼
►
- Yeah, it's just... - Look over there, what is that?
01:49:02
◼
►
- I don't see anything. - It's just very interesting.
01:49:06
◼
►
Like, I get it, 'cause the other guys,
01:49:08
◼
►
they're just like hired help.
01:49:09
◼
►
- Yeah, right.
01:49:10
◼
►
Again, they're trying to make money.
01:49:13
◼
►
They're in it for the work.
01:49:16
◼
►
And you also get the sense that as it goes,
01:49:19
◼
►
they're increasingly uncomfortable
01:49:21
◼
►
with what Vizini is trying to do.
01:49:23
◼
►
This is not necessarily what they signed up for.
01:49:26
◼
►
And he's the instigator of it.
01:49:27
◼
►
So yeah, he ends up dying in the end.
01:49:29
◼
►
But even then, he doesn't end up dying
01:49:30
◼
►
at the hand of the man in black.
01:49:32
◼
►
He ends up dying at his own hand.
01:49:34
◼
►
He's just outwitted by the man in black.
01:49:36
◼
►
- Yeah, yeah, but he put poison.
01:49:40
◼
►
But yeah, he was always gonna kill him.
01:49:43
◼
►
- That's true, he did put poison in his cup, that's true.
01:49:46
◼
►
He did actually poison him and he died, this is true.
01:49:48
◼
►
- Like it wasn't like he was in the episode of Sherlock
01:49:52
◼
►
where the pills, right, where it's like this game of wits
01:49:57
◼
►
as to who's gonna take, do you know what I'm talking about?
01:49:59
◼
►
Like I think it's the second episode
01:50:00
◼
►
and they're playing that game of wits
01:50:02
◼
►
as to who's gonna take the pills.
01:50:04
◼
►
because he just like, you know, Wesley says that he built up an intolerance to the poison.
01:50:08
◼
►
Yeah, so they're both gonna drink the poison and yeah, exactly. Yeah, that's true, that's
01:50:13
◼
►
true. He does, he kills him. He sort of, I mean, he set up that he sort of deserves it.
01:50:17
◼
►
It's a great, it's a great death. Never go in against a Sicilian when death is on the
01:50:22
◼
►
line. Many deaths.
01:50:26
◼
►
Couldn't be as far from a Sicilian accent as possible, which I loved.
01:50:30
◼
►
It's just Wallace Shawn being Wallace Shawn.
01:50:33
◼
►
- He's an incredible voice.
01:50:36
◼
►
- So then we kind of get to the point where then
01:50:39
◼
►
Wesley is, he's caught buttercup and they're on their way.
01:50:44
◼
►
And we're treated to one of the most ridiculous scenes
01:50:48
◼
►
I've ever seen in cinema,
01:50:49
◼
►
which at this point I am enjoying.
01:50:52
◼
►
When they're tumbling down the hill.
01:50:55
◼
►
- And the noises they're making.
01:51:00
◼
►
and they show one part where like this the stunt double who's filling in for
01:51:05
◼
►
buttercup takes a terrible turn at one point yeah like it looks really painful
01:51:10
◼
►
so that that's kind of kind of beautifully ridiculous and then so there
01:51:16
◼
►
are some weird points in this movie right where it kind of it took me out a
01:51:20
◼
►
couple of times like so then when they're in the well right after that
01:51:23
◼
►
they get to the fire swamp and there's the big Muppet rodents that's why that's
01:51:27
◼
►
what I'm gonna talk about and the incredibly violent fight between Wesley
01:51:33
◼
►
and one of the the giant rodents that's where we see them he stabs the R.O.U.S.
01:51:38
◼
►
like multiple times with his sword yeah yeah and and he is bitten quite
01:51:44
◼
►
savagely a few times as well which is interesting is this the movie kind of
01:51:50
◼
►
didn't it didn't stick to anything like I felt like it kept changing around a
01:51:55
◼
►
lot but the whole time I'm entertained throughout it at all and I
01:52:04
◼
►
really like that this is such a weird and varied cast because then we're met
01:52:08
◼
►
by Mel Smith a British actor who plays the character known as the albino
01:52:16
◼
►
but Mel Smith is like he's familiar to me because he is a very famous
01:52:20
◼
►
British comedy actor and drama actor like he's been lots and lots and lots of
01:52:25
◼
►
British TV so it's just very peculiar to see some of the casting like it's just
01:52:30
◼
►
it's so out of left field a lot of a lot of it and it's like I never really they
01:52:36
◼
►
just didn't seem to be like a real kind of cohesion but not in a bad way just
01:52:41
◼
►
it's like I kept being surprised by the faces that I was recognizing you know
01:52:45
◼
►
right and then there's like the very peculiar pain machine suction machine
01:52:53
◼
►
yes which is which is really weird and then Wesley is killed and then they take
01:52:58
◼
►
him to the miracle worker mm-hmm I loved all of that who who is it that plays the
01:53:04
◼
►
miracle worker it's Billy Crystal yes because I knew I Carol Kane is his wife
01:53:08
◼
►
yeah that whole scene is just so fantastic it's very Woody Allen like
01:53:13
◼
►
Yeah, so it's a bizarre sort of like just a comedy sketch scene all on its own, but
01:53:18
◼
►
it's great. The miracle at the Miracle Max shop, he's like, "He's only, yeah,
01:53:22
◼
►
mostly dead is partially alive!" And Valerie, leave me alone, because she's like, "You're a liar!
01:53:30
◼
►
You can save him!" And yeah, that's a funny bit. They did a retrospective on the
01:53:36
◼
►
Princess Bride in a magazine that I was reading last year, and Billy Crystal and
01:53:39
◼
►
Carol Kane were interviewed and they said they'd be up for a Princess Bride
01:53:43
◼
►
sequel since they could play the part their parts without makeup now because
01:53:48
◼
►
they're very old yes they're like anciently old yeah that actual nobody
01:53:55
◼
►
really lives to kind of old because they're like witches and wizards I guess
01:53:58
◼
►
something along that line right and then we're treated to think so Wesley is
01:54:02
◼
►
brought back to life and just in just pure comedy saved by saved by indigo and
01:54:08
◼
►
- Yes. - And brought back to life.
01:54:11
◼
►
How he cannot function correctly.
01:54:14
◼
►
- Right, he's paralyzed basically.
01:54:16
◼
►
- And the way he moves his body around,
01:54:18
◼
►
it's just so incredible.
01:54:20
◼
►
Like, you know, to move his arm,
01:54:21
◼
►
he like has to get momentum from his other shoulder
01:54:25
◼
►
to like throw it around.
01:54:26
◼
►
And then the whole instigation of this episode,
01:54:30
◼
►
the Holocaust Cloak is brought up.
01:54:31
◼
►
- Yes, yes, listed among our list of assets
01:54:35
◼
►
is we also have a Holocaust.
01:54:36
◼
►
That's a funny scene because they're like,
01:54:38
◼
►
well, there's, you know, what do we do?
01:54:39
◼
►
There's too many guys down there.
01:54:40
◼
►
And then he says,
01:54:42
◼
►
"Oh, well, if we have a Holocaust cloak, then."
01:54:45
◼
►
And then they had to put Andre the Giant
01:54:47
◼
►
on the bonfire thing.
01:54:48
◼
►
And, "I'm the Dread Pirate Roberts," he says.
01:54:53
◼
►
- Like there's a few things about this.
01:54:55
◼
►
So one, like I love the introduction
01:54:58
◼
►
of the Holocaust cloak is great.
01:54:59
◼
►
It's like, I liked it, so I took it
01:55:01
◼
►
and the guy said I could have it.
01:55:04
◼
►
which is how Vesic says that he has it.
01:55:07
◼
►
But then there is no explanation.
01:55:09
◼
►
So I looked this up as to why he could be set on fire.
01:55:13
◼
►
- He's high up and also a giant, I don't know.
01:55:17
◼
►
- I looked it up and apparently a holocaust cloak
01:55:21
◼
►
is impervious to flame.
01:55:24
◼
►
- And I think that there is something
01:55:27
◼
►
Dungeons and Dragons related.
01:55:28
◼
►
- Interesting.
01:55:29
◼
►
- 'Cause I found a Yahoo Answers article.
01:55:33
◼
►
And one of the points in here, where does it say?
01:55:36
◼
►
oh here we go.
01:55:40
◼
►
Any who attack the wearer of the cloak
01:55:42
◼
►
must save versus magic or suffer 2d8 points of damage
01:55:46
◼
►
from the flames and any weapon they strike with
01:55:49
◼
►
must make a saving throw or be damaged as well.
01:55:52
◼
►
- There you go.
01:55:54
◼
►
- Now I only know about that from your show.
01:55:55
◼
►
I would not have understood any of that,
01:55:57
◼
►
but Total Party Kill has prepared me
01:55:59
◼
►
for the Holocaust Cloak. - It's good.
01:56:00
◼
►
Good, I'm glad to provide the service.
01:56:02
◼
►
So, so yeah, that the, uh, it works in that they, uh, they scare off the fear of the dread
01:56:08
◼
►
pirate Roberts combined with this horrible flaming giant thing moving toward them, scares
01:56:15
◼
►
off most of the guards.
01:56:17
◼
►
And then the guy with the gate key says, "I don't know what you're talking about.
01:56:21
◼
►
Oh, you mean this gate key here?"
01:56:23
◼
►
And he runs off and they get into the castle for the last momentous bit where you have
01:56:29
◼
►
have to save the princess and stop the six-fingered man who is Christopher Guest.
01:56:36
◼
►
More great actors in this movie. Well that's a nice showdown where he can't
01:56:40
◼
►
move too, right? And the prince is there and it's unclear whether he has any
01:56:46
◼
►
strength or not to get up from the bed but he talks the prince into giving up
01:56:51
◼
►
without a fight. Yeah what is the line he uses? Something about pain? To the pain.
01:56:57
◼
►
To the pain not to the death. Yeah, nice this great kind of like rousing speech as to how he will make you know
01:57:04
◼
►
He's life misery
01:57:06
◼
►
He'll cut off all of his arms and legs and
01:57:08
◼
►
Yes, as you keep and I'll tell you why
01:57:18
◼
►
Really enjoyed this whole scene as a lot of action in it and I like
01:57:23
◼
►
Diego's scene with his retribution, you know that that's that's a good scene
01:57:28
◼
►
And it kind of you know, it ends it ends nicely. Everybody's happy
01:57:33
◼
►
And the grandson ends up in having enjoyed the book and then you get you know
01:57:38
◼
►
The payoff the payoff as you wish as you wish at the end
01:57:42
◼
►
You know saying that somehow in some sort of time in some sort of like time-traveling timeline because how could it be?
01:57:49
◼
►
Yeah, because it's hundreds of years
01:57:52
◼
►
- Yes, well.
01:57:54
◼
►
Oh, that grandpa, he says crazy stuff.
01:57:56
◼
►
- I really enjoyed this movie.
01:57:58
◼
►
- Good, I'm glad.
01:57:59
◼
►
Were the accents acceptable to you?
01:58:00
◼
►
Because there were some Americans
01:58:02
◼
►
doing British accents in this movie.
01:58:04
◼
►
- It was, so I was confused by it a lot
01:58:10
◼
►
because I kind of couldn't understand
01:58:12
◼
►
where they were attempting to have this movie set.
01:58:17
◼
►
- That's 'cause Americans don't understand
01:58:18
◼
►
about regional British accents.
01:58:20
◼
►
It's just fairytale Britain is where it's set.
01:58:23
◼
►
- Well, there's just no-- - Except it's actually Florin,
01:58:24
◼
►
it's actually Florin and Gilder, so it's,
01:58:27
◼
►
which are currencies, but, you know,
01:58:31
◼
►
so theoretically that could be like Italy,
01:58:33
◼
►
but it's just, it's nowhere.
01:58:35
◼
►
But most of them, most people, with some exceptions,
01:58:38
◼
►
are trying on English accents to some degree,
01:58:41
◼
►
fake and not fake.
01:58:42
◼
►
- So my problem with it is there's no commitment.
01:58:45
◼
►
Like there's no, nobody will commit to a certain,
01:58:49
◼
►
So they will not get everybody to commit to a certain accent, right?
01:58:52
◼
►
Because you have a Spanish guy, you have a French guy,
01:58:55
◼
►
you have Americans pretending to be English,
01:58:57
◼
►
you have Americans that just don't even care and are just being American and
01:59:01
◼
►
saying they're Sicilian.
01:59:02
◼
►
Yeah. Well, it's more like there are New Yorkers in this movie.
01:59:07
◼
►
The Miracle Max and the, and the, uh, and,
01:59:10
◼
►
and Vizini are both sort of just doing New York accents and, and, and, uh,
01:59:14
◼
►
Miracle Max's wife, Valerie too.
01:59:17
◼
►
- So I had, even though everybody's talking British,
01:59:20
◼
►
well, a lot of the main characters
01:59:21
◼
►
are talking in British accents,
01:59:22
◼
►
and that's because it's medieval times.
01:59:24
◼
►
Many, many, many, many medieval time movies,
01:59:27
◼
►
everybody has British accents.
01:59:28
◼
►
I don't know where this started,
01:59:30
◼
►
but it seems like something that I've seen a bunch.
01:59:32
◼
►
I assumed that it was Italy,
01:59:34
◼
►
because Florin sounds, and Florian Gilder sounds Italian,
01:59:38
◼
►
and obviously you've got Vassini, who's Sicilian.
01:59:41
◼
►
Like, it just kind of made sense to me
01:59:43
◼
►
that it would be Italy.
01:59:44
◼
►
- Yeah, it is made up though.
01:59:46
◼
►
I mean, Gilder was a Holy Roman Empire currency,
01:59:51
◼
►
and a Florin was a, I think that was an Italian currency,
01:59:55
◼
►
and they're named, so Florin and Gilder
01:59:57
◼
►
are just named for currencies.
02:00:00
◼
►
It's the Florence currency was the Florin.
02:00:02
◼
►
So it's all made up.
02:00:04
◼
►
- The setting doesn't really give anything.
02:00:09
◼
►
- It kind of could be anywhere in the world.
02:00:10
◼
►
- Lots of hills and a little medieval city, and yeah.
02:00:13
◼
►
- But I enjoyed it.
02:00:15
◼
►
I really did enjoy it.
02:00:16
◼
►
- I'm glad you did.
02:00:17
◼
►
- My girlfriend didn't.
02:00:19
◼
►
- I don't know why she--
02:00:22
◼
►
No reasons given?
02:00:24
◼
►
- She just didn't think it was very entertaining.
02:00:27
◼
►
That was kind of her, she just didn't really--
02:00:29
◼
►
- She hates me now.
02:00:30
◼
►
I don't know how she's gonna feel after my next assignment.
02:00:36
◼
►
- What's your next assignment, Myke?
02:00:37
◼
►
- So I enjoyed this enough that I would like to do it again
02:00:41
◼
►
and we're gonna do it again next week.
02:00:43
◼
►
And this is because basically I know that The Princess Bride
02:00:46
◼
►
is kind of important to you, it's a movie that you enjoy.
02:00:50
◼
►
- I love it, yeah.
02:00:51
◼
►
- But there's a movie that is extremely important to you,
02:00:56
◼
►
that references are made and I don't get them.
02:01:00
◼
►
And it's about time that I do, and that's Real Genius.
02:01:04
◼
►
- So I'm going to watch Real Genius
02:01:06
◼
►
in between now and next week's episode,
02:01:08
◼
►
and we will do a second Myke Watches a Movie vertical.
02:01:10
◼
►
This is not gonna be every week, by the way.
02:01:12
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No. Although it may recur.
02:01:16
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Yeah, and I think there's a fun in it because you are obviously a man who very much enjoys movies.
02:01:25
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You know, The Incorporated shows that, of course.
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And I also very much enjoy movies, but I have big gaping holes in my movie history.
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And I don't even want to tell you about some of them,
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or we'll be doing this forever.
02:01:44
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And so I think, yeah, I think it might be fun.
02:01:46
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I think it might be fun.
02:01:47
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We're doing it at the end of the show,
02:01:48
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and people can choose if they want to listen or not.
02:01:52
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- I have one more note about "The Princess Bride"
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just to say one of the reasons
02:01:55
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that I think it's interesting and relevant
02:01:56
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is that the director of this movie is Rob Reiner,
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and I think one of the reasons people are,
02:02:03
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it's an interesting run of films for him,
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because Rob Reiner's first seven films are all
02:02:10
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consensus, critically acclaimed movies.
02:02:15
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It wasn't until his eighth film that he made a bad movie.
02:02:18
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His first seven are all kind of great.
02:02:21
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So his first feature was this,
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and he was known as a sitcom actor.
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He was Archie Bunker's son on "All in the Family."
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And then he made these movies.
02:02:32
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He made this a Spinal Tap.
02:02:33
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Have you seen this a Spinal Tap, Myke?
02:02:36
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- Oh, Myke, put it on the list.
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- We'll be doing it forever.
02:02:40
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- Then he made "The Sure Thing,"
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which is an 80s romantic comedy, teen sex comedy,
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but it's a really good one.
02:02:46
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Then he did "Stand By Me."
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Have you seen "Stand By Me," Myke?
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Then "The Princess Bride," then "When Harry Met Sally,"
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then "Misery," and "A Few Good Men."
02:02:58
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Those were his first seven movies.
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They're all pretty good.
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Then he made "North," not good.
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And since then, he has not made very many good movies.
02:03:07
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But those first seven are all pretty good,
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and you've probably not seen any of them,
02:03:13
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except "Princess Bride."
02:03:15
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- Let me look again.
02:03:16
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- Have you seen "A Few Good Men"?
02:03:18
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"Misery"? - No.
02:03:19
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- "When Harry Met Sally"?
02:03:20
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- Yes. - Okay.
02:03:21
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- I'm sorry.
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Anyway, anyway, so a great run of movies including This Is Spinal Tap which is also, This Is
02:03:32
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Spinal Tap, The Princess Bride, and When Harry Met Sally are all in my top 25 probably.
02:03:37
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So three movies from one director is pretty outstanding but he had a really good 1980s.
02:03:43
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Really good 1980s.
02:03:44
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I feel like the Myke watches a movie that could just be renamed the Jason is disappointed
02:03:50
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in Myke photo.
02:03:51
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That'll be a subtitle.
02:03:55
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Myke watches a movie, Jason is disappointed.
02:03:57
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But, you know, we'll get feedback from the listeners.
02:04:01
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I think putting it at the end is a good decision
02:04:03
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'cause people can just dump out
02:04:04
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if they don't wanna listen to us talk about a movie.
02:04:06
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But, you know, there's a precedent for this.
02:04:09
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I recall John Groover and Dan Benjamin
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talking about Bond movies.
02:04:12
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And if something comes up that it turns out you haven't seen
02:04:15
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and you feel like you need to see it,
02:04:17
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►
or I feel like you need to see it,
02:04:19
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then maybe we'll revisit this.
02:04:20
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So we will do "Real Genius."
02:04:22
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We will talk about that.
02:04:23
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'Cause why not?
02:04:24
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'Cause I want to watch it, I do want to watch it.
02:04:27
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I have to admit, I have listened to the entire episode
02:04:31
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of Defocus that you did.
02:04:32
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I am one of those people.
02:04:35
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- Who listens to podcasts about things
02:04:38
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they haven't seen or read.
02:04:39
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- Yep, which probably helps with my being able
02:04:42
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to get the pop culture references.
02:04:45
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- It's like you've seen it.
02:04:47
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So I will watch it, but I don't, I kind of listen to it,
02:04:52
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but when you listen to those things,
02:04:53
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It doesn't necessarily all go in, I don't think.
02:04:56
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But I am excited to see Real Genius.
02:05:00
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- Okay, it's very 80s, be prepared.
02:05:02
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Put on some leg warmers.
02:05:03
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- I'll do what I can.
02:05:05
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I didn't get a lot of the 80s, so this can be my 80s time.
02:05:10
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Thank you so much for listening
02:05:11
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to this week's episode of Upgrade.
02:05:14
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If you want to find the show notes for this week,
02:05:16
◼
►
you can check your podcast application of choice
02:05:19
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►
or go to relay.fm/upgrade/21.
02:05:22
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If you'd like to find Mr. Jason Snell on the internet, he is at SixColors.com and of course
02:05:27
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TheIncomparable.com as well, or he is on Twitter.
02:05:30
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He is @JSNELL, J-S-N-E-L-L-L.
02:05:33
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I am @imike, I-M-Y-K-E.
02:05:35
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This show is a production of TheGloriousRelay.fm.
02:05:39
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You can find our other shows at Relay.fm.
02:05:41
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Thanks again to our sponsors this week, Linda, Squarespace, Stamps.com and MailRoute.
02:05:47
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And thank you most of all for listening.
02:05:49
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We'll be back next time.
02:05:51
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Until then, buh-bye.
02:05:53
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[MUSIC PLAYING]