155: Apple Hardware Draft
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From Relay FM, this is Upgrade episode 155.
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Today's show is brought to you by Blue Apron, Ting, Encapsula and Mack Weldon.
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I am very excited about today's episode as we continue the Upgrade Summer of Fun.
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Summer of Fun!
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Summer of Fun!
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My name is Myke Hurley.
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I am joined by Mr. Jason Snell. Hi, Jason Snell.
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Hi, Myke Hurley. Are you having fun yet?
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I'm having the most fun.
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This is our Summer of Fun, and we have an extra special fun episode planned for today.
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How are you enjoying your Summer of Fun?
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It's wonderful, and I think what I really want to know is,
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how are you enjoying your Summer of Fun?
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Nobody cares about that, Jason Snell, because we have some amazing guests today!
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I would like to introduce co-founder of Relay FM, Mr. Stephen Hackett.
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Hello, Steven Hackett.
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Hello, Michael Hurley and Jason Snell.
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And host of Roboism on Real AFM, the wonderful Alex Cox.
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And the host of a fantastic show called Reconcilable Differences, and it's all he does, Mr. John
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Hello, everybody.
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Best known as host of Reconcilable Differences.
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No, I think best known as host of Robot or Not.
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Oh, yes, of course.
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How could I forget the number one smash hit of Robo or Not, where they talk about whether
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ships or robots or not. We have a very special episode today. We're doing a couple of really
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exciting things. The first of them is we're going to be doing an Apple products draft,
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which Jason will explain the rules for in a moment, which is why we have assembled this
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crack team of Apple enthusiasts. The second half is meeting a demand from John Siracusa
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that me and Jason and John must redo Myke at the Movies Blade Runner with the Final
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Cut edition. This is purely on John's demands, so that's going to be the second half of
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today's episode. Now, Jason, because we have done so many drafts and I have yet to
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understand how the rules of the draft work, can you please explain them for our participants
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and audience?
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Yeah, so what we're going to do today is we're going to do a draft where, in a series
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of rounds, everybody in this podcast will be able to choose something from a category.
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And in this case, the category is Apple Hardware.
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Hardware made by Apple at any point is eligible for this draft.
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Once you choose it, it's off the board, somebody else can't take it.
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And it's a way for us to discuss some of the great Apple hardware of history.
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We'll do a few rounds until we run out of time, you know, two or three, who knows.
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And we can, the person who picks the hardware will say why they picked it, and then we can
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have a little chat if other people want to chime in and then we move on to the next person.
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I believe one of the key parts of a draft, Myke, that you have gotten your head around
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is every draft needs an order. So do we have an order?
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We most certainly do. I consulted Random.org to generate an order for our draft and it
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will go as follows. First we'll be doing it on Syracuse, then Stephen Hackett, then it
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will be me, then Alex Cox, then Jason Snell. That is going to be our draft order for the
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I am always last to pick on the incomparable. I do it as a courtesy here. I just get randomly selected last. That's fine
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It's fine. I'm used to it. It's okay Jason. It's okay
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So I do before we begin our picks there's just something that I want to talk about real quick right now
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We are in our membership season at relay FM throughout August and in September
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We have a whole host of fun and exciting things that we do for our relay FM members
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Memberships start at $5 a month, and as a Relay FM member, you get access to a behind-the-scenes
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newsletter preview of upcoming shows that we're going to be putting on at Relay FM,
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a members-only podcast in which Stephen Hackett interviews a couple of hosts about a big topic
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every month, and also access to a feed full of bonus episodes of Relay FM shows that go
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throughout August and September.
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And what we have planned for upgrade is very special.
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If you remember last year, you may have heard me and Jason and CGP Grey.
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We did a text adventure together called Six Gun Showdown.
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Well we have another one, it's called Spooky Manor and it is unbelievable and we're all
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very proud of it.
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And that is going to actually be coming out this weekend.
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So as you're hearing this, if you become a Relay FM member or you're already a Relay
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FM member, that's going to be going live on Friday, August 25th.
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So you'll be able to hear us traverse through Spooky Manor, which Jason says with aplomb
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every single time.
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Yeah, I was going to say, it's not Spooky Manor, it's
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It's Spooky Manor!
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There you go.
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And I would say if you will want to hear this, we had a really good time and it came together
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really well.
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And you can only hear it if you are a Relay FM member.
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So you can show your support for this show by just going to our page at relay.fm/upgrade.
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You can sign up to support this show and become a member.
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But you will get all of this stuff if you're a member of any show of anything at Relay
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So go to relay.fm/membership, find out more, become a member, and you'll get access to
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a bunch of bonus content that's going to be happening throughout the month.
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So without further ado, we can hand over to Jon Siracusa.
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Jon, what is pick number one in the Apple product draft?
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Kind of excited that I got number one because we've done similar things to this before,
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where we ask a bunch of Apple enthusiasts who we all know,
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pick your favorite something from Apple.
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And in the past, it's been like, pick your favorite Mac.
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And a lot of people pick the same thing.
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So since I get the first pick, I'm going to pick it
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so nobody else can.
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My number one pick is the Macintosh SE30.
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I think, not universally, but by majority,
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declared the best Mac ever by people who should know,
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including me.
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- What about people that have never used it, John?
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What do they do?
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So here, let me outline my reasoning on this.
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First of all, the original Macintosh--
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we all know that little-- the cute little guy.
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It's all in all in one computer.
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It's taller than it is wide.
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The whole mouse graphical user interface, keyboard
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with no arrow keys on it.
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It's like a very important point in history.
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And that form factor lasted for a while.
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That was a Macintosh.
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And then you had the Macintosh Plus,
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which was just like the first one.
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You had the 512 and the Plus.
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And they all kind of looked the same.
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The surface details changed a little bit.
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At a certain point, the line started to branch out, sort of like the iPhone Plus.
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You get the Mac 2, which was not a cute little guy with a little screen and a little floppy
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disk mouth and everything.
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Instead, it was like a big, flat PC-looking thing, but it had color and it was big and
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fancy and expensive, and that kind of took the wind out of the sales of the cute little
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original Macintosh.
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It's like, "Oh, well, you've got the original Macintoshes, which are adorable, and then
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you've got like the big, professional, expensive, expandable thing with card slots and color
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and all that stuff."
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The SE30 was sort of the last great all-in-one Mac,
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because there had been, you know, the Mac 2 was already out
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and actually it's successor, the Mac 2X was out,
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even more powerful Mac 2.
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The Mac SE30 was essentially a Mac 2X
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in the original form factor, right?
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And the original form factor has a lot of things going for it
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as like black and white, nine inch screen,
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like just, it is the iconic original Mac.
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And this was the best one of those that they ever made.
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It was amazing internal, all shoved into this little tiny thing.
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And as for like the color and the power and everything, you could in fact add a 24-bit
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color card to this thing.
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24-bit color, not 16 colors, not 64 colors, not 256 colors, not 65,535 colors, but millions
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of colors in Mac parlance.
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So you could actually connect an external color monitor to this thing.
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That's how powerful it was that you could have two monitors and this little tiny computer.
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It was amazing.
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It was the best original Mac form factor and therefore the best Mac of all time because
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the original Mac is the best Mac.
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Yeah, as a fellow old person, I know we're telling stories about the before time for
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the rest of you, but John's absolutely right.
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I remember my first Mac was an SE.
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The SE30 was way more expensive, but it was definitely a cut above because it was Mac
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2 power, but still in one of those little plastic things that had its own handle that
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you just could pick it up and carry it around. But it had all that power in it, it was kind
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of mind-boggling how fast it was compared to an SE or like later the Classic. Those
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were all the kind of baseline standard computer, whereas this was like, if you think about
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the first Mac, this is the Pro. This is the Mac Pro. The one time that they made that
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original Mac shape with the Pro-level hardware in it instead of sort of the base-level hardware.
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And yeah, people loved it.
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And expansion even, like how they managed to get exp— like how can you have— there's
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no card slots.
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And this thing, actually there was a card slot.
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The fact that you could have an external color monitor was just mind-blowing.
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And the fact that if you didn't have an expansion, it was just a little nine-inch monochrome
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black and white screen.
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So you had all this power powering this tiny little monochrome screen.
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It was so fast.
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Like if you're used to using a 512 or a plus or something, you get one of these.
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It was amazing.
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And then you mentioned the classics.
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kept this form factor around with the whole classic line and the classic 2 and then eventually
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the weird color classic, all those computers were lesser. They were like, "Well, that time
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is over, these are classic, they're old-fashioned or crappy." There's nothing old-fashioned
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about this. This was the most powerful Mac you could get in this form factor or any form
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factor because the 2X was basically the same power but with color and everything. And so
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this was the end of the line for that strain of the species.
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Alright Steven, you're up.
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So I prepared a couple of different lists for this, and one of my lists were things
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John Syracuse will pick in order, and SC30 was first, so he, uh, John played right into
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According to form.
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So my first pick, like John thought a lot about this, and the machine I'm going to pick
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has a lot of similarities to the classic Mac.
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It's an all-in-one, it looked great for the time and still holds up today, and it was
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a machine that a lot of Mac lovers really cared about because it was important.
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And that is the original iMac in 1998. Steve Jobs comes...
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What a surprise.
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This is a shocking turn of events. Shocking, I say.
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I kind of left that one for you too.
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John and I are staying on brand today. So Steve Jobs comes back to the company. The place is a
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disaster. He very famously kills lots of products and introduces the grid of four, professional,
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consumer desktop and a portable and the iMac was the desktop consumer machine it
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was the quote is from a different planet a planet with better designers wrapped
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in blue translucent plastic and you know as a computer it was very basic it had
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everything you needed had a bunch of stuff that people thought they needed
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but Apple said no like a bunch of legacy ports that have been on the Mac for a
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long time. All those were gone in favor of USB. Digging through old Macworld, in May
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of 1998 Macworld Magazine had a grid of like 20 something USB devices and most of them
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weren't even real yet. And then just a year later it was just like just pages and pages
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of hundreds and hundreds of USB devices. You know I researched that table, Steven, you're
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bringing back terrible memories. None of those things were shipping. There were no USB products.
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saw the iMac and they were like, "Uh oh, we better announce some USB products that don't
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We got this.
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This is before FireWire, it's before CD burners and DVD burners.
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All that stuff would come to the iMac.
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The iMac G3 proved to be a very flexible platform and Apple added lots of stuff to it over time.
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But that original Bondi Blue is a very important machine and it gets my pick in round one.
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Can't argue.
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That's a good pick.
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Not a shocker, but that was a hugely important product in the history of the Mac.
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And yeah, that was the return of goodness to the all-in-one.
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I think even John would agree about that.
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Not that it surpassed, but like, yeah, the all-in-one Mac kind of lost its way.
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Especially that molar Mac, what was that about?
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Be nice, I have one out here.
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But the iMac was cute though.
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Yeah, it was a little cute gumdrop like and the fact that they riffed on in the same way that they riffed on the design of
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The original Mac with you know the the plus and the SE and the classic line and everything
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That it was a sturdy form factor that you could you know do different colors and different styles and slot loading and just play with
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It and it was you know adorable the whole time and it's got you know if you if you had
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In the 80s you did it said Steve Jobs like okay?
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There's gonna be a computer in the late 90s that's going to be like like the original Mac
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But all over again like an all-in-one Mac. What might it look like like imagine a futuristic kind of
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Original Macintosh form factor you might draw something silly like the little gumdrop things like obviously you'll never make a real computer like this
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But wouldn't it be cool if it was like this weird amorphous blob that was colored and that's actually what he did
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It's like it even did even did the hello
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You know advertisement with a little Mac paint hello word written in script just like they had done with the original Mac
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They knew they were doing it and they did it and it's like how can you successfully pull that off to?
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Replay your own hits translated into a different decade and it worked totally
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So I figured that I was gonna be surrounded by everybody's first max
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And I figured that was what I was gonna get so se 30 was not my first Mac Myke come on, okay
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Okay, favorite max then. I don't know. I don't know how old you are John you you you span all space and John is timeless. Yes
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I get to pick what I consider to be one of Apple's most important products,
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but I figured I would be the only one to pick it, and it's the iPod Mini.
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The iPod Mini was my first Apple product, and I think a lot of people that are my age and
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are interested in this type of stuff now may have fallen in the same hole.
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Apple computers were not as exciting then, I think, for people of my age.
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They became that way, definitely, because of the iPod and the whole Halo Effect thing.
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This was an MP3 player that could hold all of the songs that I could ever want in my pocket.
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And it was tiny, and I had a pink one, and it was awesome, and the screen was blue, and I loved it.
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And I had every possible accessory. I had like a belt clip so I could put it on my belt,
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and then I could just walk around school listening to things with my white earbuds.
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It was the style at the time. And this thing completely changed my life, right?
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Like it enabled me to be able to have the freedom to listen to whatever I wanted to listen to whenever I wanted to listen to it.
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And it started me on this whole journey.
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You know, the iPod Mini then became later iPods, which then became my first Mac.
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And it got me into all of this stuff because it was this impossible piece of technology that was just interesting
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hardware. The idea of what you could do with this thing, what you could put in it, when before that I was using a CD player,
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right, and could listen to one CD at a time.
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I even had a mini disc player for a while, right?
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But you still could only listen to one album at a time
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It was this thing you had to carry around the little like weird mini discs and just put one in and take it out
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But the iPod mini allowed me to have everything I could ever possibly want a time when I started to become
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interested in music and technology and
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It was amazing and I love it and a year ago or so
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I don't have mine anymore, but Stephen bought me one. So I now still have a pink iPod mini
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Which lives in my home and I think it's one of the most important products for me
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And I think just in apples general history the iPod mini is is incredibly important. It's the flagship example of Apple
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cannibalizing itself they have this very successful iPods and well
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I guess the nano is after that the mini was incredibly successful
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And then it was completely replaced by the nano and the mini itself
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Was smaller capacity than the classic but you know like the price didn't match the capacity decrease and be like
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Why are you ever going to pay for a mini?
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It is so much smaller, but not that much less expensive.
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Uh, and, uh, the answer was because it's pink.
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And smaller.
00:16:16
◼
►
Them in all different colors and they were tiny and it was wonderful.
00:16:20
◼
►
Like it was just this wonderful little thing and, uh, I loved it so much.
00:16:24
◼
►
Alex, you're up.
00:16:27
◼
►
So, uh, when the iPhone was announced, I was like everybody incredibly,
00:16:32
◼
►
incredibly excited, but I looked at this thing and knew that my parents
00:16:36
◼
►
were not going to go for it. So when a little bit later, the first generation iPod touch was
00:16:43
◼
►
announced, I was just over the moon. Because I'm like, okay, this is something that I can totally
00:16:49
◼
►
sell my parents on that I'm going to be allowed to use all my Christmas and birthday money to get.
00:16:55
◼
►
And at that time, you know, parents were still afraid of letting all the use on the internet. So I
00:17:01
◼
►
didn't have like I, I would have to the iMac I had at the time didn't have an airport card. So I
00:17:08
◼
►
would go downstairs to still have to use the Gateway 2000 to get online. It was like an
00:17:14
◼
►
animal. And as soon as I got the iPod touch it it was kind of like a disaster design or UI wise,
00:17:23
◼
►
because there wasn't a phone. So the icons weren't even there was Safari, YouTube, calendar
00:17:29
◼
►
contacts, clock calculator, and then settings and then just a
00:17:33
◼
►
blank space. So immediately, I jail broke it. And then there
00:17:37
◼
►
were apps. Yeah, and, well, ascidia was a huge thing. And
00:17:45
◼
►
like, that's how the first time I use Twitterrific. And that's
00:17:49
◼
►
the first time I had internet all over my house. And it was
00:17:52
◼
►
just the start of like a beautiful, magical life. And
00:17:57
◼
►
And then, lo and behold, my parents were like, "Oh, that's pretty cool.
00:18:01
◼
►
That's pretty nice."
00:18:02
◼
►
So eventually I did get the first iPhone after the big price drop.
00:18:06
◼
►
But I have a really, really soft spot in my heart for the first generation, especially
00:18:13
◼
►
because the edges, they were like this matte black that almost, it was kind of like a precursor
00:18:20
◼
►
to the chamfered edges of the iPhone 5.
00:18:24
◼
►
It was just really pleasing to hold, whereas the rest of the iPod Touches for a while then
00:18:30
◼
►
had a metal back that got real scratched up real quickly because the metal went all the
00:18:36
◼
►
way up to the sides, kind of like the iPhone 3G.
00:18:41
◼
►
So this is actually also my favorite iPod Touch design.
00:18:45
◼
►
People forget that that original iPod Touch didn't have many of the apps on it.
00:18:50
◼
►
tried to like prevent people from using it to do anything other than play music
00:18:56
◼
►
and then like they did a software update at some point maybe Steven remembers when
00:19:00
◼
►
but it was literally like oh right we give up just have all the apps it's we
00:19:03
◼
►
also had to pay for them yeah right yeah it was like it was like $10 or something
00:19:08
◼
►
because the accounting software update mm-hmm it was very strange I mean I have
00:19:12
◼
►
very similar warm feelings about the original iPod touch and it was high on
00:19:17
◼
►
my list because it was my first iOS device or iPhone OS device. In the UK, the iPod Touch
00:19:23
◼
►
came out before the iPhone because regulations. So I had an iPod Touch for a long time. I
00:19:29
◼
►
have this memory of being on a family vacation in Spain and I'm sitting in the house and
00:19:34
◼
►
just entering contacts into a phone, from my phone into my iPod Touch because that was
00:19:39
◼
►
like the best thing I could have possibly done on that vacation. And it was just like
00:19:43
◼
►
playing with the rubber bands, scrolling and all that. Like I just was completely lost
00:19:46
◼
►
in this thing and it was, it's really important to me too because it opened that whole world
00:19:52
◼
►
I think this one was also the fastest iOS device, or sorry, the fastest iPhone OS device
00:19:56
◼
►
for a while. Was this one of the second gen? I always forget.
00:19:59
◼
►
Yeah. And people forget that, um, like, I know you guys think I'm super young, but this
00:20:04
◼
►
is still at a point where unlimited texting was, was a luxury. So what my friends and
00:20:11
◼
►
did, we basically used Twitter as our texting service because no one was on it and we didn't
00:20:20
◼
►
It was at all public or you were doing DMs to each other?
00:20:22
◼
►
Oh no, it was all...
00:20:23
◼
►
There was no...
00:20:24
◼
►
There were no DMs yet, so it was all public.
00:20:26
◼
►
And I go back in time and there are just nonsense tweets that I'm like, "Okay, so are we meeting
00:20:33
◼
►
at the mall?
00:20:34
◼
►
What's happening?
00:20:35
◼
►
Oh, we're going to see...
00:20:37
◼
►
Rent the movie.
00:20:38
◼
►
Okay, cool."
00:20:39
◼
►
And the whole world can see those.
00:20:40
◼
►
This is why your parents didn't want you on the internet.
00:20:44
◼
►
- You were right the whole time.
00:20:47
◼
►
- All right, Jason, do you wanna close out the first round?
00:20:49
◼
►
- Yes, of course, because random.org says I must.
00:20:52
◼
►
So the original MacBook Air was a terrible computer.
00:20:57
◼
►
Let's just say it.
00:20:58
◼
►
It was, it had like a non-standard video out port
00:21:02
◼
►
that was never used on any other Mac.
00:21:04
◼
►
To get to the USB and headphone jack,
00:21:06
◼
►
you had to pop down a little door on the side
00:21:08
◼
►
that kind of went down a little bit.
00:21:11
◼
►
You didn't pop open a flap to reveal the ports.
00:21:14
◼
►
The ports were literally on a door
00:21:16
◼
►
that kind of dropped down when you flipped it open.
00:21:19
◼
►
And my favorite feature,
00:21:21
◼
►
when it got a little warm in the room,
00:21:23
◼
►
one of the cores would just turn off
00:21:25
◼
►
because it couldn't keep it cool enough
00:21:27
◼
►
and your mouse would start to just like
00:21:30
◼
►
not move smoothly anymore
00:21:32
◼
►
and you basically couldn't do anything.
00:21:34
◼
►
But it worked great.
00:21:35
◼
►
If you were in a meat locker,
00:21:36
◼
►
it went at full speed and it wasn't a problem. Then Apple released the second
00:21:41
◼
►
Wave. I think there may have been two generations of that first MacBook Air
00:21:45
◼
►
but there was a second Wave MacBook Air and that was they did a 13 inch model
00:21:49
◼
►
and an 11 inch model.
00:21:52
◼
►
Those are the ones that we think of as the MacBook Air basically to this day
00:21:56
◼
►
and they nailed it to the point where now they kind of can't get rid of it
00:22:01
◼
►
because it's $999 and everybody still wants to buy it even though it's got
00:22:05
◼
►
two-year-old processors in it. My list here of things that I could pick
00:22:11
◼
►
is full of kind of smaller than they should be. Why did they make that laptop,
00:22:15
◼
►
Apple laptops? Because I love the little Apple laptops and the 11-inch MacBook Air
00:22:20
◼
►
is basically my favorite, but I want to take that second wave MacBook Air.
00:22:24
◼
►
When the MacBook Air came out, definitely the statement was this is Apple's vision
00:22:30
◼
►
for what a laptop should be and while it isn't entirely practical now, it will
00:22:35
◼
►
eventually be. And the second wave went from being not as overpriced as
00:22:40
◼
►
that first generation, but still kind of like the iPod mini, priced for smallness,
00:22:45
◼
►
right? Like you weren't paying more for more, you were paying more for less in
00:22:50
◼
►
terms of size and weight. And by the time it's gotten to what is probably the end
00:22:56
◼
►
of its life, if people will ever let it go and stop buying it, it is now the
00:23:01
◼
►
cheapest Mac laptop and if you look at all the MacBook Pros they're basically
00:23:06
◼
►
MacBook Airs. The MacBook Pro Escape is essentially a MacBook Air. It weighs
00:23:12
◼
►
about what a 13-inch MacBook Air does so the MacBook Air has fulfilled its kind
00:23:17
◼
►
of destiny of defining what the future of laptops would be but it's just a
00:23:21
◼
►
great that both of the 13 and the 11 they're great laptops and and I have
00:23:27
◼
►
loved mine and it's probably my favorite Mac that I've ever had is the little MacBook Air,
00:23:32
◼
►
which is gone away except in education. So I think I'm going to have to take that, not
00:23:37
◼
►
the first one because it was really bad, but that second Design Wave MacBook Air. I think
00:23:42
◼
►
that was one of Apple's great laptop triumphs and they were right in terms of where the
00:23:47
◼
►
future of laptops was going.
00:23:48
◼
►
Yeah, there was a long time there where when anybody asked you who wasn't a, you know,
00:23:52
◼
►
a software developer or some hardcore geek, "Hey, what Apple laptop should I get?" You
00:23:56
◼
►
You just say 13-inch MacBook Air.
00:23:57
◼
►
And you wouldn't have to have any long discussion about it,
00:23:59
◼
►
because it was such a good machine, such a good balance.
00:24:02
◼
►
Like right when the price went down,
00:24:03
◼
►
but it was still fast, and before Retina,
00:24:05
◼
►
when there was nothing to be embarrassed about it,
00:24:07
◼
►
and everything about it was great, and everybody loved it.
00:24:10
◼
►
That was nice.
00:24:11
◼
►
We are out of those days now, where
00:24:12
◼
►
there's a lot of caveats, and hemming, and hawing,
00:24:15
◼
►
and introspection.
00:24:15
◼
►
Now we're in the why won't you die phase of the MacBook Air.
00:24:18
◼
►
Or even just like there's not an easy go-to for like, hey,
00:24:21
◼
►
I want to get a Mac laptop.
00:24:23
◼
►
Which one should I get?
00:24:23
◼
►
You're like, oh, well.
00:24:24
◼
►
- Not until you like the small, the MacBook,
00:24:26
◼
►
but it's limited, but the MacBook Pro and the touch bar.
00:24:28
◼
►
- Don't care about touch bar, but touch ID is nice,
00:24:30
◼
►
but if you don't care about that, but it's expensive,
00:24:33
◼
►
and the Air still exists, don't be tempted by it
00:24:35
◼
►
'cause the screen now sucks, so it's hard.
00:24:37
◼
►
- I'm basically the person who recommends
00:24:39
◼
►
what computer everybody should get at my company,
00:24:42
◼
►
and it used to be, like you said, oh, 13-inch Air,
00:24:46
◼
►
or if you're doing any video, this MacBook Pro,
00:24:49
◼
►
and now it's like, we actually need to set a meeting
00:24:52
◼
►
side for this to discuss everything you want. Okay, let's go through what monitor you need.
00:24:58
◼
►
It's... I missed those days of, you know, one year ago.
00:25:04
◼
►
Days of simplicity. Myke, that's a round done.
00:25:07
◼
►
Hooray! We did it everybody, so let's take a break. Today's show is brought to you by
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All of this stuff sounds amazing.
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All right. So Mr.
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◼
►
John Siracus, we're back to you for your second pick.
00:26:57
◼
►
So earlier you made an inaccurate prediction that we would all pick
00:27:01
◼
►
our first Macintoshes, although I don't think Stephen's first Mac
00:27:04
◼
►
was a was an original iMac, right?
00:27:06
◼
►
It was not. Yeah.
00:27:08
◼
►
OK, but now they're on to pick two.
00:27:11
◼
►
Now's the time.
00:27:12
◼
►
And I am going to pick my first Mac, and my first Mac was the first Mac.
00:27:18
◼
►
The product whose name was—and I'm kind of disappointed that Apple still doesn't refer
00:27:21
◼
►
to it this way in its documentation when I looked it up—but the name of the product
00:27:24
◼
►
was Macintosh.
00:27:26
◼
►
The box said Macintosh on it.
00:27:28
◼
►
There were no other MacIntoshes.
00:27:29
◼
►
There was just the one.
00:27:31
◼
►
So there was no qualifiers needed.
00:27:34
◼
►
Kind of like iPhone.
00:27:35
◼
►
It was just Macintosh, spelled out all the way, not abbreviated Mac, which I also don't
00:27:39
◼
►
really enjoy.
00:27:40
◼
►
And this is maybe an old person thing, but the original Macintosh was really a really
00:27:45
◼
►
important product.
00:27:47
◼
►
These days everyone will say the iPhone was more important, and they're probably right
00:27:50
◼
►
in the grand scheme of things for like for mass people for the entire for the entirety
00:27:53
◼
►
of humanity the iPhone was definitely more important.
00:27:56
◼
►
But for computer nerds I would argue the Macintosh was more important because it was like the
00:28:02
◼
►
turning point from a blinking cursor on a dark screen to what we now know as modern
00:28:10
◼
►
computing where you would, you know, well, the first thing that strikes me about the
00:28:15
◼
►
turning point is the inversion. Black screen, light text. This inverted it. It wasn't green
00:28:21
◼
►
or amber. It was white, like a piece of paper. And the ink quote unquote on it was black.
00:28:28
◼
►
and the pixels were super tiny,
00:28:29
◼
►
it was the retina of its day.
00:28:31
◼
►
Today, retina, a lot of people, you know,
00:28:34
◼
►
if you show it to them and their vision's not very good,
00:28:36
◼
►
or you show them a retina next to a non-retina,
00:28:38
◼
►
either don't see the difference,
00:28:39
◼
►
or if you point out the differences,
00:28:40
◼
►
like, oh, I don't care, I don't care,
00:28:42
◼
►
the serifs look a little bit smoother.
00:28:43
◼
►
But the Macintosh, as compared to like the Apple II,
00:28:47
◼
►
A, anybody could tell that those pixels were smaller.
00:28:49
◼
►
They may not have care,
00:28:50
◼
►
but you could tell the pixels were smaller.
00:28:52
◼
►
And B, the things you could do with those pixels.
00:28:55
◼
►
There was like a different class of things that you could do.
00:28:57
◼
►
Retina didn't really provide a different class of things
00:28:59
◼
►
because it's not like Retina Hairline suddenly opened up
00:29:01
◼
►
a new class of application
00:29:02
◼
►
'cause they're just too darn small for people to see.
00:29:03
◼
►
You can't say, well, now I can make art
00:29:05
◼
►
with Retina Hairlines than it couldn't before.
00:29:08
◼
►
That's, you know, maybe you could say
00:29:09
◼
►
the photos look a little bit sharper, but that's about it.
00:29:11
◼
►
But the original Macintosh looked different
00:29:15
◼
►
than everything else before it.
00:29:15
◼
►
And then of course it had the GUI.
00:29:16
◼
►
And I've said this many times in the past,
00:29:19
◼
►
but the overriding sense of what made the Mac different
00:29:21
◼
►
from every other computer was that there was this sort of,
00:29:26
◼
►
coherent world inside the computer that you could look at.
00:29:29
◼
►
It was like looking inside a little dollhouse,
00:29:31
◼
►
like a little diorama, like here is this little world
00:29:33
◼
►
and you can go in this little world and play it.
00:29:35
◼
►
And it obeys a reasonable set of rules
00:29:36
◼
►
and it's like a little toy box,
00:29:37
◼
►
which was so different from sort of the Enigma machine
00:29:40
◼
►
of a blinking cursor and knowing commands
00:29:42
◼
►
and typing basic into your television screen
00:29:45
◼
►
or whatever you were doing before
00:29:46
◼
►
in your Commodore 64 or VIC-20 or whatever.
00:29:49
◼
►
Such a hard turn, such an important change
00:29:52
◼
►
and so far ahead of everything else.
00:29:54
◼
►
And then people looked at this
00:29:55
◼
►
and thought for a really, really long time,
00:29:57
◼
►
much longer than the iPhone.
00:29:58
◼
►
They thought, this is weird.
00:30:00
◼
►
It's not a real computer.
00:30:03
◼
►
It's just a silly toy.
00:30:05
◼
►
This whole gooey thing will never catch on.
00:30:07
◼
►
Computers with mice are stupid, right?
00:30:09
◼
►
We didn't have that with the iPhone.
00:30:10
◼
►
There wasn't like a six year period
00:30:12
◼
►
where people kept buying Blackberries
00:30:14
◼
►
and said the iPhone was dumb.
00:30:15
◼
►
Everyone else said, oh, we're just gonna do that.
00:30:17
◼
►
Like they caught on and they figured it out.
00:30:19
◼
►
With the Mac, there was this long period
00:30:21
◼
►
where we felt like we were the only people
00:30:23
◼
►
the world using the future, and we sort of were. And so the original Macintosh, super important,
00:30:28
◼
►
amazing, the most mind-blowing product ever to be introduced in my lifetime, you know,
00:30:32
◼
►
for me personally, even though the iPhone is more important for humanity, the original
00:30:37
◼
►
Mac is more important to me. I can't dispute this. It was on my list for sure. I was a little
00:30:41
◼
►
surprised that it wasn't John's first pick, but I, yeah, yeah, absolutely. How could it not be picked?
00:30:48
◼
►
It's hard to follow that, but in thinking about products that really change the way
00:30:54
◼
►
we approach computing, my next pick is a little bit of a Trojan horse.
00:30:59
◼
►
So it's a pick within a pick.
00:31:01
◼
►
It's a little pick sandwich.
00:31:03
◼
►
And it is the combination of the original AirPort base station and the original iBook.
00:31:10
◼
►
The original iBook's not that important historically.
00:31:12
◼
►
Colorful, it's like a toilet seat.
00:31:14
◼
►
We're going on a really interesting route here that I was not expecting.
00:31:18
◼
►
I don't know what sort of toilet seats you use.
00:31:21
◼
►
You've got two legitimate old people and one old person in training.
00:31:29
◼
►
So the iBook 53, it's a weird machine.
00:31:32
◼
►
But in the middle of the keynote, where they announce that Steve Jobs is on a bright orange
00:31:38
◼
►
iBook and then walks away from the podium as the webpage is loading.
00:31:42
◼
►
And that moment is what I'm talking about because it was the introduction of wireless
00:31:47
◼
►
networking to the Mac platform.
00:31:50
◼
►
And the keynote is great.
00:31:51
◼
►
I will dig up a YouTube link for the show notes where he makes Phil Schiller jump off
00:31:55
◼
►
a platform onto an airbag to prove that it's wireless, like while it's transmitting data.
00:32:01
◼
►
All sorts of crazy antics.
00:32:03
◼
►
He has a hula hoop going around the computer at one point.
00:32:06
◼
►
For me, the money moment was, and you know, I'm going to go there, Steven.
00:32:12
◼
►
When the some brightly colored, you know, bright shirt wearing Apple employees carrying
00:32:19
◼
►
those bright iBooks started coming from the back of the room down the aisles with the
00:32:26
◼
►
iBooks to show people, you know, all of us who were in the room there that they were
00:32:32
◼
►
on the internet.
00:32:33
◼
►
And that was a great little magic trick moment where it's like, and here are these laptops,
00:32:37
◼
►
there's one right in front of you looking at loading web pages.
00:32:40
◼
►
And it was all orchestrated.
00:32:41
◼
►
It was a real showbiz moment when they did that.
00:32:44
◼
►
And what that brought into our lives
00:32:48
◼
►
was being able to use a computer without having it plugged
00:32:51
◼
►
into anything in the network.
00:32:53
◼
►
And that seems so trivial today.
00:32:56
◼
►
I have two Wi-Fi light bulbs on my desk.
00:32:59
◼
►
And all of that comes from technology introduced here.
00:33:03
◼
►
And it is just amazing.
00:33:05
◼
►
At this point, Steven, I can tell you,
00:33:08
◼
►
because I'm an old person, I was living in the same house I'm living in now, we had our
00:33:13
◼
►
DSL modem was in a back bedroom and I had literally a 80 foot long ethernet cable that
00:33:22
◼
►
snaked down our hallway, you had to step over it, down our hallway into our living room
00:33:27
◼
►
to the couch so that we could plug in and be on the internet.
00:33:32
◼
►
This is life before WiFi, it was stupid.
00:33:35
◼
►
But the airport changed that, and it's come a long way,
00:33:38
◼
►
and now Apple maybe doesn't make airport products anymore.
00:33:41
◼
►
But a base station coupled with a bright orange laptop,
00:33:44
◼
►
and you were free as long as you were within the three
00:33:48
◼
►
hours of battery life, whatever you got.
00:33:50
◼
►
Original airport is my pick.
00:33:52
◼
►
And it was cute too.
00:33:54
◼
►
The era of cute things.
00:33:55
◼
►
The original iBook was cute, looked
00:33:56
◼
►
like a little purse with a handle.
00:33:58
◼
►
And the base station was cute.
00:33:59
◼
►
It looked like a little flying saucer.
00:34:00
◼
►
All their stuff was cute.
00:34:02
◼
►
And the Steve Jobs thing where he made Phyllis Shiller jump
00:34:04
◼
►
Reminded me of the scene in Conan the Barbarian where
00:34:08
◼
►
Power is you know what power is that's power. I can make my executives jump
00:34:16
◼
►
It was pretty high like you're if you're working at a tech company
00:34:20
◼
►
You don't think part of your job description is going to be to jump 30 feet onto an airbag while holding a computer
00:34:24
◼
►
And they're like an accelerometer live on the yeah on the screen
00:34:28
◼
►
There was some silly justification
00:34:30
◼
►
But it's kind of it was kind of like the the leg stealing scene in Guardians of the Galaxy
00:34:33
◼
►
You feel like Steve is chuckling under his breath all time. No. Yeah, this is important to show
00:34:37
◼
►
All right, so we're up to pick number eight and I am really surprised that we haven't seen the iPhone in this list
00:34:48
◼
►
Yeah, I know everyone wants to get their max in too many old people
00:34:53
◼
►
But I'm I am very surprised that there is no iPhone
00:34:57
◼
►
So I'm gonna pick the iPhone but not the original. Oh good. Hmm. I want to pick the iPhone 6 plus
00:35:04
◼
►
This is my favorite iPhone
00:35:13
◼
►
It's not my favorite design like physically, you know
00:35:17
◼
►
I would say that maybe the original or the iPhone 5 or 4 I think a nicer looking
00:35:23
◼
►
But this was the iPhone that I really wanted like since the original this was the one that I wanted the most
00:35:30
◼
►
because it had a bigger screen and it had a bigger battery and they were the two things that I really wanted from a phone and
00:35:37
◼
►
I have had been and I'm a plus-size believer since the beginning
00:35:43
◼
►
Whenever one thought it was ridiculous many people still do think it was ridiculous
00:35:47
◼
►
but I was immediately sold on this as a device that I wanted because
00:35:52
◼
►
it was the best of everything for me.
00:35:54
◼
►
Like why would I not want a bigger screen
00:35:56
◼
►
for my most important computer?
00:35:58
◼
►
I want to get more information on it.
00:35:59
◼
►
I want to be able to read more.
00:36:00
◼
►
I want to be able to see more.
00:36:02
◼
►
And I think that the Plus line of phones
00:36:05
◼
►
was a fantastic decision for Apple.
00:36:06
◼
►
I think it helped as the numbers show,
00:36:08
◼
►
it really propelled them forward even further
00:36:11
◼
►
into markets that they were looking to try and attract.
00:36:14
◼
►
And I think that it was fantastic
00:36:15
◼
►
and they've continued to do great things with that line.
00:36:18
◼
►
It's the line that seems to get some features first
00:36:21
◼
►
because they can put them into the bigger body.
00:36:24
◼
►
And I hope that even though we're going
00:36:27
◼
►
into potentially uncharted waters with the iPhone,
00:36:30
◼
►
I hope that into the future,
00:36:31
◼
►
we continue to get this model
00:36:33
◼
►
that's just a little bit bigger than what most people want,
00:36:36
◼
►
because there are some people like me
00:36:38
◼
►
that always want to be in the Plus Club.
00:36:40
◼
►
- Not surprised.
00:36:41
◼
►
- I know it upsets you, Jason.
00:36:43
◼
►
- No, no, I think that was the most mic pick
00:36:46
◼
►
that there could ever be.
00:36:47
◼
►
- I think it was really important for Apple
00:36:48
◼
►
to introduce a bigger phone.
00:36:50
◼
►
I still want them to introduce even bigger iPads and I always want them to do a bigger
00:36:54
◼
►
The question was always like the bigger phone, but other people will buy it, not me.
00:36:58
◼
►
But to see Myke, another tech enthusiast, somehow find room in their life and in their
00:37:02
◼
►
pants for this monstrosity has always surprised me.
00:37:06
◼
►
I have big pants, Jon, don't worry.
00:37:08
◼
►
The message is real good.
00:37:09
◼
►
City of big pants, that's what they call London.
00:37:11
◼
►
I tried for nearly a year to find jeans that would fit it.
00:37:15
◼
►
So I'm sorry.
00:37:16
◼
►
Did you check like a clown shop?
00:37:21
◼
►
Maybe magicians, you know, they could have big pockets,
00:37:24
◼
►
right, you might be able to get something that way
00:37:25
◼
►
that might look kind of normal.
00:37:27
◼
►
Magicians could help you out.
00:37:28
◼
►
Alex, you're up.
00:37:29
◼
►
- All right, I'm gonna go with another iPhone,
00:37:32
◼
►
but not the original iPhone.
00:37:34
◼
►
The iPhone 4, which is probably my favorite iPhone.
00:37:39
◼
►
It introduced retina, which felt really magical.
00:37:44
◼
►
I'm sure they said that on stage.
00:37:46
◼
►
But holding it in my hand and looking at it,
00:37:49
◼
►
that was the first time it felt like
00:37:51
◼
►
this is a device that is supposed to disappear.
00:37:54
◼
►
And it felt like the perfect size,
00:37:56
◼
►
the metal on the edge was just so cool.
00:37:59
◼
►
And also this is kind of a pick within a pic.
00:38:01
◼
►
Like when Antennagate happened and supposedly people
00:38:05
◼
►
would squeeze the phone and you would get less reception,
00:38:08
◼
►
that was the first time I remember
00:38:09
◼
►
like there being a big Apple scandal.
00:38:12
◼
►
And so then they gave everybody a free case
00:38:15
◼
►
or free bumper case that had purchased an iPhone 4. And that's also that bumper case
00:38:21
◼
►
is the only good iPhone case Apple has ever made. Now they make these terrible, squishy,
00:38:28
◼
►
squeaky like plastic things, or leather ones that immediately like the patina isn't like
00:38:35
◼
►
a normal leather patina, it just rips and falls apart. But this bumper was like exactly
00:38:40
◼
►
what you wanted. It still showed off the iPhone 4's design, it still like disappeared and
00:38:46
◼
►
looked like it was part of the phone. And there were a lot fewer cracked screens, even
00:38:51
◼
►
though both sides are made of glass. I think this was also the first time the Kindle app
00:38:56
◼
►
came to the iPhone. So that was a dream come true. My library was in my pocket.
00:39:02
◼
►
I think this is my favorite industrial design family. Like iPhone 4 and 5 all are of the
00:39:09
◼
►
same design. Like the five got taller, but they're all the kind of two flat surfaces
00:39:14
◼
►
with the ring, like a little baking mold around the outside. And it looks, it's very much,
00:39:21
◼
►
it looks like a Braun razor or something. It's, I like, I think it's a very pretty design.
00:39:26
◼
►
And we lived with it for whatever four years. And this was where it came in. And of course
00:39:30
◼
►
it was lost in a bar and found by Gizmodo. So it's got that going for it too.
00:39:36
◼
►
The forward design was also my favorite.
00:39:38
◼
►
I think it was absolutely the most attractive and the best design for its era.
00:39:43
◼
►
Because obviously, eventually the phones got bigger, and if you look at one today, they
00:39:46
◼
►
look minuscule, right?
00:39:47
◼
►
I think it was the wrong size.
00:39:49
◼
►
Like I think the 7 and 6 are closer to the right compromise for size, but back then,
00:39:54
◼
►
you know, cost and the screen and all that other stuff, there was a lot going into it.
00:39:59
◼
►
But if you look at the original, like what Apple's industrial design team wanted the
00:40:03
◼
►
the iPhone to be, I forget what this design was called, it had some code name, this is
00:40:07
◼
►
what they wanted to make and they couldn't make for years. Like they said, this is what
00:40:10
◼
►
the iPhone's gonna look like, it's this weird, you know, ice cream sandwich thingy or whatever,
00:40:13
◼
►
and they just couldn't do it. And so they made the original iPhone and the 3G and 3GS
00:40:17
◼
►
before this one, but they didn't give up on it. They're like, we wanna make this phone
00:40:20
◼
►
look like this, and eventually they did. And I think it kinda shows, like, this is what
00:40:24
◼
►
was in their head. You know, if you put the 4 next to the ones that came before it, they
00:40:28
◼
►
all look like weird attempts to do something, and the 4 just looks like completely real
00:40:33
◼
►
And I also love that bumper because it had the rubber grips on it like that if a film it actually made it
00:40:39
◼
►
Like less slippery in your hand instead of just sort of you know
00:40:43
◼
►
Either more slippery or not changing it at all because the rubber
00:40:46
◼
►
Right when your your hand met it and you did you get to see the shiny glass back in the last front probably again
00:40:50
◼
►
Probably not a great idea, but boy that phone look good. Yeah, and I think that the
00:40:54
◼
►
One of the I don't entirely agree John
00:40:57
◼
►
I think that the the six and seven design is actually the one that's the most direct
00:41:02
◼
►
descendant of the original, which I think is Johnny Ive wanting to make a like super curvy,
00:41:07
◼
►
curved edges, curved to the back kind of thing. It wasn't Johnny Ive. Don't you remember in the court case
00:41:12
◼
►
they said like here are
00:41:14
◼
►
possible designs for the iPhone and one of them was the ice cream sandwich one and when one of them was more curvy and the ice
00:41:19
◼
►
cream sandwich, it wasn't Johnny Ive specifically, it was some other guy I think came up with the ice cream sandwich one and they couldn't do that one.
00:41:23
◼
►
Yeah, my point is that there's sort of two different design directions and with the four or five ice cream sandwich design
00:41:29
◼
►
they went with sort of Design Direction B,
00:41:31
◼
►
and I do think it is a fantastic design.
00:41:33
◼
►
Whereas the 6 and the 7 feel like those are descendants
00:41:37
◼
►
of Design Direction A, which was that original phone,
00:41:40
◼
►
which is super curvy.
00:41:42
◼
►
And it's funny that Apple has flipped back and forth.
00:41:44
◼
►
Of course, you can still get the SE,
00:41:45
◼
►
which has this design today.
00:41:46
◼
►
My favorite in this family was the 5,
00:41:49
◼
►
because it had the black phone for the 5.
00:41:52
◼
►
It was like the Darth Vader phone, and I love that,
00:41:54
◼
►
and I like that it was slightly bigger.
00:41:56
◼
►
- It was black until you touched it.
00:41:58
◼
►
Yeah, it's true. I had to put it in the case, but it would be so beautiful. But it's a great design.
00:42:02
◼
►
Has "ice cream sandwich" design become canon now? Is this the term?
00:42:06
◼
►
I don't know.
00:42:07
◼
►
No, it had a code name. In the court case, they had like a diagram and a code name for that design.
00:42:11
◼
►
I forget what it was, though.
00:42:13
◼
►
That does look like an ice cream sandwich, kinda.
00:42:14
◼
►
So I'm gonna close out the second round by out-doing John as the oldest person on this podcast,
00:42:22
◼
►
because I'm gonna take you back to a time when Apple didn't make Macs.
00:42:26
◼
►
They made some other products. And I'm going to select one of the first computers that I ever used.
00:42:35
◼
►
I'm going to pick the Apple IIe. And now they're Apple II enthusiasts out there going, "No!" But
00:42:42
◼
►
like the Apple II Plus originally didn't do lowercase. The Apple IIc is an interesting
00:42:48
◼
►
example of Apple kind of trying to do a closed case product, which they would end up doing a
00:42:52
◼
►
whole lot of in the future but I love the Apple IIe. I had an Apple IIe. You could
00:42:57
◼
►
pop off the top and it had expansion slots in it. I had a couple of floppy
00:43:01
◼
►
drives, you know, I drove a color monitor. I played games on it and wrote short
00:43:07
◼
►
stories on it and wrote school papers on it. It was definitely... different people
00:43:14
◼
►
can... people can debate like the Commodore 64 and things like that but to me this
00:43:19
◼
►
was the computer until I saw a Mac for the first time and so my my desire for
00:43:26
◼
►
Apple products and my love of that six color rainbow logo goes back to the 2e
00:43:33
◼
►
and it was the I think the sweet spot in the Apple to line because it was you
00:43:40
◼
►
know it preceded the 2c and was more expandable but it corrected a lot of the
00:43:44
◼
►
problems of the 2+ and you know you could boot into Apple DOS, you could boot into Pro
00:43:50
◼
►
DOS, you could run at 80 characters per line or 40 depending and you know every now and
00:43:56
◼
►
then I take an Apple II emulator out for a spin because that's pure nostalgia for me.
00:44:02
◼
►
Also I played Karateka on the Apple II and that was the best game ever so yeah Apple
00:44:09
◼
►
Amazing longevity and education too because I'm not as old and decrepit as Jason but I
00:44:13
◼
►
I used Apple IIe's in high school.
00:44:15
◼
►
Like in the school in high school,
00:44:17
◼
►
they were teaching classes on Apple IIe's,
00:44:20
◼
►
which even then were old.
00:44:21
◼
►
They had two GS's in the library
00:44:22
◼
►
and they had Macs in the school paper office,
00:44:24
◼
►
but the IIe's was like, they had the most of them.
00:44:26
◼
►
There was a whole room full of them
00:44:28
◼
►
and they were still actually using them.
00:44:29
◼
►
Pretty amazing.
00:44:30
◼
►
- Yeah, well, I mean, even in,
00:44:32
◼
►
I think you're like five or six years younger than me,
00:44:34
◼
►
but like the Apple IIe, the Mac had been out,
00:44:36
◼
►
I graduated from high school in 1988.
00:44:38
◼
►
The Mac had already been out for four years,
00:44:40
◼
►
but the computer lab was entirely Apple IIs.
00:44:44
◼
►
And I took an Apple II to college with me
00:44:46
◼
►
because I didn't get a Mac until my sophomore year in college.
00:44:49
◼
►
And it performed admirably, although it was not
00:44:53
◼
►
what I would call a compact machine
00:44:56
◼
►
by any stretch of the imagination
00:44:57
◼
►
once you attach the floppy drives and the monitor
00:45:00
◼
►
and got it all set up.
00:45:01
◼
►
But it was great.
00:45:02
◼
►
And you could just write a program.
00:45:04
◼
►
10 print hello, 20 print go to 10.
00:45:05
◼
►
It was just right there.
00:45:06
◼
►
No work required to write a stupid program.
00:45:09
◼
►
wish I could say anything. I've literally never seen an Apple II in my life.
00:45:14
◼
►
You can go to a museum.
00:45:15
◼
►
That's kind of on my bucket. Yeah, it's on my bucket list. I've also never seen an original
00:45:19
◼
►
Or just go to Steven's house. He's got them all.
00:45:22
◼
►
In high school, or rather in middle school, our computer lab only had molar Macs for some
00:45:28
◼
►
reason. I feel like it would be Steven's dream.
00:45:30
◼
►
It's more like a nightmare, I think, but no.
00:45:33
◼
►
That's when they fall out.
00:45:35
◼
►
It's a fever dream.
00:45:37
◼
►
a dream. It's definitely a fever dream.
00:45:51
◼
►
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00:47:14
◼
►
upgrade they have a plenty of options available for you to grab a new handset
00:47:18
◼
►
set in their online store.
00:47:19
◼
►
Listeners of this show can get $25 to selected devices
00:47:23
◼
►
or Ting credit.
00:47:24
◼
►
Just go to upgrade.ting.com and see how much you can save.
00:47:29
◼
►
We thank Ting for their support of this show.
00:47:31
◼
►
All right, so we are on to round three.
00:47:35
◼
►
So we're gonna head back over to Mr. Circuser.
00:47:38
◼
►
- All right, continuing the trend/theme,
00:47:41
◼
►
I'm going to pick another Mac for my number three choice.
00:47:45
◼
►
This Mac is vaguely relevant to our current times in two ways.
00:47:49
◼
►
First the fancy new edge-to-edge screen iPhone with a notch on the top of whatever is supposedly
00:47:54
◼
►
codenamed Ferrari as a expensive but lower volume but you know super duper fast presumably
00:48:01
◼
►
you know model in the line.
00:48:04
◼
►
And also today as we await the sort of kind of announced for the future Mac Pro which
00:48:10
◼
►
is not coming this year but sometime in the future that will be like the return of the
00:48:16
◼
►
big bad Mac, the Mac that is spare no expense, make it as fast as possible, make it awesome
00:48:22
◼
►
and also awesomely expensive.
00:48:24
◼
►
And so for my number three pick I am picking the Macintosh 2FX.
00:48:28
◼
►
One of the best names ever for a computer because FX is cool, X's are cool and FX looks
00:48:35
◼
►
And it was a Mac that was faster than all the other Macs, more expensive than all the
00:48:40
◼
►
other Macs, and filled with stuff that was, you know, it's not like a parts bin Mac, and
00:48:47
◼
►
most of them weren't parts bin Macs back then, but lots of custom stuff inside there to make
00:48:51
◼
►
it the best of any of the Macs.
00:48:53
◼
►
Like every part of this computer that wasn't better than its predecessors, they made it
00:48:57
◼
►
not just a little bit better, but a lot better and a lot more expensive.
00:49:01
◼
►
It was on the cover of Macworld magazine with the famous,
00:49:05
◼
►
I don't know how this line became famous
00:49:07
◼
►
because it's not even that exciting,
00:49:08
◼
►
but it was everyone knows who was alive this time
00:49:10
◼
►
that the Mac 2FX is wicked fast.
00:49:12
◼
►
Because that's what they wrote.
00:49:13
◼
►
- Wicked fast, yeah.
00:49:14
◼
►
- On the cover of the magazine.
00:49:15
◼
►
And it was, and it was a type of computer like a Ferrari
00:49:18
◼
►
most people never saw.
00:49:20
◼
►
Like it was years before I saw a Mac 2FX.
00:49:23
◼
►
'Cause where were they?
00:49:24
◼
►
Where could you even, who had one?
00:49:25
◼
►
They cost as much as a car, right?
00:49:27
◼
►
You could see a Mac 2 if you were lucky
00:49:29
◼
►
and you went to your local reseller,
00:49:30
◼
►
but they wouldn't have a Mac 2FX out on the floor.
00:49:33
◼
►
And again, using it, this is kind of weird
00:49:36
◼
►
because most people don't have this experience.
00:49:37
◼
►
Well, maybe you did with the Mac OS X error.
00:49:39
◼
►
Like how do you tell whether a computer is fast?
00:49:41
◼
►
Back in the early days of the Mac,
00:49:42
◼
►
you could tell a computer was fast
00:49:43
◼
►
because it did all the gooey stuff perceptively faster.
00:49:47
◼
►
Like you'd pull down a menu
00:49:49
◼
►
and move your mouse through the menu,
00:49:51
◼
►
highlighting the items as you go down.
00:49:53
◼
►
That was perceptively faster on a Mac 2FX
00:49:56
◼
►
than it was on its siblings.
00:49:58
◼
►
opening and closing windows, right?
00:50:00
◼
►
The little rubber banding animation,
00:50:02
◼
►
opening and closing applications, you know,
00:50:03
◼
►
there was just using the computer,
00:50:06
◼
►
you could tell it was faster.
00:50:08
◼
►
And you don't get that feel that much these days
00:50:09
◼
►
because in the modern era, even a slow iPhone,
00:50:12
◼
►
maybe the animations are a little bit jumpy,
00:50:13
◼
►
but scrolling is generally good everywhere.
00:50:15
◼
►
And, you know, on the Mac used to be resizing windows,
00:50:17
◼
►
but that was slow everywhere.
00:50:19
◼
►
And then how fast the Mac you could get,
00:50:20
◼
►
it was like more of a software problem than hardware one.
00:50:22
◼
►
The Mac 2FX was like a Ferrari, an expensive lost object.
00:50:27
◼
►
and the original embodiment of speed,
00:50:30
◼
►
of power and speed in the Mac line.
00:50:32
◼
►
- I have no idea how my college newspaper in 1991,
00:50:36
◼
►
when the Mac 2FX was a currently shipping model,
00:50:38
◼
►
got a Mac 2FX, but we did.
00:50:42
◼
►
And it was, or it might even been '90,
00:50:45
◼
►
it was like right when it came out.
00:50:46
◼
►
And I don't know how we got one.
00:50:48
◼
►
We didn't get it my first year there,
00:50:49
◼
►
but my second year there, we had a Mac 2FX.
00:50:51
◼
►
And that was an update,
00:50:53
◼
►
'cause originally our Fast Mac was a 2CX.
00:50:55
◼
►
We had the 2FX.
00:50:57
◼
►
And I'll tell you what a great demo of how fast it was was.
00:51:01
◼
►
In PageMaker, which we used to lay out our newspaper,
00:51:03
◼
►
on a Mac SE, you would do this--
00:51:05
◼
►
I think it was like command option click
00:51:07
◼
►
would take you to 100%.
00:51:09
◼
►
So you'd be zoomed out to look at the page layout.
00:51:11
◼
►
And it would actually Greek the text.
00:51:13
◼
►
It wouldn't even show you.
00:51:13
◼
►
Try to draw the text because it would be too small.
00:51:16
◼
►
So it just was like the text was just gray bars.
00:51:18
◼
►
And then you do command option click.
00:51:19
◼
►
And it would go to 100%.
00:51:21
◼
►
And it would redraw the screen zoomed in at the point
00:51:23
◼
►
where you clicked.
00:51:24
◼
►
And you'd sit there and watch page maker laboriously
00:51:27
◼
►
draw the frame of the page.
00:51:28
◼
►
And then it would flow the text in.
00:51:30
◼
►
And maybe if there was a graphic or an image,
00:51:32
◼
►
you would draw that in.
00:51:33
◼
►
And you would just sit there and wait.
00:51:34
◼
►
And on the 2FX, you would do that same thing and go click.
00:51:37
◼
►
And it'd be like, boom, there you were at 100%.
00:51:40
◼
►
Like today, basically, except for us,
00:51:44
◼
►
that was the difference.
00:51:45
◼
►
So we fought over who got to use the 2FX, of course.
00:51:47
◼
►
But it was startling how much faster
00:51:49
◼
►
it was than the 2CX, let alone the SEs that we were using.
00:51:52
◼
►
It was amazing.
00:51:54
◼
►
I'm so happy.
00:51:55
◼
►
This is one of those rare cases where I got to use the top of the line Mac.
00:52:00
◼
►
It's the first time I ever got to use a top of the line Mac.
00:52:02
◼
►
And I didn't even realize it at the time.
00:52:04
◼
►
I just knew how fast it was.
00:52:05
◼
►
And it was awesome.
00:52:06
◼
►
I remember the hard drive sound because it
00:52:09
◼
►
had a fast hard drive in it too.
00:52:11
◼
►
So you'd be moving around on a page, and normally you'd
00:52:14
◼
►
hear this kind of very slow--
00:52:16
◼
►
--hard drive sound coming from the inside of an SE.
00:52:20
◼
►
And on the two effects, it was this distinct tick sound.
00:52:23
◼
►
it would be like tick tick tick and then it was loaded it was magic amazing
00:52:27
◼
►
amazing computer huge too it was not like all the two C's were all these
00:52:32
◼
►
little tiny boxes like a like a donut box or something and 2FX was not it was
00:52:38
◼
►
it was just massive it was a slab it was it was nothing like a like a little
00:52:45
◼
►
computer it was a huge slab of metal basically on my John Syracuse a
00:52:48
◼
►
prediction list the two effects was second so so I think I'm gonna go with
00:52:56
◼
►
the theme of my first Mac and that comes with some caveats it was actually a
00:53:03
◼
►
company computer but the boss let me use it as my own so I sort of took it to
00:53:07
◼
►
college with me I used it for years even when I worked for them like very
00:53:11
◼
►
part-time ecology basically just let me keep the machine and that is the
00:53:14
◼
►
the Titanium PowerBook G4.
00:53:16
◼
►
First time we'd seen a G4 in a notebook.
00:53:20
◼
►
Before this, the PowerBooks were all plastic.
00:53:23
◼
►
They'd been gray for a long time,
00:53:24
◼
►
and then they were black with the G3 series,
00:53:27
◼
►
and curvy, and the logo was upside down
00:53:31
◼
►
when he opened the lid, which made everybody sad.
00:53:33
◼
►
In fact, when Steve Jobs introduced this,
00:53:35
◼
►
he showed the back of the computer,
00:53:36
◼
►
and everybody laughed, and he made fun of it.
00:53:39
◼
►
And it was, it set the tone for the MacBook,
00:53:44
◼
►
The PowerBooks and the MacBook Pros we still use today.
00:53:46
◼
►
My MacBook Pro is sitting here on my desk.
00:53:48
◼
►
It's thin, it's made of metal, it's got rounded edges,
00:53:51
◼
►
it's very clean looking, and the titanium
00:53:55
◼
►
introduced all of that stuff.
00:53:56
◼
►
Now it had its problems that I'm sure people will point out,
00:53:59
◼
►
mainly that the paint would flake off
00:54:00
◼
►
and sometimes the screen would just come off the hinges.
00:54:03
◼
►
Totally fine, just ignore those problems
00:54:05
◼
►
because it's a beautiful machine
00:54:07
◼
►
and I had the one gigahertz model,
00:54:10
◼
►
had the fast, I think it had a super drive in it,
00:54:13
◼
►
A gig of RAM, it really was a killer machine for the time.
00:54:17
◼
►
And one that I still like the way it looks.
00:54:20
◼
►
It's kind of busy compared to the aluminum that would follow.
00:54:23
◼
►
Lots of different surfaces and colors and textures.
00:54:25
◼
►
But I think it looks great.
00:54:27
◼
►
And it was an inch thick.
00:54:28
◼
►
And it just blew my mind at the time.
00:54:30
◼
►
And looking back, it's sort of the grandfather for all
00:54:33
◼
►
the notebooks that we know today.
00:54:35
◼
►
It's also the ice cream sandwich school of design.
00:54:37
◼
►
I remember that was introduced.
00:54:40
◼
►
We were waiting for a G4 to be in a PowerBook.
00:54:44
◼
►
And then when it was introduced, and they showed the side view,
00:54:46
◼
►
and it was like one inch thin, or whatever the marking thing was,
00:54:49
◼
►
people gasped.
00:54:50
◼
►
It was like, A, maybe they're going to put a G4 in there,
00:54:53
◼
►
but that's going to be really hard.
00:54:54
◼
►
And B, the fact that it got thinner,
00:54:55
◼
►
we weren't used to that at that point.
00:54:57
◼
►
Apple-- I mean, we should have been.
00:54:58
◼
►
I don't know if this was before or after the Nano,
00:55:00
◼
►
but it was like a mini to Nano transition.
00:55:02
◼
►
This is the best, fastest computer
00:55:03
◼
►
with this amazing SuperDrive thing in it,
00:55:05
◼
►
and it's incredibly thin.
00:55:07
◼
►
That computer was shocking.
00:55:08
◼
►
It was one of the first sort of future tech,
00:55:11
◼
►
kind of like the MacBook Air.
00:55:12
◼
►
Like, you can't make a computer like that.
00:55:14
◼
►
Pretty amazing.
00:55:15
◼
►
Yeah, it was before the mini effect.
00:55:18
◼
►
It was, I think, as I stall to look this up,
00:55:22
◼
►
I think it was before even the original iPod.
00:55:25
◼
►
I mean, this was early days.
00:55:26
◼
►
It was 2000.
00:55:27
◼
►
And yeah, I love the Wall Street and successors
00:55:31
◼
►
that were those first really kind of like redesigned
00:55:34
◼
►
Steve Jobs era Power Books.
00:55:35
◼
►
But they were still big plastic blobs.
00:55:38
◼
►
And this was not.
00:55:40
◼
►
This was a metal, thin metal laptop.
00:55:43
◼
►
And guess what?
00:55:44
◼
►
Every pro laptop they made after this looked like this.
00:55:48
◼
►
I mean, although it took them,
00:55:49
◼
►
they realized titanium, not a good material,
00:55:51
◼
►
but they got there.
00:55:52
◼
►
But this was the first iteration
00:55:53
◼
►
where you could see where they were going with it.
00:55:55
◼
►
And you know, it was the first one on the path
00:55:57
◼
►
to what we think of now as the MacBook.
00:55:59
◼
►
- Is this the first product that Apple made
00:56:02
◼
►
using a premium material?
00:56:04
◼
►
- Well, I mean, they played,
00:56:06
◼
►
Johnny and I was playing with materials,
00:56:07
◼
►
they weren't premium materials, they were like translucent plastic bits and stuff like
00:56:13
◼
►
Whereas it was the first--
00:56:14
◼
►
This wasn't 100% titanium.
00:56:16
◼
►
It was like magnesium and a bunch of other-- like it was-- it was titanium-- the titanium
00:56:17
◼
►
name was as much marketing as it was reality.
00:56:21
◼
►
But it's like the first time that they really-- is it like the first time they made-- they
00:56:24
◼
►
made a point of it, right?
00:56:25
◼
►
Like this is the titanium.
00:56:27
◼
►
Because you wouldn't call it the plastic computer, right?
00:56:29
◼
►
Yeah, almost luxury-- luxury-like--
00:56:32
◼
►
Yeah, I think so.
00:56:33
◼
►
And the thinness of that screen, which again I think came back to bite them, and they--
00:56:36
◼
►
moved away and made those screens a little bit thicker and more rugged than that one
00:56:41
◼
►
because it was so kind of too thin, but it was amazing to move that hinge and feel that
00:56:46
◼
►
super thin screen. It wasn't just that the computer was one inch thin, it was that the
00:56:51
◼
►
screen part of it was like impossibly thin. Yeah, they'd show all the side views in the
00:56:55
◼
►
marketing, like they'd show it from the side and it looked impossible, like you can't make
00:56:59
◼
►
a computer, how could it be that thin? Yeah, exactly right. And then your kid just snaps
00:57:03
◼
►
it off with one hand and you realize this is bad. Yeah, good times.
00:57:10
◼
►
Anytime I open mine I sort of say a prayer to the gods of industrial design first.
00:57:15
◼
►
Yeah, please not this time.
00:57:18
◼
►
I'm gonna pick a device that changed how I think about computers, and it's the iPad Pro
00:57:25
◼
►
12.9. When this device was introduced I was interested, but I had had a weird relationship
00:57:33
◼
►
with iPads over, you know, since 2010 to this point. This is what, this was 20, this is
00:57:39
◼
►
the end of 2015 when the iPad Pro 12.9 came out. So, you know, those five years at the
00:57:44
◼
►
iPad, I'd kind of gone back and forth a lot, you know, from thinking it was amazing and
00:57:49
◼
►
I loved it to just getting bored of it and stopping using it and just going back to my
00:57:52
◼
►
Macs. And when this device came out, Air West 9 was kind of in beta and I'd been playing
00:57:58
◼
►
around with multitasking on an iPad Air and was thinking that this is, this is pretty
00:58:02
◼
►
interesting like I like the way that some of this works and I was intrigued
00:58:06
◼
►
to see what was gonna happen and then the iPad Pro came out and it was
00:58:11
◼
►
interesting I picked one up and it changed everything I found myself being
00:58:16
◼
►
drawn to using iOS to do all of the work that I could possibly do on it I'm aware
00:58:22
◼
►
of how it can be more difficult and especially when this came out it was
00:58:26
◼
►
even more difficult to try and do all of these types of things on the iPad than
00:58:30
◼
►
it is today. You know, multitasking was very much in its infancy. But there was just something
00:58:35
◼
►
about the whole package of this beautiful big screen, which was, you know, it felt really
00:58:42
◼
►
nice to hold and it was lighter than the laptop that I had at the time. Plus a keyboard that
00:58:46
◼
►
was also a case and a stand, you know, that would protect the screen, but I could also
00:58:50
◼
►
stand it up to watch movies. And the Apple Pencil, which was a fantastic device for me.
00:58:56
◼
►
You know, it felt better than any stylus I'd ever used, and it allowed me to be able to
00:59:00
◼
►
change my input methods during a time when I was starting to struggle with RSI problems.
00:59:05
◼
►
Being able to use the Apple Pencil to navigate the UI was kind of, was perfect for me then.
00:59:11
◼
►
And it changed the way I think about computers.
00:59:13
◼
►
In my mind now, Macintosh's are production machines.
00:59:18
◼
►
They are where I do professional things.
00:59:21
◼
►
I record and edit podcasts and videos on Macs.
00:59:24
◼
►
Once the editing is done, the Mac gets turned off,
00:59:27
◼
►
and I go back to the iPad to do everything that I want to do.
00:59:31
◼
►
My entire business, all of the stuff that I would do
00:59:33
◼
►
to run a business day to day, is run from an iPad.
00:59:37
◼
►
And I wouldn't change it, because I love it.
00:59:39
◼
►
And the 12.9-inch iPad Pro was what opened this up to me,
00:59:44
◼
►
because it finally became a device where the hardware
00:59:46
◼
►
and software really met for me,
00:59:48
◼
►
and it just made perfect sense.
00:59:50
◼
►
- I had this on my list,
00:59:53
◼
►
Because I knew somebody needed to pick an iPad and it was definitely on my list because
00:59:59
◼
►
My love for small laptops apparently is inverted into large iPads.
01:00:03
◼
►
I don't know how that happened.
01:00:05
◼
►
But small laptops and large iPads are basically the same kind of size, right?
01:00:10
◼
►
You're meeting in the middle.
01:00:11
◼
►
I have a strong preference for the 11-inch MacBook Air over the 13 and yet now I use
01:00:15
◼
►
a 13-inch, essentially, iPad.
01:00:17
◼
►
I don't know what happened there.
01:00:18
◼
►
Shh, don't think about it, Jason.
01:00:20
◼
►
It's confusing.
01:00:21
◼
►
Very confusing.
01:00:22
◼
►
- This has actually turned into my family computer now,
01:00:27
◼
►
because it's kind of unnecessary for my wife and I
01:00:31
◼
►
to share our laptops and just inconvenient,
01:00:34
◼
►
and I know that iOS is sort of counterintuitive
01:00:37
◼
►
to having a family share it,
01:00:40
◼
►
but it's just so great to move it everywhere,
01:00:43
◼
►
and it feels like my home iPad.
01:00:46
◼
►
And I don't know, it's this weird soft spot
01:00:52
◼
►
that I initially held it and thought I was going to return it
01:00:56
◼
►
and thought no way, this is just too much.
01:00:59
◼
►
But it's still kind of my main note-taking computer
01:01:02
◼
►
and it is how I just completely changed,
01:01:07
◼
►
it changed the way I thought about iOS
01:01:10
◼
►
and also it really clicked like okay,
01:01:13
◼
►
now I am the old person and this is the future.
01:01:17
◼
►
This is the iPad long game.
01:01:19
◼
►
- Yeah, I was so glad when they came out
01:01:20
◼
►
with a bigger iPad because I always felt like,
01:01:22
◼
►
I mean, when they came with the iPad,
01:01:23
◼
►
there was this promise before they introduced it
01:01:25
◼
►
of like, what could iOS or iPhone OS or whatever be,
01:01:28
◼
►
what would it be like on a bigger screen,
01:01:29
◼
►
like a tablet-sized screen?
01:01:30
◼
►
And when they came out with the iPad
01:01:31
◼
►
and it was so similar to the phone, it's like,
01:01:33
◼
►
ah, seems like they're leaving money on the table here.
01:01:35
◼
►
Like, there's more you could do.
01:01:36
◼
►
Like, the device would become even more powerful.
01:01:38
◼
►
You just make it bigger.
01:01:40
◼
►
And then the stylus, obviously,
01:01:41
◼
►
adding a whole other dimension to that.
01:01:42
◼
►
And the keyboard, and when you have a keyboard,
01:01:43
◼
►
it can be a reasonable size.
01:01:45
◼
►
Like, just so great to see them break out of the,
01:01:48
◼
►
But I feel like it's kind of the in-between form factor to say, if this is going to be
01:01:51
◼
►
the future of computing, it's got to be bigger.
01:01:54
◼
►
Got to be bigger, more powerful, more flexible.
01:01:56
◼
►
And I hope they keep going in this direction.
01:01:58
◼
►
I was also glad when they didn't unify on the 10.5 inch, but upgraded to the 12.9 as
01:02:06
◼
►
So I say, keep going with this, and I'm ready for one that's even bigger.
01:02:10
◼
►
Alright, so I am going to finally pick a Mac and not an iOS device. I so this was the last
01:02:23
◼
►
consumer laptop I used and I think this is the the Mac that I used the longest. It's the Apple
01:02:32
◼
►
MacBook Core Duo 2.0, also known as the black MacBook, basically. And I remember getting this
01:02:44
◼
►
only because I thought the color was really cool. And I could get it used at like the base price.
01:02:52
◼
►
And this is also the first laptop that I could get, like I could get into the guts of it. And I
01:02:59
◼
►
maxed out the RAM and maxed out the hard drive. It was kind of constantly lighting up in strange
01:03:07
◼
►
ways. Like the screen wasn't great. It was the first glossy screen, I think, in the MacBook
01:03:12
◼
►
line. And also it set my thighs on fire at least once a day because it was...
01:03:19
◼
►
So to speak.
01:03:20
◼
►
Yeah. It was not supposed to have two gigs of RAM. But yeah, I just slowly
01:03:28
◼
►
upgraded over the years. And it lasted, I think, from middle school all the way until I graduated
01:03:33
◼
►
high school. And it just even even today. It just looks nice. I don't know it also is one of my
01:03:40
◼
►
favorite keyboards they ever had, despite the fact that I think this was their first black keyboard
01:03:47
◼
►
on a laptop or sorry, and a Mac. I don't even know how to qualify this a Mac book. I know that the
01:03:57
◼
►
old PowerBooks had them. It was also my first Intel Mac. So I could, what was it, boot into,
01:04:06
◼
►
I don't remember even what it's called anymore. Bootcamp. Yeah. And I could play Steam on
01:04:13
◼
►
the other side of my laptop. And it just felt really cool. And I learned a lot about computers
01:04:19
◼
►
from this one laptop. So not important in the big scheme of Apple history, but important
01:04:25
◼
►
I had a black MacBook and I loved it. This is the era where if you wanted a smaller MacBook
01:04:31
◼
►
than the MacBook Pro, you know, you got an iBook and then the MacBook came out for,
01:04:38
◼
►
which is the name change was when they went to Intel. And the black version initially cost more
01:04:44
◼
►
and didn't have anything more other than the color, but it looked so cool. I loved it so much.
01:04:48
◼
►
And you're right, you can get to the hard drive and the RAM through the battery bay.
01:04:51
◼
►
So it was super easy to upgrade it and I wish Apple would make a legitimately black laptop again.
01:04:58
◼
►
Not this Space Gray's fine, but this one, yeah, it looked so cool with the white Apple logo and the
01:05:03
◼
►
black polycarbonate. It was great. Yeah, it had the same problem of looking good as long as no
01:05:09
◼
►
one touched it, which is kind of a shame. It's like now they have the tech, like the matte black
01:05:13
◼
►
iPhone. I feel like that finish holds up pretty well, both to fingerprints and to scratches.
01:05:17
◼
►
Imagine a Mac laptop that was the same color
01:05:19
◼
►
as the matte black iPhone, that would be great.
01:05:21
◼
►
- Yeah, it'd be awesome.
01:05:22
◼
►
I do think that plastic MacBook was important though.
01:05:25
◼
►
You know, the black one was more expensive.
01:05:26
◼
►
I think that you got more hard drive space,
01:05:28
◼
►
but it was basically the same computer.
01:05:30
◼
►
But at least when I was in school and in college,
01:05:34
◼
►
those MacBooks were everywhere.
01:05:38
◼
►
It really seemed to gain market share
01:05:42
◼
►
well above what the iBook,
01:05:45
◼
►
or even on something like the 12 inch PowerBook every did.
01:05:48
◼
►
And like the Air, like Jason said earlier,
01:05:52
◼
►
for a while there, you could just say, hey, get a MacBook.
01:05:55
◼
►
Get the white one.
01:05:57
◼
►
If you got a little extra money to spend,
01:05:59
◼
►
the black one is way cooler.
01:06:00
◼
►
But it's sort of a well-rounded machine for everybody.
01:06:03
◼
►
And even though it wasn't a MacBook Pro,
01:06:05
◼
►
you could still get some production work done
01:06:08
◼
►
if you needed to.
01:06:09
◼
►
I think it was a great machine.
01:06:11
◼
►
And they had, again, like many of these models,
01:06:14
◼
►
that had problems.
01:06:15
◼
►
The black one was a little better about the chipping
01:06:19
◼
►
and the staining, the white plastic
01:06:21
◼
►
ended up being plagued by, but definitely a cool machine.
01:06:24
◼
►
I remember my brother had a black MacBook,
01:06:25
◼
►
and I had a MacBook Pro at the time,
01:06:28
◼
►
and even with the MacBook Pro,
01:06:29
◼
►
I was envious of how cool his MacBook looked.
01:06:31
◼
►
So stealthy with the black plastic.
01:06:33
◼
►
I still think they look great.
01:06:34
◼
►
- Yeah, this is an important computer to me.
01:06:36
◼
►
It was my second ever Mac on my first laptop.
01:06:39
◼
►
I absolutely loved it.
01:06:40
◼
►
I had the white one.
01:06:42
◼
►
I had little pieces of the wrist rest cracking off.
01:06:46
◼
►
But like, I loved that thing.
01:06:48
◼
►
You know, like also the wrist rest started to go yellow
01:06:50
◼
►
over time, which was lovely.
01:06:52
◼
►
But that was just a absolutely fantastic computer.
01:06:56
◼
►
Like, it opened my eyes up to what it would be like
01:07:00
◼
►
to have a computer that wasn't fixed into one position,
01:07:03
◼
►
And it was, I absolutely loved it.
01:07:06
◼
►
It was a great looking thing.
01:07:07
◼
►
That was a fantastic Mac.
01:07:10
◼
►
"Oh, this was also, I realized, my first Mac
01:07:12
◼
►
"with a DVD player, and this is when Netflix,
01:07:15
◼
►
"you know, still sending out discs."
01:07:18
◼
►
And so, this was my early binge-watching experience,
01:07:22
◼
►
just getting all of those seasons of Doctor Who via disc.
01:07:28
◼
►
- That's great.
01:07:28
◼
►
- All right, Jason, you've got the last official pick.
01:07:30
◼
►
- Yeah, I know, I'm gonna close this out.
01:07:32
◼
►
So, I had a bunch of things on my list
01:07:33
◼
►
that when we bring out our dead here in a minute,
01:07:35
◼
►
we can talk about, but I feel like they've been,
01:07:38
◼
►
got an iPhone, we've had iPhones picked, I've got an iPad, we've had those picked.
01:07:45
◼
►
So I'm going to go with something that has not been picked yet, and also it firmly places
01:07:49
◼
►
me on Tmold, but it's super important. So this is an Apple hardware product, cost $7,000
01:07:56
◼
►
when it was released in 1985, so that's like more than $15,000 today. But you know what?
01:08:04
◼
►
In some ways, it was the most important Apple hardware product released.
01:08:10
◼
►
I would argue in the top five most important Apple products of all time because of what
01:08:16
◼
►
it did for the Mac and the different fields and industries that it revolutionized.
01:08:24
◼
►
It's the Laser Writer, which introduced...
01:08:30
◼
►
very... okay. Oh yeah, you better be agreeing with me because I'm right. The Laser Writer,
01:08:37
◼
►
the... It's a brilliant pick. It is the first time, it's postscript, it allowed WYSIWYG publishing to
01:08:43
◼
►
exist, it let you print on regular paper at 300 dots per inch, which is impossibly good,
01:08:51
◼
►
like print quality essentially. The Laser Writer changed everything. It made Apple successful in
01:08:58
◼
►
publishing. It made Adobe exist basically. It completely changed the publishing
01:09:05
◼
►
industry. It created desktop publishing. It created service bureaus where people
01:09:10
◼
►
could go and get their stuff that they made on their Macs printed at high
01:09:13
◼
►
resolution because that was a thing that you did back in those days when it cost
01:09:16
◼
►
seven thousand dollars is you would take your files and fonts, you better remember
01:09:20
◼
►
to bring your fonts or it's going to be ugly, and you take them down to the local
01:09:24
◼
►
place that had a laser printer, a laser writer, and you would print it out. The
01:09:29
◼
►
first time I printed a paper, we had a laser printer, we had a laser writer in fact
01:09:32
◼
►
at my college newspaper along with a giant image setter that was like the
01:09:35
◼
►
size of a car that did 600 dpi and I would print out college papers on it and
01:09:41
◼
►
it was like unreal. It was like I had had a letterpress make my papers for me. It
01:09:46
◼
►
was so unbelievable because in those days everything was dot matrix,
01:09:50
◼
►
everything looked crappy, and then this was real stuff and now we take it for
01:09:54
◼
►
granted and people have moved on to things like you know everybody's got an
01:09:58
◼
►
inkjet printer now but that laser printer, it really did change
01:10:02
◼
►
everything. It changed the computer industry, the publishing industry, and a
01:10:06
◼
►
lot of people's lives because without the laser printer you were printing you
01:10:11
◼
►
know your beautiful Mac graphics and fonts and things and then they would end
01:10:15
◼
►
up on like an inkjet printer and they would not look very good but when you
01:10:19
◼
►
did it on the laser printer they looked as good as anything you could get from a
01:10:22
◼
►
professional print shop as long as your design skills were good otherwise it
01:10:26
◼
►
still looked like a clown made it. Anyway, I know it's a wacky pick but everything
01:10:30
◼
►
else we made you've all made some great picks and I wanted this oddball piece of
01:10:35
◼
►
Apple hardware we don't even think about it now super important that this product
01:10:39
◼
►
existed and it came from Apple. Apple was the one that made it happen and that
01:10:44
◼
►
means something to that Apple didn't sort of say boy I hope somebody makes a
01:10:47
◼
►
printer for our Macintosh they're like no we're gonna make it and they did.
01:10:51
◼
►
mentioned this was also the most powerful Mac for a while, the most powerful Apple computer
01:10:55
◼
►
for a while, did you mention that earlier? I didn't, but yes, it was, the stuff on the
01:10:59
◼
►
inside was, I mean there's a reason it cost $7,000, it was bananas, it had a 12 megahertz
01:11:06
◼
►
Motorola 68000 CPU and 512k of RAM and so at that point it was more processing power
01:11:14
◼
►
because the Mac only ran at 8 megahertz and the emblazon writer ran at 12 megahertz. I
01:11:19
◼
►
I don't disagree with the importance of this pick.
01:11:21
◼
►
I just never could have picked it.
01:11:23
◼
►
You know, like if you were to say,
01:11:24
◼
►
I know that's why I'm here.
01:11:25
◼
►
Let's work on Jason's list.
01:11:26
◼
►
That's why I'm here.
01:11:26
◼
►
It never would have come up, right?
01:11:27
◼
►
Pretty good.
01:11:29
◼
►
It's another one of those things where you kind of had
01:11:32
◼
►
to be there in terms of computers printing things.
01:11:35
◼
►
Not just like, this is pre-Inkjet, right?
01:11:37
◼
►
Dot matrix printers and not good dot matrix printers.
01:11:42
◼
►
Dot matrix printers where you could see the dots.
01:11:43
◼
►
So if you had a computer at home and this is my experience
01:11:46
◼
►
and you handed in a paper for school,
01:11:47
◼
►
instead of writing it on a typewriter, yes, an actual typewriter, if you had a computer,
01:11:51
◼
►
which was much better because you didn't have to use like whiteout or backspacing or retype
01:11:54
◼
►
the whole page and everything, you know, if you had a computer, you could print it out
01:11:57
◼
►
on your Apple II or whatever and your dot matrix printer and you'd hand in the paper
01:11:59
◼
►
and you were one of the impressive students, like here I am, I'm fancy, I have a computer,
01:12:03
◼
►
I'm handing in my paper that is printed on my printer on my computer, right?
01:12:07
◼
►
If you laser printed something, it was like you had torn pages out of a book in the library.
01:12:11
◼
►
It's like, you didn't write this.
01:12:13
◼
►
This is how does this even exist? Because it's like a page from a book, like from the
01:12:18
◼
►
library, but it's got your words on it. Like, is it a practical joke? It didn't look like
01:12:23
◼
►
a different category of things. It didn't look like, oh, you had a better printer because
01:12:26
◼
►
everyone knows you can't print things like that. A better printer was the Apple image
01:12:29
◼
►
writer. Like that was a better dot matrix printer. And you could tell a difference of
01:12:33
◼
►
I'm going to write for, I'm going to print from Mac, right? On my Apple image writer.
01:12:37
◼
►
That looked better than the dot matrix printers. Laser printer looked like an alien had come
01:12:41
◼
►
down and like it literally looked like like a piece of paper torn out of a book or a magazine
01:12:46
◼
►
but but it had your words on it and it was like impossible now i didn't have laser on it nobody
01:12:50
◼
►
had a laser on it but no every once in a while you know if you had an uncle who had a laser on it he
01:12:54
◼
►
could do that and print out a paper on it it was like you were a published author it was like now
01:12:58
◼
►
i'm published because my serifs are 300 dpi i feel like in a hundred years on a future upgrade uh
01:13:06
◼
►
Cyborg, Jason, and Myke are going to be talking about how, yeah, remember the original 3D
01:13:12
◼
►
printers? They were really terrible. Now we just print our food. Remember stores? Wow.
01:13:18
◼
►
Was this changeover akin to something like retina? Like the idea of, like, I've never
01:13:23
◼
►
seen something look so clear. Yeah, this is retina for paper. Like, the
01:13:27
◼
►
dot-- Like John was saying, the dot matrix original, like, they had their own type--
01:13:31
◼
►
So you just send the text there and it would be in whatever its font was would be and maybe
01:13:36
◼
►
if you're lucky it had two fonts but it was basically just you could see the dots and
01:13:40
◼
►
it was in a grid and then like the Apple like the style writer or you know that was the
01:13:46
◼
►
image writer image writer because you'd go to Mac write and you'd pick a different font
01:13:51
◼
►
and I would always pick some hideous font and I would print it and teachers were blown
01:13:54
◼
►
away by it because it was not it wasn't a typewriter because that like like the courier
01:13:57
◼
►
or typewriter font or whatever that was printed on the little metal heads and it wasn't a
01:14:01
◼
►
dot matrix. It was different fonts. I would have different size text for the title and
01:14:05
◼
►
my name and the body text. That was the big step forward was that you went from dot matrix
01:14:10
◼
►
like all those all those things that I printed out on my Apple to where it was just like
01:14:13
◼
►
letters on a piece of paper with the dots and then from the Mac you could go and print
01:14:18
◼
►
these things where it would be like you could see the fonts but the quality was still really
01:14:22
◼
►
terrible and then you get to the the laser writer which had a certain number of built-in
01:14:26
◼
►
fonts and it was suddenly you went from kind of like you could certainly see the
01:14:31
◼
►
ink smudges and the and all of that to immaculate like from like John said like
01:14:36
◼
►
from a book like you ripped a page out of a book in the library and so yes it
01:14:39
◼
►
was the retina of its day and the fact that not only could you do that but then
01:14:44
◼
►
everything got accurate so like this is how you know we we did our college
01:14:48
◼
►
newspaper on on Laser Writer essentially and you couldn't before you would have
01:14:53
◼
►
gone to a newspaper and had them do your, you know, they would print it using their
01:14:59
◼
►
typesetter machine that cost a fortune. And all of a sudden you could just do it with
01:15:04
◼
►
this laser printer for $7,000. And it was unlike retina because retina was
01:15:08
◼
►
like, it's not like there were professionals in the world that everyone knew. Like everyone
01:15:12
◼
►
knows that the professional people already have phones that are retina resolution, but
01:15:14
◼
►
regular people don't. Because in the printing world, we were all in a world where you'd
01:15:18
◼
►
get a magazine. You'd go get a magazine and you'd look at the type in the magazine. It
01:15:21
◼
►
magazine type like it was nice little serif fonts and you know 300 dpi or 600 dpi or whatever it was
01:15:26
◼
►
that had existed for a long time it's just that you couldn't do that at home you can't you can't
01:15:31
◼
►
make your own magazine at home that's madness um and and then this was the laser rider was
01:15:36
◼
►
a thing that everybody knew existed that everyone was used to it was like and knew it was better
01:15:40
◼
►
than newsprint because this room was awful and smudgy right everyone knew magazines existed and
01:15:44
◼
►
all of a sudden you could make one in your house and that was what would blow people's mind because
01:15:48
◼
►
It seemed like an impossibility because it wasn't a new innovation that everyone was
01:15:52
◼
►
coming along for the ride for.
01:15:53
◼
►
It was like taking something that was once the domain of super expensive things that
01:15:57
◼
►
nevertheless the entire world knew about because everyone could read a magazine.
01:16:00
◼
►
They just assumed they magically appeared and then now suddenly you could make one yourself.
01:16:03
◼
►
It was amazing.
01:16:04
◼
►
Yeah, and it was part of a big, I mean, desktop publishing is what, it was the max, like strong,
01:16:11
◼
►
like the stronghold for such a long time.
01:16:13
◼
►
They had all sorts of weird products.
01:16:14
◼
►
They had the two page monochrome display and the portrait display.
01:16:17
◼
►
You could lay out horizontal and vertically oriented pages.
01:16:19
◼
►
We had those both at my college newspaper.
01:16:22
◼
►
All sorts of stuff that was really
01:16:25
◼
►
geared for professional designers-- newspapers,
01:16:28
◼
►
magazines, print stuff.
01:16:29
◼
►
And that industry, in a lot of ways, I think,
01:16:33
◼
►
helped Apple hang on there in the '90s.
01:16:36
◼
►
Oh, yeah, it would have been dead without that industry,
01:16:40
◼
►
Weirdly, I think we've ended up speaking about the LaserWriter
01:16:43
◼
►
more than any other product on this list.
01:16:45
◼
►
So good pick, Jason.
01:16:47
◼
►
- I love all of the Sims about that.
01:16:50
◼
►
- It also looked really cool.
01:16:52
◼
►
Again, Snow White design language, but cool.
01:16:54
◼
►
- All right, so the draft is now complete.
01:16:56
◼
►
The picks are done, but in standard Jason Snow draft rules,
01:17:00
◼
►
we get to have a few minutes where we can just,
01:17:02
◼
►
we can just talk about a couple of other things
01:17:04
◼
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that were on our lists that we didn't get to pick,
01:17:06
◼
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that maybe nobody got to pick.
01:17:09
◼
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And we'll get to do that just after this break,
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which is what I'm gonna talk about in Capsula.
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All right, Jon, I'm going to hand it back over to you to maybe pick one or two things
01:18:32
◼
►
to talk about real quick that you didn't get to pick in the draft.
01:18:35
◼
►
Let's bring out your deaths.
01:18:36
◼
►
You're dead one or two, but I will go quickly because I'm well versed in the bringing out your dead and draft format
01:18:42
◼
►
My number four pick was the power Mac g5. It's another one of those computers like the titanium that
01:18:47
◼
►
Seemed impossible when the specs leaked people thought it was impossible like because we had waited so long like the Mac had stagnated with the g4
01:18:53
◼
►
And the slow front side bus and this one just was such a huge leap
01:18:57
◼
►
And you know you kind of get these huge leaps if you let the line stagnate and be crappy for a while
01:19:02
◼
►
But again, you know because it had leaked and Steve Jobs joked about on stage people didn't even believe the leak because it was so amazing
01:19:08
◼
►
So that was an important computer my 2008 Mac Pro that I've used for almost a decade now. What a workhorse
01:19:14
◼
►
What an incredibly flexible machine sort of the peak of that tower design so flexible so powerful
01:19:19
◼
►
So well made such longevity. I had the iPhone 4s as my first non Mac pic
01:19:25
◼
►
But we already went over that I the the 4 line
01:19:28
◼
►
I picked the 4s just because I feel like the 4 was a little slow compared to the 4s
01:19:32
◼
►
The 4s was so much faster than it, but also you know was in that same form factor
01:19:36
◼
►
I love that design, and I think the 4s is the best version of that design
01:19:38
◼
►
I put the 5 in a separate category like the 4s way better with the more sandwichy thing the iPad Pro
01:19:44
◼
►
9.7 inch the original one kind of like 13 inch MacBook Air one of those computers that
01:19:49
◼
►
There was nothing wrong with it like it. You know you just recommend it wholeheartedly. It is great
01:19:54
◼
►
It is it is thin it is powerful. It has an amazing screen on it
01:19:58
◼
►
Like you can use the the Apple pencil with it. It was just I have one now. I love it
01:20:03
◼
►
I feel like that is a really strong, you know, and the 9.7 line
01:20:06
◼
►
It's gonna be hard to beat that because it was just so there was nothing bad about it
01:20:10
◼
►
It was amazing the Apple cinema display the 22 inch one with the little pranzel some feet
01:20:14
◼
►
I have that in my house as a review unit for a while and people come and visit my house and
01:20:21
◼
►
Wouldn't know what category to put it in like they would say is that is that a TV?
01:20:25
◼
►
Because it's obviously not a computer screen because a computer screens are CRT's and B
01:20:31
◼
►
It's big like a TV, but it's skinny and it looks weird people. It didn't even read as a computer screen. It was so big
01:20:37
◼
►
The 23 inch was actually a better version of that. But that was a pretty amazing thing and finally
01:20:42
◼
►
power Macintosh g3 blue and white
01:20:46
◼
►
Which was again another big jump over its predecessors in terms of like the other ones were there was the power of a G3
01:20:53
◼
►
That was beige my boy that poor computer boy
01:20:55
◼
►
You know had a little translucent handle on top a little translucent button on top of it
01:20:59
◼
►
But the rest of it was boring
01:21:00
◼
►
This thing had the door that opened up and all the guts laid out for you a very interesting design different than the current one
01:21:05
◼
►
Where the door comes off and the stuff was on the inside this the stuff laid down a lot of the stuff laid down
01:21:09
◼
►
It looked adorable. It was super fast. It was really cool
01:21:13
◼
►
And I really love that it was the Yosemite case design that you reuse that name later
01:21:18
◼
►
That's it for my bring up the dead pics
01:21:21
◼
►
Steven how many of those were on your John Syracuse a pic list on my list I had blue and white g3
01:21:27
◼
►
I did have the power Mac g5 on John's but I had the quad core version
01:21:31
◼
►
But I'm only the one that was the big jump over like we're waiting for waiting for a new computer
01:21:37
◼
►
By Mopar what could go wrong?
01:21:40
◼
►
That would be on my list of the worst
01:21:42
◼
►
Yeah, I had a couple of unique things I'll start with some of the more mainstream maybe I had the
01:21:51
◼
►
iMac G or sorry the iMac
01:21:54
◼
►
G5 sort of the same reason for the power Mac g5 and some of these other machines to put a g5 in an all-in-one
01:22:00
◼
►
Seemed bananas to me at the time. You know, it was like two inches thick I think so
01:22:05
◼
►
I mean currently I'm a now it's chunky but to have a g5 and an all-in-one just just really
01:22:10
◼
►
really was something.
01:22:12
◼
►
I also have the series of weird '90s Macs,
01:22:17
◼
►
the Macintosh TV and the 20th anniversary Mac,
01:22:26
◼
►
both big collector's items of course,
01:22:28
◼
►
both unique, both kind of terrible computers,
01:22:30
◼
►
but show Apple trying to do things
01:22:33
◼
►
that were unique and different
01:22:39
◼
►
and the Tam and the Macintosh TV,
01:22:42
◼
►
they didn't sell very well, they weren't ever really popular
01:22:46
◼
►
but I like that Apple was trying something different
01:22:48
◼
►
even if they were false directions.
01:22:50
◼
►
And as far as like oddball stuff,
01:22:53
◼
►
I will throw in the Apple line of Quick Take cameras,
01:22:57
◼
►
specifically the Quick Take 200, it was the last one,
01:23:00
◼
►
kind of looks more like a digital camera today,
01:23:02
◼
►
but the Quick Take 100 series was like a little sandwich
01:23:06
◼
►
with a lens on the front of it,
01:23:07
◼
►
you kind of held a sandwich up into the air
01:23:08
◼
►
the thing from Star Wars that Luke looks through. Yeah, exactly. You know, a product that didn't
01:23:15
◼
►
survive the Steve Jobs transition in '97, a whole like weird corner of Apple products
01:23:22
◼
►
didn't make that. But again, signaling where Apple would go in the future, now cameras
01:23:28
◼
►
are a huge part of what they make with the iPhone and iPad, and they were doing it back
01:23:32
◼
►
then. Although really it was a Kodak camera rebranded, but I'll give them points for credit.
01:23:36
◼
►
Alright, so I'm gonna... I've got three things.
01:23:39
◼
►
The first is my first Mac, the original polycarbonate Intel iMac.
01:23:44
◼
►
I decided that I was going to buy a Mac and decided that the next Mac that came out would be the one that I would buy
01:23:53
◼
►
and it turned out to be this one.
01:23:55
◼
►
So I consider myself pretty lucky there because I was just on the right wave because I was getting ready to buy a G5.
01:24:02
◼
►
So the G5 with eyesight was on sale like five months or something before this.
01:24:08
◼
►
Yeah, you really, uh, you good timing there, buddy.
01:24:11
◼
►
I lucked out.
01:24:11
◼
►
I lucked out, uh, the iPod video, because I have such good memories of this one,
01:24:18
◼
►
because, uh, I was maybe being a bit of a cheeky guy here at this point.
01:24:23
◼
►
So I explained, I got it for Christmas and I explained to my mom that, uh, the iPod
01:24:29
◼
►
video had to have video on it to be useful.
01:24:31
◼
►
So I spent a few days putting video on the device and telling it how difficult it was
01:24:37
◼
►
and that it would take multiple days for the video to transfer.
01:24:41
◼
►
So at night I would unplug the iPod and I would watch episodes of TV shows like The
01:24:47
◼
►
Office and Family Guy under the covers with my iPod video.
01:24:51
◼
►
So you're the one, the one person who watched video on there.
01:24:53
◼
►
I watched and then I ended up watching video podcasts on it for years.
01:24:57
◼
►
Here's the question, how close to your face did you hold it?
01:25:00
◼
►
incredibly close.
01:25:01
◼
►
- It's like touching your nose.
01:25:02
◼
►
- Incredibly close, yeah.
01:25:03
◼
►
It was almost like a cinema screen, I held it so close.
01:25:07
◼
►
- You went cross-eyed.
01:25:08
◼
►
- Multiple days it took to set that thing up
01:25:10
◼
►
before Christmas, and that was a fun memory for me.
01:25:15
◼
►
And the last that I will pick is the 10.5 inch iPad Pro,
01:25:19
◼
►
the new iPad Pro, because I actually think
01:25:21
◼
►
it's the best iPad ever made.
01:25:23
◼
►
I think it is absolutely fantastic.
01:25:26
◼
►
It has the best of everything that people were looking for
01:25:28
◼
►
with an iPad, sort of size and power.
01:25:31
◼
►
I've been spending a lot more time with it
01:25:34
◼
►
over the last few weeks and that is an incredible machine.
01:25:38
◼
►
And I think it is the best iPad that they have ever made.
01:25:42
◼
►
- You sure are.
01:25:43
◼
►
- Man, I'm bad at drafts, guys.
01:25:45
◼
►
- Not as bad as me, Alex, don't worry.
01:25:48
◼
►
- I also had the iPod video for the same reason as Myke,
01:25:52
◼
►
but also because this iPod actually had games on it.
01:25:56
◼
►
And there was only one game that was good
01:25:58
◼
►
And it was, yeah, it was like a rock band ripoff,
01:26:03
◼
►
or a guitar hero ripoff.
01:26:04
◼
►
Actually, it might have been made by Harmonix.
01:26:06
◼
►
And you could listen to podcasts
01:26:08
◼
►
and play this terrible game.
01:26:10
◼
►
I listened to podcasts and listened to the music.
01:26:12
◼
►
I don't know why they let that be a possibility.
01:26:16
◼
►
- What about Breakout?
01:26:17
◼
►
Breakout was a good game with the wheel, wasn't it?
01:26:19
◼
►
- Yeah, yeah, I liked that.
01:26:20
◼
►
- Oh, you're right, you're right.
01:26:21
◼
►
And maybe Peggle too might have been,
01:26:24
◼
►
I apologize, iPod video.
01:26:26
◼
►
You were really underrated.
01:26:30
◼
►
I also have AirPods because it's magical.
01:26:34
◼
►
The iMac DV, which is the first iMac I used to edit video on
01:26:40
◼
►
which was like, wow, okay, that defined my career,
01:26:43
◼
►
so that's cool.
01:26:44
◼
►
The original iPod Shuffle, which just was
01:26:48
◼
►
a USB thumb stick basically, and I used it for everything.
01:26:52
◼
►
And also, the sports case that came with it,
01:26:56
◼
►
which had the like, Johnny Ives secret orange around it. So you could like just it stood
01:27:02
◼
►
out just enough against the white. And now that I think about it, this probably should
01:27:08
◼
►
have been my number one pick the iPhone six and seven battery cases, because the despite
01:27:16
◼
►
everyone made fun of that bulge. But you know, we have camera bulges now why not have battery
01:27:22
◼
►
And I hate the design of these, the six going forward, iPhone lines so much. They're soap
01:27:31
◼
►
phones. I've never dropped a phone until now. And this is the one thing that makes me able to hold
01:27:39
◼
►
my phone comfortably. And it's also made out of somehow a different plastic rubbery material than
01:27:46
◼
►
the other silicone cases. And I don't know why they just don't make them all like this because
01:27:51
◼
►
because this one doesn't degrade, it doesn't get all linty,
01:27:55
◼
►
and it's just wonderful and perfect in every way,
01:27:59
◼
►
in my opinion.
01:28:00
◼
►
That's all I got.
01:28:02
◼
►
- Alright, I had a bunch of stuff that I felt like
01:28:04
◼
►
we were close enough that I didn't need to go there.
01:28:07
◼
►
The first generation PowerBook really did change the game
01:28:10
◼
►
for actually the entire computer industry.
01:28:12
◼
►
It had the integrated pointing device,
01:28:14
◼
►
it was a trackball below the keyboard.
01:28:17
◼
►
They were a sensation in the early 90s.
01:28:19
◼
►
was a big deal that you could take a computer with you and that it was that
01:28:22
◼
►
that at the time thin and light and portable and I got a PowerBook 160 in
01:28:27
◼
►
grad school and I loved it so much plus I could plug it into a color monitor at
01:28:31
◼
►
home which was pretty awesome too. Oh that was also like the iPhone after that
01:28:36
◼
►
every single laptop looked like a keyboard pushed up towards the screen like it
01:28:39
◼
►
totally defined the laptop. Yeah. Not you know. Those are those it was a cool
01:28:43
◼
►
laptop it really was amazing like to this day I would I would argue like that
01:28:47
◼
►
that it still looks pretty great, that original design, and there's a reason it was a wild success.
01:28:52
◼
►
Yeah, the original iPod, I was going to mention, except no substitutes. I mean, yeah, it didn't
01:28:59
◼
►
have a door like on top of the firewire plug, and the firewire plug was huge, but like it was
01:29:05
◼
►
a huge deal, and it, you know, with the stainless steel back and the click wheel front, and the wheel
01:29:11
◼
►
really spun, it was not a fake click wheel. It was actually a circular piece of plastic that you had
01:29:16
◼
►
to spin. It spun right off the device, eventually. Eventually it would, oh yes. You could just
01:29:21
◼
►
pop it right back on though, it would just go right back on, trust me. I love the iPod
01:29:26
◼
►
shuffle when it turned into the clip. I didn't like the stick of gum one so much as the clip
01:29:32
◼
►
version, I thought that was a brilliant piece of design. I love those and they're little
01:29:37
◼
►
bright colors and you could just clip it onto your shirt and mow the lawn or whatever. I
01:29:42
◼
►
love the original iPhone design, I've written many thousands of words about how great that
01:29:45
◼
►
I mentioned the iPhone 5. And then the 5K iMac, I think, is a spectacular computer. The fact that
01:29:50
◼
►
Apple was finally able to make a computer with retina at a giant desktop size and with incredible
01:29:57
◼
►
power inside of it. And I'm talking to you from one right now. And it's great. So those are my
01:30:02
◼
►
oh, and I neglected to mention my other out. If the laser writer hadn't been the direction I was
01:30:08
◼
►
going to go, I was going to go with that machine they make that sucks off the iPhone screen in the
01:30:11
◼
►
back of the Apple Store so they can replace your screen right in there. That's an amazing piece of
01:30:15
◼
►
of Apple hardware too. That's good. Yeah. I thought you were going to say iPod Hi-Fi,
01:30:18
◼
►
and I'm surprised nobody picked the Newton. No, I mean, I had a Newton on my desk right
01:30:24
◼
►
here, but I didn't pick it either. Yeah. That's the story of Newton's life. I didn't pick
01:30:28
◼
►
it. And we all have Apple watches on, and no one picked that either. Yeah, well, you
01:30:32
◼
►
know. Oh, that's telling. There's only so many picks, you know. There's only three rounds,
01:30:36
◼
►
that's all you got. All right, so at this point we're going to say goodbye to Steven
01:30:41
◼
►
And Alex, as me and Jason need to go to movie class,
01:30:45
◼
►
we've joined Syracuse, which we're going to do in a moment.
01:30:48
◼
►
So I just want to thank you both for joining us.
01:30:52
◼
►
Steven, where should people go to find out more
01:30:54
◼
►
about the work that you do?
01:30:56
◼
►
You can find me on Twitter @ismh and my writing
01:30:59
◼
►
at 512pixels.net.
01:31:01
◼
►
I do a bunch of shows here on Relay.
01:31:03
◼
►
And what about you, Alex?
01:31:04
◼
►
You can follow me on Twitter @AlexCox, spelled C-O-X.
01:31:10
◼
►
and DubaiFriday.com, which is a show I do with my boss, Max Temkin, and Merlin, man
01:31:16
◼
►
of the internet, and at Robowism.fm, which is a show about robots and isms and technology
01:31:24
◼
►
and a bunch of weird stuff with my friend Savannah Million.
01:31:27
◼
►
Great, thanks so much for joining us, guys.
01:31:29
◼
►
Thank you, and congratulations, Myke, on seeing the correct version of Blade Runner.
01:31:39
◼
►
Alright, so just after this break we're gonna talk about Blade Runner Final Cut.
01:31:46
◼
►
But before we do, let me take a moment to talk about our final sponsor for this week's
01:31:50
◼
►
episode and that is Mack Weldon.
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They make the most comfortable underwear, socks, shirts, undershirts, hoodies and sweatpants
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that you're ever gonna wear.
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Frankly, Mack Weldon is better than whatever you're wearing because they care about this
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stuff obsessively.
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They're so confident that they're gonna make stuff that you love.
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have a no questions asked return policy.
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Macworld and things are so comfortable.
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They think about everything right.
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They don't just give you a great shopping experience.
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They also use premium fabrics and they have their meticulous attention to detail to make
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sure that what you're going to be putting on your body is great for whatever you want
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to do, whether it's working out going to work traveling, no matter what it is Macworld and
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stuff performs fantastically.
01:32:32
◼
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I am in the US right now.
01:32:33
◼
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So I've taken advantage of this and I have a whole huge package of Macworld and clothing
01:32:38
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►
for me here and I'm very excited to be having more Mac Walden clothes in my life including
01:32:43
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►
some of their lounge shorts and many more undershorts which is a term that I found out
01:32:48
◼
►
recently when looking at doing laundry in the US. Undershorts seems to be the way that
01:32:55
◼
►
people refer to pants or what I would call pants and I guess you would call boxes in
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a more discreet manner which I found really funny. Anyway, Mac Walden have a line of silver
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Thank you so much to Mac Weldon for their support of this show and Relay FM.
01:33:26
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Okay, so a couple of months ago, me and Jason watched Blade Runner for Myke at the Movies
01:33:32
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because whilst Jason wasn't a huge fan of the movie, I wanted to see it. I felt like
01:33:40
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it was an important one to see because it has a lot of geek cred. Neither of us were
01:33:47
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really crazy about the movie. I don't think that we necessarily, well I speak for myself,
01:33:53
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I don't think we necessarily disliked it, but it didn't sit high up in the overall ranking
01:33:58
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of Myke at the movies movies John Syracuse, uh heard this and demanded that
01:34:04
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We watched the final cut and talk about it with him. So John, why are we doing this?
01:34:09
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I'm not so sure I demanded it. In fact that I remember fearing I remember being afraid
01:34:14
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Cuz like Jason doesn't really like it that much and you have weird taste in movies and are so young and impressionable and I did
01:34:23
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just like it was gonna be the one of those ones where you're like
01:34:27
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you know, dumping on a movie that I like, essentially. But I was pleasantly surprised
01:34:31
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that both of you seemed pretty even-keeled about the movie, even though neither one of
01:34:34
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you were big fans. But you did watch the theatrical release, which I think was Myke's sort of
01:34:39
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misguided notion that he wants to watch the one that everybody saw. Nobody saw the theatrical
01:34:42
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release, because when I was in theaters, nobody went to see it, because it was not a successful
01:34:45
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movie. I feel like the one that has all the cachet—well, I guess the theatrical one
01:34:52
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it does in terms of set design or whatever, but this is one of the first movies where
01:34:57
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It was really important to the biggest fans of the movies that you watch a different cut
01:35:01
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Like this obviously wasn't the first director's cut but it was sort of the most prominent
01:35:06
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Directors cut among geeks that you know, do you know a movie that has a theatrical release and a director's cut?
01:35:11
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I was like, oh, yeah Blade Runner and of course you have to watch a director's cut of Blade Runner
01:35:14
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That was that was the really important thing to do
01:35:17
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I think the director's cut was like 10 year anniversary of the movie or whatever
01:35:21
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But it's one of those movies that you know is a cult classic and it was not it was not successful in
01:35:26
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Its release but it just grew in stature over the years that became clear all the things that all the other movies that it had influenced
01:35:32
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So yes, you got out of the way you watch a theatrical one
01:35:36
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But I think it is important to watch the one that everybody loves essentially the one the one people say Oh Blade Runner
01:35:42
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I love that movie. They're not talking about for the most part the theatrical release
01:35:45
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They're talking about this other one and I guess you got the authentic experience of watching a theatrical one and now you have
01:35:52
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the experience of watching what I think is the better one of the better cuts and
01:35:57
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seeing the movie that everybody is raving about which is
01:36:01
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I feel like different in two very important ways than the theatrical
01:36:05
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So I want to talk about the differences and then maybe we can talk about just the movie itself and a little bit about why
01:36:11
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You love it John, but I want to make sure that I'm following this correctly
01:36:14
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So obviously the big what I assume is the biggest difference is the end right? There's no happy ending. There's no driving off
01:36:21
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which is just which I really didn't like in the original like it felt so strange
01:36:25
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and out of place right like we're driving down this road literally stuff
01:36:30
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shot for another movie yeah yeah the two that's not the one of the two big
01:36:35
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differences that I was referring to you want me to tell you what they are or she
01:36:38
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yeah tell me what they are tell me what they are so I mean you know this one I'm
01:36:42
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sure you're gonna get to a Nexus no voiceover right yeah yeah yeah so that's
01:36:46
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that's the obviously the most prominent one because the voiceover is so so
01:36:49
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So integral to the first one, right? Yeah, I didn't miss it either, right? Like,
01:36:53
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I, you know, I mean, I have already seen the movie, so obviously it helps me understand
01:36:56
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what's going on because like, I do find this to be a very confusing movie. Like, the story
01:37:02
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is I think difficult to follow at points, especially like in the first 30 minutes. But
01:37:07
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I don't know if the voiceover particularly helps with that.
01:37:11
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You've got a little bit of Lex Friedman disease where you find movies confusing just inherently.
01:37:14
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And I smell like there should be some remedial chorus for you and Lex to just like, "Following
01:37:19
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along with the plot of movies. I have to admit that actually in this version,
01:37:23
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which I'm going to just come out and say is the most I have enjoyed watching Blade Runner.
01:37:30
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I think the plot is fairly straightforward. I think it's maybe because I've seen it enough
01:37:37
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times now that I know what to look for, but it's like literally there are these escaped
01:37:41
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replicants and they are trying to find a way to extend their lives and there's a guy who's
01:37:48
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going to kill them and that's kind of it is he's methodically chasing them down
01:37:53
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and they're methodically doing their thing and that's kind of it yeah but
01:37:56
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Myke Myke gets hung up on the details that you want to understand like I don't
01:38:00
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want something to be shown and not explained because it's like is is I think
01:38:04
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it's like the not knowing what's important not knowing what's not
01:38:07
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important or wanting every wanting to understand everything you see and not
01:38:10
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allowing it to just be like just just accept it that people have umbrellas
01:38:13
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with light of handles just accept it like just it's not important to the
01:38:16
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movie just move on. I know this frustrates you, I know this frustrates you, but when
01:38:21
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like when I say confusing like the plot of the movie is fine but like I have
01:38:26
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questions about the world and that's important to me right like the
01:38:30
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world-building thing is important. Why is it raining so much in Los Angeles?
01:38:36
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Just all these things about like you know who is Tyrell, why does like the robot
01:38:42
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seem to be outlawed and... I think this is kind of what people when they talk about
01:38:45
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about like that a larger world is hinted at within a movie they said about a lot
01:38:49
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of things where you'll see a movie and it'll have a story in a world but then
01:38:53
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people will say also for books they'd be like but but the world is so rich you
01:38:57
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see hints of such a larger world that there could be other stories in this
01:39:00
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world behind it like and what most people describe as an attractive quality
01:39:05
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hinting at a larger world beyond the realm of the story right you describe as
01:39:11
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confusion and that there is a larger world beyond the story that I don't know
01:39:15
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to think about and you find that unsettling rather than enticing.
01:39:18
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Yeah. Well, okay, I would say there's a mix of it. Like with some movies, like I wouldn't say that
01:39:23
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I wouldn't say that like I only find it that way. But like I in this movie, I feel like there are
01:39:29
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just questions that I have, which I can't come to understand. And it frustrates me, like, you know,
01:39:36
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about the replicants and like, they seem to be like illegal, but yet there's a man that everybody
01:39:41
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knows makes them. Like it's just that I have just these these hang-ups about this movie which I
01:39:47
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struggle to get my head around. I think I can help you with some of those because they are they are
01:39:51
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in the movie if you've seen it enough times or once and paid a lot of attention. The second,
01:39:56
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so that's that's so that's one, one is voiceover. Yeah. And the second most important change and
01:40:00
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by the way before we get into more of these details is that I recommended the final cut
01:40:04
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just because it's the one I had seen the most recently. I don't know the difference between
01:40:08
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between the final cut and the director's cut.
01:40:10
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I tried to Google it to see, like,
01:40:11
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what the significant differences are.
01:40:12
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- There are not a lot of significant differences.
01:40:14
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Ridley Scott was approved the director's cut,
01:40:18
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but he actually was unhappy with some things,
01:40:20
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and they finally budgeted for him to go in
01:40:21
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and make some of the changes.
01:40:23
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But they're pretty minor timing things.
01:40:25
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- Cleaning up special effects.
01:40:26
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- Yeah, and some ultra --
01:40:28
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The unicorn dream is extended.
01:40:31
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Pris pulls on his nose when she's attacking him,
01:40:34
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which doesn't happen in the director's cut.
01:40:36
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But it's not huge.
01:40:38
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feel the need to put that in. It's so strange to me.
01:40:41
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That's what I'm saying. And again, the only reason I recommend the Final Cut instead of
01:40:44
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a Director's Cut was just because I had seen it most recently and when I watched the Final
01:40:48
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It looks way better. It looks way better.
01:40:49
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When I watched the Final Cut, my impression was I didn't notice any differences from the
01:40:54
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Director's Cut upon watching the Final Cut and it looked really good. So that's my go-to
01:40:58
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now, basically. But the second difference, the second difference, you have no voiceover
01:41:01
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and the second difference is that the Final Cut and the Director Cut are unambiguous about
01:41:07
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the fact that Deckard is a replicant. That is super important. It's not that it's a happy
01:41:11
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ending or a sad ending, it's that the whole point of the movie, like it colors the whole
01:41:15
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movie backwards and forwards, like the end of the Sixth Sense, right? That it ripples
01:41:18
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backwards through the whole movie. It's a different movie when it is not clear that
01:41:23
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Deckard is a replicant. I don't think it's even hinted at in a theatrical one. It's just
01:41:27
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not like, that's a different movie. I like the movie where he's a replicant. That is
01:41:31
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an entirely different movie. It colors the whole movie for me. It's not just like happy
01:41:35
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ending versus sad ending. And so those two things, the voiceover, which I found cloying
01:41:39
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and his performance really stilted and I think is totally unnecessary and takes away from
01:41:43
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the things I like about the movie, and the fact that Deckard is a replicant. Those are
01:41:47
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the two biggies for me.
01:41:48
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So I definitely felt that more, but like I was wondering if I felt that way because I'd
01:41:53
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found out afterwards, right, about how it's intended. Like what are the hints? Like, I
01:42:00
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I mean, when I'm watching the movie, it feels that way, but I'm not sure what the specifics
01:42:06
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are which make it clear that he is one.
01:42:08
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►
I was going to say also as background here, Harrison Ford, I think, felt and feels that
01:42:15
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Deckard is not a replicant.
01:42:17
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The screenwriter wanted it to be an open question, but Ridley Scott prefers that Deckard is a
01:42:23
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replicant so in making his version of the movie and his final cut, he's amped that part
01:42:29
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I am not, I'm a dissenter on Deckard being a replicant. I think that one of the themes is
01:42:36
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affinity with the replicants and whether they're human or not and whether they're sentient or not and what that means and the questioning
01:42:44
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ourselves as the sort of viewpoint of Deckard and whether it matters and is he human or not? I think is part of, I
01:42:53
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►
I really like the ambiguity of it, and so I'm not—I actually don't believe that it
01:42:58
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is definitive, and I refuse to go down that route. I think it's an open question.
01:43:03
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It's definitive, I feel like, in the director and final cut, but it's important, first of all,
01:43:07
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it's important that the writer wanted it to be ambiguous, because that means, unlike Harrison
01:43:12
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Ford, the writer put stuff in the movie in that direction, even in a theatrical cut, right? So
01:43:18
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it's not like a retro, you know, like—what do you call it? —a retroactive continuity.
01:43:22
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Redcon yeah, there you go
01:43:24
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Where you take a movie that was made one way and you pretended something different in the movie are the important themes
01:43:31
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That lay the groundwork for this right you've got
01:43:34
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Deckard testing what's-her-name Sean young or is that it? Yeah Sean young what's-her-name? No you Rachel Rachel? Um yeah
01:43:42
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You've got that test you've got the fact you've got after the fact like the fact that she's being tested and she doesn't know how
01:43:48
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Can she not know what she is she doesn't know what she is right that we don't we as the audience don't know
01:43:52
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►
when the test begins, but we eventually figure it out, and then he figures it out, right?
01:43:56
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And Jason's right that one of the major themes of the movie is like the replicants. Can we relate
01:44:01
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to them? Are we different from them because they're human? You know, like just the affinity
01:44:06
◼
►
between like, oh, do you really separate yourself so much from these replicants? Are they so
01:44:10
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►
different just because they were made? Are they really different than us? Can we feel kinship
01:44:14
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with them in any way? And that's in the movie where Billy Decker is a replicant or not. The fact
01:44:19
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that you have that scene early where both the audience and Harrison Ford are fooled
01:44:24
◼
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is the eventual thing that leads you to the ending thing where, "Okay, well, how can she
01:44:29
◼
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not know what she is? How can Deckard not know what he is?" And his affinity for the
01:44:34
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replicants, it turns on affinity for yourself. It's the ultimate one that works on the audience.
01:44:40
◼
►
Like, "What if you were a replicant? What if it's like, oh, now suddenly…" It's
01:44:45
◼
►
suddenly easy to have empathy with the replicants when you realize that you were one, and the
01:44:47
◼
►
whole time you felt like a person, a legitimate person, you never questioned it, and what
01:44:52
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if we were to tell you that you are a replicant too? And what makes it definitive in the director's
01:44:57
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cut and in the final cut is the unicorn dream. So the fact that like, you know, when Rachel
01:45:04
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comes and she's insistent that she's real, that she had parents and she has memories
01:45:07
◼
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of everyone, Deckard's like, you know, rattles off a bunch of stuff she never told anybody,
01:45:11
◼
►
is like they're Tyrell's nieces' memories. Like Deckard knows them. It's like you think
01:45:15
◼
►
They feel like they're your memories, but they're not like I know about them. Let me rattle them off to you, right?
01:45:19
◼
►
So the unicorn dream we see Deckard have or he's like drunk at his piano or whatever and falls asleep and dreams about a unicorn
01:45:24
◼
►
He's dream about Ridley Scott's legend, which is a really weird movie that you might want to watch
01:45:27
◼
►
But is not as good as Blade Runner
01:45:30
◼
►
Unicorn, you know running through the fields or whatever. Um, and what's his name? We're James almost
01:45:37
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►
Yeah, a domo from Val star
01:45:40
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►
Is doing a little origami things all the time. He drops off a little origami
01:45:45
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unicorn. Deckard never told him about his unicorn dreams. How would he know about Deckard's unicorn
01:45:49
◼
►
dreams? The same way that Deckard knows about her weird dreams and the spider and all the other
01:45:53
◼
►
stuff or whatever. Because they were implanted because he's a replicant. Now it could be 100%
01:45:58
◼
►
coincidence that he dreams about a unicorn and that this guy just happens to do unicorn
01:46:03
◼
►
origami, but that is amazing coincidence. There's a much simpler explanation and that's why it's
01:46:08
◼
►
kind of the nail, nailing this down is you are a replicant. Here, you know, we know that you're a
01:46:14
◼
►
a replicant, you didn't know until now, and I'm being nice and letting you guys go free
01:46:19
◼
►
for whatever will happen after that elevator door closes, we don't know. So it's an ambiguous ending,
01:46:24
◼
►
not a sad ending, but it's not a happy ending. But Deckard now realizes. He sees the unicorn,
01:46:30
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►
he looks at it, he picks it up, he has that realization, and then they're just out of there.
01:46:34
◼
►
>> Yeah. >> Do we know yet how this is working in the sequel that played Run of 2049?
01:46:40
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►
>> Oh, let's not think about it. >> Yeah, well, I have to admit,
01:46:43
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►
that was one of the things that always confused me is if they do a sequel that's set with an age
01:46:47
◼
►
in Harrison Ford then that suggests that they're making a statement either that he is a replicant
01:46:52
◼
►
that ages or he wasn't a replicant after all but I feel like that is... let's not let sequels
01:47:00
◼
►
affect... talk about retroactive continuity affect your view of the existing movie. So I want to say
01:47:06
◼
►
the ending always seemed weird to me and it actually reminded me about how they
01:47:11
◼
►
did a cut of Brazil that has a weird love conquers all, I think they call it, ending.
01:47:16
◼
►
It's like, "What are you doing? Did you see the movie?" And so I really like how this ends with
01:47:22
◼
►
them getting into the elevator. I don't think... I guess I saw the director's cut at one point,
01:47:27
◼
►
so I've seen this, but my memory of it... All my memories of Blade Runner are of the original,
01:47:31
◼
►
because I saw that several times. And I have to say it, I love having no voiceovers. It feels
01:47:38
◼
►
like a very different movie and I get why some people like the voiceover because it gives that
01:47:42
◼
►
kind of film noir feel but I gotta say I like it without because then it feels really weird and
01:47:51
◼
►
atmospheric and you have to figure it out and it feels more like a science fiction movie and it
01:47:56
◼
►
feels more about the the images because let's let's be honest here this movie is more notable
01:48:04
◼
►
because of how it looks than the words people say in it. There are some great words in it,
01:48:10
◼
►
some memorable words, some things I quote all the time, but I think the voiceover makes
01:48:16
◼
►
it seem even more like this is a movie really about me telling you things about this world,
01:48:21
◼
►
and it's totally not. It's about showing me the world and letting me see these visions
01:48:25
◼
►
of these huge billboards that are animated for different products and things that I don't
01:48:31
◼
►
even understand what they're advertising and the little air cars moving around, which are
01:48:36
◼
►
great. The fact that Tyrell Corporation is like a big pyramid, basically. It's this ridiculous
01:48:41
◼
►
monstrosity, but then at ground level, everything is dirty and mixed up. That's what it's about.
01:48:48
◼
►
I'm actually really happy that the voiceover is gone. I like it better without. I think
01:48:52
◼
►
it's a much better movie without it there, and it looked so great. Like I said, I enjoyed
01:48:57
◼
►
it a whole lot more, even though I'm one of those people who thinks that you still have
01:49:00
◼
►
to do a little bit of work to prove, if Deckard's a replicant, why other things happen in the
01:49:06
◼
►
movie, and likewise you could probably do a little bit of work to explain why maybe
01:49:11
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►
that unicorn doesn't mean what it actually means. It's ambiguous enough that I'm happy
01:49:17
◼
►
to embrace the ambiguity. I actually prefer it ambiguous because then it's making the
01:49:23
◼
►
point that--it's the point of Deckard, which is if you don't even know about your own humanity
01:49:30
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►
and yet you're judging them for theirs. I guess the implication too, Jon, correct me if I'm wrong,
01:49:35
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►
is that Deckard and certainly Rachel are like next-gen replicants. They're Nexus 7, right?
01:49:41
◼
►
Yeah, well that's the whole point. They're Nexus 7. Well, here's Rachel is Nexus 7. That's why she
01:49:45
◼
►
doesn't know, because it's a new thing they're trying, giving them memories and backstories and
01:49:48
◼
►
not letting them know, right? I always assumed that Deckard was like Nexus 8 or whatever,
01:49:53
◼
►
right? That like to get the other replicants you need the best replicant. Like, so he's either
01:49:58
◼
►
a Nexus 7 or a Nexus 8. Yeah, and maybe that's why he's different and why he's more human-like
01:50:04
◼
►
and potentially they'll retcon it that way for the sequel. Well, they don't have to retcon
01:50:09
◼
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it because in the theatrical release, you remember how the theatrical release ends.
01:50:12
◼
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So you know Ray, Roy Batty, and Hollis Crew for your lifespan, right? And you know Nexus
01:50:18
◼
►
7s are different, certainly different because Rachel doesn't even know what she is, right?
01:50:22
◼
►
So she's very different. And if he's a Nexus 7 or a Nexus 8, when they go off on the car
01:50:26
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driving down the green road with the weird ending and the voiceover. The voiceover basically says,
01:50:31
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"I don't know how long we have." I think he says something like, "God, do any of us know?" or
01:50:36
◼
►
something like that. They might have four-year light spans or they might not. And the same thing
01:50:42
◼
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with Edward J. Malmose. What's his character's name? I'm so bad with character names.
01:50:47
◼
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Gaff says, "It's too bad she won't live, but then again, who does?"
01:50:50
◼
►
Then again, who does?
01:50:51
◼
►
Basically saying, "Nobody lives forever. You're all going to die. You just don't know when."
01:50:55
◼
►
I feel like both versions of the movie leave it completely open as to what is the lifespan of Rachel and
01:51:01
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And Deckard. Deckard. We have we have no idea
01:51:04
◼
►
So if they want them and the fact that they age again
01:51:06
◼
►
It's clear that there is a biological component to them
01:51:09
◼
►
Like I design your eyes and squishy eyeballs and everything that all that stuff's got to age right like they're not
01:51:14
◼
►
Terminators inside. I noticed this time they talk about I mean, he's a DNA artist and they talk about the cells
01:51:19
◼
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So these are these are
01:51:21
◼
►
Organic creatures at least in part right? They're not there. They're artificial
01:51:25
◼
►
But that doesn't necessarily mean that they're that they've got metal parts in fact they may not
01:51:31
◼
►
Stronger and smarter right in the same way a person could be stronger. Yeah, genetically design them. It's like the snake
01:51:36
◼
►
It's like a real snake, but got little which is why they're not a robot yes, but that's a different show if
01:51:41
◼
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Deca is a more advanced version of the Nexus line. Why did they make him weaker so is he weaker?
01:51:49
◼
►
That's the question. I mean he does hold on to the edge of a building with like three fingers.
01:51:53
◼
►
All of the Nexus 6s, right?
01:51:54
◼
►
Some of that, yeah right, so some of that is if you don't know your replicant,
01:51:59
◼
►
you're running at abject fear because you're not going to go toe-to-toe with them because you
01:52:02
◼
►
have the expectation that they can destroy you. But if we look at what actually happens in the
01:52:07
◼
►
movie, he never like tries to go toe-to-toe and fight him. He gets his hand pulled through a wall
01:52:11
◼
►
and his fingers broken, but you know anybody can break your fingers. And how could he stop them
01:52:15
◼
►
from breaking his fingers? Well probably not with his hand through a wall. He does hold on to the
01:52:18
◼
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the edge of a building by like three fingers which is in the rain which is a thing a real
01:52:21
◼
►
person could not do. It's kind of like Dumbo's feather. If you had told them, "By the way,
01:52:27
◼
►
you're a replicant and you're stronger, like, fight them." And the second thing is, maybe
01:52:30
◼
►
he's not stronger. Maybe part of the Nexus 7 and possibly Nexus 8 lines is you want them
01:52:34
◼
►
to think they're human and if you made them super strong, it would be a giveaway.
01:52:38
◼
►
Also the Nexus replicants that they're hunting are from Offworld and there's a strong suggestion
01:52:45
◼
►
that they've been engineered for certain jobs. Like, Roy is a fighter. That's what he's for,
01:52:51
◼
►
so of course he's going to be strong and brutal.
01:52:52
◼
►
It doesn't explain why the prostitute would be super strong.
01:52:54
◼
►
It's true. It's true. I was going to get there. But yeah, so there's a question like, do they
01:52:59
◼
►
make them more robust for the off-world colonies? I wanted to ask that. I think one of the fascinating
01:53:03
◼
►
things about this is there are the ads for "go to the off-world colonies," like they're
01:53:08
◼
►
trying to get people to leave Earth. And I wonder, does that mean they want people off
01:53:14
◼
►
of Earth? Does that mean the off-world colonies are really bad and they need more people on
01:53:19
◼
►
them, but we don't really know anything about it?
01:53:21
◼
►
I think it means the off-world colonies are really expensive, and everybody who's down
01:53:25
◼
►
there in the muck in Los Angeles would love to go to the off-world colonies, but they
01:53:28
◼
►
can't afford it. In the same way you see billboards for "go to Hawaii" or "have a tropical vacation,"
01:53:32
◼
►
yeah, sure, we'd all love to have a tropical vacation, but it costs too much money. If
01:53:35
◼
►
you had enough money to get off of this crap hole that is the Earth, you would go, presumably,
01:53:39
◼
►
to the off-world colonies, assuming the advertising could be deleted. We don't know enough about
01:53:43
◼
►
the universe to know are the off-world colonies actually good or are they crap
01:53:47
◼
►
and they're trying to entice you to go there to be slave labor? And that's what
01:53:49
◼
►
fascinates me about it yeah. There's the conversation between Pris and Sebastian
01:53:54
◼
►
right where like it seems like he's not allowed because he has that sickness
01:53:59
◼
►
that makes him look old right like she's like why aren't you there is it because
01:54:02
◼
►
of the disease or whatever so like I always got the impression that it was
01:54:06
◼
►
like earth is ruined so we had to go and make nicer places to live like that's
01:54:12
◼
►
That's how I always viewed it, right? Because he wasn't allowed because there's something
01:54:16
◼
►
wrong with him.
01:54:17
◼
►
Right, but it's never said, it's only hinted at, which I kind of love, that you have to
01:54:21
◼
►
fill in the—you have to guess about what this world is like.
01:54:24
◼
►
And it's communicated by advertising, like oppressive advertising, that again, I like
01:54:27
◼
►
the idea that these giant billboards with these attractive-looking people, you know,
01:54:31
◼
►
with all their geisha makeup and all this other stuff, like, and you're just in this
01:54:35
◼
►
presumably acid rain in this crappy dark city, right, eating noodles at the bar, like, but
01:54:41
◼
►
always these ads are in your face constantly letting you know what it is that you can't
01:54:47
◼
►
Is this movie colored differently?
01:54:49
◼
►
It looks like they did some color timing on it.
01:54:54
◼
►
I saw some side-by-sides where even from the director's cut that they've done some work
01:54:58
◼
►
to get the...
01:54:59
◼
►
It looks like it's been maybe re-graded.
01:55:02
◼
►
I think more just to get it to be consistent because modern technology lets them do that.
01:55:07
◼
►
I'm not sure it was like let's change it to look different so much as like Ridley Scott said I know how we make movies now
01:55:14
◼
►
Can we get this to be all?
01:55:16
◼
►
Uniform and so it is well and also like it's a very dark movie, right?
01:55:21
◼
►
And it's actually very difficult to make a dark movie because especially when you were doing on film like this was it's a fine line
01:55:26
◼
►
Between this is a dark scene and I can't see anything
01:55:28
◼
►
Right and so digitally it's much easier nowadays and they can take the film and try to tweak it
01:55:34
◼
►
So the scene like that you want the blacks to be inky black
01:55:37
◼
►
But you want to be able to see what the hell is going on and if there's any difference that I imagine the original one
01:55:42
◼
►
The blacks weren't quite in keep is if they made them inky everything else the scene would be all blacked out to you
01:55:47
◼
►
You wouldn't be able to see anything and now digitally you can you know adjust the curves and get it just the way you want it
01:55:52
◼
►
I still don't like the last part of the movie
01:55:54
◼
►
I don't like the confrontation the run the running around no the running around the screaming the howling
01:56:02
◼
►
I don't like it. The Daryl Hannah thing is really unpleasant.
01:56:06
◼
►
I just, yeah. But it's purposefully unpleasant, and when he kills her, it's slow and he has
01:56:12
◼
►
to keep shooting her because she's writhing. And she screams and she flails around. This
01:56:17
◼
►
is one of the things she flails around, I mean, kind of like a machine.
01:56:21
◼
►
Yes. Like, forcefully and in a way that you would
01:56:24
◼
►
think a human wouldn't, which is at odds with the biological, supposed biological nature.
01:56:29
◼
►
I think that's part of this movie is there's a lot of things that are that are off-putting and
01:56:33
◼
►
The final the final scene and the shooting and all that stuff on all the violent parts are a great contrast to the rest of the movie
01:56:40
◼
►
especially without the voiceover which not only is slow but
01:56:44
◼
►
Without the voiceover there are long stretches where nobody says anything. Yeah, there's no dialogue at all
01:56:50
◼
►
And you know, it's not just like that. It gives you more time to look at the scenery
01:56:53
◼
►
It's that the movie slows down even more but you know
01:56:56
◼
►
One of the things I like about the movie is it sort of lulls you into this zen state where
01:57:01
◼
►
you're not like, "Come on, come on, what's the next plot point?"
01:57:04
◼
►
And you get into that state and then they throw in a scene with the woman running through
01:57:09
◼
►
the glass or some violence.
01:57:11
◼
►
The violence stands out more in contrast to the rest of the movie where everything is
01:57:15
◼
►
slow and I think it works.
01:57:17
◼
►
Yeah, they're just...
01:57:18
◼
►
I just got to the howling.
01:57:21
◼
►
It just doesn't make sense to me.
01:57:23
◼
►
So one of the reasons we're doing this is because me and John were talking about this
01:57:27
◼
►
at WWDC, right? And you said to me that like, the howling is meant to show like a primal
01:57:34
◼
►
thing, right? It's why he takes all his clothes off and he's howling because he's on the way
01:57:38
◼
►
out, right? Like he's dying, he's becoming more primal.
01:57:40
◼
►
He's also kind of a predator hunting his prey and the idea there that the replicants are
01:57:44
◼
►
what's next and that the humans are going to be, you know, eaten by the replicants.
01:57:50
◼
►
I think he wants to be scary. This is what it's like to live in fear, right?
01:57:53
◼
►
He wants to scare Deckard and he's going a little bit nuts towards the end of it.
01:57:57
◼
►
It's kind of like if you had 24 hours to live, what would you do?
01:57:59
◼
►
So, you know, go crazy, right? So he's enacting revenge.
01:58:04
◼
►
He's teaching a lesson. Like, he could kill--
01:58:06
◼
►
That's the other thing that Myke was confused about, I think, when we talked about it, was
01:58:09
◼
►
that could he have killed Deckard? Presumably, yes.
01:58:12
◼
►
Like at many points he could have killed him. He's toying with him.
01:58:14
◼
►
He's like, it's the reason he leaves him alive. Why didn't you--
01:58:16
◼
►
You know, you could have killed Deckard, but you didn't. You saved him.
01:58:18
◼
►
picked him back up onto the roof and you gave your little speech and everything, right? He's not
01:58:22
◼
►
trying to kill him. He wants him to see what it's like to live in fear and he wants to go out with
01:58:27
◼
►
a bang, which he essentially does. Why though? One scene that I think in 1982 or whenever this,
01:58:36
◼
►
when was this movie made? 1982, that you could get away with that from 2017 made me very
01:58:43
◼
►
uncomfortable is Rachel wants to leave Deckard's apartment and he blocks her
01:58:48
◼
►
and pushes her back and forces himself on her and you know what it was intended
01:58:55
◼
►
to be oh this is this she's reluctant and he's forcing things and you know it
01:59:00
◼
►
was meant to be read a certain way that is not not how it can be read now and I
01:59:07
◼
►
find that I'd find that unpleasant so that was a very difficult scene to watch
01:59:10
◼
►
If they made it today, they could make it exactly the same way, but the lesson would be that Deckard's not the greatest guy, right?
01:59:17
◼
►
Whereas before, the lesson was supposed to be that Deckard is a man's man.
01:59:20
◼
►
Yeah, and he just needs to show her that it's okay to love him by telling her, by barring the door and telling her what to say to him.
01:59:29
◼
►
Right, which is a fine dynamic to have in the scene in terms of like, she's afraid and he doesn't want her to be afraid.
01:59:35
◼
►
But the way to do it is not to physically assault her, right?
01:59:38
◼
►
So like in a modern movie, if they were trying to have that outcome of the scene, she's afraid
01:59:43
◼
►
of her feelings for him, they would talk about it.
01:59:45
◼
►
And he would, you know, they have that scene in a million movies.
01:59:48
◼
►
Like, you know, I know you have feelings for me, but you're afraid of them.
01:59:51
◼
►
Let me convince you that you should give in to them, right?
01:59:53
◼
►
Not by physically restraining you, but using my mouth words.
01:59:57
◼
►
So that doesn't, I don't want to say that doesn't hold up.
02:00:00
◼
►
It's like, I'm going to say that doesn't convey the thing that the movie makers wanted to convey
02:00:03
◼
►
Exactly right way, you know, we've changed right but if you read it if you say, okay
02:00:08
◼
►
Well ignore that and just read it in the modern sense
02:00:10
◼
►
It just makes Deckard a less likable person
02:00:12
◼
►
But it is entirely realistic because dynamics like that happened all the time because people are bad sure
02:00:16
◼
►
It's just that the movie doesn't want us to judge him that way and that's the that's where you get that that dissonance happening
02:00:22
◼
►
So that was it could have he could have like gone
02:00:24
◼
►
I mean, that's another thing that they could have changed or edited in a different way, but
02:00:30
◼
►
either the people making the movie still think that it's a manly man thing to do or
02:00:34
◼
►
They didn't want to go like Steven Spielberg et walkie-talkie and say look. This is the movie
02:00:39
◼
►
This is the movie we mean that says with the people who we were this is the time
02:00:42
◼
►
Roger Ebert did a great movies about this movie, and he was always not a not a huge fan
02:00:48
◼
►
I think his feelings about it are kind of like mine
02:00:51
◼
►
Which is it is brilliant and it needs to be considered part of the cannon, but?
02:00:54
◼
►
You know I even Harrison Ford has said he doesn't find it. He's never really warm to it
02:00:59
◼
►
He thinks it's beautiful, but making an emotional connection is not that kind of movie. And
02:01:05
◼
►
I think that's true. Ebert wrote that this is very deliberately not George Lucas-ing
02:01:11
◼
►
this movie, right? It's just like this is the movie they made and it looks better, but
02:01:16
◼
►
it's still not any different, more or less, from the movie that he wanted to make. The
02:01:20
◼
►
effects got cleaned up, but they're the same effects. They're not new effects. And they
02:01:25
◼
►
did a couple of digital things where they had a continuity problem, but they didn't
02:01:29
◼
►
anything to the scene, they more like wiped some things out that were wrong to just make
02:01:33
◼
►
it cleaner. And so yeah, you leave that scene in and it's just this is what that's the scene
02:01:38
◼
►
that's in the movie in 1982. And yes, we don't think that way now. And that's, that's just
02:01:43
◼
►
part of the part of the thing. I wanted to also mention Rutger Hauer. I, you know, I
02:01:47
◼
►
quote that speech of his all the time. And John, you believe it or not, I mostly get
02:01:51
◼
►
it right. It's one of those speeches that I actually get right because I'm really bad
02:01:55
◼
►
at quoting speeches from movies. This time what I noticed is the choices he makes as
02:02:00
◼
►
an actor are really interesting. Like the way he reads those lines, because those lines
02:02:04
◼
►
are really cool, you know, the whole thing. I've seen things you people wouldn't believe,
02:02:11
◼
►
you know, the whole thing. And he knows he's winding down and this is his last statement
02:02:15
◼
►
before he dies. And yet the way he says those lines are, like every line is said in an interesting
02:02:23
◼
►
way and and it's just it's a really cool speech but the performance is so weird and and I
02:02:32
◼
►
think inhuman in some ways and superhuman like like incredibly human in other ways and
02:02:38
◼
►
it's just like it's a really great classic movie moment it's one of my favorite speeches
02:02:43
◼
►
in any movie is that is that Riker Hauer speech at the end right before Roy dies it's great
02:02:49
◼
►
Yeah, just like the way he says "tis in rain" is so strange-
02:02:54
◼
►
Like, the way he says the word "rain" is like there's more letters in it than there really
02:03:01
◼
►
It's very interesting.
02:03:02
◼
►
You've got the little ticks and the pauses, and because he is, he's dying.
02:03:04
◼
►
He's winding down, yeah.
02:03:06
◼
►
So, hearing you guys talk about this on the earlier episode, you know, and hearing Jason
02:03:12
◼
►
complain about it over the years and everything, and like, I'm not, you know, this is not my
02:03:15
◼
►
world's favorite movie, but I've always liked it, but hearing everybody say "oh, it's boring,
02:03:19
◼
►
long, it's weird. I kind of like started getting on board. I'm like, yeah, well, it's not,
02:03:22
◼
►
it's not paced the way normal people want it to be. And it's not that great, but I have
02:03:25
◼
►
to tell you rewatching it again for this podcast, I rewatch it again. I'm like, you know what?
02:03:28
◼
►
This is a fantastic movie. Like I, I understand all the, all the problems and the reason people
02:03:33
◼
►
don't like it. Uh, you know, I can see why they don't like it, but I overall, like I
02:03:39
◼
►
watched it again and I was surprised by how much I still like it. Right. So that was my
02:03:43
◼
►
impression of watching again. And the other thing I think about this a lot is despite
02:03:48
◼
►
Basically the majority of the movie like that especially the long middle part and especially without the voiceover where people fall asleep
02:03:54
◼
►
You know Jason falls asleep on his couch and everything
02:03:56
◼
►
The opening scene to this movie with the interrogation is one of the best opening scenes of any movie ever
02:04:02
◼
►
I feel like because it's so we yeah
02:04:05
◼
►
The dialogue is so smart and and snappy and there's so much tension and it establishes the stakes and the world. I
02:04:13
◼
►
Really feel like this movie doesn't because this movie is not about snappy dialogue like this hardly a dialogue in it and dialogue later
02:04:19
◼
►
In the movie starts to get weird and slow and the people having conversations are either
02:04:23
◼
►
Replicants or Sebastian who's weird or Tyrell is weird
02:04:27
◼
►
But there are I feel like the writing on this there are some great scenes the opening interview scene the final speech at the end
02:04:36
◼
►
Tyrell his little discussion with Roy we made you as well
02:04:40
◼
►
Oh man, that is, yeah. And that's another director's cut change where the dialogue,
02:04:44
◼
►
he says "I want more life, father, now," which is how it should have always been. It's a
02:04:48
◼
►
much better line that way. But that whole conversation where Tyrell is legitimately
02:04:55
◼
►
saying, you know, "We made you better. Your life is shorter, but you burn brighter," and
02:05:00
◼
►
there's some tenderness there right before Roy squeezes his head into pulp.
02:05:03
◼
►
He gets a skull crush. But yeah. Anyway, that's what I feel like. Because that's not what
02:05:08
◼
►
this movie is about, it doesn't get credit for those parts of it. I feel like there's
02:05:12
◼
►
some of the best writing, like the speech at the end, not just for the performance,
02:05:16
◼
►
but in so many movies that are trying to be like profound sci-fi type movies, they either
02:05:22
◼
►
go too abstract, where it's just like, you know, word salad that's supposed to mean something
02:05:27
◼
►
and it gets by with like the score and the effect, or too on the nose. And I feel like
02:05:31
◼
►
all the good dialogue scenes strike a balance between "let me be completely on the nose
02:05:39
◼
►
and explain to you in dummy terms exactly what's going on here" and "let me be artful."
02:05:43
◼
►
Because the Tears and Rain speech explains it well enough that anybody watching it understands
02:05:48
◼
►
what's going on there.
02:05:49
◼
►
What is he saying about his life?
02:05:50
◼
►
What is he trying to tell Deckard, right?
02:05:52
◼
►
But it is also artful.
02:05:53
◼
►
And the same thing with the interrogation scene, where they don't tell you, you know,
02:05:59
◼
►
He's undergoing this test why they ask him these questions you don't know why he's asking this question
02:06:03
◼
►
So it's a really good snappy back and forth lots of tension ending him getting shot
02:06:07
◼
►
they should really should have checked him for guns before he went into the interview and
02:06:11
◼
►
Magically being thrown back on the table which makes no sense
02:06:14
◼
►
But there's a reason those scenes are famous. There's a reason you know like the turtle wire and she's flipping it over
02:06:18
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Yeah, you know the tortoise would you know what a turtle is same thing and the smoking?
02:06:22
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Oh god, you got to love the smoking like it's just we haven't figured that it's not even like what smoking actually looks like
02:06:28
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It's like very purposefully these huge puffs of smoke with the light. They've got that horizontal like the sunlight coming in the room
02:06:35
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So it's all meant to just make it again kind of noir-ish and super weird where they wanted to
02:06:39
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Fill the room and so that you can see the light filtered through it and it's all very
02:06:43
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Stylized yeah the pacing where he's asking questions or whatever and he just plows forward and making him ask him whatever and then after he
02:06:49
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Plows authority says an answer to your query
02:06:51
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They're written down for me because he'd asked earlier about right make up these questions
02:06:54
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are like, "I love that scene. I love it." That guy. Helpful guy. And then he is dead.
02:06:58
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Let me tell you about my mother. Like, what I like about those questions is that they'd
02:07:02
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make me feel uncomfortable watching them, right? Because they're just like, "What is
02:07:06
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this, like, weird nonsense?" That's what this movie is. Like, ultimately, I think what's
02:07:11
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cool about this movie and what's great about this movie is that's what it is. It's all
02:07:14
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about -- it's set up as being humans and replicants and we've got to find the replicants and kill
02:07:18
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them and we don't even call them "kill them," we just retire them. But in the end, what
02:07:23
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really talking about is people, right? It is the replicants are just our story at a
02:07:27
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different pace. The whole point of Roy's speech at the end is he's just talking
02:07:32
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about mortality. He's not talking about being a robot. He's talking about be a
02:07:35
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person who has collected memories through their lives and at the end they
02:07:39
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realize that they die and all of his experiences will be lost like tears and
02:07:43
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rain and that's it. And he's not talking about it because he's a robot man. He's
02:07:47
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talking about life and death and this whole movie, you know, that's the trick of
02:07:51
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it is it's wrapped this whole thing about, you know, this future dystopia kind of looking
02:07:57
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place and these robots that we're after and all of that. And in the end, you know, that's
02:08:02
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not what it's about. It's about looking at them and not seeing ourselves.
02:08:06
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And I think, like, also with the decorative replica angle, it's about the value of your
02:08:11
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own life to yourself. Is that based on an externality? Is it based on your understanding
02:08:16
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that, "Well, at least I'm not a robot. That's why my life is valuable." Like, or, you know,
02:08:20
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of my memories are manufactured, do I feel any less myself or any less human? Because
02:08:26
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that's one of the things that everybody in the movie eventually has to face or consider,
02:08:31
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is the mortality that everything's going to go away and be their value. If I'm only valuing
02:08:37
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myself because I know that I'm human, I'm not like those others. You could go in a million
02:08:42
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different directions with what that's an analogy for in the modern world. But Rachel struggles
02:08:48
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with it, it's her main struggle, even the escape replicants struggle with it, because
02:08:51
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they want to be, they want to live, and not just because they want to live, they want
02:08:55
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to be like everybody else. Like, why do I only get four years and you get longer? And,
02:09:01
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you know, it's not fair that some people live longer than others. There's a lot in this
02:09:04
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movie to dig out, and it's amazing that the movie works in some fashion, whether he's
02:09:10
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a replicant or not. I just like the additional layer, not the sort of twist or gotcha, but
02:09:16
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additional layer on top of that. And I like it. So you're like, I don't like it when, you know,
02:09:21
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don't want it to be nailed down. I feel like it's not ambiguous, but it is ambiguous in that people
02:09:26
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don't follow along with movies that well. Like in the same way that Total Recall is not ambiguous
02:09:29
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about the ending of that movie, which is an entire other discussion, it seems ambiguous to people
02:09:34
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because it doesn't hit you over the head with it. You have to put two and two together with the
02:09:38
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unicorn thing and conceivably, if you don't understand probabilities and filmmaking, you'd
02:09:44
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You'd be like, "Well, what if he just happened to pick a unicorn that day?
02:09:46
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What if they just happened to show us his unicorn?"
02:09:50
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But it doesn't come out and say, "Dickard says, 'That's when I realized I was a
02:09:53
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replicant.'"
02:09:54
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He never says that, or no one says it to him, or there's no realization other than
02:09:58
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just a look on his face, right?
02:09:59
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And then he's out in the elevator.
02:10:01
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So I like that for, again, walking the line between being on the nose and being subtle.
02:10:07
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And that's exactly what I want out of a movie.
02:10:11
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I wanted to flatter my intelligence by not spelling things out for me, but I wanted to
02:10:16
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be comprehensible so that I follow along. Like everyone wants that. They want to be
02:10:20
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right on the edge. Like you want to feel good for figuring it out, but you don't want
02:10:25
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it to be so difficult that you have to like read a webpage to do so.
02:10:27
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So I mean I'll say overall like I feel better about this movie than I did before. Like there's
02:10:33
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still stuff in it that's just weird to me, but the ending and stuff like that and the
02:10:39
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the removal of the voiceover, I find it just to be more to my tastes. And I still think
02:10:47
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that this movie is beautiful, like it's even more beautiful in this one. I just found the
02:10:52
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visuals to be even more compelling. So I mean, I like this movie, I do. I do like it. It's
02:10:58
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just not one of my favorites and I don't think it ever will be.
02:11:01
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Yeah, I second that. I think going back to, I don't make an emotional connection with
02:11:09
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this movie, so I appreciate it, but I don't love it. But I appreciate it for what it is.
02:11:14
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And the fact is, I have seen it like five times now, so there must be something there.
02:11:20
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Is it five full times though?
02:11:23
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Is it like two and three?
02:11:24
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No, Lauren falls asleep. I don't fall asleep. I get sleepy while I'm watching it, but when
02:11:28
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I've shown it to Lauren, she's fallen asleep every time. So I don't do that anymore. I
02:11:31
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this by myself. So I never, I don't put this on my list of favorite movies, not because it's dark,
02:11:35
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because I do like a lot of dark movies, but because it does, you know, it does have the,
02:11:39
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all the things that we've talked about, that sort of, you know, pacing unevenness and some of the
02:11:44
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weird dialogue choices in the middle, and, you know, and in general it's not as grand or epic
02:11:51
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or sweeping as, you know, some of my favorite movies, or not as like as perfect as some of
02:11:55
◼
►
like the Miyazaki stuff is that I put in there, right? But this stands in a category of movies
02:12:01
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that I remember seeing and noting their difference. Noting that they were different than other
02:12:08
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movies, they were weird outliers. There's a lot of movies that are like this, a lot
02:12:12
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►
of them do become cult classics. Yeah, maybe they're not the best movies, but they do certain
02:12:17
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things so differently than their contemporaries. They stand out and then you take notice. You're
02:12:21
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like, "Oh, wait a second. I thought..." A lot of times you watch a movie, you kind of
02:12:24
◼
►
know what to expect. Like, "Oh, it's an action movie, it's comedy, I've seen a bunch of these.
02:12:27
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►
I kind of know the formulas of the contemporary movies that are going to be like that.
02:12:31
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And when one of them comes out and is different, it sort of stands aside.
02:12:35
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And I was always attracted to that as a kid, whether it's Japanese animation that I would
02:12:39
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see and note the difference, like, "Oh, this doesn't look like the animation on Saturday
02:12:44
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Morning Cartoons."
02:12:45
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It is different in a really important way, and it's set aside.
02:12:49
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Blade Runner is like that.
02:12:51
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The movie-making is different.
02:12:52
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Of course, you were discussing in the past episode how influential the sort of dark future
02:12:56
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design was that we now see everywhere, this was the first and most influential instance
02:13:01
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of that, that ripple through history, like, that's why I set it aside. But yeah, in the
02:13:06
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Pantheon of movies, it's not up there with like, The Godfather and Kiki's Delivery Service
02:13:10
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and The Empire Strikes Back, because it's just not as good a movie as those, but it
02:13:13
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is as important a movie, and that it goes off on this other shelf with me of like these
02:13:18
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weird movies. I don't know how I categorize them, like, they stand out in history, they're
02:13:23
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like icons and that when I watch them originally and when you watch them now they're like,
02:13:28
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you know, this is so different than its contemporaries.
02:13:30
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Mr. Syracuse, thank you for joining us today for all of the wonder that you have brought
02:13:34
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to this episode. Where can people find you online and follow your work and such?
02:13:39
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Well, I have a website that I write on almost once a year called hypercritical.co. You can
02:13:44
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follow me on Twitter. It's @Saracusa. And I do a bunch of podcasts on various networks
02:13:50
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►
That if you go to hyperco.co and click on about you can find links to all of them
02:13:55
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If you want to find out show notes for this week's episode head on over to relay.fm/upgrades/155
02:14:01
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I want to thank our sponsors one more time Blue Apron, Ting, Encapsula and Mac Weldon. You can find Jason online
02:14:08
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►
He's @JasonL on Twitter. He writes at 6colors.com
02:14:15
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And don't forget become a relay.fm member go to relay.fm/membership to find out more
02:14:19
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And you will get access to a whole host of incredible content that's coming your way
02:14:23
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Over August and September as well as just a lot of ongoing really great benefits that we try and do for our relay FM
02:14:30
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Members, I want to just extend my thanks to our amazing guests today Stephen
02:14:36
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Alex and John and also as always Thank You Jason. We'll be back next time until then. Say goodbye
02:14:43
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Bye Myke, we'll see you in two weeks and I'll be back with my special mystery gas next week. Thanks everybody