The Incomparable

00:00:00 ◼   ► the incomparable podcast is Morgenstern [TS]

00:00:04 ◼   ► page one number 25 for february's 2011 i [TS]

00:00:14 ◼   ► would like to tell you a story based on [TS]

00:00:16 ◼   ► a film based on a book that's not based [TS]

00:00:19 ◼   ► on another quick didn't ever actually [TS]

00:00:21 ◼   ► exist the topic today is the princess [TS]

00:00:23 ◼   ► bride a fine film from the nineteen [TS]

00:00:26 ◼   ► eighties a good decade directed by [TS]

00:00:30 ◼   ► robert wieder a movie that was a minor [TS]

00:00:34 ◼   ► success i suppose at the time and yet [TS]

00:00:36 ◼   ► has become one of the most quoted and I [TS]

00:00:41 ◼   ► think beloved cult if it can even be [TS]

00:00:43 ◼   ► called a cult film anymore so much to [TS]

00:00:45 ◼   ► talk about joining me today to discuss [TS]

00:00:48 ◼   ► this beloved film our serenity Caldwell [TS]

00:00:51 ◼   ► hi Jason Glenn fleischmann howdy [TS]

00:00:55 ◼   ► Greg moss hello Jason and Dan Morgan hi [TS]

00:00:59 ◼   ► Jason [TS]

00:00:59 ◼   ► thanks for coming back it's been awhile [TS]

00:01:01 ◼   ► it has so the princess bride a movie [TS]

00:01:05 ◼   ► that i don't think i ever saw in the [TS]

00:01:07 ◼   ► theater I was alive when it was in the [TS]

00:01:09 ◼   ► theater which puts me up on some people [TS]

00:01:11 ◼   ► who [TS]

00:01:14 ◼   ► yeah that's ok but but I didn't see it [TS]

00:01:16 ◼   ► either i did I saw on home video and I [TS]

00:01:18 ◼   ► was wondering what everybody was quoting [TS]

00:01:20 ◼   ► I didn't understand any of the quotes [TS]

00:01:21 ◼   ► when people were quoting things in [TS]

00:01:23 ◼   ► college I had no idea and then I saw the [TS]

00:01:25 ◼   ► princess bride well those are all from [TS]

00:01:27 ◼   ► one movie and I think we're going to [TS]

00:01:29 ◼   ► need to establish the ground all that [TS]

00:01:30 ◼   ► the first person who kind of [TS]

00:01:31 ◼   ► unintentionally spasmodically quotes the [TS]

00:01:34 ◼   ► movie losses or did they win [TS]

00:01:36 ◼   ► no they lose they lose the game points [TS]

00:01:40 ◼   ► for style [TS]

00:01:40 ◼   ► ok ok so you've got to go this entire [TS]

00:01:42 ◼   ► podcast without making a reference to [TS]

00:01:44 ◼   ► the princess bride I don't think that's [TS]

00:01:45 ◼   ► gonna work [TS]

00:01:46 ◼   ► that's inconceivable in fact there are i [TS]

00:01:49 ◼   ► was gonna say never go in against a [TS]

00:01:50 ◼   ► sicilian when death comes online it's [TS]

00:01:52 ◼   ► only mostly inconceivable [TS]

00:01:54 ◼   ► now this podcast is over yes so first [TS]

00:01:59 ◼   ► thing I wanted to talk about about the [TS]

00:02:01 ◼   ► princess bride is to begin at the [TS]

00:02:03 ◼   ► beginning and talk about the framing [TS]

00:02:04 ◼   ► sequence because one of the interesting [TS]

00:02:05 ◼   ► things about this movie is that it is it [TS]

00:02:08 ◼   ► is a once-upon-a-time kind of fairytale [TS]

00:02:11 ◼   ► and it is told as [TS]

00:02:14 ◼   ► story by a grandfather to his grandson [TS]

00:02:15 ◼   ► and so we've got these scenes at the [TS]

00:02:17 ◼   ► beginning end in a couple places in the [TS]

00:02:19 ◼   ► Middle not too much they don't they [TS]

00:02:20 ◼   ► don't overdo it [TS]

00:02:21 ◼   ► where you've got what you got young Fred [TS]

00:02:24 ◼   ► Savage young before the wonder years [TS]

00:02:26 ◼   ► even young fred savage and old Peter [TS]

00:02:29 ◼   ► Falk before he was really really old [TS]

00:02:31 ◼   ► Peter Falk but still old a little bit [TS]

00:02:34 ◼   ► scary and Fred savages in his room with [TS]

00:02:37 ◼   ► his chicago bears stephane and he's [TS]

00:02:39 ◼   ► playing I think it's micro League [TS]

00:02:41 ◼   ► Baseball I'm like a Commodore 64 and and [TS]

00:02:46 ◼   ► then we and then he tells Peter Falk [TS]

00:02:48 ◼   ► tells him the story of the princess [TS]

00:02:50 ◼   ► bride is Morgenstern and then you know [TS]

00:02:53 ◼   ► he interjected a few points in at the [TS]

00:02:55 ◼   ► end there it is spoilered huh [TS]

00:02:58 ◼   ► he finishes the story at the end and and [TS]

00:03:01 ◼   ► it's kind of hard work but I it's [TS]

00:03:03 ◼   ► interesting that they chose to do this i [TS]

00:03:04 ◼   ► mean the space on a book the book itself [TS]

00:03:07 ◼   ► has its own framing sequence which is a [TS]

00:03:09 ◼   ► little bit different and how would you [TS]

00:03:10 ◼   ► adapt that but it is charming although [TS]

00:03:12 ◼   ► every time I put in the movie i'm i'm [TS]

00:03:13 ◼   ► shocked because the the main part of the [TS]

00:03:16 ◼   ► story is so timeless and yet the framing [TS]

00:03:18 ◼   ► sequence is so so very eighties it's the [TS]

00:03:21 ◼   ► original book i think i read a librarian [TS]

00:03:24 ◼   ► high school suggested it to me and I [TS]

00:03:26 ◼   ► don't think she told me that it was a [TS]

00:03:28 ◼   ► parody and i think i was just naive [TS]

00:03:30 ◼   ► enough that when I read it I thought it [TS]

00:03:32 ◼   ► was I don't know who you're callin was [TS]

00:03:35 ◼   ► and so I started reading it and I don't [TS]

00:03:37 ◼   ► you know I should have even at that [TS]

00:03:38 ◼   ► point known because i was at like film [TS]

00:03:39 ◼   ► and I was like man this is sort of [TS]

00:03:41 ◼   ► bizarre and while I guess the original [TS]

00:03:44 ◼   ► book would really boring and they're [TS]

00:03:45 ◼   ► like oh okay I get it now I think I [TS]

00:03:48 ◼   ► should have seen that already but yeah [TS]

00:03:50 ◼   ► okay because he's talking about how he's [TS]

00:03:52 ◼   ► adapted it from the original form s [TS]

00:03:53 ◼   ► Morgenstern in there lots of footnotes [TS]

00:03:55 ◼   ► and judge things like that he took out a [TS]

00:03:57 ◼   ► 40-page sequence describing the flory [TS]

00:04:01 ◼   ► and royalty and how they dress it was an [TS]

00:04:04 ◼   ► elaborate parody that is Morgenstern is [TS]

00:04:07 ◼   ► written that he didn't think modern [TS]

00:04:08 ◼   ► audiences were peasants it's like half a [TS]

00:04:10 ◼   ► paragraph and it just blows by it you [TS]

00:04:11 ◼   ► think wow it was written so colloquially [TS]

00:04:14 ◼   ► actually read a little bit like [TS]

00:04:15 ◼   ► nonfiction until starting until you get [TS]

00:04:17 ◼   ► to rodents of unusual size and some [TS]

00:04:19 ◼   ► other obvious giveaways but it seemed [TS]

00:04:21 ◼   ► like he was reinterpreting a story it's [TS]

00:04:22 ◼   ► like someone found talkin lord of the [TS]

00:04:24 ◼   ► rings and turned it into a [TS]

00:04:26 ◼   ► your page breezy tale about a guide us [TS]

00:04:27 ◼   ► to throw a runaway well i think if you [TS]

00:04:29 ◼   ► look at the actual like circumstances [TS]

00:04:31 ◼   ► that arose in the inn in Goldman's [TS]

00:04:33 ◼   ► writing the story which is to say I [TS]

00:04:34 ◼   ► believe he has two daughters and yes I'm [TS]

00:04:37 ◼   ► one night [TS]

00:04:38 ◼   ► what do you want to hear a story about [TS]

00:04:39 ◼   ► before you go to bed and one of them [TS]

00:04:41 ◼   ► said a princess and the other one said a [TS]

00:04:43 ◼   ► bride so he combined them basically to [TS]

00:04:45 ◼   ► create this and so it has a very Desiree [TS]

00:04:47 ◼   ► bedtime story quality right like it [TS]

00:04:49 ◼   ► veers off in strange directions but as [TS]

00:04:52 ◼   ► though it is all being invented on the [TS]

00:04:54 ◼   ► spot in some ways but as if you drop off [TS]

00:04:56 ◼   ► momentarily you wake up and the plot is [TS]

00:04:58 ◼   ► really remarkably different because we [TS]

00:05:00 ◼   ► missed a piece of it and very colloquial [TS]

00:05:02 ◼   ► like you know like sort of a dry humor [TS]

00:05:04 ◼   ► of a you know someone telling a story [TS]

00:05:06 ◼   ► that is set in grounded in a particular [TS]

00:05:08 ◼   ► time but he's telling it from the [TS]

00:05:11 ◼   ► perspective of a time that like like [TS]

00:05:12 ◼   ► jason said like you know the family [TS]

00:05:14 ◼   ► stories very narrow in anchored in the [TS]

00:05:15 ◼   ► eighties and so it has a very the whole [TS]

00:05:18 ◼   ► thing has a very anachronistic style to [TS]

00:05:20 ◼   ► it right like the people the way people [TS]

00:05:22 ◼   ► talk for a lot of it and the the jokes [TS]

00:05:24 ◼   ► and references are all like Billy [TS]

00:05:26 ◼   ► Crystal's characters is exactly such a [TS]

00:05:29 ◼   ► random you know random voice that the [TS]

00:05:31 ◼   ► miracle it the miracle max and Valerie [TS]

00:05:33 ◼   ► his wife do it's it's it's even miracle [TS]

00:05:36 ◼   ► max and Valerie Wright like us don't [TS]

00:05:38 ◼   ► know it seemed to fit in a semi in the [TS]

00:05:40 ◼   ► world of the story but they do because [TS]

00:05:42 ◼   ► nothing quite fits when I first saw the [TS]

00:05:44 ◼   ► movie i thought they just didn't fit all [TS]

00:05:46 ◼   ► it seemed just just bled into me and [TS]

00:05:49 ◼   ► then I read the book in there in the [TS]

00:05:50 ◼   ► book exactly the same way they're [TS]

00:05:51 ◼   ► described as elderly Jews in the book [TS]

00:05:54 ◼   ► and you know this was this was from a [TS]

00:05:56 ◼   ► time like before Europe was invented is [TS]

00:05:59 ◼   ► the quote that uses and then his copy [TS]

00:06:02 ◼   ► editor he says he says in the notes that [TS]

00:06:04 ◼   ► his copy editor it in the notes within [TS]

00:06:06 ◼   ► the book that is copy editor said how [TS]

00:06:08 ◼   ► could how is that even possible before [TS]

00:06:09 ◼   ► Europe has invented was that mean [TS]

00:06:11 ◼   ► and so his invented copy editor he says [TS]

00:06:13 ◼   ► that's the first time they've had gotten [TS]

00:06:15 ◼   ► emotional with me in the margins and the [TS]

00:06:18 ◼   ► the book is an astonishingly faithful [TS]

00:06:20 ◼   ► adaptation he leaves out very very [TS]

00:06:22 ◼   ► little in his screenplay and everything [TS]

00:06:24 ◼   ► proceeds exactly as its he got exactly [TS]

00:06:26 ◼   ► what he wanted and Goldman wrote the [TS]

00:06:28 ◼   ► screenplay too right yeah I noticed i'm [TS]

00:06:30 ◼   ► watching it there actually are some [TS]

00:06:31 ◼   ► editing and continuity [TS]

00:06:33 ◼   ► there's like the movie is a little [TS]

00:06:34 ◼   ► sloppier than I remember [TS]

00:06:36 ◼   ► no Mike's come down into this into the [TS]

00:06:39 ◼   ► scene but they really uh it's it's a [TS]

00:06:41 ◼   ► it's choppy at points not sure that's [TS]

00:06:43 ◼   ► intentional to follow the book story or [TS]

00:06:45 ◼   ► because they just kinda you know they [TS]

00:06:47 ◼   ► whipped it out this is not gotten me you [TS]

00:06:48 ◼   ► know 25-year golden deluxe reissue [TS]

00:06:51 ◼   ► anniversary set yet [TS]

00:06:53 ◼   ► well that's actually not true because i [TS]

00:06:54 ◼   ► own this island this movie on DVD twice [TS]

00:06:57 ◼   ► already [TS]

00:06:57 ◼   ► really one of them is the anniversary [TS]

00:06:59 ◼   ► edition and it does have some extras and [TS]

00:07:04 ◼   ► stuff that the original and I think the [TS]

00:07:05 ◼   ► print is a little bit better is the [TS]

00:07:06 ◼   ► printer master that would be my only [TS]

00:07:08 ◼   ► question [TS]

00:07:08 ◼   ► yeah it still doesn't look at grabbing [TS]

00:07:10 ◼   ► this is a movie that is deserving of a [TS]

00:07:12 ◼   ► real rehab treatment although i don't [TS]

00:07:15 ◼   ► know how they shot and how good the [TS]

00:07:16 ◼   ► quality of the masterís but but they [TS]

00:07:18 ◼   ► did do something like that they added a [TS]

00:07:20 ◼   ► commentary track and some interviews and [TS]

00:07:21 ◼   ► I've actually seen this in in 35 [TS]

00:07:23 ◼   ► millimeter film at are at our college [TS]

00:07:25 ◼   ► campus movie theater when I was when I [TS]

00:07:27 ◼   ► was an undergrad I'm and the print was [TS]

00:07:29 ◼   ► was terrible and of course but I mean [TS]

00:07:31 ◼   ► you know you go it was at midnight and [TS]

00:07:33 ◼   ► everybody went there and of course [TS]

00:07:34 ◼   ► everybody is quoting along and so it [TS]

00:07:37 ◼   ► didn't really matter if it was a [TS]

00:07:38 ◼   ► terrible printer not it was a great [TS]

00:07:39 ◼   ► experience rocky horror of fantasy [TS]

00:07:41 ◼   ► movies [TS]

00:07:42 ◼   ► it kind of reminded me of ladyhawke i [TS]

00:07:44 ◼   ► just rewatched it input i noticed during [TS]

00:07:46 ◼   ► the preparation for this podcast i just [TS]

00:07:48 ◼   ► rewatched you watching you watch [TS]

00:07:49 ◼   ► ladyhawke in preparation for this month [TS]

00:07:51 ◼   ► yell but i have i have seen part of it [TS]

00:07:53 ◼   ► recently love Lady Hawks with my [TS]

00:07:54 ◼   ► favorite films from that time I was [TS]

00:07:56 ◼   ► trying to think of other movies that are [TS]

00:07:57 ◼   ► like this and the only thing I could [TS]

00:07:59 ◼   ► come up with was Stardust it's kind of a [TS]

00:08:01 ◼   ► self-conscious adventure parody Omar I [TS]

00:08:04 ◼   ► think princess brides the rest of them [TS]

00:08:06 ◼   ► but why don't they make more movies like [TS]

00:08:07 ◼   ► this i think this is a terrific movie in [TS]

00:08:09 ◼   ► a terrific templates for years since [TS]

00:08:11 ◼   ► I've seen it but what about like Time [TS]

00:08:12 ◼   ► Bandits kinda reminds me of that too [TS]

00:08:14 ◼   ► well you're right about Stardust the [TS]

00:08:16 ◼   ► Stardust is a really good example and a [TS]

00:08:18 ◼   ► movie i liked and did have a little bit [TS]

00:08:20 ◼   ► of that vibe time pants at which far [TS]

00:08:23 ◼   ► Senate I think and puppets the parson [TS]

00:08:26 ◼   ► puppets Carson puppets is the downfall [TS]

00:08:28 ◼   ► of my career is my new hot pie store is [TS]

00:08:32 ◼   ► going to call farce and puppets [TS]

00:08:34 ◼   ► that's my autobiography imaginarium of [TS]

00:08:36 ◼   ► doctor parnassus also had kind of a [TS]

00:08:38 ◼   ► field anybody saw that very few people [TS]

00:08:40 ◼   ► did for 44 people sorry there are their [TS]

00:08:44 ◼   ► talent terry gilliam you know [TS]

00:08:46 ◼   ► has kind of elements of this but I i [TS]

00:08:48 ◼   ► think or maybe a little too have the [TS]

00:08:51 ◼   ► heart is a little too black [TS]

00:08:52 ◼   ► yeah he goes he goes a little dark with [TS]

00:08:54 ◼   ► his little too weird to a little too [TS]

00:08:57 ◼   ► weird [TS]

00:08:58 ◼   ► well watching the movie again reminded [TS]

00:08:59 ◼   ► me of all kinds of things i had [TS]

00:09:00 ◼   ► forgotten about from that era among [TS]

00:09:02 ◼   ► other things that cary elwes an [TS]

00:09:03 ◼   ► incredibly funny physical actor which I [TS]

00:09:06 ◼   ► you know I guess I and I've seen plenty [TS]

00:09:08 ◼   ► of stuff since but he's come to use a [TS]

00:09:10 ◼   ► stiff sometimes he's full of himself [TS]

00:09:11 ◼   ► sometimes he's not really acting and he [TS]

00:09:14 ◼   ► is got a straight face this whole thing [TS]

00:09:16 ◼   ► and it's just incredibly funny to watch [TS]

00:09:18 ◼   ► Kerry Ellis was one of those people that [TS]

00:09:20 ◼   ► I followed somewhat obsessively through [TS]

00:09:22 ◼   ► middle school and high school even [TS]

00:09:23 ◼   ► though his career was pretty much a dead [TS]

00:09:25 ◼   ► end at that point it's like mid mid [TS]

00:09:27 ◼   ► nineties early two thousands it wasn't [TS]

00:09:29 ◼   ► doing much but i like it when he was the [TS]

00:09:31 ◼   ► impediment agent on The X Files that's [TS]

00:09:34 ◼   ► when I I saw that I thought really [TS]

00:09:36 ◼   ► you're the guy who you know because [TS]

00:09:38 ◼   ► there's always going to be kind of suit [TS]

00:09:39 ◼   ► who's from the bad part of the [TS]

00:09:40 ◼   ► government who says oh I can't let you [TS]

00:09:42 ◼   ► do that [TS]

00:09:43 ◼   ► bulgaria you're looking at things you [TS]

00:09:44 ◼   ► should look at and cary elwes really [TS]

00:09:47 ◼   ► attended this you've sunk to this point [TS]

00:09:49 ◼   ► I i was actually really excited i ended [TS]

00:09:52 ◼   ► up for god knows what reason seeing ella [TS]

00:09:54 ◼   ► enchanted the movie version which the [TS]

00:09:56 ◼   ► book version the book of Ellen chanted [TS]

00:09:58 ◼   ► is quite a wonderful young adult novel [TS]

00:10:01 ◼   ► and the movie is completely terrible but [TS]

00:10:03 ◼   ► Kerry else is in it playing you know [TS]

00:10:06 ◼   ► kind of a kind of the the count [TS]

00:10:09 ◼   ► character in princess bride for ella [TS]

00:10:11 ◼   ► enchanted it's a very it'sit's kind of [TS]

00:10:13 ◼   ► wonderful he is a snake and I'm like oh [TS]

00:10:14 ◼   ► finally you're doing something that's [TS]

00:10:16 ◼   ► not saw or small TV parts even if it is [TS]

00:10:20 ◼   ► a terrible movie [TS]

00:10:21 ◼   ► can we come to some consensus on his [TS]

00:10:23 ◼   ► last name dlw es el L I always yeah I [TS]

00:10:27 ◼   ► always said l's but I guess LLS i'm [TS]

00:10:29 ◼   ► consulting wikipedia which does not have [TS]

00:10:32 ◼   ► a pronunciation carry Elvis this is like [TS]

00:10:35 ◼   ► well sure something it could be anything [TS]

00:10:37 ◼   ► like that elvish in elvish carry out why [TS]

00:10:40 ◼   ► is he not in order [TS]

00:10:41 ◼   ► rings Bell to relish it yes that's true [TS]

00:10:45 ◼   ► so so he's opposite he's oppositely [TS]

00:10:48 ◼   ► young Robin Robin right there yes very [TS]

00:10:52 ◼   ► young i would like to claim credit for [TS]

00:10:54 ◼   ► knowing Robin right before anybody else [TS]

00:10:56 ◼   ► because in high school I would come home [TS]

00:10:58 ◼   ► every day and plopped down in front of [TS]

00:11:00 ◼   ► Santa Barbara the Four Seasons soap [TS]

00:11:04 ◼   ► opera is this something you want to [TS]

00:11:05 ◼   ► admit Greg it was awesome wasn't it i [TS]

00:11:08 ◼   ► had and i have never given myself up to [TS]

00:11:10 ◼   ► anything even remotely like that before [TS]

00:11:12 ◼   ► or since [TS]

00:11:13 ◼   ► and it had a Martinez and margins right [TS]

00:11:15 ◼   ► it had not v martinez a margin 49 one of [TS]

00:11:20 ◼   ► the many many Martinez it was very [TS]

00:11:23 ◼   ► enjoyable and then Robin Wright goes off [TS]

00:11:25 ◼   ► to an actual career and I just think [TS]

00:11:27 ◼   ► she's sorry you mentioned santa barbara [TS]

00:11:29 ◼   ► that's where all the you know hot girls [TS]

00:11:34 ◼   ► come from is whenever I happened to be [TS]

00:11:35 ◼   ► watching [TS]

00:11:36 ◼   ► I just I'm just gonna put it I happen to [TS]

00:11:37 ◼   ► have carrier was as wikipedia page up [TS]

00:11:39 ◼   ► and since we're trying to figure out his [TS]

00:11:40 ◼   ► name and I scroll down to his credits [TS]

00:11:42 ◼   ► and i gotta say i absolutely love that [TS]

00:11:44 ◼   ► his credits include include TV credits [TS]

00:11:46 ◼   ► include such wonderful things as pinky [TS]

00:11:48 ◼   ► and the brain [TS]

00:11:49 ◼   ► yeah i'm not and the x-files as Jason [TS]

00:11:52 ◼   ► mentioned but most recently among two of [TS]

00:11:55 ◼   ► these rolls are the young pope john paul [TS]

00:11:58 ◼   ► the second home [TS]

00:12:00 ◼   ► the adventuresome pope john paul is [TS]

00:12:02 ◼   ► saying some sort of you know villa or [TS]

00:12:04 ◼   ► you know presumably probably have [TS]

00:12:06 ◼   ► villain in 111 order SVU and Ted Bundy [TS]

00:12:09 ◼   ► so I think his career is clearly [TS]

00:12:12 ◼   ► actually I'm gonna put every plug which [TS]

00:12:14 ◼   ► is to say he did a small recurring role [TS]

00:12:16 ◼   ► guest role on psych in the last couple [TS]

00:12:19 ◼   ► seasons as a like a jewel thief and he [TS]

00:12:22 ◼   ► was actually really really still working [TS]

00:12:24 ◼   ► hey what is arming he's got the charm [TS]

00:12:26 ◼   ► he's still working and I get our Michael [TS]

00:12:28 ◼   ► Caine's out there who take what comes [TS]

00:12:30 ◼   ► because that's how they pay the bill [TS]

00:12:31 ◼   ► that's right there's nothing wrong with [TS]

00:12:33 ◼   ► that and and of course Robin Wright has [TS]

00:12:35 ◼   ► gone on to be in many many things but [TS]

00:12:37 ◼   ► here she was you know she's she's the [TS]

00:12:40 ◼   ► princess she was introduced with this [TS]

00:12:42 ◼   ► movie that was our credit that was the [TS]

00:12:44 ◼   ► first time I'd seen in introducing [TS]

00:12:45 ◼   ► introducing credit since like you know [TS]

00:12:47 ◼   ► the thirties it's the aunjanue it's a [TS]

00:12:49 ◼   ► throwback I really [TS]

00:12:50 ◼   ► mmm that is she really did about she did [TS]

00:12:52 ◼   ► practically no acting the entire thing [TS]

00:12:54 ◼   ► so that's that's what the introduce you [TS]

00:12:58 ◼   ► just need to look around you throughout [TS]

00:12:59 ◼   ► this film put on a fake accent mr. sort [TS]

00:13:02 ◼   ► of but it's really is the traditional [TS]

00:13:05 ◼   ► role you introduce the actress in order [TS]

00:13:06 ◼   ► that we may view her through the film [TS]

00:13:08 ◼   ► later he may be allowed to act but in [TS]

00:13:10 ◼   ► this introduction you must just observer [TS]

00:13:12 ◼   ► i don't know i love her delivery of the [TS]

00:13:14 ◼   ► line the which is it the one that most [TS]

00:13:16 ◼   ► likely kill myself in the morning or the [TS]

00:13:18 ◼   ► it nothing i'm gonna go to my lock [TS]

00:13:20 ◼   ► myself in my room and shoot I've lost [TS]

00:13:23 ◼   ► one see i'm really i'm gonna win the [TS]

00:13:24 ◼   ► award for you're not bothering me from [TS]

00:13:27 ◼   ► watching princess bride she tells the [TS]

00:13:29 ◼   ► king but she's gonna she's gonna kill [TS]

00:13:30 ◼   ► himself kill herself and he says would [TS]

00:13:32 ◼   ► that be nice [TS]

00:13:33 ◼   ► yes before the West she kissed me yeah [TS]

00:13:35 ◼   ► that's right i love that i liked her [TS]

00:13:37 ◼   ► delivery there it sounds kind of [TS]

00:13:38 ◼   ► despondent but uplifting at the same [TS]

00:13:40 ◼   ► time [TS]

00:13:40 ◼   ► well and also the the ever so popular oh [TS]

00:13:42 ◼   ► my sweet whistling viton so I'm just [TS]

00:13:45 ◼   ► runs it all together so um the structure [TS]

00:13:48 ◼   ► of this movie is very strange [TS]

00:13:49 ◼   ► as mentioned earlier we start with an [TS]

00:13:53 ◼   ► extended chase essentially there's the [TS]

00:13:55 ◼   ► prologue right there is framing sequence [TS]

00:13:57 ◼   ► and then there's the prologue with the [TS]

00:13:59 ◼   ► Buttercup in the farmhand yeah yeah [TS]

00:14:01 ◼   ► kissing book but then there's the chase [TS]

00:14:03 ◼   ► scene which is where we get to meet our [TS]

00:14:08 ◼   ► not heroes are anti-heroes but they are [TS]

00:14:11 ◼   ► our heroes there or at least two of them [TS]

00:14:13 ◼   ► are kind are mercenaries and represented [TS]

00:14:15 ◼   ► very very comfortably in the mercenary [TS]

00:14:17 ◼   ► role play all the parts of gold Vizzini [TS]

00:14:19 ◼   ► 41 physic and Inigo Montoya played by [TS]

00:14:24 ◼   ► mandy patinkin Andre the Giant and [TS]

00:14:26 ◼   ► Wallace Shawn man of letters and also [TS]

00:14:29 ◼   ► the man you don't want to go in with [TS]

00:14:34 ◼   ► death on with the Sicilian something [TS]

00:14:37 ◼   ► never going against a sicilian when [TS]

00:14:39 ◼   ► death is on the line now we are you [TS]

00:14:41 ◼   ► but i gotta throw out the one thing [TS]

00:14:43 ◼   ► Jason you just you just like tweak like [TS]

00:14:45 ◼   ► something in my head that made me make a [TS]

00:14:46 ◼   ► connection i never made that's what I'm [TS]

00:14:48 ◼   ► here for the chase scene is is very [TS]

00:14:53 ◼   ► analogous to the chase scene from [TS]

00:14:55 ◼   ► another William Goldman film which [TS]

00:14:57 ◼   ► Cassidy and the Sundance Kid where you [TS]

00:14:59 ◼   ► have the people running away and then [TS]

00:15:01 ◼   ► there's the the follower the people who [TS]

00:15:02 ◼   ► are disordered oddly following them and [TS]

00:15:04 ◼   ► never quite gets shaken off the trail [TS]

00:15:06 ◼   ► but i just found that interesting [TS]

00:15:08 ◼   ► because there's definitely an echo in [TS]

00:15:10 ◼   ► both those movies are both great movies [TS]

00:15:11 ◼   ► and William Goldman's a tremendous [TS]

00:15:13 ◼   ► writer but I thought it was funny that [TS]

00:15:15 ◼   ► it suddenly reminded me of that because [TS]

00:15:16 ◼   ► you you see him in the distance right [TS]

00:15:18 ◼   ► he's following them in the boat and then [TS]

00:15:20 ◼   ► climbs up the cliffs and everything a [TS]

00:15:22 ◼   ► very similar scene i just think that [TS]

00:15:24 ◼   ► there's something there [TS]

00:15:25 ◼   ► inconceivable but so we begin you know [TS]

00:15:28 ◼   ► they-they-they kidnapper they take her [TS]

00:15:30 ◼   ► to the boat to go across there screaming [TS]

00:15:32 ◼   ► heels you know they there's the boat in [TS]

00:15:35 ◼   ► the distance and we see them and so [TS]

00:15:36 ◼   ► we've met our three characters may have [TS]

00:15:37 ◼   ► kidnapped the the the girl and and they [TS]

00:15:39 ◼   ► go to cliffs of insanity [TS]

00:15:41 ◼   ► all right do it with the list Jason the [TS]

00:15:44 ◼   ► cliffs of insanity the they Andre the [TS]

00:15:47 ◼   ► Giant is so powerful that he just [TS]

00:15:49 ◼   ► basically pulls them up on her bottom [TS]

00:15:51 ◼   ► rope with like three people hanging off [TS]

00:15:53 ◼   ► of him i love that and faster faster [TS]

00:15:57 ◼   ► azines we're going faster the poor poor [TS]

00:16:00 ◼   ► Andre the Giant and then we have this [TS]

00:16:02 ◼   ► interesting structure where once they [TS]

00:16:04 ◼   ► get to the top of the cliffs we all [TS]

00:16:06 ◼   ► split up in true scooby-doo fashion so [TS]

00:16:09 ◼   ► that each character can meet the man in [TS]

00:16:11 ◼   ► black individually instead of as a group [TS]

00:16:14 ◼   ► where they might just kill the man in [TS]

00:16:15 ◼   ► black and be done with it so they have [TS]

00:16:17 ◼   ► to delivery to their back stories as [TS]

00:16:19 ◼   ► well of course right so that it sits [TS]

00:16:21 ◼   ► this great structure in in the middle of [TS]

00:16:23 ◼   ► the chase where we now unspool these [TS]

00:16:25 ◼   ► characters one by one and we need an ego [TS]

00:16:27 ◼   ► Montoya and there isn't just a [TS]

00:16:29 ◼   ► swordfight Inigo Montoya gets to tell [TS]

00:16:31 ◼   ► him the whole story so Inigo Montoya has [TS]

00:16:36 ◼   ► got to be the the most quoted character [TS]

00:16:38 ◼   ► in this movie right I you know day he [TS]

00:16:40 ◼   ► has great quotes why he's been growing [TS]

00:16:43 ◼   ► like whoa whoa which is time after time [TS]

00:16:46 ◼   ► and of course it's repeated right many [TS]

00:16:48 ◼   ► times in the movie because he sort of [TS]

00:16:50 ◼   ► talks about he tells the whole story of [TS]

00:16:52 ◼   ► the six-fingered man of the six-fingered [TS]

00:16:53 ◼   ► man [TS]

00:16:54 ◼   ► his father I don't but I like the other [TS]

00:16:57 ◼   ► one I actually was able to insert into a [TS]

00:16:59 ◼   ► fortune magazine article 99 about [TS]

00:17:01 ◼   ► windows XP that word you use it does not [TS]

00:17:04 ◼   ► mean what you think it means yeah and he [TS]

00:17:07 ◼   ► goes got amigos god Ilana got a lot of [TS]

00:17:09 ◼   ► lines singer so anytime Montoya [TS]

00:17:12 ◼   ► obviously you killed my father prepare [TS]

00:17:14 ◼   ► to die and it is it obviously passion [TS]

00:17:18 ◼   ► juice that's going to really sell it I'm [TS]

00:17:20 ◼   ► not an actor I'm quoting I'm I'm but the [TS]

00:17:23 ◼   ► host uh our players would like if they [TS]

00:17:25 ◼   ► would like to act out the parts we could [TS]

00:17:27 ◼   ► do a little staging we could just sit [TS]

00:17:29 ◼   ► here for the next 90 minutes and reenact [TS]

00:17:31 ◼   ► the entire princess from my friend of [TS]

00:17:33 ◼   ► mine actually did this recently he was [TS]

00:17:35 ◼   ► at a party where it came up that at [TS]

00:17:37 ◼   ► least a couple people there had not seen [TS]

00:17:38 ◼   ► the princess bride and he determined he [TS]

00:17:40 ◼   ► could pretty much do the entire movie [TS]

00:17:42 ◼   ► from memory so he fed lines through a [TS]

00:17:44 ◼   ► bunch of them and there he infected the [TS]

00:17:46 ◼   ► entire pan and someone videotaped it and [TS]

00:17:49 ◼   ► I'm like please get me a copy of this [TS]

00:17:51 ◼   ► because i think this would be awesome [TS]

00:17:53 ◼   ► it's the one-man show of the princess [TS]

00:17:54 ◼   ► bride so so um any moment i love the [TS]

00:17:59 ◼   ► swordfight great sword fighting my wife [TS]

00:18:01 ◼   ► is a is a former fencer and she was [TS]

00:18:04 ◼   ► amused by the fact that they fence with [TS]

00:18:07 ◼   ► swords that would not you couldn't do [TS]

00:18:10 ◼   ► that kind of fencing with swords like [TS]

00:18:12 ◼   ► that so they're obviously very light [TS]

00:18:13 ◼   ► swords but I'm it's a very exciting [TS]

00:18:15 ◼   ► scene and the when they're talking [TS]

00:18:17 ◼   ► during the the sword fight about the [TS]

00:18:20 ◼   ► different methods that they're using you [TS]

00:18:23 ◼   ► know if I you must respond with kappa [TS]

00:18:24 ◼   ► Farrah that sort of thing those are all [TS]

00:18:26 ◼   ► actual names of fencing new moves and [TS]

00:18:30 ◼   ► that actually that sort of is one of my [TS]

00:18:32 ◼   ► favorite lines which is if he has [TS]

00:18:35 ◼   ► considered his Agrippa which I have see [TS]

00:18:38 ◼   ► I don't know what it is about this movie [TS]

00:18:40 ◼   ► that which i have it's light-hearted it [TS]

00:18:42 ◼   ► has quit [TS]

00:18:43 ◼   ► it's witty in a in a way 3 scene has had [TS]

00:18:46 ◼   ► that infused in it and I get the sword [TS]

00:18:49 ◼   ► fight no no it's not just it is a [TS]

00:18:51 ◼   ► swordfight that's a pretty good sword [TS]

00:18:52 ◼   ► fighting it's actually too because [TS]

00:18:53 ◼   ► there's the left handed sword fight and [TS]

00:18:55 ◼   ► then there's the right here and sword [TS]

00:18:57 ◼   ► fight it separated by gymnastics [TS]

00:18:59 ◼   ► yes yes the the high bar a sidebar [TS]

00:19:03 ◼   ► gymkata anyone seen at gym [TS]

00:19:06 ◼   ► movie of just a few years older than [TS]

00:19:08 ◼   ► this one no I'm not sure any no money in [TS]

00:19:11 ◼   ► it is seen in pic metal with that I've [TS]

00:19:14 ◼   ► seen it [TS]

00:19:14 ◼   ► Greg seen every movie ever he's in this [TS]

00:19:16 ◼   ► town and they're all rushing at him and [TS]

00:19:18 ◼   ► at the end of the movie and he runs into [TS]

00:19:20 ◼   ► the center of town and there just [TS]

00:19:21 ◼   ► happens to be a gym horse there and so [TS]

00:19:25 ◼   ► he knows he'll gymkata skills to spin [TS]

00:19:27 ◼   ► his legs around and beat the people off [TS]

00:19:29 ◼   ► came out wrong [TS]

00:19:30 ◼   ► it's a combination of gymnastics and [TS]

00:19:33 ◼   ► some other thing from gymnastics martial [TS]

00:19:37 ◼   ► arts like it's like the guncotton from [TS]

00:19:39 ◼   ► equilibrium another great maybe it's the [TS]

00:19:41 ◼   ► miraculous appearances specific to [TS]

00:19:42 ◼   ► national equipment within the context of [TS]

00:19:44 ◼   ► the action that that resonates with [TS]

00:19:47 ◼   ► Princess Bride [TS]

00:19:47 ◼   ► yes why is there are on a high bar in [TS]

00:19:50 ◼   ► the middle of the ruins of the [TS]

00:19:52 ◼   ► whatever-it-is on the top of the cliff [TS]

00:19:53 ◼   ► is ready set I was admiring that [TS]

00:19:56 ◼   ► yesterday that was such a great set [TS]

00:19:58 ◼   ► really is it's funny when i was doing [TS]

00:20:00 ◼   ► stage combat my very first year of high [TS]

00:20:02 ◼   ► school I went to an arts high school I [TS]

00:20:04 ◼   ► we I took fencing and we actually ran [TS]

00:20:09 ◼   ► through this seen among a couple of [TS]

00:20:11 ◼   ► other very different film scenes in [TS]

00:20:13 ◼   ► order to get a grip of certain [TS]

00:20:15 ◼   ► techniques and to get taught certain [TS]

00:20:17 ◼   ► techniques which was hilarious [TS]

00:20:19 ◼   ► just like okay yes I'm gonna go after [TS]

00:20:22 ◼   ► school and reenact Grand Princess Bride [TS]

00:20:24 ◼   ► seen or seen from the matrix or [TS]

00:20:26 ◼   ► something like that there was some high [TS]

00:20:27 ◼   ► school it was pretty great [TS]

00:20:30 ◼   ► I mean if you're doing matrix yes hey I [TS]

00:20:33 ◼   ► got to I got to choreograph burly brawl [TS]

00:20:35 ◼   ► so that was pretty great none of them [TS]

00:20:36 ◼   ► went to college i'm a shot down the [TS]

00:20:38 ◼   ► school and decertified it and fired all [TS]

00:20:41 ◼   ► the teachers there's a great moment [TS]

00:20:42 ◼   ► scattered as gems like little jewels [TS]

00:20:44 ◼   ► chain throughout this movie one of the [TS]

00:20:46 ◼   ► reasons i think it's an enduring film [TS]

00:20:48 ◼   ► it's enjoyable to watch is that it's got [TS]

00:20:50 ◼   ► ridiculously low farce and stupid crap [TS]

00:20:52 ◼   ► in it and I mean you know i should say [TS]

00:20:54 ◼   ► it's actually pretty high brother are no [TS]

00:20:56 ◼   ► crap jokes was like no it's the Middle [TS]

00:20:58 ◼   ► Ages or whatever eighteen hundreds or [TS]

00:20:59 ◼   ► whatever supposed to be in the not [TS]

00:21:01 ◼   ► stepping in manure you know so it's not [TS]

00:21:02 ◼   ► an L Brooks movie we know that if I was [TS]

00:21:04 ◼   ► about to say it [TS]

00:21:05 ◼   ► they didn't take the mel brooks path [TS]

00:21:07 ◼   ► other than the fact that the miracle max [TS]

00:21:08 ◼   ► the miracle max would be the mel brooks [TS]

00:21:10 ◼   ► part except you're not being played by [TS]

00:21:13 ◼   ► now that billy crystal is seemingly Loki [TS]

00:21:15 ◼   ► by comparison to hell Brooks would have [TS]

00:21:16 ◼   ► played that but the but so little gems [TS]

00:21:19 ◼   ► stronger at the film are these deeply [TS]

00:21:21 ◼   ► serious moments that resonate well above [TS]

00:21:24 ◼   ► the far so I was watching last night and [TS]

00:21:26 ◼   ► I i remember the scene in my head but [TS]

00:21:28 ◼   ► seeing it [TS]

00:21:28 ◼   ► he's carry out west is making its way up [TS]

00:21:30 ◼   ► the cliffs of insanity many tankers [TS]

00:21:33 ◼   ► waiting for marriage like you don't go [TS]

00:21:34 ◼   ► faster if you get a rope without you [TS]

00:21:35 ◼   ► know I don't know what you trust me no I [TS]

00:21:37 ◼   ► give you my what can I where is the [TS]

00:21:39 ◼   ► Spaniard man you're known to many [TS]

00:21:41 ◼   ► Spaniards how hard that he says I swear [TS]

00:21:43 ◼   ► on the soul of my father don't be going [TS]

00:21:45 ◼   ► twice you will not fall and it's like [TS]

00:21:47 ◼   ► when a different film and he says [TS]

00:21:49 ◼   ► they're all right just a little you get [TS]

00:21:51 ◼   ► like 10 seconds 15 seconds of this [TS]

00:21:53 ◼   ► beautiful moment that is completely [TS]

00:21:55 ◼   ► genuine and then we're back to silly [TS]

00:21:57 ◼   ► stuff in there but the same thing when [TS]

00:21:59 ◼   ► he confronts the six-fingered man when [TS]

00:22:01 ◼   ► he confronts the count you know he gives [TS]

00:22:02 ◼   ► a really really effective speech about [TS]

00:22:05 ◼   ► you know I've been searching my whole [TS]

00:22:07 ◼   ► life and and you know and he finally he [TS]

00:22:10 ◼   ► he gives it low-key really intensely you [TS]

00:22:12 ◼   ► killed my father prepare to die and [TS]

00:22:14 ◼   ► christopher guest looks at him and then [TS]

00:22:16 ◼   ► turns and runs away you go from one of [TS]

00:22:19 ◼   ► the great timing of the great little [TS]

00:22:21 ◼   ► piece of the time but in the end when he [TS]

00:22:23 ◼   ► gets to go to count Rugen he you know he [TS]

00:22:26 ◼   ► gives a very impassioned speech it is [TS]

00:22:28 ◼   ► the speech that he's been waiting to get [TS]

00:22:29 ◼   ► his whole life and it's not a joke it's [TS]

00:22:31 ◼   ► it you know he he wants him to beg for [TS]

00:22:33 ◼   ► his life and then he's gonna say i want [TS]

00:22:35 ◼   ► my father back you son of a bitch and [TS]

00:22:36 ◼   ► he's going to kill a man and he does and [TS]

00:22:38 ◼   ► it's not played for laughs and it [TS]

00:22:40 ◼   ► shouldn't be and whenever there are some [TS]

00:22:41 ◼   ► moments of real realism you know some [TS]

00:22:45 ◼   ► seriousness and you have made the [TS]

00:22:46 ◼   ► silliness [TS]

00:22:47 ◼   ► I think the one thing that I really love [TS]

00:22:50 ◼   ► about this film is that no line is [TS]

00:22:51 ◼   ► really thrown away you know in in other [TS]

00:22:53 ◼   ► films you can have there's you know [TS]

00:22:55 ◼   ► there are scenes there are lines that [TS]

00:22:57 ◼   ► it's obvious that the screenwriter [TS]

00:22:59 ◼   ► either wasn't really paying attention or [TS]

00:23:01 ◼   ► it wasn't really that it's not really [TS]

00:23:02 ◼   ► that important just 30 advance the story [TS]

00:23:04 ◼   ► but every single scene every single line [TS]

00:23:06 ◼   ► in this movie is designed for several [TS]

00:23:09 ◼   ► purposes and that's what kind of [TS]

00:23:10 ◼   ► captures the imagination so much clearer [TS]

00:23:14 ◼   ► yeah there are so many great just like I [TS]

00:23:16 ◼   ► think of other moments i was just [TS]

00:23:17 ◼   ► looking through a list of quotes refresh [TS]

00:23:19 ◼   ► my memory but i love this scene you know [TS]

00:23:21 ◼   ► right before we unmask the dread pirate [TS]

00:23:24 ◼   ► roberts the man in black where he says [TS]

00:23:27 ◼   ► he has that wonderful life is pain [TS]

00:23:29 ◼   ► Highness anyone who sells says [TS]

00:23:30 ◼   ► differently something good [TS]

00:23:32 ◼   ► inches which is another like another [TS]

00:23:34 ◼   ► sort of anachronism yes fine right but [TS]

00:23:36 ◼   ► cute but what a great line we what [TS]

00:23:40 ◼   ► strikes me about this movie is is it's [TS]

00:23:42 ◼   ► the writing that makes it what it is [TS]

00:23:44 ◼   ► inside the nerd cannon I mean it'sit's [TS]

00:23:46 ◼   ► kind of oddball for the way movies that [TS]

00:23:50 ◼   ► nerds enjoy because there's no sequels [TS]

00:23:52 ◼   ► and there's not much investment in the [TS]

00:23:54 ◼   ► world i don't have a lot of Princess [TS]

00:23:56 ◼   ► Bride fanfic oh god but i don't i don't [TS]

00:24:00 ◼   ► know of any cost play i don't know of [TS]

00:24:02 ◼   ► any conventions but everybody i know [TS]

00:24:04 ◼   ► loves this movie and can quote it like [TS]

00:24:06 ◼   ► crazy and it has to be because of the [TS]

00:24:08 ◼   ► writing it's a fairytale to write like [TS]

00:24:10 ◼   ► there's an aspect to that it seems more [TS]

00:24:13 ◼   ► like a timeless fairytale story then [TS]

00:24:16 ◼   ► even like a a beloved movie right in [TS]

00:24:20 ◼   ► some ways you don't tampering with it [TS]

00:24:22 ◼   ► would be would be wrong you know it [TS]

00:24:24 ◼   ► taking it to any of those places would [TS]

00:24:26 ◼   ► be deserving experior it's it's magic [TS]

00:24:29 ◼   ► and fun at its most pure it's not at you [TS]

00:24:31 ◼   ► know you don't it's not something that [TS]

00:24:33 ◼   ► you can take in any way mark market [TS]

00:24:37 ◼   ► forces take things like crazy [TS]

00:24:38 ◼   ► great great i'll send you mind my [TS]

00:24:40 ◼   ► manuscript of about the about the the [TS]

00:24:44 ◼   ► Gilder royal family and imaginations [TS]

00:24:46 ◼   ► that they go through when their attempts [TS]

00:24:48 ◼   ► to according to other than goldman i [TS]

00:24:50 ◼   ► read something different before the show [TS]

00:24:52 ◼   ► from goldman which said that he had [TS]

00:24:54 ◼   ► actually tried to write a sequel but he [TS]

00:24:58 ◼   ► said I got I got pissed at myself [TS]

00:24:59 ◼   ► because I would stand i would sit there [TS]

00:25:01 ◼   ► looking at a blank page i just couldn't [TS]

00:25:02 ◼   ► think of anything to write there's [TS]

00:25:04 ◼   ► another s Morgenstern book called the [TS]

00:25:06 ◼   ► silent gondoliers but it's not the floor [TS]

00:25:09 ◼   ► in universe right and even that doesn't [TS]

00:25:12 ◼   ► see me odd-even that I said that the [TS]

00:25:14 ◼   ► floor in universe you can talk about [TS]

00:25:15 ◼   ► Star Trek Star Wars I i believe the [TS]

00:25:17 ◼   ► accepted turn is the floor reverse for [TS]

00:25:20 ◼   ► Gil diverse it just seems wrong [TS]

00:25:23 ◼   ► it's the you know it's the the [TS]

00:25:25 ◼   ► neverending story part 2 like ABS that [TS]

00:25:28 ◼   ► would be here right i mean that was a [TS]

00:25:31 ◼   ► problem that was the problem so so I [TS]

00:25:34 ◼   ► want to I want to get back to what [TS]

00:25:36 ◼   ► little structure this podcast has which [TS]

00:25:37 ◼   ► I'm sort of walking part of part of this [TS]

00:25:39 ◼   ► of the structure of the movie we left [TS]

00:25:41 ◼   ► Inigo Montoya knocked out because it [TS]

00:25:43 ◼   ► would be a an awful waste [TS]

00:25:46 ◼   ► of material to leave this poor sorts [TS]

00:25:48 ◼   ► been dead and move on the man in black [TS]

00:25:50 ◼   ► then moves on to the to the next bit of [TS]

00:25:54 ◼   ► peril which is Fezzik the giant played [TS]

00:25:56 ◼   ► by wrestler wrestling hall of famer i'll [TS]

00:25:59 ◼   ► i'll point out Andre the Giant who [TS]

00:26:01 ◼   ► didn't speak English basically at all [TS]

00:26:04 ◼   ► and apparently was given his lines by [TS]

00:26:06 ◼   ► somebody off-screen before he would [TS]

00:26:09 ◼   ► shoot the scenes so that he would yet so [TS]

00:26:11 ◼   ► that he could save him because he was [TS]

00:26:13 ◼   ► really really terrible at English and [TS]

00:26:16 ◼   ► yet there's something so delightful [TS]

00:26:17 ◼   ► about his about his double honest he's [TS]

00:26:19 ◼   ► my favorite thing in the entire movie is [TS]

00:26:21 ◼   ► that sometimes we have you know David [TS]

00:26:23 ◼   ► Lynch often likes the cast like native [TS]

00:26:25 ◼   ► people he like Andy and twin peaks the [TS]

00:26:28 ◼   ► sheriff's deputy was like a driver and [TS]

00:26:30 ◼   ► the guy could not act to save his life [TS]

00:26:32 ◼   ► and was I kind of loved him because he [TS]

00:26:34 ◼   ► had this awkwardness that was completely [TS]

00:26:36 ◼   ► honest and and completely charming [TS]

00:26:40 ◼   ► yeah i mean one of one of my other again [TS]

00:26:43 ◼   ► i'm going to just list all these [TS]

00:26:44 ◼   ► favorite things in this movie but the [TS]

00:26:45 ◼   ► thing I love about the about the scenes [TS]

00:26:47 ◼   ► where would where they send Fezzik to [TS]

00:26:50 ◼   ► kill the man in black is is that the [TS]

00:26:53 ◼   ► scene he tells him to throw to get a [TS]

00:26:55 ◼   ► rock hide behind the high behind the [TS]

00:26:57 ◼   ► boulder and throw the rock at his head [TS]

00:26:58 ◼   ► and kill him and he said my way is not [TS]

00:27:00 ◼   ► very sportsmanlike in which was my way [TS]

00:27:03 ◼   ► that's not very sportsmanlike and and [TS]

00:27:05 ◼   ► and again this movie doesn't such an [TS]

00:27:07 ◼   ► amazing job of taking you're essentially [TS]

00:27:09 ◼   ► what are supposed to be your bad guys [TS]

00:27:11 ◼   ► and by the time they get the to the [TS]

00:27:13 ◼   ► point where where they're going to [TS]

00:27:15 ◼   ► perpetrate their they're supposedly evil [TS]

00:27:17 ◼   ► acts you're on their side and you hope [TS]

00:27:20 ◼   ► that they don't get killed by the the [TS]

00:27:22 ◼   ► man in black and so obviously the man in [TS]

00:27:24 ◼   ► black does his does his his best on the [TS]

00:27:27 ◼   ► you know as God intended i think they [TS]

00:27:29 ◼   ► say where it's a you know fist against [TS]

00:27:32 ◼   ► fists which is slightly unfair for the [TS]

00:27:33 ◼   ► man in black but he managed this is your [TS]

00:27:35 ◼   ► you mean you put down your rock and I [TS]

00:27:37 ◼   ► put that my sword and we try to kill [TS]

00:27:38 ◼   ► each other like civilized people yes [TS]

00:27:39 ◼   ► that's right that sportsman like not not [TS]

00:27:43 ◼   ► not like throwing a rock at his head [TS]

00:27:45 ◼   ► I could have hit you you know so course [TS]

00:27:48 ◼   ► no one loves eeny there's no love for [TS]

00:27:50 ◼   ► his no no Sol Sol Sol of busyness so now [TS]

00:27:53 ◼   ► we get to it so now it is down to you [TS]

00:27:55 ◼   ► and it is down to me they meet this is [TS]

00:27:58 ◼   ► easy meets the man in black [TS]

00:27:59 ◼   ► with buttercup tied up and there's a [TS]

00:28:01 ◼   ► battle of wits which he accepted the [TS]

00:28:03 ◼   ► death [TS]

00:28:04 ◼   ► that's right and so while sean is busy [TS]

00:28:08 ◼   ► knee again inconceivable the one of the [TS]

00:28:11 ◼   ► most courted things from this movie and [TS]

00:28:13 ◼   ► such a funny part you know he--he's in [TS]

00:28:15 ◼   ► it in the first third and then he's dead [TS]

00:28:17 ◼   ► but you know such a just I laughs the [TS]

00:28:21 ◼   ► entire time he's on the screen he [TS]

00:28:22 ◼   ► captures the screen [TS]

00:28:23 ◼   ► anytime he's on it's just eyes they're [TS]

00:28:26 ◼   ► ok he's looking around he's got is [TS]

00:28:28 ◼   ► gesturing me that there's a lot going on [TS]

00:28:30 ◼   ► because he obviously thinks he's a [TS]

00:28:32 ◼   ► genius you know and to Socrates Plato [TS]

00:28:35 ◼   ► amateurs moron moron morons [TS]

00:28:39 ◼   ► I just I love that was just looking at [TS]

00:28:40 ◼   ► the the transcript of that of the battle [TS]

00:28:42 ◼   ► of the woods which is hilarious because [TS]

00:28:45 ◼   ► of course he spends the entire time like [TS]

00:28:47 ◼   ► you essentially stalling gonna try to [TS]

00:28:50 ◼   ► make all these conclusions you've [TS]

00:28:51 ◼   ► decided then not hardly [TS]

00:28:53 ◼   ► yeah you're just stalling now you'd like [TS]

00:28:55 ◼   ► to think that wouldn't you [TS]

00:28:57 ◼   ► but then he gets you know basically what [TS]

00:28:59 ◼   ► is it all come down to he switches the [TS]

00:29:02 ◼   ► glasses all right look over there [TS]

00:29:04 ◼   ► yeah which is you're right i mean that's [TS]

00:29:05 ◼   ► that's that's actually probably the [TS]

00:29:07 ◼   ► right game but if they haven't poisoned [TS]

00:29:08 ◼   ► both cups with I O'Kane and of course [TS]

00:29:10 ◼   ► and of course then we learned that the [TS]

00:29:12 ◼   ► man in black not only you know is smart [TS]

00:29:14 ◼   ► enough to know good enough that sword [TS]

00:29:15 ◼   ► fighting to be enabled Montoya and sort [TS]

00:29:18 ◼   ► of clever enough and resilient enough to [TS]

00:29:19 ◼   ► be physical but he is also far far [TS]

00:29:22 ◼   ► smarter because in you know he went into [TS]

00:29:24 ◼   ► this game knowing there was no way he [TS]

00:29:25 ◼   ► could lose its a brilliant strategy i [TS]

00:29:27 ◼   ► thought when i call forward call for 25 [TS]

00:29:30 ◼   ► years to sherlock BBC discussed as heard [TS]

00:29:34 ◼   ► on the previous episode of the [TS]

00:29:35 ◼   ► uncomfortable and we were talking about [TS]

00:29:38 ◼   ► the cyanide capsule or whatever capsule [TS]

00:29:41 ◼   ► episode it was the first right yeah [TS]

00:29:43 ◼   ► yes and it was exactly this scene and I [TS]

00:29:46 ◼   ► actually thought that the resolution of [TS]

00:29:49 ◼   ► that would be that the spoiler horn cab [TS]

00:29:53 ◼   ► driver was how to make yourself immune [TS]

00:29:55 ◼   ► to some poison are mostly municipalities [TS]

00:29:57 ◼   ► it seemed like the logical outcome and [TS]

00:29:59 ◼   ► it was not that that even that leads up [TS]

00:30:01 ◼   ► to the the Battle of it also leads up to [TS]

00:30:03 ◼   ► one of my favorite scenes which is when [TS]

00:30:05 ◼   ► the prince is trying to track them down [TS]

00:30:07 ◼   ► and so we've been told this I O'Kane [TS]

00:30:09 ◼   ► powder which he used to poison it is is [TS]

00:30:11 ◼   ► odorless and tasteless and [TS]

00:30:13 ◼   ► you know totally invisible and so [TS]

00:30:15 ◼   ► there's a scene where the Prince comes [TS]

00:30:16 ◼   ► up you know but picks up the little vial [TS]

00:30:18 ◼   ► sniffs it and goes I Akane powder think [TS]

00:30:21 ◼   ► it's a great scene [TS]

00:30:23 ◼   ► yeah why I don't know because he's such [TS]

00:30:25 ◼   ► a buffoon in like in every other way [TS]

00:30:27 ◼   ► right really sense I ok and powder but [TS]

00:30:30 ◼   ► there's something but it's what he does [TS]

00:30:32 ◼   ► not smell [TS]

00:30:33 ◼   ► yes is I ok yeah but that's that's the [TS]

00:30:36 ◼   ► same scene where he were he says that if [TS]

00:30:38 ◼   ► this doesn't go well he will be most put [TS]

00:30:39 ◼   ► out what's the book has much more about [TS]

00:30:42 ◼   ► him being mean if it's mentioned the [TS]

00:30:44 ◼   ► movie i realized the first time you see [TS]

00:30:46 ◼   ► the princess really doing anything he's [TS]

00:30:48 ◼   ► tracking but there's no explanation of [TS]

00:30:49 ◼   ► it gets down he looks at some footsteps [TS]

00:30:51 ◼   ► and introduces the entire story from [TS]

00:30:53 ◼   ► that which is a great tell there was a [TS]

00:30:55 ◼   ► little what's up [TS]

00:30:56 ◼   ► oh yes I don't know that there was a [TS]

00:30:57 ◼   ► battle and butt in the in the book it's [TS]

00:31:00 ◼   ► much more overtime really guy only lives [TS]

00:31:02 ◼   ► for hunting and fighting the reason he [TS]

00:31:04 ◼   ► wants a war with guilders because he [TS]

00:31:06 ◼   ► wants to do some more you know fighting [TS]

00:31:08 ◼   ► and fighting [TS]

00:31:09 ◼   ► yeah right so I Wesley and Buttercup [TS]

00:31:13 ◼   ► irawr reunited and he tells a story [TS]

00:31:15 ◼   ► about the dread pirate roberts and and [TS]

00:31:18 ◼   ► then if they go down a hill and and then [TS]

00:31:22 ◼   ► the movie strips to a completely [TS]

00:31:24 ◼   ► different location that's not in any way [TS]

00:31:25 ◼   ► related to anything we've seen before [TS]

00:31:27 ◼   ► he's a Dogma 95 issue here and I throat [TS]

00:31:31 ◼   ► I'm just throwing that out there that is [TS]

00:31:33 ◼   ► that the first time those two things [TS]

00:31:34 ◼   ► have i mentioned princess bride and [TS]

00:31:37 ◼   ► documenting five [TS]

00:31:38 ◼   ► well let me ask you this you would think [TS]

00:31:40 ◼   ► so you know that you know that large [TS]

00:31:42 ◼   ► front rear and his elk right dogma [TS]

00:31:44 ◼   ► continuity of sort of form in space [TS]

00:31:46 ◼   ► without flashbacks we have the friendly [TS]

00:31:48 ◼   ► mechanism which violates that but i was [TS]

00:31:49 ◼   ► thinking and I thought about this again [TS]

00:31:51 ◼   ► we watching the movie that the Dread [TS]

00:31:53 ◼   ► Pirate Roberts will be a great little [TS]

00:31:54 ◼   ► action scene right it would have been [TS]

00:31:56 ◼   ► that well I was captured by the dread [TS]

00:31:57 ◼   ► pirate roberts and in the book I think [TS]

00:31:59 ◼   ► it's more of a narrative it's not him [TS]

00:32:01 ◼   ► telling it's a little more narrow [TS]

00:32:02 ◼   ► description [TS]

00:32:03 ◼   ► although I'm hazy on that and I'm yet to [TS]

00:32:06 ◼   ► resume for to preserve that continuity [TS]

00:32:08 ◼   ► of of space didn't want to break out [TS]

00:32:10 ◼   ► acts within flashbacks exactly the [TS]

00:32:13 ◼   ► flashbacks to defray mechanism and [TS]

00:32:15 ◼   ► there's the action movie which is coming [TS]

00:32:16 ◼   ► out dreams their dream sequences that [TS]

00:32:18 ◼   ► are cheating dream sweet sequences so I [TS]

00:32:20 ◼   ► don't think you're right [TS]

00:32:21 ◼   ► yeah that is outside but i also think [TS]

00:32:23 ◼   ► Wesley telling the story of its time [TS]

00:32:25 ◼   ► the cabin boy establishes a lot about [TS]

00:32:27 ◼   ► his character too I mean he's he's smart [TS]

00:32:30 ◼   ► and he's resilient and he just kind of [TS]

00:32:32 ◼   ► goes with it [TS]

00:32:33 ◼   ► I'll probably kill you in the morning [TS]

00:32:34 ◼   ► sleep well most likely kill you in the [TS]

00:32:36 ◼   ► morning he just delivers that so [TS]

00:32:38 ◼   ► nonchalantly that it's perfect for [TS]

00:32:40 ◼   ► pirates is good [TS]

00:32:41 ◼   ► yeah exactly what I love that he tells [TS]

00:32:43 ◼   ► the whole story right of the inheritance [TS]

00:32:46 ◼   ► of the the mantle of the dread pirate [TS]

00:32:48 ◼   ► roberts my name is Ryan yeah it i love [TS]

00:32:52 ◼   ► the right you know my name is Ryan hired [TS]

00:32:54 ◼   ► the ship from the previous trip pirate [TS]

00:32:56 ◼   ► roberts and he got it from a guy named [TS]

00:32:57 ◼   ► cover button like it's just the real [TS]

00:33:01 ◼   ► robbers be retired 15 years and living [TS]

00:33:03 ◼   ► like a king in Patagonia no it'sit's [TS]

00:33:04 ◼   ► there's something lovely about that [TS]

00:33:06 ◼   ► whole thing and I think you're right it [TS]

00:33:08 ◼   ► does show it shows us a depth to Wesley [TS]

00:33:10 ◼   ► that we don't get from him early on when [TS]

00:33:13 ◼   ► he's just you know the nameless yeah [TS]

00:33:15 ◼   ► these that he's the farm boy right you [TS]

00:33:17 ◼   ► know and so I don't know it's I I love [TS]

00:33:19 ◼   ► him telling the story part of that is [TS]

00:33:21 ◼   ► again Carrie always his charisma in in [TS]

00:33:23 ◼   ► relating the story and the tension the [TS]

00:33:25 ◼   ► tension between them there is actually [TS]

00:33:26 ◼   ► really nice where where he feels that [TS]

00:33:29 ◼   ► she has betrayed him because he assumes [TS]

00:33:31 ◼   ► that her getting married is because [TS]

00:33:33 ◼   ► she's moved on from their true love [TS]

00:33:35 ◼   ► which is not which is not the case [TS]

00:33:37 ◼   ► really because she doesn't like the [TS]

00:33:39 ◼   ► prints but she's agreed to marry him [TS]

00:33:40 ◼   ► because what else you gonna do with [TS]

00:33:42 ◼   ► yourself [TS]

00:33:43 ◼   ► yeah well exactly would that be nice so [TS]

00:33:46 ◼   ► so I like that Dad given taken and she's [TS]

00:33:49 ◼   ► kind of mad because who is this guy and [TS]

00:33:51 ◼   ► she's making light of of her true love [TS]

00:33:54 ◼   ► and he's angry at her because she's you [TS]

00:33:58 ◼   ► know not holding up her side of the deal [TS]

00:34:00 ◼   ► of true love and I in Iowa and then of [TS]

00:34:02 ◼   ► course she figures out but it's a really [TS]

00:34:04 ◼   ► nice little bit of tension between them [TS]

00:34:06 ◼   ► for that one moment so and then go into [TS]

00:34:09 ◼   ► the fire swamp in their giant rats and [TS]

00:34:10 ◼   ► people in giant rat costumes but i never [TS]

00:34:13 ◼   ► understood why that i rotated 12 false [TS]

00:34:16 ◼   ► elements in the book is the rodents of [TS]

00:34:17 ◼   ► unusual size i feel like he was trying [TS]

00:34:19 ◼   ► to get at something with that I don't [TS]

00:34:21 ◼   ► know what it was that he was a parody of [TS]

00:34:23 ◼   ► something I didn't understand he was [TS]

00:34:24 ◼   ► parodying well i think the cliffs of [TS]

00:34:27 ◼   ► insanity or the first time he does that [TS]

00:34:29 ◼   ► he did something is just so ridiculously [TS]

00:34:31 ◼   ► name you know kind of liked [TS]

00:34:32 ◼   ► hyperbolically named and I think for [TS]

00:34:34 ◼   ► cliffs of insanity it works for are you [TS]

00:34:36 ◼   ► rous is I don't think it does i love the [TS]

00:34:39 ◼   ► rous is that is one of the great moments [TS]

00:34:41 ◼   ► of physical slap it's funny but it [TS]

00:34:44 ◼   ► doesn't feel like it's from the universe [TS]

00:34:46 ◼   ► doesn't feel like it's from the story [TS]

00:34:48 ◼   ► the people named the cliffs of insanity [TS]

00:34:49 ◼   ► wouldn't call them rodents of unusual [TS]

00:34:51 ◼   ► size [TS]

00:34:52 ◼   ► yeah but I think that's part of what the [TS]

00:34:53 ◼   ► whole thing is it's kind of all pastiche [TS]

00:34:55 ◼   ► right it's all not quite real or worlds [TS]

00:34:59 ◼   ► that aren't quite don't quite line up [TS]

00:35:02 ◼   ► I feel like getting you don't get like a [TS]

00:35:03 ◼   ► clear idea like even though you know [TS]

00:35:05 ◼   ► sort of history about flora and killed [TS]

00:35:06 ◼   ► or whatever but used to long [TS]

00:35:08 ◼   ► yeah I feel it feels all disjointed like [TS]

00:35:10 ◼   ► a jigsaw piece missing a few puzzles but [TS]

00:35:12 ◼   ► that's actually kind of what i love [TS]

00:35:13 ◼   ► about it is that there are all these [TS]

00:35:15 ◼   ► little hooks in and you makes you wonder [TS]

00:35:16 ◼   ► where did that come from or how is this [TS]

00:35:20 ◼   ► what is this world that we're in here [TS]

00:35:21 ◼   ► where you know it patched together for [TS]

00:35:23 ◼   ► resources [TS]

00:35:24 ◼   ► why'd I think he had a whole bunch of [TS]

00:35:26 ◼   ► tropes he wanted to use I mean he just [TS]

00:35:28 ◼   ► fill the bag with in every kind of [TS]

00:35:31 ◼   ► cliché from fantasy and adventure so we [TS]

00:35:34 ◼   ► have a we have a scary swamped with fire [TS]

00:35:36 ◼   ► and monsters and crazy let's bring it [TS]

00:35:38 ◼   ► back to the bedtime story it's all about [TS]

00:35:40 ◼   ► you know when when you're sitting with [TS]

00:35:42 ◼   ► your children and you're making things [TS]

00:35:43 ◼   ► up you're gonna go all the different [TS]

00:35:46 ◼   ► places from and pull from different [TS]

00:35:48 ◼   ► types of stories and it doesn't doesn't [TS]

00:35:50 ◼   ► necessarily need to fit together after I [TS]

00:35:52 ◼   ► first saw this movie um I ended up i [TS]

00:35:53 ◼   ► think taping it when it was on TV and [TS]

00:35:56 ◼   ► and that was the version that i saw for [TS]

00:35:59 ◼   ► a long time and I still got that version [TS]

00:36:00 ◼   ► better in my head a little bit and one [TS]

00:36:01 ◼   ► of the things that to this day I noticed [TS]

00:36:03 ◼   ► when i watch the DVD now is that BM the [TS]

00:36:06 ◼   ► fire small obscene is where they cut for [TS]

00:36:08 ◼   ► time and and that fire swamp seeing is [TS]

00:36:11 ◼   ► in the movie is in the cut version but [TS]

00:36:13 ◼   ► it is it is a much shortened and i gotta [TS]

00:36:17 ◼   ► say i understand why because the movie [TS]

00:36:19 ◼   ► kind of grinds to a halt it is a [TS]

00:36:22 ◼   ► transitional phase and when they're in [TS]

00:36:23 ◼   ► the swamp before they start sort of the [TS]

00:36:25 ◼   ► next act and you know it [TS]

00:36:28 ◼   ► there-there's you know that all the [TS]

00:36:29 ◼   ► pauses and then there's that they go [TS]

00:36:31 ◼   ► underneath and the wrote walks by which [TS]

00:36:34 ◼   ► they just risky moment yes key moment in [TS]

00:36:37 ◼   ► the film to have both everyone [TS]

00:36:39 ◼   ► off-screen for a moment i remember [TS]

00:36:41 ◼   ► seeing everything the original film we [TS]

00:36:43 ◼   ► watching and I was that this is great [TS]

00:36:45 ◼   ► like there's nobody on screen for a few [TS]

00:36:47 ◼   ► seconds while the tension builds it was [TS]

00:36:49 ◼   ► brilliant well you expect the hand to [TS]

00:36:51 ◼   ► emerge right from the quicksand but you [TS]

00:36:53 ◼   ► don't expect that a giant kind of Muppet [TS]

00:36:55 ◼   ► rat will slowly ample across the screen [TS]

00:36:58 ◼   ► exit then it'll be quiet for a while and [TS]

00:37:00 ◼   ► then the hand but about how many of us [TS]

00:37:02 ◼   ► are super super happy that you know they [TS]

00:37:05 ◼   ► didn't go back in a 25th anniversary [TS]

00:37:07 ◼   ► edition to replace it with a cgi euro/us [TS]

00:37:09 ◼   ► oh shit without like I'm just saying I [TS]

00:37:12 ◼   ► understand why when they cut the movie [TS]

00:37:14 ◼   ► for time that's what they chose to cut [TS]

00:37:15 ◼   ► out no i mean it's it's also the one the [TS]

00:37:17 ◼   ► one seen especially when the Prince [TS]

00:37:19 ◼   ► catches up to him [TS]

00:37:20 ◼   ► I remember the first time I ever saw it [TS]

00:37:22 ◼   ► coincidentally when I was sick on a beta [TS]

00:37:24 ◼   ► player but I'm you were sick on [TS]

00:37:27 ◼   ► automated I was sick and I watch it on [TS]

00:37:29 ◼   ► the beta plan even made a lot of people [TS]

00:37:30 ◼   ► sick [TS]

00:37:31 ◼   ► yes as I heard I know but it's it's the [TS]

00:37:35 ◼   ► one scene where once Wesley his kind of [TS]

00:37:38 ◼   ► revealed all I'm not actually Dread [TS]

00:37:39 ◼   ► Pirate Roberts all of a sudden [TS]

00:37:41 ◼   ► hey he's not quite so badass anymore and [TS]

00:37:44 ◼   ► gets taken pretty much without a fight [TS]

00:37:45 ◼   ► and I remember at that point I'm just [TS]

00:37:47 ◼   ► kind of like we what's going on but he [TS]

00:37:49 ◼   ► was just he was so smart and now he's [TS]

00:37:51 ◼   ► this is this is one of those those [TS]

00:37:53 ◼   ► solder points where they've taken [TS]

00:37:55 ◼   ► they've taken act 1 and now it's like [TS]

00:37:56 ◼   ► all right fire swamp now we got to [TS]

00:37:58 ◼   ► recalibrate and that's the second whole [TS]

00:38:00 ◼   ► movement of this movie which is he's [TS]

00:38:02 ◼   ► trapped and they got and then he's dead [TS]

00:38:04 ◼   ► and they gotta rescue him and she's you [TS]

00:38:05 ◼   ► know waiting for the fastest ships to to [TS]

00:38:08 ◼   ► to bring backward of him which is you [TS]

00:38:12 ◼   ► know it's the i would argue maybe the [TS]

00:38:14 ◼   ► weakest of the three kind of sections of [TS]

00:38:16 ◼   ► the movie III and there's some this is [TS]

00:38:18 ◼   ► where it gets a little little Mel Brooks [TS]

00:38:20 ◼   ► e to me not just with despair exactly so [TS]

00:38:24 ◼   ► I don't even think about trying to [TS]

00:38:26 ◼   ► escape [TS]

00:38:27 ◼   ► yeah yeah we've got that we've got the [TS]

00:38:28 ◼   ► pit of despair and we've got the guy [TS]

00:38:30 ◼   ► down there who is right out of a mel [TS]

00:38:31 ◼   ► brooks movie and boys thought that was [TS]

00:38:33 ◼   ► robbie coltrane the first time I saw [TS]

00:38:34 ◼   ► them like probably Coltrane no I'm going [TS]

00:38:37 ◼   ► to early and that the tree with the door [TS]

00:38:40 ◼   ► and ends that secret [TS]

00:38:42 ◼   ► yeah it's just it's it's a funny little [TS]

00:38:45 ◼   ► part of the movie and and it's necessary [TS]

00:38:47 ◼   ► but you know the torture equipment the [TS]

00:38:50 ◼   ► life I've actually had that done to me [TS]

00:38:52 ◼   ► you had years more why we stopped off [TS]

00:38:56 ◼   ► i'm going to an acupuncturist have an [TS]

00:38:57 ◼   ► acupuncturist they've put a million [TS]

00:39:00 ◼   ► little glass cups on my back and lit [TS]

00:39:02 ◼   ► fires on top of them decide [TS]

00:39:03 ◼   ► they're out feels great but it looks [TS]

00:39:05 ◼   ► remarkably like well and I hate to tell [TS]

00:39:07 ◼   ► you that wasn't an active practice does [TS]

00:39:11 ◼   ► explain the wealth though [TS]

00:39:12 ◼   ► mm that's why you pulled a little lever [TS]

00:39:15 ◼   ► and then water comes out and my wife had [TS]

00:39:17 ◼   ► been beaten with oranges I do i do [TS]

00:39:19 ◼   ► actually like Adam I like that scene [TS]

00:39:21 ◼   ► where they crank up the the and and even [TS]

00:39:24 ◼   ► count Rugen says no not 100 or whatever [TS]

00:39:28 ◼   ► it is 50 [TS]

00:39:29 ◼   ► yeah and they and they are and he's his [TS]

00:39:32 ◼   ► scream can be heard throughout the [TS]

00:39:33 ◼   ► kingdom [TS]

00:39:33 ◼   ► I i like that the the event the man in [TS]

00:39:36 ◼   ► black is feeling it now that is the pit [TS]

00:39:38 ◼   ► of despair buttercup cannot hear no no [TS]

00:39:42 ◼   ► so she's wearing her headphones so but [TS]

00:39:45 ◼   ► it does it after they after they kill [TS]

00:39:47 ◼   ► the kill the kill the man in black is a [TS]

00:39:49 ◼   ► great interlude with them [TS]

00:39:51 ◼   ► Fred Savage was very upset because you [TS]

00:39:53 ◼   ► know we can't be and then there's a [TS]

00:39:54 ◼   ► really nice bit of narrative twist in [TS]

00:39:56 ◼   ► there where where I'm Peter Falk says [TS]

00:39:58 ◼   ► nothing happens to 22 the Prince he he [TS]

00:40:02 ◼   ► lives 2000 jeez grampa what are you [TS]

00:40:05 ◼   ► doing why you telling me this story [TS]

00:40:06 ◼   ► added that is a great that is a great [TS]

00:40:09 ◼   ► scene because it's that defying of all [TS]

00:40:12 ◼   ► of the rules you know sometimes bad [TS]

00:40:14 ◼   ► people get away right and so it's that [TS]

00:40:16 ◼   ► whole to find breaking all the rules of [TS]

00:40:18 ◼   ► the fairytale at that point you know you [TS]

00:40:20 ◼   ► kill the hero and you you know you have [TS]

00:40:23 ◼   ► the bad guys or waltzes and it's great i [TS]

00:40:26 ◼   ► love the same same with the screaming [TS]

00:40:28 ◼   ► deals where he says she doesn't die at [TS]

00:40:30 ◼   ► this time she doesn't get my deals its [TS]

00:40:32 ◼   ► let's just say because you looked a [TS]

00:40:33 ◼   ► little more attention to fuse all that [TS]

00:40:35 ◼   ► tension we're not gonna don't worry [TS]

00:40:36 ◼   ► about it so they they they revealed that [TS]

00:40:37 ◼   ► upfront which is which is a really funny [TS]

00:40:40 ◼   ► and then so then he's dead and we get [TS]

00:40:43 ◼   ► the the class leader classic is but it [TS]

00:40:45 ◼   ► turns out he's only mostly dead me and [TS]

00:40:47 ◼   ► we get that the scenes with with the [TS]

00:40:49 ◼   ► physic and indigo taking the men in [TS]

00:40:52 ◼   ► black [TS]

00:40:52 ◼   ► after after an ego is is a is has water [TS]

00:40:56 ◼   ► poured over him by desert because he's [TS]

00:40:58 ◼   ► part of the brute squad you want to brew [TS]

00:41:00 ◼   ► system is the risk and then what a great [TS]

00:41:03 ◼   ► another great example of cary elwes is a [TS]

00:41:04 ◼   ► physical actors i love that whole bits [TS]

00:41:06 ◼   ► with him you know where he can't walk [TS]

00:41:08 ◼   ► basically because he's just getting his [TS]

00:41:09 ◼   ► strength back [TS]

00:41:10 ◼   ► he flops his head from side to side with [TS]

00:41:13 ◼   ► whatever I mean he's left over the [TS]

00:41:15 ◼   ► parapet and they slide them up in his [TS]

00:41:17 ◼   ► head completely lost slides of hope the [TS]

00:41:20 ◼   ► cops we can see it in like that should [TS]

00:41:22 ◼   ► be physically impossible [TS]

00:41:23 ◼   ► it's like defend but it's it's hilarious [TS]

00:41:26 ◼   ► is great to watch and that whole scene [TS]

00:41:27 ◼   ► where he's trying to come up with a plan [TS]

00:41:29 ◼   ► if only we had a holocaust clue like [TS]

00:41:32 ◼   ► what why wasn't i wasn't listed among [TS]

00:41:34 ◼   ► the things that we had another [TS]

00:41:35 ◼   ► wheelbarrow i will burst it among our [TS]

00:41:37 ◼   ► resources to help find out having a [TS]

00:41:39 ◼   ► rodent i'm not i'm still not really [TS]

00:41:42 ◼   ► clear on how wheeling Andre the Giant in [TS]

00:41:44 ◼   ► a wheelbarrow with a big cloak and and [TS]

00:41:47 ◼   ► lighting him on fire is the it was the [TS]

00:41:49 ◼   ► reputation of the dread pirate roberts [TS]

00:41:51 ◼   ► yeah the dread pirate roberts I know it [TS]

00:41:54 ◼   ► wasn't tall enough he wasn't told that [TS]

00:41:56 ◼   ► by himself [TS]

00:41:57 ◼   ► that's right under the giant giant [TS]

00:41:58 ◼   ► enough quite so so they get into the [TS]

00:42:01 ◼   ► they that with the use of what gate key [TS]

00:42:04 ◼   ► oh you mean this gate key they get into [TS]

00:42:07 ◼   ► his arms off quickly i forgot because [TS]

00:42:11 ◼   ► they get into the castle and then we [TS]

00:42:14 ◼   ► have our you know that that's all part [TS]

00:42:16 ◼   ► of this last act which is the the rescue [TS]

00:42:18 ◼   ► of butter cup in and you're right [TS]

00:42:21 ◼   ► cary elwes is fantastic because [TS]

00:42:23 ◼   ► throughout this he's holding onto suits [TS]

00:42:26 ◼   ► of armor and laying on a bed completely [TS]

00:42:28 ◼   ► flat and is he's our hero and he's [TS]

00:42:32 ◼   ► completely incapable of doing anything [TS]

00:42:34 ◼   ► he's as weak as a kitten throughout it's [TS]

00:42:36 ◼   ► a little-bitty hill at that moment to [TS]

00:42:38 ◼   ► people or English bedroom farce it's [TS]

00:42:39 ◼   ► like people are running down hallways [TS]

00:42:41 ◼   ► people come by people are stabbed doors [TS]

00:42:43 ◼   ► open and shut [TS]

00:42:45 ◼   ► people are certainly where they [TS]

00:42:46 ◼   ► shouldn't be in beds like it buttercup [TS]

00:42:48 ◼   ► throws herself on Cary Elwes and on the [TS]

00:42:51 ◼   ► right that says what Leslie what's I [TS]

00:42:54 ◼   ► actually love when when count Rugen so [TS]

00:42:57 ◼   ► so you know gives his speech and can't [TS]

00:42:59 ◼   ► ruin runs away which is hilarious [TS]

00:43:02 ◼   ► what I really love and and didn't notice [TS]

00:43:05 ◼   ► for a while about that scene but now [TS]

00:43:07 ◼   ► I've seen it so many times I noticed [TS]

00:43:08 ◼   ► everything is is I love mandy patinkin [TS]

00:43:12 ◼   ► is panic when count Rugen runs away and [TS]

00:43:15 ◼   ► he can't go after him because the door [TS]

00:43:17 ◼   ► is closed heat and there's a scene where [TS]

00:43:19 ◼   ► he's he's smashing against the door and [TS]

00:43:21 ◼   ► shouting and it is so well played he [TS]

00:43:24 ◼   ► shouting Fezzik physics and he's [TS]

00:43:26 ◼   ► desperate for physics to come and like [TS]

00:43:29 ◼   ► he does because he's a giant knockdown [TS]

00:43:30 ◼   ► the door because this is his moment and [TS]

00:43:32 ◼   ► and the guy is getting away and it's you [TS]

00:43:34 ◼   ► know again a little bit of that [TS]

00:43:35 ◼   ► emotional realism injected in this [TS]

00:43:37 ◼   ► ridiculous scene that's happening now [TS]

00:43:39 ◼   ► it's a great that's also a very moment I [TS]

00:43:41 ◼   ► also love the the final showdown between [TS]

00:43:42 ◼   ► wesleyan and humperdinck with both [TS]

00:43:45 ◼   ► because I think they both get both both [TS]

00:43:48 ◼   ► I carry always in Chris around and head [TS]

00:43:50 ◼   ► have such a great presence in that scene [TS]

00:43:52 ◼   ► where you know I'm predict to the death [TS]

00:43:54 ◼   ► note to the pain and he sort of has that [TS]

00:43:57 ◼   ► pause i'm not quite familiar with that [TS]

00:43:59 ◼   ► because you know but explaining and [TS]

00:44:02 ◼   ► that's what the pig comes in we sure [TS]

00:44:03 ◼   ► that your warhol he's going he's going [TS]

00:44:05 ◼   ► to use small words so that you'll [TS]

00:44:07 ◼   ► understand he's going all in because he [TS]

00:44:09 ◼   ► knows that he can't you know he doesn't [TS]

00:44:12 ◼   ► have any strength or at least not enough [TS]

00:44:14 ◼   ► strange lately more than just lift his [TS]

00:44:16 ◼   ► arm so he's got a late he's got a blade [TS]

00:44:19 ◼   ► he's playing place right through it [TS]

00:44:21 ◼   ► that's right so he blamed this all the [TS]

00:44:23 ◼   ► way up to that point where he can do is [TS]

00:44:24 ◼   ► one physical move [TS]

00:44:26 ◼   ► drop your sword drop your and it's great [TS]

00:44:30 ◼   ► and then he lives of course because [TS]

00:44:32 ◼   ► we've been told he lives that's not the [TS]

00:44:34 ◼   ► point the point is that is that he's [TS]

00:44:36 ◼   ► humiliated yeah that's right and that [TS]

00:44:38 ◼   ► Wesley and and and butter cop go off [TS]

00:44:41 ◼   ► together on there otherwise lets you say [TS]

00:44:43 ◼   ► butter color copies but this is equal to [TS]

00:44:45 ◼   ► Rho ok no with the seagull the RoboCup [TS]

00:44:48 ◼   ► she's get it right now Wesley and butter [TS]

00:44:52 ◼   ► got go off buttercup buttercup buttercup [TS]

00:44:54 ◼   ► buttercup back up buttercup there [TS]

00:44:57 ◼   ► Leslie and Buttercup go off together on [TS]

00:45:00 ◼   ► four white horses that seem to have been [TS]

00:45:03 ◼   ► found somewhere in the stables by andre [TS]

00:45:05 ◼   ► the giant designate found these [TS]

00:45:07 ◼   ► warehouses [TS]

00:45:08 ◼   ► that's right i think there are four of [TS]

00:45:09 ◼   ► us if we find a big hello lady that's [TS]

00:45:13 ◼   ► how fairytales work is if you need to [TS]

00:45:14 ◼   ► resolve the story of course there is a [TS]

00:45:16 ◼   ► horse there are and why would you how [TS]

00:45:18 ◼   ► would you in the story anyway other than [TS]

00:45:19 ◼   ► riding with them riding off into the [TS]

00:45:21 ◼   ► sunrise in this case on four white [TS]

00:45:23 ◼   ► horses flying dragons [TS]

00:45:25 ◼   ► oh yeah oh I have to say one of the ways [TS]

00:45:28 ◼   ► that this movie has gotten into my head [TS]

00:45:31 ◼   ► is that in reading the george RR martin [TS]

00:45:33 ◼   ► fantasy series starts with a game of [TS]

00:45:36 ◼   ► thrones i actually can't picture a [TS]

00:45:40 ◼   ► really nefarious character Jaime [TS]

00:45:42 ◼   ► Lannister the sort of stuff sorry [TS]

00:45:44 ◼   ► yes i can't iive cast Chris Sarandon is [TS]

00:45:46 ◼   ► Jaime Lannister hope but he's no but I [TS]

00:45:49 ◼   ► I'm sorry that's the part that's for [TS]

00:45:50 ◼   ► another podcast it's kind of a date is [TS]

00:45:52 ◼   ► kind of ridiculous and yet because that [TS]

00:45:54 ◼   ► guy's really is will be evil but at the [TS]

00:45:56 ◼   ► same time well let's just say it's the [TS]

00:45:58 ◼   ► greatest role chris sarandon has never [TS]

00:45:59 ◼   ► played percentage of the eric roberts of [TS]

00:46:02 ◼   ► his particular yes that's right because [TS]

00:46:04 ◼   ► it's just his sister is really famous [TS]

00:46:06 ◼   ► but now I just because when i started [TS]

00:46:08 ◼   ► reading those books i thought well this [TS]

00:46:09 ◼   ► is a this is a real kind of stuffed [TS]

00:46:11 ◼   ► shirt prince and the problem is he's not [TS]

00:46:13 ◼   ► and I it's got me into trouble where [TS]

00:46:15 ◼   ► again Chris Sarandon is being inhabited [TS]

00:46:17 ◼   ► by a much better actor i suppose in my [TS]

00:46:19 ◼   ► in my mind the old skull cinema while [TS]

00:46:21 ◼   ► we're playing the george RR martin i'm [TS]

00:46:23 ◼   ► sure it'll when the guy from New [TS]

00:46:24 ◼   ► Amsterdam plays a minium in the TV [TS]

00:46:27 ◼   ► series on HBO then i won't that'll [TS]

00:46:30 ◼   ► that'll wipe it down and we'll get that [TS]

00:46:31 ◼   ► for you or maybe you'll be sitting there [TS]

00:46:33 ◼   ► saying I think Chris array antenna he [TS]

00:46:35 ◼   ► would have been perfect when you years [TS]

00:46:37 ◼   ► ago have to do a podcast in April when [TS]

00:46:39 ◼   ► the show comes out [TS]

00:46:40 ◼   ► do you think yeah but THX installed in [TS]

00:46:44 ◼   ► your skull cinema because i really [TS]

00:46:45 ◼   ► should work enough grade [TS]

00:46:47 ◼   ► no i only have that my real cinema my [TS]

00:46:49 ◼   ► school had this is gary undergo be fine [TS]

00:46:51 ◼   ► when inside your head [TS]

00:46:52 ◼   ► well you know I can I my two years are [TS]

00:46:55 ◼   ► perfectly good at listening to 5.1 so [TS]

00:46:57 ◼   ► why wouldn't I just make it in my head [TS]

00:46:59 ◼   ► too [TS]

00:46:59 ◼   ► I don't have 5.1 years Glenn not yet not [TS]

00:47:04 ◼   ► yet but maybe some of the features here [TS]

00:47:06 ◼   ► what else I want to talk about here I [TS]

00:47:07 ◼   ► think so Rob Reiner directed this movie [TS]

00:47:10 ◼   ► TVs meathead by the way back when he [TS]

00:47:14 ◼   ► directed good movie yes yes so so here's [TS]

00:47:16 ◼   ► the funny thing [TS]

00:47:17 ◼   ► this is one in a string of movies there [TS]

00:47:20 ◼   ► was a point when Rob Reiner had directed [TS]

00:47:22 ◼   ► something like six or seven movies in a [TS]

00:47:24 ◼   ► row all of which were good movies [TS]

00:47:28 ◼   ► beautiful story extend by me very much [TS]

00:47:31 ◼   ► this is this is spinal tap followed by [TS]

00:47:33 ◼   ► the sure thing followed by stand by me [TS]

00:47:36 ◼   ► followed by the princess bride followed [TS]

00:47:38 ◼   ► by when harry met sally followed by [TS]

00:47:40 ◼   ► misery followed by a few good man [TS]

00:47:43 ◼   ► well I think that was the shit i think [TS]

00:47:45 ◼   ► that that's the chain i might be missing [TS]

00:47:46 ◼   ► one in there enough for anyone life I [TS]

00:47:48 ◼   ► well and that's good because that was it [TS]

00:47:50 ◼   ► and it just went yeah but then he made [TS]

00:47:53 ◼   ► North but um [TS]

00:47:55 ◼   ► but it's also i should i should mention [TS]

00:47:57 ◼   ► we have Billy Crystal who went on to be [TS]

00:48:00 ◼   ► the leading man in his next movie when [TS]

00:48:01 ◼   ► harry met sally and also appeared in a [TS]

00:48:04 ◼   ► small cameo in this is spinal tap and [TS]

00:48:07 ◼   ► christopher guest from this is spinal [TS]

00:48:09 ◼   ► tap and who's going to make on all these [TS]

00:48:11 ◼   ► other mockumentaries is of course count [TS]

00:48:13 ◼   ► Rugen the six-fingered man so their [TS]

00:48:14 ◼   ► little bits of of the of the team from [TS]

00:48:17 ◼   ► these other movies of Rob writers who [TS]

00:48:19 ◼   ► have dropped into the princess bride but [TS]

00:48:21 ◼   ► what I want to run that that was for him [TS]

00:48:23 ◼   ► and some really different kinds of [TS]

00:48:24 ◼   ► movies i mean it's so many different [TS]

00:48:26 ◼   ► genres he did and yeah and then that was [TS]

00:48:28 ◼   ► it because he has made a good movie [TS]

00:48:29 ◼   ► since it's the same it's the same with [TS]

00:48:30 ◼   ► William Goldman who's had an amazing [TS]

00:48:32 ◼   ► writing career just across a whole bunch [TS]

00:48:35 ◼   ► of different genres just just pick [TS]

00:48:38 ◼   ► cherry-picking here Butch Cassidy and [TS]

00:48:39 ◼   ► the Sundance Kid Stepford Wives Marathon [TS]

00:48:41 ◼   ► Man bridge too far misery maverick the [TS]

00:48:44 ◼   ► ghost in the darkness they're not all [TS]

00:48:46 ◼   ► terrific movies so he is so screenwriter [TS]

00:48:49 ◼   ► of misery that's interesting so we we [TS]

00:48:50 ◼   ► teamed with Ron Goldman Goldman didn't [TS]

00:48:53 ◼   ► he write that terrible book about John [TS]

00:48:54 ◼   ► Lana don't think so [TS]

00:48:56 ◼   ► no he wrote he wrote a nonfiction book [TS]

00:48:58 ◼   ► called adventures in the screen trade [TS]

00:49:00 ◼   ► that supposed to be terrific when I [TS]

00:49:01 ◼   ► haven't read it out that is I don't read [TS]

00:49:03 ◼   ► it but I has been highly recommended to [TS]

00:49:04 ◼   ► me as well that may be the guy who wrote [TS]

00:49:07 ◼   ► princess bride the book and the [TS]

00:49:08 ◼   ► screenplay also wrote Marathon Man the [TS]

00:49:10 ◼   ► book and the screenplay and all the prep [TS]

00:49:12 ◼   ► all the programs man i don't see how one [TS]

00:49:14 ◼   ► guide masters those two Chandra's just [TS]

00:49:17 ◼   ► just so wildly diverse in both such high [TS]

00:49:20 ◼   ► quality was he also an actor on a 70 [TS]

00:49:23 ◼   ► sitcom because that would give him the [TS]

00:49:24 ◼   ► traction now you need Ron Howard for the [TS]

00:49:27 ◼   ► and yeah we know we get skipped over [TS]

00:49:29 ◼   ► miracle max in our chronological [TS]

00:49:32 ◼   ► condition film we talked about him [TS]

00:49:33 ◼   ► online chile we briefly touched on on [TS]

00:49:37 ◼   ► him it's one scene it's a memorable [TS]

00:49:39 ◼   ► scene although true but to believe we [TS]

00:49:41 ◼   ► all quote to believe which means to [TS]

00:49:43 ◼   ► block laiá laiá laiá it because he [TS]

00:49:45 ◼   ► just doesn't miracle max is very grumpy [TS]

00:49:47 ◼   ► because he got fired by Prince [TS]

00:49:49 ◼   ► Humperdinck you know you talk about the [TS]

00:49:50 ◼   ► center part of the movie where things [TS]

00:49:52 ◼   ► get kind of slap sticky and miracle max [TS]

00:49:55 ◼   ► and and billy crystal and Carol Kane [TS]

00:49:58 ◼   ► just they they epitomise that for me [TS]

00:50:00 ◼   ► that you just didn't get in with the [TS]

00:50:02 ◼   ► rest of the movie it's the mel brooks [TS]

00:50:04 ◼   ► portion of the movie and and the and the [TS]

00:50:05 ◼   ► and the albino and the the torture [TS]

00:50:07 ◼   ► machine and [TS]

00:50:08 ◼   ► on that and although it's all in the [TS]

00:50:10 ◼   ► book is the funny plastic I mean it was [TS]

00:50:12 ◼   ► off it was accurately converted to the [TS]

00:50:15 ◼   ► screen to something a bit funnier and [TS]

00:50:17 ◼   ► much much briefer than in the book but [TS]

00:50:20 ◼   ► everybody everybody remembers it right [TS]

00:50:21 ◼   ► everybody relax Billy Crystal and using [TS]

00:50:23 ◼   ► iMovie for what three minutes [TS]

00:50:25 ◼   ► well and in some ways you can argue it [TS]

00:50:27 ◼   ► works because it doesn't work [TS]

00:50:28 ◼   ► I mean big again I come back to that [TS]

00:50:30 ◼   ► idea of okay well because because of [TS]

00:50:33 ◼   ► everything every nothing fits in this [TS]

00:50:35 ◼   ► movie it feels like to me and yet that [TS]

00:50:37 ◼   ► that is kind of the one thing that [TS]

00:50:38 ◼   ► having it all have in common is that [TS]

00:50:41 ◼   ► it's all drawn from all these these [TS]

00:50:42 ◼   ► places it's all this patchwork quilt and [TS]

00:50:45 ◼   ► yet it's something where each individual [TS]

00:50:47 ◼   ► piece might not seem like it works but [TS]

00:50:49 ◼   ► for some reason when they come together [TS]

00:50:51 ◼   ► it creates something larger than the sum [TS]

00:50:54 ◼   ► of its parts [TS]

00:50:55 ◼   ► um ok then so what you're saying really [TS]

00:50:59 ◼   ► now you disagree what you're saying is [TS]

00:51:01 ◼   ► that it because it doesn't fit [TS]

00:51:03 ◼   ► that's why it fits well didn't they have [TS]

00:51:06 ◼   ► sex mackey died in there and so they [TS]

00:51:08 ◼   ► pull out Billy Crystal I mean it was [TS]

00:51:09 ◼   ► eating the book to it's like if you're [TS]

00:51:11 ◼   ► you're hopeless the marriage is about to [TS]

00:51:13 ◼   ► happen your main character is dead and [TS]

00:51:15 ◼   ► Goldman pulls out this completely you [TS]

00:51:18 ◼   ► know ridiculous things always a wizard [TS]

00:51:19 ◼   ► so he makes the wizard you know as long [TS]

00:51:21 ◼   ► as you're being ridiculous go full-on [TS]

00:51:23 ◼   ► ridiculous [TS]

00:51:24 ◼   ► yeah right i mean of course the thing is [TS]

00:51:25 ◼   ► he was already screenwriter at that [TS]

00:51:26 ◼   ► point so the question is how much of the [TS]

00:51:28 ◼   ► book was written with the notion he may [TS]

00:51:30 ◼   ► have had Billy Crystal in mind for all [TS]

00:51:32 ◼   ► we know for that point because it's not [TS]

00:51:34 ◼   ► in 1974 [TS]

00:51:35 ◼   ► yeah it was that all yeah only crystal [TS]

00:51:38 ◼   ► wasn't even on so my goodness okay and I [TS]

00:51:42 ◼   ► withdraw I can kind of i'll edit that [TS]

00:51:45 ◼   ► out jacketing yes please leave it all [TS]

00:51:47 ◼   ► inconvenient wrong opinions from this [TS]

00:51:49 ◼   ► podcast I can kind of see it though I [TS]

00:51:51 ◼   ► mean the beauty of the movie being so [TS]

00:51:54 ◼   ► many different things is that it can [TS]

00:51:55 ◼   ► appeal to so many different people as [TS]

00:51:57 ◼   ► well so i can see that in a way being [TS]

00:52:00 ◼   ► towards the more not lowbrow humor set [TS]

00:52:03 ◼   ► because it's not it's not really lowbrow [TS]

00:52:05 ◼   ► humor but the mel brooks part of the [TS]

00:52:07 ◼   ► audience who wants who want those quotes [TS]

00:52:10 ◼   ► to say at their you know their parties [TS]

00:52:12 ◼   ► at least no farting history or cover a [TS]

00:52:15 ◼   ► crotch shot small miracles see have you [TS]

00:52:18 ◼   ► i don't know if my tone gave give this [TS]

00:52:20 ◼   ► away but I'm not [TS]

00:52:21 ◼   ► take Mel Brooks fan actually he said it [TS]

00:52:23 ◼   ► depends on the area i mean he made some [TS]

00:52:25 ◼   ► producers is one of the funniest movies [TS]

00:52:26 ◼   ► ever made but I could really stand right [TS]

00:52:29 ◼   ► blazing saddles and sandals yeah we [TS]

00:52:31 ◼   ► gettin our blazing cells grateful [TS]

00:52:33 ◼   ► blazing saddles I mean this is like [TS]

00:52:35 ◼   ► about TV editing there are so many films [TS]

00:52:37 ◼   ► from the eighties seventies and eighties [TS]

00:52:38 ◼   ► that were ruined for us who grew up in [TS]

00:52:40 ◼   ► the eighties and nineties because we saw [TS]

00:52:44 ◼   ► them on television they were butchered [TS]

00:52:45 ◼   ► the point of recognizability so I didn't [TS]

00:52:47 ◼   ► understand funny blazing saddles was [TS]

00:52:49 ◼   ► until I saw it unedited again I think [TS]

00:52:51 ◼   ► the Blazing Saddles episode will be one [TS]

00:52:53 ◼   ► of those great episodes where Dan Morgan [TS]

00:52:54 ◼   ► is the host because i'm not talking [TS]

00:52:57 ◼   ► about [TS]

00:52:57 ◼   ► I I don't need that movie to waste any [TS]

00:52:59 ◼   ► more of my life I saw the case on the [TS]

00:53:01 ◼   ► campfire scene on TV where they just [TS]

00:53:03 ◼   ► damp the sound down to zero it made no [TS]

00:53:06 ◼   ► sense whatsoever mr. fine there is that [TS]

00:53:09 ◼   ► but slim pickins slim pickins live down [TS]

00:53:13 ◼   ► lived in the town where I grew up under [TS]

00:53:16 ◼   ► the giant you have school by samuel [TS]

00:53:19 ◼   ► beckett i like it i have Fred Savage in [TS]

00:53:21 ◼   ► my closet that's where he's been that's [TS]

00:53:25 ◼   ► how this game works and speak actually [TS]

00:53:27 ◼   ► Peter Falk is still alive or no yes [TS]

00:53:31 ◼   ► because what i want is it's like [TS]

00:53:33 ◼   ► funnyordie to get Fred Savage and peter [TS]

00:53:35 ◼   ► falk together to re-record their son [TS]

00:53:38 ◼   ► please together would be awesome when [TS]

00:53:41 ◼   ► Goldman still alive know right they [TS]

00:53:42 ◼   ► would they would rerecord the scene [TS]

00:53:43 ◼   ► except Peter Falk would be reading [TS]

00:53:45 ◼   ► something horrible with a they could [TS]

00:53:48 ◼   ► just cut it straight into the movie as [TS]

00:53:50 ◼   ► it is it's it's part of the criterion is [TS]

00:53:52 ◼   ► they've recorded just those seen to [TS]

00:53:54 ◼   ► update them that's the only dated part [TS]

00:53:55 ◼   ► of the movie [TS]

00:53:56 ◼   ► Peter Falk is in the nursing home and [TS]

00:53:58 ◼   ► Fred Savage is reading history that's [TS]

00:54:00 ◼   ► touching the penthouse that makes me sad [TS]

00:54:06 ◼   ► that's like the ending of big fish [TS]

00:54:07 ◼   ► captain bring-down making everybody sad [TS]

00:54:11 ◼   ► at the end of a podcast about the happy [TS]

00:54:14 ◼   ► movie that everyone looks okay i want to [TS]

00:54:16 ◼   ► go around the the room and asked [TS]

00:54:18 ◼   ► everybody for since this is the most [TS]

00:54:21 ◼   ► quotable movie in the universe [TS]

00:54:24 ◼   ► my question to you since this movie is [TS]

00:54:25 ◼   ► so incredibly quotable and this is the [TS]

00:54:28 ◼   ► task you must perform for me [TS]

00:54:30 ◼   ► you must tell me your favorite bar none [TS]

00:54:32 ◼   ► single favorite [TS]

00:54:35 ◼   ► lime from the princess bride [TS]

00:54:40 ◼   ► I know it's hard it's difficult think [TS]

00:54:43 ◼   ► ponder dan I get to go first you don't [TS]

00:54:47 ◼   ► have to [TS]

00:54:48 ◼   ► who would like to go through I got it I [TS]

00:54:49 ◼   ► got it I got it I got right it's my mind [TS]

00:54:51 ◼   ► you say it's an integral another any [TS]

00:54:53 ◼   ► girl quote yep which i've used in other [TS]

00:54:55 ◼   ► places let me spray [TS]

00:54:58 ◼   ► no there's too much let me sum up [TS]

00:54:59 ◼   ► excellent one of my favorites i use that [TS]

00:55:03 ◼   ► one all the time [TS]

00:55:04 ◼   ► Glenn I've already said it but i will [TS]

00:55:07 ◼   ► repeat it [TS]

00:55:08 ◼   ► you keep using that word i do not think [TS]

00:55:10 ◼   ► it means what you think it means [TS]

00:55:12 ◼   ► Greg I I'm classic and you go just [TS]

00:55:18 ◼   ► because we were in college we left this [TS]

00:55:20 ◼   ► on our answering machine which is my [TS]

00:55:22 ◼   ► name is inigo montoya you killed my [TS]

00:55:24 ◼   ► father prepare to leave a message when [TS]

00:55:30 ◼   ► I'm gonna break leaning onto a streak [TS]

00:55:33 ◼   ► but as you wish [TS]

00:55:36 ◼   ► oh I thought um well I want to thank my [TS]

00:55:43 ◼   ► guests for talking about the princess [TS]

00:55:44 ◼   ► bride my my guests are our serenity [TS]

00:55:47 ◼   ► Caldwell Greg moss Glenn Fleischmann and [TS]

00:55:51 ◼   ► Dan more'n until next time on the [TS]

00:55:54 ◼   ► incomparable have fun storming the [TS]

00:55:56 ◼   ► castle [TS]

00:56:19 ◼   ► ok on earth there may be a more quarter [TS]

00:56:21 ◼   ► quotable movie on the planet 617 where [TS]

00:56:24 ◼   ► movies are performed with only the sense [TS]

00:56:27 ◼   ► of smell and to quote them it's very [TS]

00:56:30 ◼   ► hard manager to call you ever been a [TS]

00:56:31 ◼   ► party where everybody is passing [TS]

00:56:32 ◼   ► pheromones also all of my partner Mel [TS]

00:56:38 ◼   ► Brooks is very popular in 607 Jason I [TS]

00:56:41 ◼   ► I've always thought of you as [TS]

00:56:42 ◼   ► particularly musky thank thank you Greg [TS]

00:56:45 ◼   ► I mean Edmund muskie that's I work I [TS]

00:56:48 ◼   ► worked I worked hard on that I i have [TS]

00:56:50 ◼   ► Edmund muskie in my closet [TS]

00:57:25 ◼   ► you think it'll work we take immunity [TS]

00:57:57 ◼   ► if he has a studied his Agrippa which I [TS]

00:57:59 ◼   ► have [TS]