131: Professor Siracusa`s Anime 101
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the incomparable number 131 marks 2013
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welcome back to the incomparable i am
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your host Jason smell and this is an
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exciting episode
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unlike most episodes of the
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uncomfortable where I sort of pick a
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topic and it's a topic that pleases me
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and and I i see if other people are
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interested in in saying nice things are
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horrible things about the topic that
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pleases me
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this is something that I've been calling
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John siracusa makes us watch anime and
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basically I said to John pick a couple
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of movies that you like and I will watch
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them and then we'll talk about them and
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that's what happened so joining me
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of course is John siracusa he is the
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ringmaster he tells us what to watch
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hi John hello jason i hope you were
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entertained
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I was but we'll get to that also joining
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me on this journey of watching watching
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these two movies that John instructed us
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to the two people who took up the
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challenge our Tony sindelar hi Tony
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hi good to have you back boy you're on
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all the time now I I don't know why it's
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a major i am yeah I reply to emails at
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standard yes that's right you have
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nothing better to do than be on the
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podcast it's that kind of season in New
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England you know a lot of Snowden that's
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true that's a good point that's a good
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point maybe we lose all the new
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englanders in the in the summertime
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also joining us is Lisa Schmeisser hi
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hi it's a pleasure to be here it's great
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to have you as always
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so our topic it's two films by satoshi
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kon is that right John I google for this
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before the show figuring some what we're
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going to say this guy's name I want to
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know how to pronounce that I came up
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with nothing
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so I'm we should just preemptively
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apologize for what will undoubtedly be
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the terrible mispronunciation of every
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Japanese p.m. free japanese person's
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name yeah we are sorry still chic on
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animated film director in Japan passed
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away in 2010 made for features and then
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some shows is that right John something
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like that something like that i haven't
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seen everything he's done but I've seen
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the well-known ones and we're going to
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talk about perfect blue made in 1997 and
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millennium actress made in
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2001a I i watch these on an airplane as
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we were saying before the show jon said
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that might not be the best place to do
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it since it's some point they're
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animated boobs like oh god who saw the
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but nobody saw it I was I was prepared I
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suspected there might be animated boobs
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at some point and there there were john
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i imagine that you have opening remarks
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or would like to at least set the stage
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for this and then and then presumably
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will talk and then you'll reveal your
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true feelings at the end is that how
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this is gonna work
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I don't know will say i do have opening
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comments but I think we can just talk
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about both of them
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alright always together as a group
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that's excellent yeah i'm i'm always
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surprised at how few people in our
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rotating cast of thousands on the
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incomparable are into anime we can find
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people who like books and fantasy novels
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and science fiction and television and
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movies but no anime people so that means
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the think the genesis of the show is
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that you know I i wish we had more
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people talk about any with and I I want
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to pick some movies to throw at people
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who aren't necessarily big anime fans
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and then see what we have to to say
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about it so I picked these two movies in
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particular because i think they are
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interesting examples for people who are
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not a giant fans of my first love you
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are a fan of anime you've already seen
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these movies it's like discussing Star
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Wars you know it's like not maybe not
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that level but if they're very well
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known popularly never do that on this
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graph exactly you know but the reason I
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picked these two is 12 by the same
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director as you as you noted so kind of
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like holding one of the variable study
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if we can they both have female leads
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they're both set in kind of a realistic
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world with you know certain fantasy
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elements always there by artistic
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license kind of their not well known by
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non ma fans did did have you ever heard
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of these movies before I suggested Jason
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either one
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no never yes no not even just like title
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recognition so that's why they're good
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yeah this could have been fictional
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titles from that you made up right there
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and the final reason is they don't
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conform to the most commonly known anime
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stereotypes you don't know what anime is
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and someone says the board what picture
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your head it's like I'm not like that
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giant robot school girls in uniforms and
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animals bringing teenagers magic
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monsters giant eyeballs blue hair like
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all at once
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yes basically star Blazers really do not
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do not speak LOL i love Star Blazers are
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saying they're right so we're off to
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have it and maybe a monkey but ya know
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that speed racer
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hmm yeah and so that's what most people
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think of when they hear anime and I
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wanted to counter that because i'm a fan
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of anime but not so much a fan of the
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stereotypical anime so that's why I
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picked these two movies and I think they
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provide an interesting contrast to each
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other spoken about in the sequence and
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viewed one after the other
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yes they do i watch them back-to-back
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yeah that's it but it's kind of like a
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nice double header and so that that
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that's my opening right
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the idea behind this I have to make a
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confession i watch these movies in
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alphabetical order
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Jason and you're watching on a plane
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watch them in the wrong order we'll talk
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about them in the right order and I
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think that yes that would be good so
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perfect blue which features my favorite
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pop idol band of all time job with an
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exclamation points eh am ! it !
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broadband name
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yes I believe it is it's in the titles
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and it's on their posters and it's a
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good idea to check out the id3 tag
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information on my music collection to
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see what's gonna Ram you you were the
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crazed fan who is very angry that mean i
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left the band aren't you a better is a
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trio anyway so this this movie is about
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a singer and a pop band that hasn't
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quite made it big they've been there
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kinda small-time named cham and mema
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quits the band to become an actress and
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she's in this TV show called the double
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bind and she's got a small part and her
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fans and some of her management is kind
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of upset because she giving up a good
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thing with this pop group to become a a
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an actress
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meanwhile her band which is now a duo
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actually gets on the charts with a song
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so she may be feel some regret or does
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she and so that's that's sort of like
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the basic the basics of it except
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there's a there's a stalker who has a
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website there's some really awesome
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performer and early world-wide-web done
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in this movie OS night explaining what
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websites are two people save that I want
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I want to have an in-depth discussion
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about that movie before we transition
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because I've got some sorry shots I key
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part of the movie how you explain the
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internet to people in 1998 yeah one of
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the reasons I wanted you to watch this
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movie first was because of the opening
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scene which is a misdirect i don't know
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if you remember it
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no yes yes it's got the robot battle at
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first both of these movies start with a
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misdirect it's right that that are are a
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hat tip to what you'd expect from an
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anime movie
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exactly and so you got well this
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certainly the person with the power
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rangers and everything like that and if
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you come in like the title tells you
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nothing like you said what the heck is
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perfect blue mean means nothing to you
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going in even if you see no that's you
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know the plot you just summarize what
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does that have to do with perfect little
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nose and you see the people singing and
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they run out on stage and then then it
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you know to their little catchy j-pop
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song and everything everyone's happy in
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their little pink dresses and stuff and
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then it kind of goes discordant phase
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two white and it's kind of like ominous
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which is not what you would expect from
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starting with power rangers then j-pop
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people then kind of like a weird white
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face the music goes away and it's kind
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of like scary
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alright so three things within like the
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first 30 seconds of this movie or the
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first opening sequence and make are not
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what people expect from anime anime but
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what I really like about anime because
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you can do anything you want animation
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yeah i think my wife looked over at my
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ipad while I was watching the first 30
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seconds of this and I believe she
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actually rolled her eyes I thought no
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i'm not watching the power rangers movie
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John wouldn't have done that to mr. act
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mr. act what it's about
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yeah exactly it does touch on something
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that I really like about this movie
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because i feel like it gives you an
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excellent snapshot of pop culture life
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and in japan in the late nineteen
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nineties you have pop idols who have to
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write elevated trains everywhere because
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they're not rolling in big bucks you got
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fan culture that seems to be as much
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about scoring points on each other as it
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is actually being fans of something
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you've got these websites that are kind
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of early there they're almost like early
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social media I'd I felt like I got to
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eavesdrop on on a picture of another
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culture that was actually a huge drop
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the movie for me were all the little
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quotidian details that go into the
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entertainment that keeps Japan you know
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abused I always have like a westerner is
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fascination with anime because like
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pretty much everything I know about
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japan trip has been from watching anime
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and like you said the boring things will
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be I I feel like people in Japan don't
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get this experience of an away because
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the boring things will be fascinating to
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me like just how people live in a little
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tiny apartments in the grocery shopping
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stop lying little girl and she likes a
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specific branch now who would not have
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won and they can comment on it
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yeah and that got me thinking about like
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the square watermelons that were grown
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for the japanese market so that you know
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they did they did gross square
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watermelons because she could stack them
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more efficiently in the small spaces and
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is always the question in my mind is how
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much of the stuff in his movies is made
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how much is an exaggeration of a
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stereotype how much is just a plain
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boring accurate depiction of Japanese
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life but to me it's like it's all it's
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all of a piece and it's like wow this is
[TS]
00:10:20
◼
►
amazing you never know what is gonna get
[TS]
00:10:22
◼
►
a Japanese person i know we don't
[TS]
00:10:23
◼
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actually live like that you crazy person
[TS]
00:10:24
◼
►
it's not it's just made up or what they
[TS]
00:10:26
◼
►
yeah what you can as a rice cooker and
[TS]
00:10:28
◼
►
what's the big deal you know me like
[TS]
00:10:29
◼
►
it's so hard to separate the the fact
[TS]
00:10:32
◼
►
from reality but I that that is
[TS]
00:10:34
◼
►
definitely a draw-off watching japanese
[TS]
00:10:36
◼
►
animation that the boring stuff in the
[TS]
00:10:38
◼
►
movies is fascinating to me
[TS]
00:10:41
◼
►
oh yes mmm that was a big reason I kept
[TS]
00:10:43
◼
►
paying attention
[TS]
00:10:44
◼
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um I saw the movie back in the nineteen
[TS]
00:10:46
◼
►
nineties when it first came out and I
[TS]
00:10:50
◼
►
remember that as i watched it again this
[TS]
00:10:51
◼
►
time out to so I don't think I qualifies
[TS]
00:10:54
◼
►
anime fan but I have what I i do watch
[TS]
00:10:56
◼
►
it here and there arm goes to the shells
[TS]
00:10:59
◼
►
one of my favorite movies in the late
[TS]
00:11:00
◼
►
nineties John I think you and I had a
[TS]
00:11:02
◼
►
discussion about a series called serial
[TS]
00:11:04
◼
►
experiments lain yes not a big fan of
[TS]
00:11:06
◼
►
that I like that one
[TS]
00:11:08
◼
►
I like that one that I feel like we can
[TS]
00:11:10
◼
►
have a debate about that but when I went
[TS]
00:11:12
◼
►
back and read what I didn't like this
[TS]
00:11:14
◼
►
movie that much in the nineteen nineties
[TS]
00:11:15
◼
►
but when I went back and watched it on
[TS]
00:11:17
◼
►
saturday i really could appreciate how
[TS]
00:11:20
◼
►
tightly written it is
[TS]
00:11:21
◼
►
because he he he has his little 4matic
[TS]
00:11:23
◼
►
loop that he keeps returning to over and
[TS]
00:11:25
◼
►
over again about how much of your
[TS]
00:11:27
◼
►
identity is internal versus how much of
[TS]
00:11:29
◼
►
it is is thrust upon you and he just
[TS]
00:11:32
◼
►
keeps returning to that light motif over
[TS]
00:11:34
◼
►
and over again and when you're 21 years
[TS]
00:11:36
◼
►
old and you've just made a major career
[TS]
00:11:37
◼
►
move and that cur happens to be in the
[TS]
00:11:39
◼
►
public eye those questions are amplified
[TS]
00:11:41
◼
►
and I was kind of blown away by the
[TS]
00:11:43
◼
►
cleverness of the plotting and and the
[TS]
00:11:45
◼
►
character work that he did this time
[TS]
00:11:47
◼
►
around whereas it just kind of slid off
[TS]
00:11:48
◼
►
my brain last time I watched it yeah you
[TS]
00:11:51
◼
►
know I i have some issues with this
[TS]
00:11:55
◼
►
movie I liked it but I do have some
[TS]
00:11:57
◼
►
issues with it i think they're so it's a
[TS]
00:11:59
◼
►
very there's a strange period where she
[TS]
00:12:02
◼
►
were mima is doing her early acting and
[TS]
00:12:07
◼
►
and I I felt like we were all supposed
[TS]
00:12:09
◼
►
to be a little more concerned about her
[TS]
00:12:12
◼
►
well-being
[TS]
00:12:13
◼
►
then I actually was I felt like what
[TS]
00:12:15
◼
►
what's the big deal she's going to be an
[TS]
00:12:17
◼
►
actress now it's fine
[TS]
00:12:18
◼
►
let her be an actress right and and that
[TS]
00:12:20
◼
►
seemed for a while there I was just like
[TS]
00:12:22
◼
►
why is this you know the popular wasn't
[TS]
00:12:25
◼
►
even that successful white why didn't
[TS]
00:12:27
◼
►
feel her angst and her doubt about what
[TS]
00:12:29
◼
►
is the right thing to be doing
[TS]
00:12:31
◼
►
no I thought that she was I thought
[TS]
00:12:33
◼
►
actually for a while I thought she was
[TS]
00:12:35
◼
►
handling it better than everybody around
[TS]
00:12:37
◼
►
ya know she definitely she definitely
[TS]
00:12:38
◼
►
was that I think that's I think the the
[TS]
00:12:41
◼
►
performance it's hard to talk about
[TS]
00:12:42
◼
►
performances and movies aren't actors
[TS]
00:12:44
◼
►
their drawings right but i think the
[TS]
00:12:46
◼
►
performances that they give these
[TS]
00:12:47
◼
►
characters in the movie are actually
[TS]
00:12:49
◼
►
extremely subtle and complex it
[TS]
00:12:53
◼
►
I you know precisely for that reason
[TS]
00:12:55
◼
►
because like you know she she's she
[TS]
00:12:57
◼
►
seems like it's used to determine person
[TS]
00:12:59
◼
►
she's leaving this group she's going to
[TS]
00:13:01
◼
►
go to this other thing and as you said
[TS]
00:13:03
◼
►
everyone else is all flipping out about
[TS]
00:13:04
◼
►
it but she's like no this is what I have
[TS]
00:13:06
◼
►
to do i'm just going to go forward and
[TS]
00:13:08
◼
►
do it and you're wondering like is you
[TS]
00:13:10
◼
►
know is is she really is confident she's
[TS]
00:13:12
◼
►
putting out does she have some sort of
[TS]
00:13:13
◼
►
doubts and i think that the movie does a
[TS]
00:13:14
◼
►
good job of breaking that down slowly it
[TS]
00:13:17
◼
►
so she starts to come apart it's not
[TS]
00:13:19
◼
►
like oh she's just you know crazy from
[TS]
00:13:21
◼
►
from the get-go and doesn't know what's
[TS]
00:13:23
◼
►
going on like she she seems like a
[TS]
00:13:25
◼
►
normal person doing the right thing
[TS]
00:13:27
◼
►
that's exactly who you want to seeby i
[TS]
00:13:29
◼
►
think in peril and a movie like this
[TS]
00:13:30
◼
►
like a good person doing what they're
[TS]
00:13:32
◼
►
supposed to do but
[TS]
00:13:33
◼
►
a situation conspires to you know sit
[TS]
00:13:36
◼
►
fantastical situation conspires to put
[TS]
00:13:38
◼
►
her you know in danger because the John
[TS]
00:13:40
◼
►
she's an emotional John McClane is this
[TS]
00:13:43
◼
►
what a parallel of the cultural metaphor
[TS]
00:13:45
◼
►
that I think kind of kind of
[TS]
00:13:47
◼
►
encapsulates it and this goes back is
[TS]
00:13:50
◼
►
from last season on sons of anarchy you
[TS]
00:13:52
◼
►
had an actress named ashley tisdale
[TS]
00:13:54
◼
►
portraying a hooker in which again at
[TS]
00:13:56
◼
►
sons of anarchy so it's kind of water
[TS]
00:13:58
◼
►
while whores but the big deal about
[TS]
00:14:00
◼
►
Ashley Tisdale was she was in a bowl of
[TS]
00:14:02
◼
►
the High School Musical movies and and
[TS]
00:14:04
◼
►
was a Disney kid the image of squeaky
[TS]
00:14:06
◼
►
clean and all my god now she's like a
[TS]
00:14:07
◼
►
hooker on FX drama and I kind of got the
[TS]
00:14:10
◼
►
idea that maybe there was that that
[TS]
00:14:12
◼
►
discomfort with a squeaky-clean yeah
[TS]
00:14:15
◼
►
adorooo being transposed into an overtly
[TS]
00:14:18
◼
►
sexual role and people were i'm not sure
[TS]
00:14:22
◼
►
how to handle this person who is
[TS]
00:14:23
◼
►
exercising free agency of her career and
[TS]
00:14:25
◼
►
mema herself may have been ambivalent
[TS]
00:14:27
◼
►
about it because let's face it when you
[TS]
00:14:30
◼
►
go from putting on a little dress and
[TS]
00:14:31
◼
►
dancing to an audience to being
[TS]
00:14:32
◼
►
gang-raped in a nightclub
[TS]
00:14:34
◼
►
um you are probably going to ask a few
[TS]
00:14:36
◼
►
questions about what about the direction
[TS]
00:14:37
◼
►
you're going in is really the right one
[TS]
00:14:39
◼
►
yeah IIM and by the time we get to that
[TS]
00:14:42
◼
►
point makes sense I guess what I'm
[TS]
00:14:43
◼
►
saying is that is that she seems very
[TS]
00:14:45
◼
►
centered for that it from the beginning
[TS]
00:14:48
◼
►
and everybody around her seem so far the
[TS]
00:14:51
◼
►
other way that it seems really weird for
[TS]
00:14:53
◼
►
me that they were they were so far apart
[TS]
00:14:54
◼
►
i think that's a little bit of the
[TS]
00:14:56
◼
►
culture of you know these idol singers
[TS]
00:14:59
◼
►
that like the Phantom around the methods
[TS]
00:15:01
◼
►
part was part of the reason she wanted
[TS]
00:15:02
◼
►
to get out of that right and them around
[TS]
00:15:03
◼
►
them is so insane you know right down to
[TS]
00:15:06
◼
►
that the management and the people you
[TS]
00:15:08
◼
►
know and like there are some hard how
[TS]
00:15:09
◼
►
stable like look she's going to be an
[TS]
00:15:11
◼
►
actress but she's got to do that's it
[TS]
00:15:12
◼
►
and you know but everyone else in her
[TS]
00:15:15
◼
►
life like she's escaping you know that
[TS]
00:15:17
◼
►
that's why she seems in building one
[TS]
00:15:19
◼
►
when the 22 people she left start to
[TS]
00:15:21
◼
►
become successful is like mama you know
[TS]
00:15:23
◼
►
maybe I should have gone with them
[TS]
00:15:24
◼
►
whatever on the other hand I'm also kind
[TS]
00:15:26
◼
►
of glad to be out of that so i like i
[TS]
00:15:28
◼
►
like that moment actually where she's
[TS]
00:15:29
◼
►
like you know it's fine i'm doing this
[TS]
00:15:30
◼
►
now this is the right this is the right
[TS]
00:15:32
◼
►
thing for me to do I a so another thing
[TS]
00:15:35
◼
►
I went on to bring up that's in that
[TS]
00:15:36
◼
►
first scene when there when she
[TS]
00:15:38
◼
►
announced her departure is the way that
[TS]
00:15:41
◼
►
the the guy who I guess we call me mania
[TS]
00:15:46
◼
►
Mina yeah is the stalker he is drawn
[TS]
00:15:50
◼
►
which is like his my eyes are so far
[TS]
00:15:52
◼
►
apart that you know is why God in his
[TS]
00:15:55
◼
►
temples and we frequently we feel only
[TS]
00:15:58
◼
►
1i right his face obscured brighter and
[TS]
00:16:01
◼
►
they're like kind of haunting black eyes
[TS]
00:16:03
◼
►
and weird teeth and he's a super creepy
[TS]
00:16:06
◼
►
almost like deformed face guy and I I
[TS]
00:16:12
◼
►
thought that was really strange to that
[TS]
00:16:13
◼
►
dead and there's a reason I you know it
[TS]
00:16:16
◼
►
it's it was clear to me at the beginning
[TS]
00:16:19
◼
►
that this guy was really obviously
[TS]
00:16:21
◼
►
creepy and a stalker and that there was
[TS]
00:16:23
◼
►
probably a reason why he was so
[TS]
00:16:25
◼
►
obviously creepy and stalker because
[TS]
00:16:26
◼
►
otherwise you try to conceal him a
[TS]
00:16:29
◼
►
little bit more her but I still I I
[TS]
00:16:31
◼
►
found it I found it disturbing and yet
[TS]
00:16:33
◼
►
also really strange that he was so weird
[TS]
00:16:36
◼
►
it from the beginning
[TS]
00:16:38
◼
►
it's a convention of automated
[TS]
00:16:39
◼
►
apparently it's called donk gon k and
[TS]
00:16:42
◼
►
the idea is that you're something that
[TS]
00:16:45
◼
►
you're supposed to be absurdly ugly and
[TS]
00:16:47
◼
►
you deliberately and without subtlety
[TS]
00:16:50
◼
►
and it's supposed to be a signifier to
[TS]
00:16:52
◼
►
character and plot development but that
[TS]
00:16:54
◼
►
because I think I guess what the
[TS]
00:16:55
◼
►
animation style this movie and it's like
[TS]
00:16:58
◼
►
this stop it's not the gigantic heads
[TS]
00:17:01
◼
►
with eyes that take up two-thirds of the
[TS]
00:17:02
◼
►
surface and spiky blue hair right but on
[TS]
00:17:04
◼
►
the other hand like if I had to
[TS]
00:17:06
◼
►
categorize to know this is like this is
[TS]
00:17:07
◼
►
realistic animation the people have the
[TS]
00:17:09
◼
►
proportions of human beings their arms
[TS]
00:17:11
◼
►
and legs are the correct length their
[TS]
00:17:12
◼
►
heads are the more or less the correct
[TS]
00:17:14
◼
►
size in proportion to their bodies
[TS]
00:17:15
◼
►
so you're like alright just you know it
[TS]
00:17:18
◼
►
could almost be rotoscope right it's
[TS]
00:17:19
◼
►
realistic but it's not because if you
[TS]
00:17:20
◼
►
look at the people i mean he's the most
[TS]
00:17:21
◼
►
obvious example if you look at anything
[TS]
00:17:23
◼
►
they are not actually correctly
[TS]
00:17:24
◼
►
proportion they fool you into thinking
[TS]
00:17:26
◼
►
you're watching the world with regular
[TS]
00:17:27
◼
►
people but the trick of the animation is
[TS]
00:17:30
◼
►
you know really their eyes are a little
[TS]
00:17:31
◼
►
bit bigger than they should be
[TS]
00:17:33
◼
►
and you know there's very few lines
[TS]
00:17:35
◼
►
making up to do that it's it's more
[TS]
00:17:38
◼
►
expressive than it would be if it was
[TS]
00:17:39
◼
►
rotoscoped for ECG or something that
[TS]
00:17:41
◼
►
because the things that they draw can't
[TS]
00:17:43
◼
►
exist in real life so this is if you
[TS]
00:17:44
◼
►
tried to make a CG version of that of
[TS]
00:17:46
◼
►
the mania guy it would just be it would
[TS]
00:17:49
◼
►
take you out of the movie it would break
[TS]
00:17:51
◼
►
math it already kind of it adds to hell
[TS]
00:17:53
◼
►
unsettling he looks right is that the
[TS]
00:17:55
◼
►
other characters especially frequency
[TS]
00:17:57
◼
►
and crowd scenes right the other
[TS]
00:17:58
◼
►
characters he's around
[TS]
00:18:00
◼
►
kind of generic normal-looking right and
[TS]
00:18:02
◼
►
he is he is kind of the most cartoony I
[TS]
00:18:05
◼
►
mean that even just like the other fans
[TS]
00:18:07
◼
►
like this with them are benign fans
[TS]
00:18:09
◼
►
York's objectify are nevertheless but
[TS]
00:18:11
◼
►
still are at least not overtly crazy
[TS]
00:18:14
◼
►
they look strange to like they become
[TS]
00:18:16
◼
►
more character likeness is a sucky
[TS]
00:18:18
◼
►
Kwanzaa movies there's a lot of the you
[TS]
00:18:21
◼
►
know the people you look at one person
[TS]
00:18:23
◼
►
like it's an old person but if you go
[TS]
00:18:24
◼
►
down if you lined up all the characters
[TS]
00:18:26
◼
►
you'd be like wow now we're really
[TS]
00:18:27
◼
►
getting into caricatures over there it's
[TS]
00:18:28
◼
►
almost like a loony toons type thing but
[TS]
00:18:30
◼
►
it's it's a gradual gradation i wish
[TS]
00:18:33
◼
►
they hadn't made him so ugly because i
[TS]
00:18:35
◼
►
feel like that really tip the hand early
[TS]
00:18:37
◼
►
um yeah since this movie does rely on a
[TS]
00:18:40
◼
►
surprise up i'm going to bring the
[TS]
00:18:42
◼
►
spoiler horn but since the movie does
[TS]
00:18:43
◼
►
rely on a surprise twist into excuse to
[TS]
00:18:46
◼
►
try and explain everything that goes on
[TS]
00:18:47
◼
►
I felt that if you have somebody who
[TS]
00:18:49
◼
►
looks up so obviously sinister and
[TS]
00:18:52
◼
►
behaves in such an obviously unhinged
[TS]
00:18:53
◼
►
away cuz he's the first one to draw
[TS]
00:18:55
◼
►
blood movie yeah
[TS]
00:18:56
◼
►
mhm then you know your sort of
[TS]
00:18:58
◼
►
broadcasting here be a villain whereas
[TS]
00:19:00
◼
►
if it's somebody who is deceptively
[TS]
00:19:02
◼
►
normal-looking um I forget the name of
[TS]
00:19:04
◼
►
the pornographer character but what was
[TS]
00:19:06
◼
►
some photographer guy
[TS]
00:19:08
◼
►
yeah yeah the photographer /
[TS]
00:19:09
◼
►
pornographer one of one of the things I
[TS]
00:19:11
◼
►
thought was interesting was the way he
[TS]
00:19:12
◼
►
casually holds out his hand and an
[TS]
00:19:14
◼
►
assistant puts in another camera and he
[TS]
00:19:15
◼
►
just keeps the moment going and and it's
[TS]
00:19:17
◼
►
obvious he's doing a job and he has no
[TS]
00:19:19
◼
►
qualms about the way he's packaging and
[TS]
00:19:21
◼
►
marketing nema and I actually thought
[TS]
00:19:22
◼
►
that was a little bit spookier and
[TS]
00:19:24
◼
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creepier than you know internet
[TS]
00:19:25
◼
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wall-eyed internet loner runs website
[TS]
00:19:28
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well that's that's kind of like to think
[TS]
00:19:29
◼
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that she would you know that they can
[TS]
00:19:31
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make a point of emphasizing or
[TS]
00:19:32
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objectification is the pop idol and she
[TS]
00:19:34
◼
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wants to be like a serious actress but
[TS]
00:19:36
◼
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then just ends up falling back into the
[TS]
00:19:37
◼
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same traps like I guess this is what I
[TS]
00:19:39
◼
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kind of have to do but in the other hand
[TS]
00:19:40
◼
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now here I am doing these things that
[TS]
00:19:42
◼
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you can tell she's not as comfortable
[TS]
00:19:44
◼
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with it she would like to be and that's
[TS]
00:19:46
◼
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that's eventually to her breakdown is
[TS]
00:19:49
◼
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that like she was trying to you know
[TS]
00:19:51
◼
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Escape that world when she has that
[TS]
00:19:52
◼
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quote where she says well a lot of
[TS]
00:19:54
◼
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people have gone to a lot of effort for
[TS]
00:19:55
◼
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me to do this I don't want to let them
[TS]
00:19:57
◼
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down and you can tell she really resents
[TS]
00:19:59
◼
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that too at the same time maybe she's
[TS]
00:20:02
◼
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not doesn't want to be you know that the
[TS]
00:20:03
◼
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whole I have to please my superiors and
[TS]
00:20:05
◼
►
betters and the males in my life kind of
[TS]
00:20:08
◼
►
thing that she's going back into this
[TS]
00:20:10
◼
►
there's a lot I mean for a movie that's
[TS]
00:20:11
◼
►
exploitative of
[TS]
00:20:12
◼
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you know if people look at this all you
[TS]
00:20:14
◼
►
know japanese movie with these pop stars
[TS]
00:20:16
◼
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and are going to be naked and they're
[TS]
00:20:17
◼
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gonna be beautiful and they and they all
[TS]
00:20:20
◼
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right and they are but it's like I think
[TS]
00:20:22
◼
►
it does an excellent job of you know
[TS]
00:20:23
◼
►
using that to good effect and i think i
[TS]
00:20:26
◼
►
think the nudity in the movie is a good
[TS]
00:20:28
◼
►
example of that because it there's a lot
[TS]
00:20:29
◼
►
of it relative to you know most non non
[TS]
00:20:33
◼
►
adult anime our guests but it's always
[TS]
00:20:36
◼
►
used in a way that conveys the plight of
[TS]
00:20:39
◼
►
me man being photographed like the
[TS]
00:20:42
◼
►
viewers made to feel uncomfortable at
[TS]
00:20:44
◼
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the latest right and all and just
[TS]
00:20:46
◼
►
incredibly well done like it very rarely
[TS]
00:20:48
◼
►
have I seen the nudity and live-action
[TS]
00:20:51
◼
►
movies that made me feel as
[TS]
00:20:52
◼
►
uncomfortable as the animated movie and
[TS]
00:20:54
◼
►
this movie which is exactly what it's
[TS]
00:20:55
◼
►
supposed to do like they don't they
[TS]
00:20:57
◼
►
don't try to have it both ways don't try
[TS]
00:20:58
◼
►
so you're gonna be titillated and no
[TS]
00:21:00
◼
►
it's mostly just entirely uncomfortable
[TS]
00:21:01
◼
►
terrible the reason i'm laughing so I
[TS]
00:21:05
◼
►
just lands terrible i like the I also
[TS]
00:21:08
◼
►
like the way that the the rape scene is
[TS]
00:21:11
◼
►
handled where it's it's the shooting of
[TS]
00:21:14
◼
►
a rape scene it's not a rape
[TS]
00:21:16
◼
►
it's a shooting of a rape scene in a TV
[TS]
00:21:18
◼
►
show and so you have them preparing to
[TS]
00:21:23
◼
►
be on camera and then there's action and
[TS]
00:21:25
◼
►
then the action happens and then they
[TS]
00:21:26
◼
►
cut and then they're out of character
[TS]
00:21:28
◼
►
again and and and then they let's do it
[TS]
00:21:31
◼
►
again which really gets there's
[TS]
00:21:33
◼
►
something about that that it's the you
[TS]
00:21:35
◼
►
know it's this work and it's it's not
[TS]
00:21:37
◼
►
horrible unto itself it's that it's
[TS]
00:21:40
◼
►
horrible in this context of the scenes
[TS]
00:21:43
◼
►
that they're doing and there's a really
[TS]
00:21:44
◼
►
great moment where the where they have
[TS]
00:21:46
◼
►
the rapist actor lean screens down her
[TS]
00:21:50
◼
►
and says I'm sorry about this just like
[TS]
00:21:52
◼
►
it's fine but it's it's a that's a great
[TS]
00:21:55
◼
►
moment everyone's trying to be
[TS]
00:21:57
◼
►
professional but i think the scene does
[TS]
00:21:58
◼
►
a great job of saying look no matter how
[TS]
00:22:00
◼
►
professional you try to be it's still
[TS]
00:22:01
◼
►
difficult thing to do for an actress
[TS]
00:22:03
◼
►
like this is this is applying you know
[TS]
00:22:06
◼
►
this this is a stressful situation for
[TS]
00:22:08
◼
►
her and it's a difficult thing to do is
[TS]
00:22:09
◼
►
her first time doing it even though
[TS]
00:22:10
◼
►
everyone involved is professional and
[TS]
00:22:12
◼
►
trying to do things the right way or
[TS]
00:22:13
◼
►
whatever it's you know it's not easy and
[TS]
00:22:15
◼
►
I this all builds to having a realistic
[TS]
00:22:18
◼
►
breakdown of this character who is not a
[TS]
00:22:21
◼
►
flake is not a weak-willed is doing the
[TS]
00:22:24
◼
►
right thing but nevertheless that these
[TS]
00:22:27
◼
►
didn't conspire to to finally break her
[TS]
00:22:30
◼
►
down this writer by the way whoever the
[TS]
00:22:33
◼
►
the writer of this of this movie loves
[TS]
00:22:35
◼
►
must love Jodie Foster because there are
[TS]
00:22:38
◼
►
like at least three aspects of jodie
[TS]
00:22:41
◼
►
foster that have all been rolled
[TS]
00:22:42
◼
►
together here because the plot of double
[TS]
00:22:44
◼
►
bind is essentially the silence of the
[TS]
00:22:46
◼
►
lambs it seems because there's a serial
[TS]
00:22:48
◼
►
killer who's taking women's skin off
[TS]
00:22:50
◼
►
because he wants to be a woman
[TS]
00:22:52
◼
►
there's the rape scene which is they
[TS]
00:22:55
◼
►
have the even directly referenced is
[TS]
00:22:58
◼
►
what jodie foster did in the accused
[TS]
00:23:01
◼
►
right and of course the know nobody
[TS]
00:23:06
◼
►
knows what it's like to have a horrible
[TS]
00:23:08
◼
►
murderous stalker then Jodie Foster
[TS]
00:23:10
◼
►
because john hinckley was basically her
[TS]
00:23:13
◼
►
stalker and then shot ronald reagan so I
[TS]
00:23:16
◼
►
thought that was kind of interesting too
[TS]
00:23:17
◼
►
that it's but-but-but mima gets it all
[TS]
00:23:20
◼
►
at once
[TS]
00:23:21
◼
►
yay good good luck with that and she
[TS]
00:23:24
◼
►
doesn't handle it well which is not
[TS]
00:23:26
◼
►
surprising but it to my favorite my
[TS]
00:23:28
◼
►
favorite part of this movie is but I've
[TS]
00:23:30
◼
►
done all this work and they've built up
[TS]
00:23:31
◼
►
this situation oh and by the way the
[TS]
00:23:33
◼
►
obvious nuh some of the the mania
[TS]
00:23:35
◼
►
stalker thing I like that aspect another
[TS]
00:23:37
◼
►
reason i recommend this movie to new
[TS]
00:23:38
◼
►
people is that if you go in thinking
[TS]
00:23:40
◼
►
anime is gonna be dumb you'll be like oh
[TS]
00:23:42
◼
►
this dumps gonna be that guy
[TS]
00:23:43
◼
►
yeah you guys are looking at ash Park
[TS]
00:23:44
◼
►
for that but like you like it's another
[TS]
00:23:46
◼
►
nice misdirect because there are plenty
[TS]
00:23:48
◼
►
of you know and lifetime movies where
[TS]
00:23:51
◼
►
the creepy stalker guy is the creepy
[TS]
00:23:53
◼
►
stalker I for the whole move the whole
[TS]
00:23:54
◼
►
movie and then you know that's just what
[TS]
00:23:56
◼
►
it is right this is not the case missing
[TS]
00:23:58
◼
►
but anyway I love this all comes
[TS]
00:23:59
◼
►
together and they start doing that
[TS]
00:24:00
◼
►
sequence which is losing it and they
[TS]
00:24:03
◼
►
start intercutting her scenes in
[TS]
00:24:05
◼
►
whatever work that she's doing with her
[TS]
00:24:07
◼
►
life in such a way that the first time i
[TS]
00:24:10
◼
►
watch this
[TS]
00:24:11
◼
►
I actually did find myself questioning
[TS]
00:24:13
◼
►
what had previously understood to be the
[TS]
00:24:16
◼
►
reality of this movie which is what
[TS]
00:24:17
◼
►
they're trying to make you do it
[TS]
00:24:18
◼
►
normally like I'm you know I'm none too
[TS]
00:24:20
◼
►
smart for that they're not gonna like
[TS]
00:24:21
◼
►
wait a second like they they cut back
[TS]
00:24:24
◼
►
and forth and that the lines in the
[TS]
00:24:26
◼
►
movie are such a perfect fit for
[TS]
00:24:29
◼
►
possible explanations of this crazy
[TS]
00:24:31
◼
►
person who think that she was a pop star
[TS]
00:24:33
◼
►
and actress you know what I mean yeah
[TS]
00:24:34
◼
►
and they and they cut back and forth to
[TS]
00:24:36
◼
►
her real life and her movies I without
[TS]
00:24:39
◼
►
holding your hand
[TS]
00:24:40
◼
►
and-and-and without dumbing it down and
[TS]
00:24:42
◼
►
without like trying to make sure
[TS]
00:24:43
◼
►
everyone follows along if you go back
[TS]
00:24:46
◼
►
and look at it it's all completely
[TS]
00:24:47
◼
►
legitimate and they're not cheating and
[TS]
00:24:49
◼
►
it's not you know whatever but it really
[TS]
00:24:51
◼
►
does mess you up and so the this is like
[TS]
00:24:53
◼
►
a center part of this movie where I get
[TS]
00:24:54
◼
►
lost even watching multiple times you
[TS]
00:24:57
◼
►
start to get a lot even though I know
[TS]
00:24:58
◼
►
you know what is the actual you start to
[TS]
00:24:59
◼
►
get lost a little bit and that i think i
[TS]
00:25:02
◼
►
haven't felt in a live-action movie and
[TS]
00:25:04
◼
►
the longest time where they trust the
[TS]
00:25:06
◼
►
audience enough to intentionally confuse
[TS]
00:25:08
◼
►
them without using a cheat to convey
[TS]
00:25:10
◼
►
what the what the character is feeling
[TS]
00:25:12
◼
►
and it's not done with like really fast
[TS]
00:25:13
◼
►
cuts your special effects for dramatic
[TS]
00:25:15
◼
►
music is just seeing after senior like
[TS]
00:25:16
◼
►
we need a second because because what
[TS]
00:25:18
◼
►
you're doing is it since the movies like
[TS]
00:25:20
◼
►
this the whole way doesn't hold your
[TS]
00:25:22
◼
►
hand doesn't have like tons of excessive
[TS]
00:25:25
◼
►
exposition the creator's assume you're
[TS]
00:25:27
◼
►
not dumb you are paying attention and so
[TS]
00:25:30
◼
►
when you're paying attention when they
[TS]
00:25:31
◼
►
start to do that you're like wait a
[TS]
00:25:32
◼
►
second i'm going to figure this movie
[TS]
00:25:33
◼
►
out okay so how so this note really
[TS]
00:25:36
◼
►
she's just a crazy person all time and
[TS]
00:25:37
◼
►
she thinks she's a pop star that's the
[TS]
00:25:39
◼
►
reality is that you know which is not
[TS]
00:25:41
◼
►
actually the case is also another case
[TS]
00:25:43
◼
►
of a misdirect but I i love that I love
[TS]
00:25:46
◼
►
that payoff of having earned that that
[TS]
00:25:49
◼
►
confusing middle section of your wee-wee
[TS]
00:25:51
◼
►
barrel towards the Big Finish
[TS]
00:25:53
◼
►
yeah I guess we we should if we haven't
[TS]
00:25:56
◼
►
gotten to it yet we should at least
[TS]
00:25:57
◼
►
officially blow the spoiler warning here
[TS]
00:26:02
◼
►
you should probably watch this movie
[TS]
00:26:06
◼
►
before you listen to the rest of the
[TS]
00:26:07
◼
►
podcast or just you know suck it up it's
[TS]
00:26:11
◼
►
it's just the way it is it this movie
[TS]
00:26:13
◼
►
has been a long time you should have
[TS]
00:26:14
◼
►
watched it already it's been out for 16
[TS]
00:26:16
◼
►
yeah Jason why have you watching this
[TS]
00:26:18
◼
►
movie I know exactly i did I have
[TS]
00:26:21
◼
►
watched John I know all about it
[TS]
00:26:23
◼
►
so here's the thing i want to talk about
[TS]
00:26:25
◼
►
the internet and phantom because I think
[TS]
00:26:27
◼
►
that's an important part of this movie
[TS]
00:26:28
◼
►
and and and i want to talk about a
[TS]
00:26:30
◼
►
little bit + mcintosh perform its
[TS]
00:26:32
◼
►
awesome before we get there mostly
[TS]
00:26:34
◼
►
didn't notice that there's some other
[TS]
00:26:35
◼
►
technology product that's kind of like
[TS]
00:26:37
◼
►
got a fake name in the movie it's like I
[TS]
00:26:39
◼
►
don't know whether it's like a sony or
[TS]
00:26:41
◼
►
HP or something like that but there's
[TS]
00:26:43
◼
►
something in its faked up but the Apple
[TS]
00:26:44
◼
►
box is rendered immaculately I thought
[TS]
00:26:47
◼
►
that was hilarious
[TS]
00:26:48
◼
►
no I want to talk about the the the
[TS]
00:26:53
◼
►
sequence that ends up with with the
[TS]
00:26:55
◼
►
reveal of who is what's really going on
[TS]
00:26:57
◼
►
here because what it felt like to me I
[TS]
00:26:59
◼
►
loved the playing with fantasy and
[TS]
00:27:01
◼
►
reality where we think we're watching
[TS]
00:27:03
◼
►
her life but it's actually the the show
[TS]
00:27:06
◼
►
she's on and you know and we wonder if
[TS]
00:27:09
◼
►
she's going crazy you know sometimes
[TS]
00:27:11
◼
►
she's confused is the show i'm on where
[TS]
00:27:13
◼
►
is my real life
[TS]
00:27:14
◼
►
right exactly i like i like that but
[TS]
00:27:16
◼
►
they're so there's the sequence of
[TS]
00:27:18
◼
►
scenes where she wakes up in her bedroom
[TS]
00:27:20
◼
►
and crazy things happen and then she
[TS]
00:27:21
◼
►
wakes up in her bedroom again and then
[TS]
00:27:24
◼
►
crazy things happen and then she wakes
[TS]
00:27:25
◼
►
up in her bedroom again and I felt like
[TS]
00:27:27
◼
►
that went on too long I felt like I and
[TS]
00:27:31
◼
►
here's my theory
[TS]
00:27:32
◼
►
my theory is that the filmmakers were so
[TS]
00:27:35
◼
►
concerned about smart
[TS]
00:27:38
◼
►
audience members figuring out right away
[TS]
00:27:41
◼
►
that her the managers assistant was
[TS]
00:27:45
◼
►
actually kind of a crazy stalker because
[TS]
00:27:47
◼
►
she's the one who has access to the
[TS]
00:27:49
◼
►
information that's on the website and
[TS]
00:27:50
◼
►
all that is access to the apartment
[TS]
00:27:52
◼
►
she's doing as a breakdown every time I
[TS]
00:27:54
◼
►
mean if you want to the second time it
[TS]
00:27:56
◼
►
is so obviously like how do you not see
[TS]
00:27:58
◼
►
well i saw i saw the first time so my
[TS]
00:28:00
◼
►
theory is that they did the reality
[TS]
00:28:02
◼
►
spinning stuff again and again again
[TS]
00:28:04
◼
►
again to make it so kind of crazy and
[TS]
00:28:07
◼
►
confusing that you lose track of the
[TS]
00:28:11
◼
►
thing that you you thought at the
[TS]
00:28:12
◼
►
beginning which is which is what
[TS]
00:28:14
◼
►
happened to me and so that when the the
[TS]
00:28:16
◼
►
assistant is revealed to actually be a
[TS]
00:28:18
◼
►
crazy stalker who then I was like oh
[TS]
00:28:21
◼
►
yeah right
[TS]
00:28:22
◼
►
from what I thought earlier but I just I
[TS]
00:28:25
◼
►
just thought it was too much I thought I
[TS]
00:28:26
◼
►
thought that it that little kind of like
[TS]
00:28:28
◼
►
world whirligig of of crazy is it real
[TS]
00:28:31
◼
►
or is it not when on like a little too
[TS]
00:28:33
◼
►
long like they were trying a little too
[TS]
00:28:35
◼
►
hard to just you know put a blindfold on
[TS]
00:28:38
◼
►
the audience and spin him around a few
[TS]
00:28:40
◼
►
times still they were diseased it's not
[TS]
00:28:41
◼
►
actually that long you should watch that
[TS]
00:28:43
◼
►
section of second time because it's
[TS]
00:28:44
◼
►
pretty darn type i think where the fish
[TS]
00:28:46
◼
►
alive where the fish dad with the fish
[TS]
00:28:48
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alive where the fish the first one I was
[TS]
00:28:50
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like okay this is cool at and when she
[TS]
00:28:52
◼
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wakes up again Mike hot that's funny
[TS]
00:28:54
◼
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and then when they did the third time I
[TS]
00:28:55
◼
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thought yeah i thought okay i don't have
[TS]
00:28:58
◼
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a good feeling of like day-in day-out
[TS]
00:29:00
◼
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kind of thing like where you know day
[TS]
00:29:03
◼
►
after day she finds herself waiting I
[TS]
00:29:05
◼
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kind of like an alcoholic blacking out
[TS]
00:29:06
◼
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where you find yourself back in our like
[TS]
00:29:07
◼
►
Groundhog Day you find yourself back
[TS]
00:29:09
◼
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again in each day you go through it and
[TS]
00:29:11
◼
►
it gets worse it gets a little less
[TS]
00:29:13
◼
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coherent as time goes on it and they
[TS]
00:29:15
◼
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kind of one of those little bit like the
[TS]
00:29:17
◼
►
fish that's the signifier the users with
[TS]
00:29:19
◼
►
a little bit weak because there again
[TS]
00:29:21
◼
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they're relying on you to remember the
[TS]
00:29:22
◼
►
state of the fish and what does it mean
[TS]
00:29:24
◼
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that they're alive and YouTube
[TS]
00:29:25
◼
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immediately put together that if they're
[TS]
00:29:27
◼
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alive it's a recreation you know like
[TS]
00:29:28
◼
►
they could have used something else for
[TS]
00:29:31
◼
►
that but I I i like that there was no
[TS]
00:29:34
◼
►
explicit exposition that I mean because
[TS]
00:29:37
◼
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they had built everything up they don't
[TS]
00:29:39
◼
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have to explain to you because you're
[TS]
00:29:40
◼
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like oh that makes sense that yes you
[TS]
00:29:42
◼
►
know it's not it's not a cheat and it's
[TS]
00:29:44
◼
►
not out of nowhere it's not the
[TS]
00:29:45
◼
►
character had one line in the movie it's
[TS]
00:29:47
◼
►
the one that it makes total sense that
[TS]
00:29:48
◼
►
it would be the one that was hysterical
[TS]
00:29:49
◼
►
crying when she decided to do the nude
[TS]
00:29:51
◼
►
scene all that stuff like she was nuts
[TS]
00:29:53
◼
►
from the beginning of the movie even if
[TS]
00:29:54
◼
►
you didn't see it like you didn't see it
[TS]
00:29:55
◼
►
for the same reason that maybe didn't
[TS]
00:29:57
◼
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see it because you just have you are as
[TS]
00:29:58
◼
►
the assistant is like a side character
[TS]
00:29:59
◼
►
psycho she just stared help me whatever
[TS]
00:30:01
◼
►
you know what you should be paying more
[TS]
00:30:04
◼
►
attention to the air and early anyway
[TS]
00:30:06
◼
►
that was my feeling is that there was a
[TS]
00:30:07
◼
►
little too much of that and it was I
[TS]
00:30:09
◼
►
think just trying to get enough of the
[TS]
00:30:12
◼
►
misdirect so that when that twist came
[TS]
00:30:13
◼
►
later on you would have you you were off
[TS]
00:30:16
◼
►
of the first thing at least that's how
[TS]
00:30:17
◼
►
played for me because you know I just
[TS]
00:30:20
◼
►
yet that was that it pushed it a little
[TS]
00:30:22
◼
►
too far for my taste I thought they were
[TS]
00:30:24
◼
►
trying a little too hard and unlike the
[TS]
00:30:26
◼
►
sixth sense i think once you know the
[TS]
00:30:27
◼
►
twisted this movie it doesn't be
[TS]
00:30:29
◼
►
unless entertaining like it's not really
[TS]
00:30:31
◼
►
like the twist its fine its there it is
[TS]
00:30:34
◼
►
what it is but it's that the strength of
[TS]
00:30:38
◼
►
the movie is not in that part in all its
[TS]
00:30:40
◼
►
in the characterization and the way
[TS]
00:30:42
◼
►
things unfold like i like i like the
[TS]
00:30:43
◼
►
fact that was kind of realistically
[TS]
00:30:45
◼
►
animated and like you can imagine what
[TS]
00:30:48
◼
►
the way you describe this movie was
[TS]
00:30:49
◼
►
probably inaccurate because i haven't
[TS]
00:30:51
◼
►
seen enough brian de palma movies but
[TS]
00:30:52
◼
►
you say it's like a brian de palma movie
[TS]
00:30:53
◼
►
shot in anime because you could make a
[TS]
00:30:56
◼
►
live-action version of this movie like
[TS]
00:30:58
◼
►
the fantasy elements are our only
[TS]
00:31:01
◼
►
fantastical in terms of mental breakdown
[TS]
00:31:03
◼
►
type of things you know what I mean like
[TS]
00:31:05
◼
►
you could you could do it in live-action
[TS]
00:31:07
◼
►
it's it plays straight and fair and it's
[TS]
00:31:10
◼
►
are reasonably well structured thriller
[TS]
00:31:13
◼
►
if a little bit conventional but the
[TS]
00:31:14
◼
►
details of it would really make it
[TS]
00:31:16
◼
►
oh my gosh to the i would love to see a
[TS]
00:31:19
◼
►
live-action effect of the imaginary
[TS]
00:31:22
◼
►
meetin ya leaping from leaping from
[TS]
00:31:25
◼
►
street light red light red light because
[TS]
00:31:27
◼
►
that is that isn't hungry Reeves it's
[TS]
00:31:30
◼
►
wonderful i think it would make a good
[TS]
00:31:32
◼
►
live action movie
[TS]
00:31:33
◼
►
definitely yeah oh yeah well it was
[TS]
00:31:34
◼
►
supposed to be before the funding fell
[TS]
00:31:35
◼
►
through was not the story there right
[TS]
00:31:37
◼
►
that's according to wikipedia and
[TS]
00:31:39
◼
►
wikipedia is never wrong never so can we
[TS]
00:31:45
◼
►
talk about the the performer which is
[TS]
00:31:49
◼
►
set up in the movie by the it by the
[TS]
00:31:51
◼
►
stalker
[TS]
00:31:52
◼
►
believe it or not that's one another
[TS]
00:31:54
◼
►
reason that i recommend this movie
[TS]
00:31:55
◼
►
because the best anime is created by
[TS]
00:31:57
◼
►
obsessive people and the the perfect the
[TS]
00:32:00
◼
►
most perfect example this movie is that
[TS]
00:32:02
◼
►
incredibly obsessive depiction of
[TS]
00:32:04
◼
►
Macintosh performer 5300 can't tell but
[TS]
00:32:06
◼
►
what exactly did it set and the setup of
[TS]
00:32:09
◼
►
same in the box and the whole thing
[TS]
00:32:11
◼
►
enough imagine imagine me watching movie
[TS]
00:32:13
◼
►
not knowing anything about it but chosen
[TS]
00:32:15
◼
►
for me specifically by John siracusa and
[TS]
00:32:18
◼
►
a Macintosh perform appears I i had to
[TS]
00:32:20
◼
►
pause the movie on the airplane to laugh
[TS]
00:32:23
◼
►
and laugh and laugh until tears came
[TS]
00:32:25
◼
►
down my face it's did you see it like
[TS]
00:32:27
◼
►
every part of that was right like oh
[TS]
00:32:30
◼
►
yeah the startup screen
[TS]
00:32:32
◼
►
oh it was so nice to see that startup
[TS]
00:32:34
◼
►
screen again the hardware itself the
[TS]
00:32:37
◼
►
menu bar i think the sound was wrong
[TS]
00:32:41
◼
►
a bit but that was it was well they're
[TS]
00:32:43
◼
►
the people drawing it on control the
[TS]
00:32:44
◼
►
sound of the menu bar with little icons
[TS]
00:32:46
◼
►
in the finder folder labels the netscape
[TS]
00:32:49
◼
►
contemporary version escape splash
[TS]
00:32:51
◼
►
screen the UI and here's the thing that
[TS]
00:32:53
◼
►
drives me nuts about you know regular
[TS]
00:32:55
◼
►
live-action movies right
[TS]
00:32:57
◼
►
they have live action movies with the
[TS]
00:32:59
◼
►
actual real computer and like it'll be
[TS]
00:33:01
◼
►
like an actual real macintosh and they
[TS]
00:33:03
◼
►
still don't look as realistic as this
[TS]
00:33:04
◼
►
drawing Pacific crazy stuff in the
[TS]
00:33:06
◼
►
screen and the mouse is from like a ps2
[TS]
00:33:08
◼
►
or something yeah but what are you doing
[TS]
00:33:10
◼
►
you have the real computer for these
[TS]
00:33:12
◼
►
guys just have a pen and paper and said
[TS]
00:33:14
◼
►
no we're gonna get this exactly right
[TS]
00:33:16
◼
►
every single part of that you know real
[TS]
00:33:18
◼
►
URL she looks on the papers and the
[TS]
00:33:19
◼
►
actual your relative something like
[TS]
00:33:21
◼
►
backslashes instead of slashes and some
[TS]
00:33:23
◼
►
crazy like its it you know it's not hard
[TS]
00:33:25
◼
►
to do but it's just so amazing to see it
[TS]
00:33:28
◼
►
and like same thing with the other
[TS]
00:33:30
◼
►
things you see the coffeemaker the
[TS]
00:33:31
◼
►
supermarket the stuff that we don't
[TS]
00:33:33
◼
►
recognize those pathetic because we
[TS]
00:33:34
◼
►
don't know what the real things are but
[TS]
00:33:35
◼
►
that obsessive attention to detail is
[TS]
00:33:38
◼
►
what makes great anime great and like
[TS]
00:33:40
◼
►
little things like that you know all up
[TS]
00:33:42
◼
►
to the big things i had i just love it i
[TS]
00:33:44
◼
►
mean i'll be i'll be honest of course i
[TS]
00:33:46
◼
►
was going to notice the mac but i did
[TS]
00:33:47
◼
►
also obsessively notice the all the
[TS]
00:33:50
◼
►
labels of the prices on the shelves in
[TS]
00:33:53
◼
►
the supermarket so it wasn't just those
[TS]
00:33:55
◼
►
it wasn't just the performer but the
[TS]
00:33:56
◼
►
performer you know it really funny
[TS]
00:33:58
◼
►
really funny detail but also what it
[TS]
00:34:02
◼
►
says the idea that she has to explain
[TS]
00:34:04
◼
►
what room he has to explain to me mama
[TS]
00:34:06
◼
►
how the internet works essentially and
[TS]
00:34:09
◼
►
and how it's a homepage
[TS]
00:34:11
◼
►
basically it's a website for this for
[TS]
00:34:13
◼
►
for her fans and and then she sees that
[TS]
00:34:19
◼
►
there are these posts that are allegedly
[TS]
00:34:21
◼
►
by her that no details of her life but
[TS]
00:34:24
◼
►
aren't her and that's how she begins to
[TS]
00:34:26
◼
►
wonder if she's going crazy because she
[TS]
00:34:28
◼
►
doesn't say these things and yet they're
[TS]
00:34:30
◼
►
accurate right there dude down two down
[TS]
00:34:33
◼
►
to detail which is super creepy until
[TS]
00:34:35
◼
►
they're not until they're not psychotic
[TS]
00:34:37
◼
►
break the life she wants she has one of
[TS]
00:34:40
◼
►
the saddest little lines is when she
[TS]
00:34:42
◼
►
reads the 333 cyclist oh I guess I went
[TS]
00:34:45
◼
►
too hard you go today and you can tell
[TS]
00:34:46
◼
►
she has no recollection of it she's kind
[TS]
00:34:48
◼
►
of sad that that all I guess I did this
[TS]
00:34:51
◼
►
and she's just so beaten down and
[TS]
00:34:53
◼
►
resigned to the fact that somebody else
[TS]
00:34:54
◼
►
is is is eavesdropping on her life and
[TS]
00:34:58
◼
►
and marketing it and it's it's a further
[TS]
00:35:00
◼
►
symptom of her madness where she didn't
[TS]
00:35:02
◼
►
do that at all I always read that as
[TS]
00:35:04
◼
►
like maybe she didn't do that matter now
[TS]
00:35:05
◼
►
she's always figured I always assume
[TS]
00:35:07
◼
►
that she didn't and the assistant went
[TS]
00:35:10
◼
►
to Harvard you can block the clothes so
[TS]
00:35:11
◼
►
that way when she did the killing she
[TS]
00:35:12
◼
►
could then drop it off and there would
[TS]
00:35:13
◼
►
be the plant there would be the seed of
[TS]
00:35:15
◼
►
doubt in mimo in Minas mind right so if
[TS]
00:35:17
◼
►
she ever got arrested for she can be
[TS]
00:35:18
◼
►
like well I guess I want to her juku and
[TS]
00:35:21
◼
►
she would keep it down her own veracity
[TS]
00:35:23
◼
►
right i mean that that woman was crazy
[TS]
00:35:25
◼
►
like a fox
[TS]
00:35:26
◼
►
yeah she was she was yeah that's another
[TS]
00:35:29
◼
►
thing you can do in anime like a hat of
[TS]
00:35:32
◼
►
post section here that about like since
[TS]
00:35:34
◼
►
this movie should be done it could be
[TS]
00:35:35
◼
►
done in live-action why what's the point
[TS]
00:35:37
◼
►
of doing animation like wouldn't
[TS]
00:35:38
◼
►
wouldn't it be better and live action
[TS]
00:35:40
◼
►
and and I actually love animation i
[TS]
00:35:42
◼
►
think there's things you can do an
[TS]
00:35:43
◼
►
animation that I like so much better
[TS]
00:35:45
◼
►
than live action one of them is in the
[TS]
00:35:48
◼
►
final scene where it's revealed the room
[TS]
00:35:49
◼
►
is the you know the crazy person when
[TS]
00:35:53
◼
►
when we see roomy as she sees herself
[TS]
00:35:56
◼
►
and looks like a blood red clothes
[TS]
00:36:00
◼
►
version of mima but sometimes we see
[TS]
00:36:02
◼
►
like her reflection or we see her as she
[TS]
00:36:04
◼
►
actually is it looks totally different
[TS]
00:36:05
◼
►
and I guess you can do that with two
[TS]
00:36:07
◼
►
different actors in the movie or
[TS]
00:36:09
◼
►
whatever but just think things like that
[TS]
00:36:11
◼
►
you know that the fantasy elements that
[TS]
00:36:12
◼
►
you can do when you draw things I it's
[TS]
00:36:15
◼
►
also much of a piece i got like computer
[TS]
00:36:17
◼
►
animations and I was gonna call you do
[TS]
00:36:19
◼
►
anything in computer animation like
[TS]
00:36:20
◼
►
there's no limits its you know you
[TS]
00:36:22
◼
►
whatever your imagination but even more
[TS]
00:36:23
◼
►
so than with computer animation with a
[TS]
00:36:25
◼
►
blank piece of paper you can really do
[TS]
00:36:27
◼
►
anything and there's no like there's no
[TS]
00:36:29
◼
►
black holes like we all you want to like
[TS]
00:36:32
◼
►
liquids or or you know skin or like
[TS]
00:36:34
◼
►
certain things that are really hard that
[TS]
00:36:36
◼
►
it's like well that's a whole big deal
[TS]
00:36:37
◼
►
and you have to you know sink a
[TS]
00:36:38
◼
►
disproportionate amount of time and
[TS]
00:36:40
◼
►
effort in this one thing because you
[TS]
00:36:41
◼
►
just get a guy with a pencil they can
[TS]
00:36:43
◼
►
literally draw anything to end to
[TS]
00:36:44
◼
►
restrain yourself and draw the world
[TS]
00:36:46
◼
►
around you exactly as you see it but to
[TS]
00:36:48
◼
►
only embellish it just the right moment
[TS]
00:36:51
◼
►
in just the right way to make creepy or
[TS]
00:36:53
◼
►
surreal or whatever is what i love about
[TS]
00:36:55
◼
►
this this style of animation sort of
[TS]
00:36:57
◼
►
more realistic style while still showing
[TS]
00:37:00
◼
►
the flare that you can't really have in
[TS]
00:37:01
◼
►
live-action absolutely concur
[TS]
00:37:03
◼
►
there was a movie out about Mary
[TS]
00:37:04
◼
►
monroe called Norma Jean in maryland
[TS]
00:37:06
◼
►
where on mira sorvino played the Marilyn
[TS]
00:37:09
◼
►
Monroe part and actually just played the
[TS]
00:37:11
◼
►
Norma Jean part and watching those two
[TS]
00:37:13
◼
►
have scenes together was Marilyn having
[TS]
00:37:15
◼
►
am I crazy moment because it was
[TS]
00:37:18
◼
►
horrible it was a horrible awkward movie
[TS]
00:37:20
◼
►
to watch and I felt bad for everyone
[TS]
00:37:21
◼
►
involved so we shouldn't we should move
[TS]
00:37:25
◼
►
on so before we do that in it we should
[TS]
00:37:27
◼
►
sum up sum up our experience here for
[TS]
00:37:30
◼
►
having everybody how did everybody feel
[TS]
00:37:32
◼
►
what's the final verdict of this in the
[TS]
00:37:34
◼
►
end i don't think i'd recommend it to
[TS]
00:37:35
◼
►
somebody who's not already on the nerdly
[TS]
00:37:39
◼
►
spectrum
[TS]
00:37:40
◼
►
yeah but but that's just me because a
[TS]
00:37:43
◼
►
lot of things I think we were talking
[TS]
00:37:44
◼
►
about are things that we kind of tweaked
[TS]
00:37:45
◼
►
to because of obsessive natures are
[TS]
00:37:47
◼
►
geeky nature's my husband's a big fan of
[TS]
00:37:50
◼
►
more and i still wouldn't recommend this
[TS]
00:37:53
◼
►
I don't think well I think that the
[TS]
00:37:54
◼
►
things that we liked about it like John
[TS]
00:37:56
◼
►
said you've got a medium where you can
[TS]
00:37:58
◼
►
do these fantastical things and they're
[TS]
00:38:00
◼
►
perfectly aesthetically consistent
[TS]
00:38:01
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plausible I'm afraid of the movie i
[TS]
00:38:03
◼
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think that might actually be a turnoff
[TS]
00:38:04
◼
►
to to some people but did you like it
[TS]
00:38:08
◼
►
that's what we want oh my god yeah yeah
[TS]
00:38:10
◼
►
I mean I liked it a lot better than the
[TS]
00:38:11
◼
►
first time I saw which I actually
[TS]
00:38:13
◼
►
considered something of victory to
[TS]
00:38:17
◼
►
anyone about you i also enjoyed it i had
[TS]
00:38:19
◼
►
also seen it 10 or 11 or 12 years ago
[TS]
00:38:22
◼
►
but the dot remember it very struggling
[TS]
00:38:25
◼
►
uh I mainly remember i remember that it
[TS]
00:38:27
◼
►
had a twist in it but I did not remember
[TS]
00:38:29
◼
►
what the twist was enough
[TS]
00:38:30
◼
►
you're an old person now it's new to you
[TS]
00:38:32
◼
►
yeah you know I also remembered that
[TS]
00:38:34
◼
►
also it had disturbing visuals after the
[TS]
00:38:37
◼
►
twist which may have been part of why i
[TS]
00:38:38
◼
►
did not good memory i know somebody
[TS]
00:38:42
◼
►
who's gonna get like impaled on like you
[TS]
00:38:45
◼
►
know a giant glass so spoiler that that
[TS]
00:38:49
◼
►
stuck with me
[TS]
00:38:50
◼
►
oh the turnout was nothing that the the
[TS]
00:38:52
◼
►
whatever screwdriver ice pick stabbing
[TS]
00:38:55
◼
►
westward chose not to retain that but
[TS]
00:38:58
◼
►
yeah that
[TS]
00:38:59
◼
►
that isn't so good either I don't know
[TS]
00:39:01
◼
►
there was something about the following
[TS]
00:39:02
◼
►
on the beta class even though I guess
[TS]
00:39:04
◼
►
she's not be able to disturb you know
[TS]
00:39:06
◼
►
yeah relatively speaking yeah i mean
[TS]
00:39:09
◼
►
physically at least she was intact but
[TS]
00:39:12
◼
►
yeah I enjoyed it i think it works well
[TS]
00:39:14
◼
►
as kind of a thriller
[TS]
00:39:15
◼
►
um I'm not sure if i would recommend it
[TS]
00:39:17
◼
►
to somebody kind of seeking out on ma
[TS]
00:39:20
◼
►
just because it's it is relatively
[TS]
00:39:21
◼
►
different from a lot of other on
[TS]
00:39:23
◼
►
everyone challenging it's much more tuna
[TS]
00:39:25
◼
►
and so I it kind of does work is that I
[TS]
00:39:28
◼
►
mean it is you know very kind of
[TS]
00:39:30
◼
►
grown-up adult movie as opposed to other
[TS]
00:39:33
◼
►
army made that may have adult themes to
[TS]
00:39:34
◼
►
it but also as can still have kind of be
[TS]
00:39:36
◼
►
kind of more aimed at like a teenager
[TS]
00:39:38
◼
►
kind of audience so yeah yeah I I
[TS]
00:39:42
◼
►
thought it was okay I I because i
[TS]
00:39:44
◼
►
watched in alphabetical order it was
[TS]
00:39:46
◼
►
difficult because this is not as good
[TS]
00:39:48
◼
►
movie is the other 1i think but anyway
[TS]
00:39:50
◼
►
woof jaxson we'll we'll get there have a
[TS]
00:39:53
◼
►
gets better as the agency
[TS]
00:39:55
◼
►
this is a young man's movie full vigor
[TS]
00:39:57
◼
►
yeah uh-huh yeah
[TS]
00:39:59
◼
►
hey everyone nobody loves of pop idols
[TS]
00:40:02
◼
►
more than me i have a website maybe
[TS]
00:40:06
◼
►
you've seen it
[TS]
00:40:07
◼
►
Evie but the you know like I said I I
[TS]
00:40:11
◼
►
weird weird stalker way he's drawn and
[TS]
00:40:16
◼
►
obviously the bad guy and then I kind of
[TS]
00:40:18
◼
►
picked up on the on the on the assistant
[TS]
00:40:21
◼
►
being involved early on and you know I
[TS]
00:40:24
◼
►
it was fine it was fun i enjoyed the I
[TS]
00:40:29
◼
►
enjoyed that reality fantasy blurring of
[TS]
00:40:31
◼
►
the of the show within the show that the
[TS]
00:40:33
◼
►
TV series and how they change the Ark of
[TS]
00:40:35
◼
►
the show when she become successful to
[TS]
00:40:38
◼
►
make it more about her as the sister
[TS]
00:40:40
◼
►
who's confused and doesn't know reality
[TS]
00:40:42
◼
►
from fantasy which is hilarious because
[TS]
00:40:43
◼
►
we're also seeing the reality and
[TS]
00:40:46
◼
►
fantasy of her own life so it's like
[TS]
00:40:48
◼
►
they've written her life into the plot
[TS]
00:40:50
◼
►
and that makes it extra confusing for
[TS]
00:40:53
◼
►
her you know there's a lot to like about
[TS]
00:40:55
◼
►
i i i i don't know I i guess i go along
[TS]
00:40:58
◼
►
with the with tony and lisa that I liked
[TS]
00:41:01
◼
►
I've got some I've got some issues with
[TS]
00:41:05
◼
►
it i suppose i really love the early
[TS]
00:41:08
◼
►
days of the web fans interacting with
[TS]
00:41:11
◼
►
the with the their famous people
[TS]
00:41:13
◼
►
might there might be issues there that
[TS]
00:41:16
◼
►
was that was prescient I mean really
[TS]
00:41:18
◼
►
this was 1997 so you always this retro
[TS]
00:41:20
◼
►
know that was contemporary that was how
[TS]
00:41:22
◼
►
I was gonna pretty much out and the
[TS]
00:41:23
◼
►
beautiful thing about that is that she
[TS]
00:41:25
◼
►
actually explains it correctly you can
[TS]
00:41:27
◼
►
you put the you around the location bar
[TS]
00:41:28
◼
►
those are real words
[TS]
00:41:30
◼
►
yeah yeah no she she may be a crazy
[TS]
00:41:33
◼
►
stalker but she knows how to use format
[TS]
00:41:34
◼
►
yeah that's how she becomes the crazy
[TS]
00:41:37
◼
►
starter
[TS]
00:41:38
◼
►
yes she's she's very practiced
[TS]
00:41:40
◼
►
maintaining that site
[TS]
00:41:42
◼
►
yeah so she's got it all figured out
[TS]
00:41:44
◼
►
there's appears what you do Jason wait
[TS]
00:41:46
◼
►
10 years
[TS]
00:41:47
◼
►
watch the movie and then apparently
[TS]
00:41:49
◼
►
improves and I think it actually does
[TS]
00:41:52
◼
►
benefit from like reside watching you
[TS]
00:41:54
◼
►
know what it was originally released in
[TS]
00:41:55
◼
►
97 and really liked it and it's not a
[TS]
00:41:57
◼
►
few more times and then coming back to
[TS]
00:41:59
◼
►
her like well this is going to be played
[TS]
00:42:00
◼
►
out like you know seen this movie before
[TS]
00:42:02
◼
►
it's kind of a one-trick pony I've seen
[TS]
00:42:04
◼
►
it it's not gonna it's not going to be
[TS]
00:42:05
◼
►
affecting i'm not going to be caught up
[TS]
00:42:06
◼
►
with me just gonna kind of be but it got
[TS]
00:42:09
◼
►
me again and I was able to notice more
[TS]
00:42:11
◼
►
nuances this is not a movie that's
[TS]
00:42:12
◼
►
really about the story it's not about
[TS]
00:42:14
◼
►
the twist it's more it's more about the
[TS]
00:42:16
◼
►
emotion and if I don't maybe I'm reading
[TS]
00:42:19
◼
►
more into it than is there which is
[TS]
00:42:20
◼
►
typical thing with anime especially when
[TS]
00:42:22
◼
►
it's it's dumped because i can imagine
[TS]
00:42:23
◼
►
that the performances that I don't
[TS]
00:42:25
◼
►
understand are incredibly moving and
[TS]
00:42:27
◼
►
heartfelt and been really maybe just
[TS]
00:42:29
◼
►
someone reading lines I can't tell but
[TS]
00:42:32
◼
►
it got me again it wrapped me up in it
[TS]
00:42:34
◼
►
but I i agree that the millennium
[TS]
00:42:35
◼
►
actress is a better movie tom
[TS]
00:42:39
◼
►
that's all i have to say about that well
[TS]
00:42:41
◼
►
let's move on to millennium actress 2001
[TS]
00:42:44
◼
►
opening this direction the surprise
[TS]
00:42:47
◼
►
yes this is this is something almost out
[TS]
00:42:49
◼
►
of space 1999 where if there's a moon
[TS]
00:42:52
◼
►
base with a a a little sort of shall we
[TS]
00:42:58
◼
►
say flower petal style that's important
[TS]
00:43:02
◼
►
it's pastor J that's important
[TS]
00:43:04
◼
►
a little opening and should the woman it
[TS]
00:43:08
◼
►
has to go and and leave and no but you
[TS]
00:43:12
◼
►
can't go out there and she leaves him in
[TS]
00:43:13
◼
►
a rocket and you're thinking again what
[TS]
00:43:16
◼
►
is this that i'm watching and it turns
[TS]
00:43:17
◼
►
out that it is we cut to a guy watching
[TS]
00:43:21
◼
►
it on TV and he says this is always my
[TS]
00:43:23
◼
►
favorite part and turns out that he and
[TS]
00:43:26
◼
►
a cameraman
[TS]
00:43:27
◼
►
are going to interview this famous
[TS]
00:43:29
◼
►
actress who were mostly in the what
[TS]
00:43:32
◼
►
forties and fifties now up through from
[TS]
00:43:36
◼
►
the 47th sixties 36 panwar to ya-ya
[TS]
00:43:40
◼
►
Spanish start she starts during World
[TS]
00:43:41
◼
►
War Two and she stops pretty much when
[TS]
00:43:43
◼
►
she's in her forties so up to almost the
[TS]
00:43:46
◼
►
seventies i think is that that kind of
[TS]
00:43:48
◼
►
space movie wouldn't have been made any
[TS]
00:43:50
◼
►
ground before nineteen seventy yeah well
[TS]
00:43:52
◼
►
like I said it looks in 3-space 1999 I'm
[TS]
00:43:55
◼
►
oh yeah and and they are going to get a
[TS]
00:43:57
◼
►
rare interview with her so it'sit's him
[TS]
00:44:00
◼
►
and the cameraman and and they go to her
[TS]
00:44:04
◼
►
her house and and she comes out and says
[TS]
00:44:08
◼
►
I think you have something you said you
[TS]
00:44:10
◼
►
had something for me and he gives her a
[TS]
00:44:11
◼
►
key and she's taken aback by this and
[TS]
00:44:14
◼
►
quite shocked it's the Rosebud number of
[TS]
00:44:16
◼
►
yeah basically he's so he isn't she
[TS]
00:44:19
◼
►
talked about her garden how she loves
[TS]
00:44:20
◼
►
the flowers and his production company
[TS]
00:44:22
◼
►
we learn is also called lotus is that
[TS]
00:44:24
◼
►
right yeah which is the flower that she
[TS]
00:44:27
◼
►
grows and she's so that's funny I grows
[TS]
00:44:28
◼
►
flowers mrs. I know but it's not great
[TS]
00:44:31
◼
►
restart not into creepy stalker creepy
[TS]
00:44:33
◼
►
in a fanboy yeah he's a total he's a
[TS]
00:44:36
◼
►
huge fan of hers who is who is now
[TS]
00:44:37
◼
►
interviewing her for a documentary about
[TS]
00:44:40
◼
►
her life basically and she begins to
[TS]
00:44:43
◼
►
tell her story of this this famous
[TS]
00:44:46
◼
►
actress and it's told in flashback and
[TS]
00:44:51
◼
►
so for a while you're thinking okay i
[TS]
00:44:54
◼
►
get i get with this is going up see
[TS]
00:44:55
◼
►
movies like this and then a funny thing
[TS]
00:44:57
◼
►
happens which is the interviewer and
[TS]
00:45:00
◼
►
cameraman are in the flashback as if
[TS]
00:45:02
◼
►
they're recording the flashback for the
[TS]
00:45:04
◼
►
documentary and thus begins millennium
[TS]
00:45:07
◼
►
actress where reality and fantasy you
[TS]
00:45:10
◼
►
may have you may have just heard us
[TS]
00:45:11
◼
►
talking about this for another movie are
[TS]
00:45:13
◼
►
blurred and and and uh it's fascinating
[TS]
00:45:17
◼
►
because they're interacting in her
[TS]
00:45:20
◼
►
flashback while also obviously cut to
[TS]
00:45:24
◼
►
she's telling them the story and its
[TS]
00:45:26
◼
►
kind of delightful in the way that it's
[TS]
00:45:28
◼
►
not your usual you know flashback with
[TS]
00:45:31
◼
►
you know ripple dissolve to
[TS]
00:45:33
◼
►
black-and-white of here's what happened
[TS]
00:45:35
◼
►
instead they're like commenting on and
[TS]
00:45:37
◼
►
and kind of like chasing the characters
[TS]
00:45:39
◼
►
around through
[TS]
00:45:40
◼
►
flashbacks and then it gets it gets even
[TS]
00:45:43
◼
►
weirder as it as it goes to the point
[TS]
00:45:47
◼
►
where you get really confused about how
[TS]
00:45:48
◼
►
it could possibly be be happening and
[TS]
00:45:51
◼
►
it's it's a yeah it's fascinating it had
[TS]
00:45:54
◼
►
a guy i really like this i thought i
[TS]
00:45:57
◼
►
thought that it was great and i love the
[TS]
00:46:00
◼
►
blurring of reality and fantasy and it's
[TS]
00:46:01
◼
►
a weird afterward my wife said so how
[TS]
00:46:03
◼
►
was that my said it's a weird movie and
[TS]
00:46:06
◼
►
she said it looked weird and I said yeah
[TS]
00:46:08
◼
►
but it's really good it's really good
[TS]
00:46:09
◼
►
really good
[TS]
00:46:10
◼
►
I was really moved by it yeah oh yeah
[TS]
00:46:13
◼
►
especially and what I love about the
[TS]
00:46:14
◼
►
movie is how you said it opens up with
[TS]
00:46:16
◼
►
with the misdirect but I i will say that
[TS]
00:46:20
◼
►
it provides a beautiful bracketing but
[TS]
00:46:22
◼
►
towards the end of the movie where he
[TS]
00:46:25
◼
►
stands up its well that's bookings and
[TS]
00:46:28
◼
►
she sums up he sums up what you come to
[TS]
00:46:30
◼
►
realize about her and about the whole
[TS]
00:46:32
◼
►
narrative and then she seems off into
[TS]
00:46:34
◼
►
space and I thought what a beautiful
[TS]
00:46:37
◼
►
metaphor for the end of the 20th century
[TS]
00:46:39
◼
►
because this movie I feel like it's sort
[TS]
00:46:41
◼
►
of a love letter to the people of Japan
[TS]
00:46:43
◼
►
for everything they had to live through
[TS]
00:46:44
◼
►
the 20th century and the things that
[TS]
00:46:46
◼
►
they may have relied on to keep them
[TS]
00:46:48
◼
►
going and when the journey becomes much
[TS]
00:46:51
◼
►
more interesting than the destination
[TS]
00:46:52
◼
►
and and you become much more optimistic
[TS]
00:46:54
◼
►
about the future simply because you have
[TS]
00:46:56
◼
►
a way to get there so I i was just
[TS]
00:46:58
◼
►
incredibly moved by this movie
[TS]
00:47:00
◼
►
yeah they're one of the reasons I i
[TS]
00:47:02
◼
►
picked this as such a nice connection
[TS]
00:47:04
◼
►
with perfect blue is all these things
[TS]
00:47:07
◼
►
that we said the same that the female
[TS]
00:47:08
◼
►
lead the mixing of reality and and you
[TS]
00:47:11
◼
►
know film or fantasy or fiction and
[TS]
00:47:14
◼
►
stuff like that seems to be just like
[TS]
00:47:16
◼
►
all this is to know the two sides of the
[TS]
00:47:18
◼
►
same coin but they're so incredibly
[TS]
00:47:19
◼
►
different in tone like this is so much
[TS]
00:47:21
◼
►
more playful and has an entirely
[TS]
00:47:23
◼
►
different emotions field despite doing
[TS]
00:47:25
◼
►
so many of the same things the other
[TS]
00:47:27
◼
►
thing doesn't mixing together at her her
[TS]
00:47:31
◼
►
work as an actress with her life
[TS]
00:47:33
◼
►
yes so in in perfect blue she's reading
[TS]
00:47:36
◼
►
lines at in the story that could very
[TS]
00:47:39
◼
►
well be talking about either what her
[TS]
00:47:41
◼
►
actual life is or what we think maybe is
[TS]
00:47:44
◼
►
you know that the video we can tell
[TS]
00:47:47
◼
►
issue talking about real life for her
[TS]
00:47:48
◼
►
fantasy life or maybe your family life
[TS]
00:47:50
◼
►
is her real life and it seems so
[TS]
00:47:51
◼
►
on-the-nose right and in here in this
[TS]
00:47:54
◼
►
did you do the same thing where she's in
[TS]
00:47:56
◼
►
these movies she's playing you know a
[TS]
00:47:58
◼
►
geisha girl she's playing a warrior
[TS]
00:48:00
◼
►
princess she's doing whatever she's
[TS]
00:48:01
◼
►
playing and the lines that she'd read
[TS]
00:48:03
◼
►
you know because you've been listening
[TS]
00:48:05
◼
►
to her retail her life are just entirely
[TS]
00:48:07
◼
►
directly about her life and you're like
[TS]
00:48:09
◼
►
oh that's how could the lines of the
[TS]
00:48:10
◼
►
movies be directly about her life and I
[TS]
00:48:12
◼
►
think that is a wonderful way to show
[TS]
00:48:13
◼
►
what it feels like to be an actor
[TS]
00:48:16
◼
►
because you know your actors always
[TS]
00:48:18
◼
►
drawing on emotions in their own life or
[TS]
00:48:19
◼
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whatever and yeah they got their not
[TS]
00:48:21
◼
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saying lines that are that are like you
[TS]
00:48:23
◼
►
know when my father left me when I was a
[TS]
00:48:25
◼
►
child like if my lines in the movie they
[TS]
00:48:26
◼
►
don't say but that's what it feels like
[TS]
00:48:28
◼
►
to them so when we see her speaking
[TS]
00:48:29
◼
►
these lines like everything is subtext
[TS]
00:48:31
◼
►
this movie because the text is not the
[TS]
00:48:32
◼
►
text about the text right and sometimes
[TS]
00:48:35
◼
►
it seems like almost kind of corny were
[TS]
00:48:37
◼
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like out there wouldn't be a line in the
[TS]
00:48:38
◼
►
mood so directly addresses the thing
[TS]
00:48:40
◼
►
that she's going through her life right
[TS]
00:48:41
◼
►
now but that's what it feels like if
[TS]
00:48:43
◼
►
you're channeling those emotions into a
[TS]
00:48:44
◼
►
nagging performance and of course we're
[TS]
00:48:46
◼
►
only shown selected lines from it in and
[TS]
00:48:48
◼
►
then like they just they just keep
[TS]
00:48:50
◼
►
turning the crank to say okay are you
[TS]
00:48:51
◼
►
still with us but we'll turn even
[TS]
00:48:53
◼
►
farther you still with us now what about
[TS]
00:48:54
◼
►
this what about this and you know he's
[TS]
00:48:56
◼
►
saving her in the movies and at some
[TS]
00:48:58
◼
►
point it's like danger and moving you're
[TS]
00:48:59
◼
►
worried about how are you like when it's
[TS]
00:49:00
◼
►
like this is the movie isnot she's not
[TS]
00:49:01
◼
►
actually in danger and and like her you
[TS]
00:49:04
◼
►
know the painter guys chasing after it
[TS]
00:49:06
◼
►
like inside the movie but not really and
[TS]
00:49:08
◼
►
you know is she telling a story about
[TS]
00:49:09
◼
►
her own light real life in a train
[TS]
00:49:11
◼
►
accident or is this a train accident in
[TS]
00:49:13
◼
►
a movie right and when they get out of
[TS]
00:49:14
◼
►
the train because they're surrounded
[TS]
00:49:16
◼
►
their then in feudal Japan right so
[TS]
00:49:19
◼
►
there's that element to of like well
[TS]
00:49:20
◼
►
what is did she really did she go
[TS]
00:49:22
◼
►
through a portal and step backward in
[TS]
00:49:23
◼
►
time did the movie is it a science
[TS]
00:49:25
◼
►
fiction movie that she's making or is
[TS]
00:49:27
◼
►
this just another movie that happened a
[TS]
00:49:29
◼
►
little bit later
[TS]
00:49:30
◼
►
what's the but but the whole point of
[TS]
00:49:31
◼
►
this movie is about the flexibility of
[TS]
00:49:33
◼
►
memory and how sometimes memory makes
[TS]
00:49:35
◼
►
things feel more real to you than what
[TS]
00:49:37
◼
►
actually happened at the time and so
[TS]
00:49:39
◼
►
over time your story of what happened
[TS]
00:49:42
◼
►
and the story of your feelings becomes
[TS]
00:49:45
◼
►
the truth it's also about how film is
[TS]
00:49:47
◼
►
our film is our memory in some ways and
[TS]
00:49:50
◼
►
film represents reality it and and then
[TS]
00:49:53
◼
►
the next step beyond that it's also
[TS]
00:49:55
◼
►
about like you said the history 20th
[TS]
00:49:57
◼
►
century Japan and the way the movies the
[TS]
00:49:59
◼
►
movies that she makes reflect that right
[TS]
00:50:02
◼
►
right to the point where when she starts
[TS]
00:50:04
◼
►
it's a you know they're shooting a movie
[TS]
00:50:06
◼
►
in China
[TS]
00:50:07
◼
►
there's a nationalistic you know cheap
[TS]
00:50:10
◼
►
Japanese campaign to you in China and
[TS]
00:50:14
◼
►
they've taken over portions of China
[TS]
00:50:16
◼
►
pre-world War two is when they referred
[TS]
00:50:18
◼
►
as Manchuria that brought me up for a
[TS]
00:50:20
◼
►
moment yeah like God that's right and
[TS]
00:50:22
◼
►
then yeah and then you start thinking
[TS]
00:50:24
◼
►
about the rape of nanking and how for
[TS]
00:50:26
◼
►
ordinary Japanese citizens they know
[TS]
00:50:28
◼
►
nothing about this and and their
[TS]
00:50:30
◼
►
perspective will be completely different
[TS]
00:50:32
◼
►
which is all we have to make booster
[TS]
00:50:33
◼
►
films and we have to support the troops
[TS]
00:50:35
◼
►
and right and the Chinese were
[TS]
00:50:37
◼
►
desperately fighting to keep these
[TS]
00:50:39
◼
►
people out our are seen as these savages
[TS]
00:50:41
◼
►
as opposed to although she's chasing a
[TS]
00:50:44
◼
►
hippie painter who is anti-war yeah
[TS]
00:50:46
◼
►
to be fair or what passes for a hippie
[TS]
00:50:49
◼
►
in nineteen thirties Japan revolutionary
[TS]
00:50:52
◼
►
this is one of the hit the other comp
[TS]
00:50:55
◼
►
you a very common thing anime and how
[TS]
00:50:57
◼
►
could it not be an end its represented
[TS]
00:50:59
◼
►
better in this movie than perfect blue
[TS]
00:51:01
◼
►
out so this movie has a building shaking
[TS]
00:51:03
◼
►
events that punctuate the movie its
[TS]
00:51:05
◼
►
specific moments
[TS]
00:51:07
◼
►
Matt both man-made and earthquakes and
[TS]
00:51:09
◼
►
Japan's fault lines you know and
[TS]
00:51:11
◼
►
everything but then you've got the world
[TS]
00:51:12
◼
►
war two firebombing and all that other
[TS]
00:51:13
◼
►
stuff right and how its how can any art
[TS]
00:51:18
◼
►
made by Japan post-war to not be about
[TS]
00:51:22
◼
►
like at the very very bottom like not
[TS]
00:51:24
◼
►
have liked the war atomic bombs like
[TS]
00:51:27
◼
►
that is such an incredible theme
[TS]
00:51:28
◼
►
throughout all of anime and it's like
[TS]
00:51:30
◼
►
it's kind of you know cliche like oh oh
[TS]
00:51:32
◼
►
you know Japanese every one of the
[TS]
00:51:33
◼
►
movies about a nuclear bomb so they did
[TS]
00:51:35
◼
►
have the two of the city's growing up I
[TS]
00:51:37
◼
►
was like like yeah it's like saying you
[TS]
00:51:40
◼
►
don't respect it's like saying all
[TS]
00:51:42
◼
►
Western literature is like so much stuff
[TS]
00:51:44
◼
►
based on the bible it's so try to like
[TS]
00:51:45
◼
►
that all you know this
[TS]
00:51:47
◼
►
there's a reason for that like it's it's
[TS]
00:51:49
◼
►
it's such a theme in the movies and this
[TS]
00:51:51
◼
►
is this is one that uses those themes
[TS]
00:51:53
◼
►
with with the earthquakes and and you
[TS]
00:51:55
◼
►
know all the war 15 to 20 years from now
[TS]
00:51:57
◼
►
someone's gonna go back and go a lot of
[TS]
00:51:59
◼
►
American pop culture was really
[TS]
00:52:00
◼
►
obsessing over terrorism and secret
[TS]
00:52:03
◼
►
betrayals and buildings falling down and
[TS]
00:52:05
◼
►
and well can't they get over that
[TS]
00:52:07
◼
►
come on you're the only nation on the
[TS]
00:52:09
◼
►
planet to get nuked yeah at and I feel
[TS]
00:52:12
◼
►
like this is this movie is about it in
[TS]
00:52:14
◼
►
in a in a beautiful and subtle way like
[TS]
00:52:16
◼
►
making life because it's about her
[TS]
00:52:18
◼
►
personal like these these earthquakes
[TS]
00:52:19
◼
►
and events have to do with like that
[TS]
00:52:21
◼
►
11 happens at the end of the movie the
[TS]
00:52:23
◼
►
dance ends up sending into the hospital
[TS]
00:52:24
◼
►
is the one that that in the beginning
[TS]
00:52:26
◼
►
with it interrupts the the buses name
[TS]
00:52:28
◼
►
jenya from from watching the movie at
[TS]
00:52:31
◼
►
this is a young version of him saving
[TS]
00:52:34
◼
►
her in the earthquake that sort of ends
[TS]
00:52:36
◼
►
her career when she loses the key right
[TS]
00:52:37
◼
►
and fought the light great lighting
[TS]
00:52:39
◼
►
break falls on her is the actual total
[TS]
00:52:41
◼
►
destruction of the studio by
[TS]
00:52:43
◼
►
construction equipment destruction of
[TS]
00:52:45
◼
►
the studio by firebombing by you know us
[TS]
00:52:47
◼
►
bombers that theme but just you know
[TS]
00:52:51
◼
►
repeated in this movie several different
[TS]
00:52:53
◼
►
times kind of look like I feel like this
[TS]
00:52:55
◼
►
movie gets away with so much that would
[TS]
00:52:57
◼
►
be corny or ham-fisted because it's just
[TS]
00:53:01
◼
►
so good-natured and fun and I like we're
[TS]
00:53:04
◼
►
just going to feel these emotions
[TS]
00:53:05
◼
►
together and we're not gonna take
[TS]
00:53:07
◼
►
anything too seriously but there is real
[TS]
00:53:08
◼
►
deep emotion like it's not it's not
[TS]
00:53:10
◼
►
wacky and silly it strikes the right
[TS]
00:53:13
◼
►
balance and that's why I feel like it
[TS]
00:53:14
◼
►
it carries you with it to get that big
[TS]
00:53:16
◼
►
payoff at the end when she you know goes
[TS]
00:53:18
◼
►
off into into a hyperspace
[TS]
00:53:20
◼
►
tony is still out there i'm still here
[TS]
00:53:22
◼
►
what do you think
[TS]
00:53:23
◼
►
um I guess I i did not like this movie
[TS]
00:53:26
◼
►
is jaha uh haha i I've only seen it once
[TS]
00:53:31
◼
►
and that was today so maybe it will be
[TS]
00:53:34
◼
►
different when I revisit it
[TS]
00:53:36
◼
►
I mean I think I picked up on a lot of
[TS]
00:53:38
◼
►
it but perhaps some of it you know i was
[TS]
00:53:41
◼
►
missed by and I think I particular i did
[TS]
00:53:44
◼
►
not like kind of the insertion of the
[TS]
00:53:47
◼
►
filmmakers or said and you know his
[TS]
00:53:49
◼
►
cameraman kind of into this i don't know
[TS]
00:53:51
◼
►
that that didn't work for me um like
[TS]
00:53:53
◼
►
that they they did that and I was like
[TS]
00:53:55
◼
►
is are they gonna keep doing this
[TS]
00:53:56
◼
►
because i don't i don't want that mean
[TS]
00:53:58
◼
►
well that's going to turn you off from
[TS]
00:53:59
◼
►
the movie yeah and they kinda and I was
[TS]
00:54:01
◼
►
like you know and they like I kind of
[TS]
00:54:03
◼
►
liked work the when they went to the
[TS]
00:54:04
◼
►
scene that was kind of from his
[TS]
00:54:06
◼
►
perspective right and and he was talking
[TS]
00:54:08
◼
►
to you know where we saw him his mini
[TS]
00:54:10
◼
►
career with the studio but there i think
[TS]
00:54:13
◼
►
it was especially kind of the secondary
[TS]
00:54:15
◼
►
character of the of the cameraman who
[TS]
00:54:17
◼
►
was really kind of just their kind of
[TS]
00:54:19
◼
►
for comedic purposes kind of slapstick e
[TS]
00:54:21
◼
►
comedic purposes that really kind of
[TS]
00:54:23
◼
►
that broke that for me I didn't love the
[TS]
00:54:25
◼
►
cameraman he's definitely a tie-pin
[TS]
00:54:27
◼
►
animate the the disinterested assistant
[TS]
00:54:31
◼
►
you know salary men
[TS]
00:54:33
◼
►
you know too-cool-for-school kind of
[TS]
00:54:35
◼
►
thing but like they bring him around at
[TS]
00:54:36
◼
►
the end too because he is a man anime
[TS]
00:54:37
◼
►
character which you may not know if you
[TS]
00:54:39
◼
►
don't watch a lot of anime but then by
[TS]
00:54:40
◼
►
the end of the movie he's actually
[TS]
00:54:41
◼
►
interested in hurst as they're driving
[TS]
00:54:42
◼
►
to the hospital he's he has come around
[TS]
00:54:44
◼
►
fight like you see a finally a crack in
[TS]
00:54:47
◼
►
that cynical kind of have to be here
[TS]
00:54:49
◼
►
doing this no you know I mean and you
[TS]
00:54:51
◼
►
know it's they're both they're both
[TS]
00:54:52
◼
►
characters like the guys so enthusiastic
[TS]
00:54:54
◼
►
and he loves you know his favorite
[TS]
00:54:57
◼
►
actress and like but you mean youyou the
[TS]
00:54:59
◼
►
bind to that are you doing business this
[TS]
00:55:01
◼
►
is that this is that kind of movie is
[TS]
00:55:02
◼
►
the kind of movie admit it you know is
[TS]
00:55:04
◼
►
going to be over-the-top and it's going
[TS]
00:55:06
◼
►
to do corny things and it's gonna do
[TS]
00:55:08
◼
►
ham-fisted things and you that you
[TS]
00:55:10
◼
►
either you either buy it or you don't
[TS]
00:55:12
◼
►
and I've got this with the movie i
[TS]
00:55:14
◼
►
actually have recommended to a lot of
[TS]
00:55:15
◼
►
people who say they're not into anime
[TS]
00:55:16
◼
►
and some people are just completely
[TS]
00:55:18
◼
►
bounces often it's just too weird for
[TS]
00:55:19
◼
►
other people it can if it catches you
[TS]
00:55:21
◼
►
you're doing because it knows exactly
[TS]
00:55:23
◼
►
where it's going to take you and it
[TS]
00:55:24
◼
►
brings you straight through and pops you
[TS]
00:55:26
◼
►
out the other side and I'm all the anime
[TS]
00:55:29
◼
►
movies i have this is the most likely 12
[TS]
00:55:31
◼
►
cause people to be crying at the end of
[TS]
00:55:32
◼
►
it was just something something from you
[TS]
00:55:34
◼
►
know that anime tends not to have that
[TS]
00:55:36
◼
►
reputation but this movie of all the
[TS]
00:55:38
◼
►
ones of my collection can actually do it
[TS]
00:55:40
◼
►
but if specifically if you don't let it
[TS]
00:55:42
◼
►
never doesn't it doesn't grab you that's
[TS]
00:55:43
◼
►
not gonna happen i'm just gonna be this
[TS]
00:55:45
◼
►
weird movie where nothing happens
[TS]
00:55:46
◼
►
I mean I i found it touching but i think
[TS]
00:55:48
◼
►
yeah I don't think I was grabbed and I
[TS]
00:55:51
◼
►
guess I thought perfect blue was a prep
[TS]
00:55:53
◼
►
better but I guess I'm well that's
[TS]
00:55:56
◼
►
certainly more to grab you in perfectly
[TS]
00:55:57
◼
►
like if it's more it is definitely like
[TS]
00:55:59
◼
►
it nothing happens the millennium
[TS]
00:56:01
◼
►
actress something happens when people
[TS]
00:56:03
◼
►
like very little trip you know it's the
[TS]
00:56:05
◼
►
story of and i think i think i caught
[TS]
00:56:07
◼
►
onto pretty early on you know that
[TS]
00:56:09
◼
►
wasn't good at you know there wasn't
[TS]
00:56:10
◼
►
gonna be like a twister or you know
[TS]
00:56:13
◼
►
there wasn't so much gonna be like a
[TS]
00:56:14
◼
►
point of tension that was gonna go
[TS]
00:56:16
◼
►
murder my lit yeah there was no murder
[TS]
00:56:18
◼
►
you know I I kind of figured the other
[TS]
00:56:20
◼
►
the hippie you know in that you know a
[TS]
00:56:23
◼
►
few million in Japan but you know she's
[TS]
00:56:25
◼
►
being interviewed her old age probably
[TS]
00:56:26
◼
►
like you know the revolutionaries not
[TS]
00:56:28
◼
►
hang out in her backyard was gonna walk
[TS]
00:56:30
◼
►
have you met my gardener but that's the
[TS]
00:56:33
◼
►
thing if this movie catches you like you
[TS]
00:56:34
◼
►
people will find themselves like like
[TS]
00:56:38
◼
►
you know she's not going to see that guy
[TS]
00:56:40
◼
►
again but you occasionally like find
[TS]
00:56:43
◼
►
yourself hoping you know like that
[TS]
00:56:45
◼
►
that it could happen but like it'll suck
[TS]
00:56:48
◼
►
it'll suck you into it like the
[TS]
00:56:49
◼
►
documentary filmmakers is you know his
[TS]
00:56:51
◼
►
long-lost son or something right or just
[TS]
00:56:54
◼
►
like the story of they finally met and
[TS]
00:56:55
◼
►
they want to i know she never saw again
[TS]
00:56:57
◼
►
he was killed was actually died
[TS]
00:56:59
◼
►
no it'sit's a better story than all of
[TS]
00:57:01
◼
►
that they were just parts of it that
[TS]
00:57:03
◼
►
didn't grab me and you know already
[TS]
00:57:04
◼
►
watching l.o.l won't wait as long as it
[TS]
00:57:06
◼
►
I've waited to rewatch perfect blue but
[TS]
00:57:09
◼
►
maybe it'll be different you have to be
[TS]
00:57:12
◼
►
in the mood for both of these movies and
[TS]
00:57:13
◼
►
definitely this one you have to be kind
[TS]
00:57:15
◼
►
of it you know they were assigned
[TS]
00:57:16
◼
►
reading that was the bad you have to be
[TS]
00:57:18
◼
►
in a chill mood for ideas but my teacher
[TS]
00:57:21
◼
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told me to do I tell you watching
[TS]
00:57:22
◼
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watching my pad while you're flying to
[TS]
00:57:24
◼
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your vacation because really the primary
[TS]
00:57:27
◼
►
way to do it yeah i did did not take the
[TS]
00:57:30
◼
►
recommended dosage yeah so so the
[TS]
00:57:32
◼
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animation stylist move against very
[TS]
00:57:34
◼
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similar to a perfect blue kind of a
[TS]
00:57:35
◼
►
realistic style but if you look closer
[TS]
00:57:37
◼
►
not really realistic but i thought like
[TS]
00:57:38
◼
►
the yeah if they have you know that one
[TS]
00:57:41
◼
►
of the oscars for like you know costume
[TS]
00:57:42
◼
►
design and seven declaration and stuff
[TS]
00:57:44
◼
►
like the period the capability to
[TS]
00:57:46
◼
►
capture these different periods just
[TS]
00:57:48
◼
►
like even just like me the way what's
[TS]
00:57:51
◼
►
her name
[TS]
00:57:51
◼
►
heo co is drawn from like as a child to
[TS]
00:57:54
◼
►
to sort of a young ingénue two more
[TS]
00:57:57
◼
►
seasoned actress a trendy hairstyles are
[TS]
00:57:58
◼
►
closed how she carries herself for
[TS]
00:58:00
◼
►
demeanor the surrounding so everything
[TS]
00:58:02
◼
►
about it is just beautiful that I
[TS]
00:58:04
◼
►
thought that was it that was kind of an
[TS]
00:58:05
◼
►
element that work particularly well as
[TS]
00:58:08
◼
►
an animation right i mean if they hadn't
[TS]
00:58:09
◼
►
as a live-action you have three days the
[TS]
00:58:11
◼
►
actors and all that and instead they're
[TS]
00:58:13
◼
►
able to age her
[TS]
00:58:14
◼
►
yeah he even with makeup and things like
[TS]
00:58:16
◼
►
that it wouldn't kind of have felt the
[TS]
00:58:18
◼
►
same way especially when they were doing
[TS]
00:58:19
◼
►
all the things with a kind of quick
[TS]
00:58:21
◼
►
cutting back and forth between the
[TS]
00:58:22
◼
►
different eras toward the end and that
[TS]
00:58:24
◼
►
that really wouldn't have worked as I
[TS]
00:58:26
◼
►
can take you out of it and and yeah it
[TS]
00:58:28
◼
►
was distracting in great movies like you
[TS]
00:58:31
◼
►
know if you can you can pause a great
[TS]
00:58:32
◼
►
movie and like what you see up on the
[TS]
00:58:34
◼
►
screen that could be a work of art well
[TS]
00:58:35
◼
►
you know the animation is literally that
[TS]
00:58:37
◼
►
like you know in the best case it's 24
[TS]
00:58:38
◼
►
beautiful your own pictures every second
[TS]
00:58:40
◼
►
and I i did this is one of the reasons
[TS]
00:58:44
◼
►
that I don't know what we should talk
[TS]
00:58:46
◼
►
about why don't like comic books on
[TS]
00:58:47
◼
►
different podcasts maybe some other time
[TS]
00:58:48
◼
►
know about Admiral Amanda you know like
[TS]
00:58:51
◼
►
there are the motion and fluidity of
[TS]
00:58:54
◼
►
these drawings like it's step above
[TS]
00:58:55
◼
►
having that there's one drawing but a
[TS]
00:58:57
◼
►
series of the night and I feel like each
[TS]
00:58:59
◼
►
any frame from this movie you know it's
[TS]
00:59:01
◼
►
just so beautifully realised not because
[TS]
00:59:03
◼
►
it's very complicated they're simple
[TS]
00:59:05
◼
►
background there you know that is a
[TS]
00:59:06
◼
►
painting is themselves over like if you
[TS]
00:59:08
◼
►
know the tricks like it's not it's not
[TS]
00:59:10
◼
►
you know it's not like studio ghibli
[TS]
00:59:12
◼
►
where you realize these poor suckers
[TS]
00:59:13
◼
►
some guy spent like a year doing that
[TS]
00:59:15
◼
►
background screen for three seconds and
[TS]
00:59:17
◼
►
that you know these are made more
[TS]
00:59:20
◼
►
cheaply than those those big budget
[TS]
00:59:22
◼
►
movies but there's still enough artistry
[TS]
00:59:24
◼
►
in the way they draw these characters in
[TS]
00:59:26
◼
►
the surroundings and how they move and
[TS]
00:59:28
◼
►
and everything that you know I I just
[TS]
00:59:31
◼
►
appreciate that I appreciate that more
[TS]
00:59:32
◼
►
than I would a great live-action movies
[TS]
00:59:35
◼
►
much love light actually sometimes like
[TS]
00:59:37
◼
►
when watching animated movie that that's
[TS]
00:59:39
◼
►
like the pinnacle of moving pictures is
[TS]
00:59:41
◼
►
when someone draws every single one of
[TS]
00:59:43
◼
►
this was yeah I so I i really did I
[TS]
00:59:46
◼
►
really did like it
[TS]
00:59:47
◼
►
millennium actress and and was surprised
[TS]
00:59:51
◼
►
and I did get fished in by the opening
[TS]
00:59:53
◼
►
where i'm watching the weird sci-fi
[TS]
00:59:55
◼
►
moonbase move he that turns out to be
[TS]
00:59:59
◼
►
her last
[TS]
00:59:59
◼
►
her last
[TS]
01:00:00
◼
►
her last film and i love the echoes of a
[TS]
01:00:03
◼
►
real-life actors and actresses i know
[TS]
01:00:04
◼
►
this is apparently based on a on a on a
[TS]
01:00:08
◼
►
Japanese actress but that either echoes
[TS]
01:00:10
◼
►
of this and a lot of actors of this
[TS]
01:00:12
◼
►
generation where their lifespan sort of
[TS]
01:00:15
◼
►
like early days of film and then you
[TS]
01:00:18
◼
►
know inevitably they're the sort of
[TS]
01:00:19
◼
►
embarrassing period pieces at the end of
[TS]
01:00:22
◼
►
their career and-and the moonbase movie
[TS]
01:00:25
◼
►
is obviously hers and yet in the end it
[TS]
01:00:28
◼
►
becomes this really touching moment
[TS]
01:00:29
◼
►
because it's representing her the end of
[TS]
01:00:31
◼
►
the end of her life and so yeah I
[TS]
01:00:34
◼
►
thought it was great
[TS]
01:00:36
◼
►
I I don't have much to say about it i
[TS]
01:00:38
◼
►
guess the other one just because I i
[TS]
01:00:40
◼
►
really liked it and I liked how the PM
[TS]
01:00:43
◼
►
it kept me off balance with the reality
[TS]
01:00:45
◼
►
versus fantasy all kind of rolling
[TS]
01:00:48
◼
►
together and in the end it was all about
[TS]
01:00:50
◼
►
her life and and a weather was in her
[TS]
01:00:53
◼
►
life or in her films it was all about
[TS]
01:00:55
◼
►
her life and the reason you have to
[TS]
01:00:57
◼
►
watch is in this order is because you
[TS]
01:00:59
◼
►
want to end with the feeling that you
[TS]
01:01:00
◼
►
have at the end of letting actress even
[TS]
01:01:02
◼
►
though perfect blue has more or less a
[TS]
01:01:03
◼
►
happy ending
[TS]
01:01:04
◼
►
you don't want that to be like you know
[TS]
01:01:07
◼
►
the final the final taste in your mouth
[TS]
01:01:09
◼
►
is this is like I don't want that to be
[TS]
01:01:11
◼
►
the last thing i want for anything
[TS]
01:01:12
◼
►
it was perfect John because i watch
[TS]
01:01:14
◼
►
millennium actress and I had that
[TS]
01:01:15
◼
►
feeling and then I stepped off the plane
[TS]
01:01:16
◼
►
and I was in hawaii for eight days and
[TS]
01:01:19
◼
►
you're my favorite blue in your back
[TS]
01:01:20
◼
►
door and I stepped I stepped off the
[TS]
01:01:21
◼
►
plane and it was 20 degrees colder and
[TS]
01:01:23
◼
►
in California in February so maybe it
[TS]
01:01:26
◼
►
works for me what it
[TS]
01:01:28
◼
►
yeah at least at least you got my name
[TS]
01:01:31
◼
►
access to send you off into a y ya know
[TS]
01:01:33
◼
►
those great any other final thoughts
[TS]
01:01:35
◼
►
about about millennium actress before we
[TS]
01:01:38
◼
►
wrap up that's actually the 1i would
[TS]
01:01:40
◼
►
show to my husband
[TS]
01:01:41
◼
►
oh yeah he like it yeah i think you
[TS]
01:01:43
◼
►
would like a person he would I think
[TS]
01:01:45
◼
►
this is the one you showed people who
[TS]
01:01:46
◼
►
don't get autumn a if you're just tuning
[TS]
01:01:48
◼
►
in this be you're listening to the what
[TS]
01:01:50
◼
►
will we show Phil podcast haha it's the
[TS]
01:01:54
◼
►
sequel to lex hasn't seen it yet this
[TS]
01:01:58
◼
►
this I i think i think it would like it
[TS]
01:02:00
◼
►
because a there's the whole you know
[TS]
01:02:02
◼
►
period film history of the 20th century
[TS]
01:02:05
◼
►
seen through the lives of somebody you
[TS]
01:02:07
◼
►
know the people who lived through it and
[TS]
01:02:09
◼
►
you know there's a lot of interesting
[TS]
01:02:10
◼
►
stuff here that that's about it it's not
[TS]
01:02:12
◼
►
just a character
[TS]
01:02:13
◼
►
study and it's not just about Japan and
[TS]
01:02:15
◼
►
it's not just about the 20th century and
[TS]
01:02:18
◼
►
and but it's about all those things and
[TS]
01:02:20
◼
►
it's it's like I like the ambition of
[TS]
01:02:22
◼
►
that too that this is a the animated
[TS]
01:02:25
◼
►
feature that is you know about a lot of
[TS]
01:02:29
◼
►
things that maybe you're told better as
[TS]
01:02:31
◼
►
animation but are not things we
[TS]
01:02:32
◼
►
traditionally expect from animation at
[TS]
01:02:34
◼
►
and the thing is i think this means this
[TS]
01:02:36
◼
►
story would never get greenlit in
[TS]
01:02:38
◼
►
Hollywood because added to route it's
[TS]
01:02:39
◼
►
about a young girl who forms at a an
[TS]
01:02:42
◼
►
early attachment to this man that she's
[TS]
01:02:44
◼
►
never gonna see again pines over her her
[TS]
01:02:46
◼
►
whole life and it turns out he's
[TS]
01:02:48
◼
►
actually dead and like like Ben there's
[TS]
01:02:49
◼
►
nothing like this snoring cells is so
[TS]
01:02:52
◼
►
just like nothing happens it's silly if
[TS]
01:02:55
◼
►
you look at it objectively like she's on
[TS]
01:02:56
◼
►
point with it why she whining about this
[TS]
01:02:58
◼
►
is not unrealistic an adult would get
[TS]
01:03:00
◼
►
overlooked but that's not like animated
[TS]
01:03:03
◼
►
once it a lot of a japanese animation
[TS]
01:03:05
◼
►
wants to get at the heart of like the
[TS]
01:03:07
◼
►
emotional truth not so much the
[TS]
01:03:08
◼
►
intellectual truth and if you watch the
[TS]
01:03:10
◼
►
movie and look at how she gets married
[TS]
01:03:12
◼
►
to that kind of you know lame studio
[TS]
01:03:14
◼
►
head sungai she falls into that marriage
[TS]
01:03:17
◼
►
and kind of goes into the normal life
[TS]
01:03:19
◼
►
it's it's it's putting the inner the
[TS]
01:03:22
◼
►
inner emotional life of that a lot of
[TS]
01:03:24
◼
►
people have is on the outside and then
[TS]
01:03:26
◼
►
the normal life that people have on the
[TS]
01:03:28
◼
►
outside of the inside in this movie you
[TS]
01:03:30
◼
►
know I mean so from her perspective
[TS]
01:03:31
◼
►
she's always that little girl chasing
[TS]
01:03:33
◼
►
after that guy but on the outside choose
[TS]
01:03:34
◼
►
an act famous actor she's married to
[TS]
01:03:36
◼
►
this guy that have a normal life she
[TS]
01:03:38
◼
►
find out he was hiding the key on her so
[TS]
01:03:40
◼
►
it's kind of like a betrayal or whatever
[TS]
01:03:41
◼
►
but i don't think anyone would make this
[TS]
01:03:44
◼
►
storyline over later to talk about the
[TS]
01:03:45
◼
►
historical things like that that would
[TS]
01:03:47
◼
►
just be too you know
[TS]
01:03:48
◼
►
two out in the ether like it's never
[TS]
01:03:49
◼
►
gonna sell you can never make this even
[TS]
01:03:51
◼
►
in the world of anime this movie isnot I
[TS]
01:03:53
◼
►
don't know how well-known is like it's
[TS]
01:03:54
◼
►
not easy to find they didn't even make
[TS]
01:03:56
◼
►
an English double this movie I don't
[TS]
01:03:57
◼
►
think like it's not even popular enough
[TS]
01:03:59
◼
►
they're even gonna bother to do that so
[TS]
01:04:00
◼
►
it is kind of like our house
[TS]
01:04:03
◼
►
roofie you know it's not it's not
[TS]
01:04:07
◼
►
mainstream but this is exactly the kind
[TS]
01:04:09
◼
►
of movie that that I like for my anime
[TS]
01:04:11
◼
►
which is why when I i I'm i don't claim
[TS]
01:04:14
◼
►
that i am a you know anime fan because
[TS]
01:04:17
◼
►
most people's definition what that means
[TS]
01:04:19
◼
►
though what you like
[TS]
01:04:20
◼
►
popular series populations popular
[TS]
01:04:22
◼
►
series and like actually don't like any
[TS]
01:04:23
◼
►
of those and
[TS]
01:04:24
◼
►
yeah I like these weird movies but i
[TS]
01:04:27
◼
►
really like the great movies I like I'm
[TS]
01:04:29
◼
►
a pretty narrow sub-genre automatic like
[TS]
01:04:31
◼
►
in most of it is is with this be out of
[TS]
01:04:33
◼
►
place in a william gibson universe and
[TS]
01:04:36
◼
►
huh well serial experiments lain is
[TS]
01:04:39
◼
►
about virtual reality not identity and
[TS]
01:04:42
◼
►
then you've got some ghost in the shell
[TS]
01:04:44
◼
►
words the same thing it's the it's the
[TS]
01:04:46
◼
►
thin line between cyborg and human and
[TS]
01:04:49
◼
►
it all goes back to this very nineteen
[TS]
01:04:51
◼
►
eighties nineteen nineties one of the
[TS]
01:04:54
◼
►
best whether the boundaries of humanity
[TS]
01:04:55
◼
►
thing but other than that I'm i want to
[TS]
01:04:58
◼
►
thank you John for broadening my
[TS]
01:04:59
◼
►
horizons with millennium actress because
[TS]
01:05:00
◼
►
i'd i would have discovered it on my own
[TS]
01:05:01
◼
►
and I really liked it and do to you for
[TS]
01:05:05
◼
►
free Jason now having seen two movies by
[TS]
01:05:07
◼
►
this one guy yet would you it would you
[TS]
01:05:11
◼
►
seek out more work by the same person in
[TS]
01:05:13
◼
►
the same way like you watch aj bring
[TS]
01:05:15
◼
►
something like all that JJ abrams got
[TS]
01:05:16
◼
►
you i love this lens flares and they're
[TS]
01:05:18
◼
►
ya know what this is I'm up I'm up to
[TS]
01:05:20
◼
►
two now because I've seen I i have to
[TS]
01:05:24
◼
►
animate directors I've seen now because
[TS]
01:05:26
◼
►
it's being sake and masatoshi con yes i
[TS]
01:05:28
◼
►
would watch his other movies absolutely
[TS]
01:05:30
◼
►
too bad he's dead and can't make anymore
[TS]
01:05:32
◼
►
just yes but there's paprika paprika all
[TS]
01:05:34
◼
►
because of you
[TS]
01:05:35
◼
►
it's got killed you're not actually your
[TS]
01:05:37
◼
►
fault no i did not give him pancreatic
[TS]
01:05:39
◼
►
cannot unfortunately I think these are
[TS]
01:05:41
◼
►
his two best but now you know you start
[TS]
01:05:44
◼
►
at the top
[TS]
01:05:45
◼
►
alright that's that's fine yeah but it
[TS]
01:05:48
◼
►
yeah i think this was I think this was
[TS]
01:05:50
◼
►
great i appreciate I appreciate the
[TS]
01:05:54
◼
►
suggestions you're gonna have to pick
[TS]
01:05:55
◼
►
something else for us to watch again
[TS]
01:05:56
◼
►
well then we're gonna you know this is
[TS]
01:05:58
◼
►
the beginner class gonna go in 101 with
[TS]
01:06:01
◼
►
investor syracuse right we have to now
[TS]
01:06:04
◼
►
we get worse
[TS]
01:06:04
◼
►
you know perfectly was a little bit
[TS]
01:06:06
◼
►
challenging to get you off balance but
[TS]
01:06:07
◼
►
now we'll go maybe into and put more
[TS]
01:06:10
◼
►
challenging means this stuff you're less
[TS]
01:06:11
◼
►
likely to like uh huh
[TS]
01:06:13
◼
►
don't get all excited fine what's the
[TS]
01:06:15
◼
►
weed out course
[TS]
01:06:16
◼
►
yeah yeah it's like you're giving should
[TS]
01:06:18
◼
►
make sure you're serious
[TS]
01:06:20
◼
►
that's right and then after that it's
[TS]
01:06:21
◼
►
all blue skies but you gotta get that
[TS]
01:06:23
◼
►
the tough sledding in there it will
[TS]
01:06:24
◼
►
watch fruits basket over and over again
[TS]
01:06:26
◼
►
so so we should talk about we should
[TS]
01:06:29
◼
►
talk about where we could where people
[TS]
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could get these if they're interested in
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washing them
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my understanding is that they're both of
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available they seem to not be available
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digitally you know as as a stream but
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they seem to both be available on DVD is
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that right choice i I've look as you
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might imagine that man or maybe you
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don't imagine i've been looking for
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blu-ray version of all the movies that i
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really love and these are among them and
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i cannot find you can find a legal
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blu-rays of like chinese things with
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russian subtitles that are like probably
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01:07:01
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just blu-ray version of the DVD terrible
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like but no official region 1 blu-ray
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release to my knowledge but feel free to
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01:07:09
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correct me but you I think you can still
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get the region one dvds of both of these
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01:07:13
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that's what I have perfect blue amazon
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01:07:16
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claims there is a real import blu-ray
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01:07:19
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yeah I know but I when I see that I
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think yes it's probably imported and yes
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01:07:23
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it's probably a blu-ray but it's real
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01:07:25
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it's in a box and ever is it it's not it
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01:07:28
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is it produced by the studio that was
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the right yeah that's a good question a
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remaster it isn't you know it's really
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01:07:34
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hard to tell with that stuff we read the
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comments on there like this looks the
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01:07:37
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same as the back in my day we had to
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walk and get bootleg on email on VHS
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that have been subtitled by second-year
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jacket Japanese majors it was hard to
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01:07:47
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we liked it that way now i have i have
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my share of that as well
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by the way the one thing that's gonna
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stick with me more than anything else
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01:07:52
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from from perfect blue is gonna be that
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moment where her her doppelganger
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suddenly his roomie who is a little as
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01:08:02
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yeah whereas wearing my skinny but she's
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wearing that same that same kind of
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school girl out on stage outfit boy that
[TS]
01:08:10
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is a hilarious moment for it but yeah oh
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01:08:13
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yeah she's crazy
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01:08:15
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the depredations really good insanity
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01:08:17
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yeah just wearing the outfit that
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doesn't fit her just friends good mad
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01:08:22
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that's that was a really funny moment
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alright well John you did it to us
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01:08:29
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you made us watch anime has promised
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enriching your lives reason I appreciate
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01:08:35
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I i enjoyed it I I I have no complaints
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01:08:38
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I i enjoyed when when you force fed me
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01:08:42
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my diet of the miyazaki movies I hadn't
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01:08:44
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seen either it's good
[TS]
01:08:45
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it helps to have a guide honestly and i
[TS]
01:08:47
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said this on our miyazaki episodes to
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01:08:49
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something like anime which there are
[TS]
01:08:51
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is the huge fan culture of and there are
[TS]
01:08:53
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a million different things to watch and
[TS]
01:08:55
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its kind of impenetrable it's very hard
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01:08:57
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to figure out what to watch and where to
[TS]
01:08:59
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start and how you know what things you
[TS]
01:09:02
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get the sense almost that you're either
[TS]
01:09:03
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you're either in all the way or you
[TS]
01:09:06
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shouldn't go in and that's wrong because
[TS]
01:09:08
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in reality any genre is going to have
[TS]
01:09:11
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its great material and it's good
[TS]
01:09:13
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material and it's mediocre material and
[TS]
01:09:15
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I i love to sample the great i may not
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01:09:18
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get the appreciation of somebody who's
[TS]
01:09:20
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seen it all and seeing the terrible
[TS]
01:09:21
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stuff and knows all the tropes and all
[TS]
01:09:23
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that but that doesn't necessarily mean
[TS]
01:09:25
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that there aren't 10 or 20 great films
[TS]
01:09:28
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and you know five or ten great TV series
[TS]
01:09:31
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that are worth watching even if you're
[TS]
01:09:32
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an outsider like me so it's been fun to
[TS]
01:09:35
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to dip into it with these remember
[TS]
01:09:38
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remember your saying this then when
[TS]
01:09:39
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you're exercising its kind for my next
[TS]
01:09:42
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assignment for the when where
[TS]
01:09:44
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when it when anime 102 comes along
[TS]
01:09:47
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yeah that's the weed out course Tony
[TS]
01:09:49
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says that's when I 21 i think to a 10
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01:09:51
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we're gonna go to upper division of
[TS]
01:09:53
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bringing we're gonna ask a lot more of
[TS]
01:09:54
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you Jason
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01:09:55
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yeah the homework and we're going to
[TS]
01:09:58
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have to actually do the reading one book
[TS]
01:10:00
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anymore James home in right they'll be
[TS]
01:10:02
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five papers the semester I don't eat
[TS]
01:10:04
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Japanese that's okay I'll just play hmm
[TS]
01:10:08
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songs in the background and will keep me
[TS]
01:10:09
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away because it's like injecting sugar
[TS]
01:10:11
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right into your veins
[TS]
01:10:12
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alright well this is great we will do
[TS]
01:10:15
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more of this down the road once John
[TS]
01:10:18
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choose what to assign to us inflicted on
[TS]
01:10:21
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it says it's his decision he's in charge
[TS]
01:10:23
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he's the boss he makes the rules we just
[TS]
01:10:26
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follow we're just puppets that's we
[TS]
01:10:28
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dance dance for John and watch these
[TS]
01:10:31
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movies we danced to cham yes that's
[TS]
01:10:35
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seh am all capital letters ! so until
[TS]
01:10:39
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next time i'd like to thank my guests my
[TS]
01:10:42
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fellow students
[TS]
01:10:44
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Lisa Schmeisser great to have you on as
[TS]
01:10:46
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always it was so much fun thank you know
[TS]
01:10:48
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this was great and Tony sindelar thanks
[TS]
01:10:51
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for having me thank you for coming back
[TS]
01:10:53
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and watching all these movies
[TS]
01:10:55
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anytime and professor siracusa would you
[TS]
01:10:59
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like to have the last word i'm proud to
[TS]
01:11:02
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have all of you as my students but
[TS]
01:11:04
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beware this course will be graded on a
[TS]
01:11:05
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curve so only one person is getting in a
[TS]
01:11:09
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exactly and it's probably gonna be Lisa
[TS]
01:11:13
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proud of some is that that's gonna gonna
[TS]
01:11:16
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be Lisa until next time uncomfortable I
[TS]
01:11:20
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am hopefully the B student Jason L
[TS]
01:11:23
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signing off see you next time
[TS]