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attention podcast listener rlg 74 you're
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an Australian you love the podcast you
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wrote a really nice review of it
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you may have won the incomparables
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contest yes it's true
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rlg 74 were you born in 1974 where
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they're already 73 other RL geez I don't
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so please contact us or we're going to
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give your price to somebody else so
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please contact us when we can rlg 74 the
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incomparable number 154 artists 2030
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go back everybody to the uncomfortable
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i'm your host Jason Snell and tonight
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we're going to talk about a really great
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comic this is technically a comedy club
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episode of the Lisa and Jason my usual
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compatriots are here but I've got a
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great group of people who have read this
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comic it's from an image comics it's by
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Brian cable on and Fiona staples and
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it's called saga will talk about it a
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little before firing off the spoiler
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horn what we're going to cover in this
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episode in total will be the first 12
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issues of saga which is volume 1 volume
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2 of the trade paperback so you can buy
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on Amazon will have links in the show
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notes really weird and good comic and
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I'm looking forward to talking about for
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the next hour with these three excellent
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guests Dan Morgan hi dan I Jason it's a
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pleasure beyond the complicated i'm an
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occasional comic readers time comic book
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club burr yeah it's exciting to have you
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in the comic book club I didn't know you
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read comic books and I read many comic
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Wow not as many as many times as many as
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Tony sindelar you heard skeptically
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questioning down there that is why I get
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most of my comics from tony and so and
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Tony you also i are famous for your love
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Batman it's true was not in saga i
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should say this is not the saga of the
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Batman and not yet i'm really happy to
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be here
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um you know saga is has been described
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as some people as a star wars for
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perverts and you guys are two of the
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let's say biggest star wars fans yeah
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thank you and Merlin Mann is also back
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for his third time on the incomparable
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can you believe it
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hat trick and never thought would happen
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thanks for having me I'm glad I'm glad
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you could you could come so bryan cave
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on you know i first discovered his work
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with y the last man which is excellent
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and then i also read his entire run on
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will run his entire encompassing story
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of ex machina with which lisa Schmeisser
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recommended to me and I actually liked a
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lot and he closed both of those books up
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finish their stories and his next big
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project in the comics world because he's
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also executive producing under the dome
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the Stephen King summer TV show and he's
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got screenplays and TV shows and all of
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that but it worked
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and then work on lost they did work on
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lost for a while and read some good
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episodes of lost and now his new comic
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project is saga which has been out for a
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little more than a year and it is i
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don't i don't even know where to start
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with this how it when the non spoiler
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spoiler light portion before we fire out
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the spoiler horn you know how would how
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would we describe I mean Tony said it
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was a it was a star wars for perverts i
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was going to say it's a it's a fairytale
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but not the nice friendly kind of
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fairytale especially given that the
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first thing we hear a character say is
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is is the f-word as she's got a leg
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splayed and she's giving birth so uh huh
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it's late it's more historically
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accurate fairytale yes general Grimm's
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fairy tales right it's got that dark
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aspect that's exactly what my wife said
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and so much so I'm inclined to agree
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with you can just as I'm inclined to
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always agree with what my wife says yes
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Dan yes I mean sure we're on a podcast
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together I think we're married in some
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units and on and the podcast marriage
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you start with the podcast marriage
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where do you go from there to lying cats
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i think so people have read and
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understand that yet
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Merlin how would you did how would you
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describe saga if you were trying to
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describe it to somebody and tell them
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why they should read it
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um I've heard a lot of people make the
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star wars comparison and that never I
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didn't and I guess I kind of get that
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superficially but without spoiling it i
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would just say it's it's it's a love
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story in a world of proxies it's a in
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some ways it is very much the Romeo and
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Juliet story about these two sides are
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part of a huge proxy war in this fantasy
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world it is full of really remember the
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first time you saw the cantina scene and
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you're like wow that guy has a
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hammerhead and just about every couple
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of pages there is some new it's like an
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alligator Butler it's full of fancy of
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creatures that is totally delightful and
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you know what we will talk i'm sure in
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some detail about the gosh half-dozen
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aspects that make this really unique but
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i would say it is a really big fantasy
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story that it probably oscillates
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between like the deepest like
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I'm sobbing two or three times in some
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issues with some of the most graphic
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violence and extreme extreme like really
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graphic sexual content i've ever seen
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yep such that i can read a bunch of it
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to my daughter skipping two pages of it
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at a time but I really really really
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need to skip those two pages because it
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might be a crowd lady with a vagina or
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her intestines hanging out
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no spoilers but i know i think it's i
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think it's a big story told in small
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details about a world where even love is
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not with proxies it's that's the theme
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that comes through for me and doesn't
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really begin to describe what makes it
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so special and human oddly enough but
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yeah well I mean how much you guys
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describe it you know what came to mind
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when i was reading was it's like it it's
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a family drama in some ways right like
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it and that's what I one of the things I
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really appreciate what about is that it
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oscillates as you were saying between
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this like stuff that's just crazy like
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insane like I think they legitimately
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almost set out to top themselves right
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in every issue like okay you thought we
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couldn't get any weirder for me hard
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yeah exactly and so but it this but the
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stuff that's important to it is the the
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Corvette is mundane and it'sit's but
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it's beautiful and it's monday nity
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right like it's about being a parent for
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the first time and about how you're
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gonna raise your child and about all
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these these concerns are just getting
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buy-in that I think resonate very well
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with the kind of situations that a lot
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of people run into even if they don't
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run into Giants you know with clubs and
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you know general hanging out like you
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know like you do
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yeah it's I i wouldn't call it Star Wars
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either I i love the fact that it is
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almost say it's a a a fairytale style
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story or a fantasy story you could say
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but it's so much of our fantasy is it is
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a tradition from 50 years ago or a
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hundred years ago or 200 years ago
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there's a lot of medieval is amanda lynn
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a lot of fantasy not all but a lot of it
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and what strikes me about this is this
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is fantasy for people who know all the
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sci-fi tropes know the star wars tropes
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and so I think the best example is the
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first to get they get a pirate map i
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should say in the amazing first issue
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and and again we're being light on the
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spoiler so far
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you cannot fire Matt they're ready to
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throw out because it looks so stupid
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yeah because it's a pirate map and it's
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got written on it
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rocketship forest and i love that
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because it's it's all of this fantasy
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shorthand but there it's the rocketship
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forest so there-there is all that sort
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of sci-fi stuff and these are alien ish
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people somebody on one planet somebody
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on another planet they're on a different
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planet they there there's a species with
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sort of the ray guns in the species with
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magic but it's able to play with all the
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sci-fi stuff to which is not to say that
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i would call it syfy but i would say
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that it's got all of those campaigns
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yell at all those colors in its palette
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that it can use to on top of the pirate
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maps and the strange give ghosts in the
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forest and things like that they stumble
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on through these first 12 issues and i
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mean i don't know i i've read so little
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of the fantasy genre i would not be
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welcome in the Syracuse home runs for so
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many reasons but you know and not take a
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deeper dive but like it has really big
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fan expensive really big themes it is it
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is very Shakespearean in the way that
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it's approached in many ways but then
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you've also got a guy who's phone locks
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up because it's trying to download an
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app he has his spaceship makes a boob so
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when he locks it and I mean there's
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there's endless references everywhere to
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like get like this mechanics place has a
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garage door
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it's just it's made out of Dragon bone
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right that constant juxtaposition of the
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familiar with the completely outlandish
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look is non-stop there are a couple of
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phone calls that happen because
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everybody's got their cellphones and
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where they actually comment on I've got
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a really crappy signal here and they're
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calling like across the galaxy but they
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still have all of these all of these
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shorthand things from our modern world
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put in this crazy sci-fi world there's
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apparently still still high school and
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super super space what you would call
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high school
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well one yes one race has high school
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and the other does not know what must
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that be like uh-huh that's alien man i
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don't understand it well I my problem is
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I'm when it comes to comments i'm new to
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this but I'm also extremely chris farley
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about it when that guy is just like it
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was really good you should read it but
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just for one big picture part of it
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and I think it does help to just think a
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little bit about how nice a proxy was a
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proxy war going on it's been going on
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for years I explain this to my daughter
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yes about how you know this is a lot
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like what happens in the real world
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where their first of all you got two
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sides that have been fighting about
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something for so long that nobody knows
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why they're fighting they don't know why
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it began but in the case of something
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like you know the troubles in in Ireland
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or in South Africa it doesn't matter
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Hatfields and McCoys like your people
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have been killed enough that it goes on
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forever
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there's a giant planet that is like that
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the Empire maybe but the giant ruling
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planet which is people with wings and in
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this case there's basically this small
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moon of what are essentially terrorists
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that are magic people with horns right i
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mean is that one way to frame it and
[TS]
00:10:08
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it's been in but it's all being fought
[TS]
00:10:09
◼
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mainly by proxies at this point right
[TS]
00:10:11
◼
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like you've got the robot people and all
[TS]
00:10:13
◼
►
that stuff but that's one way to think
[TS]
00:10:14
◼
►
of it is like that yes against the
[TS]
00:10:15
◼
►
tapestry of this war has been going on
[TS]
00:10:18
◼
►
for a very long time that nobody has any
[TS]
00:10:19
◼
►
stake in apart from the fact that they
[TS]
00:10:21
◼
►
just have to keep fighting it looks like
[TS]
00:10:23
◼
►
i'll give the let me see if I can give a
[TS]
00:10:25
◼
►
top-level summer here so what saga is
[TS]
00:10:27
◼
►
about is about two soldiers in this war
[TS]
00:10:30
◼
►
one from a race that has pointed ears
[TS]
00:10:35
◼
►
and wings but otherwise looks like
[TS]
00:10:37
◼
►
people and one that looks like people
[TS]
00:10:40
◼
►
but has horns like ram horns like curly
[TS]
00:10:43
◼
►
ram for antlers or antlers i guess you
[TS]
00:10:46
◼
►
could say whatever the little ram horns
[TS]
00:10:49
◼
►
ram antlers fine i apologize to the rams
[TS]
00:10:52
◼
►
the the st. Louis well but then there's
[TS]
00:10:54
◼
►
the one guy interrogation I think these
[TS]
00:10:56
◼
►
varieties like races is also the Rhino
[TS]
00:10:58
◼
►
yeah there's around some of them are
[TS]
00:10:59
◼
►
clearly analyst getting some of them
[TS]
00:11:01
◼
►
have appointed deer antlers
[TS]
00:11:03
◼
►
yes sir yeah well known and the wings
[TS]
00:11:05
◼
►
are different too right yeah the guy
[TS]
00:11:06
◼
►
that gets interrogated by Prince robot
[TS]
00:11:08
◼
►
like smoking right now so that so their
[TS]
00:11:09
◼
►
wing people and they're like the horn
[TS]
00:11:11
◼
►
people and the horn people use magic and
[TS]
00:11:13
◼
►
the wing people use technology it seems
[TS]
00:11:16
◼
►
more or less and star-crossed lovers you
[TS]
00:11:19
◼
►
know we meet them
[TS]
00:11:20
◼
►
havin they're havin a baby there from
[TS]
00:11:22
◼
►
these two different races we very
[TS]
00:11:23
◼
►
rapidly discover that this is this is
[TS]
00:11:26
◼
►
not just a little bit bad oh it happens
[TS]
00:11:28
◼
►
sometimes it's really bad and both sides
[TS]
00:11:31
◼
►
are trying to kill them
[TS]
00:11:33
◼
►
Andy and take their baby because this
[TS]
00:11:36
◼
►
just can't be done it would be bad for
[TS]
00:11:37
◼
►
optics for the president of the one
[TS]
00:11:40
◼
►
group to have this be knowledge that
[TS]
00:11:42
◼
►
their that any cohabitation any
[TS]
00:11:45
◼
►
interaction that isn't war could happen
[TS]
00:11:47
◼
►
between these two races so that it's set
[TS]
00:11:50
◼
►
on the scale of this planet that is
[TS]
00:11:52
◼
►
beset by war where they were both
[TS]
00:11:54
◼
►
fighting and they run away and they have
[TS]
00:11:58
◼
►
a baby and just after they have the baby
[TS]
00:12:00
◼
►
there they're caught and they're there
[TS]
00:12:02
◼
►
they have to escape and they're on the
[TS]
00:12:04
◼
►
run and they're trying to get off this
[TS]
00:12:06
◼
►
planet because both sides in this giant
[TS]
00:12:07
◼
►
galaxy-spanning war are trying to kill
[TS]
00:12:10
◼
►
them and essentially that's the story
[TS]
00:12:12
◼
►
and and the side stories are involved
[TS]
00:12:15
◼
►
the bounty hunter who is hired to kill
[TS]
00:12:18
◼
►
them and and take the baby back a a
[TS]
00:12:22
◼
►
prince who is also a robot except he's
[TS]
00:12:26
◼
►
got the body of a man but the head of a
[TS]
00:12:27
◼
►
television set who just lost his leg
[TS]
00:12:30
◼
►
fighting a hellish war for two years
[TS]
00:12:32
◼
►
right but had it reattached or or had a
[TS]
00:12:34
◼
►
new leg attached or whatever very
[TS]
00:12:36
◼
►
strange and he's sent also to go to go
[TS]
00:12:40
◼
►
get them
[TS]
00:12:40
◼
►
so I it so there are a bunch of
[TS]
00:12:43
◼
►
different players in this crazy crazy
[TS]
00:12:46
◼
►
story but it's essentially about these
[TS]
00:12:49
◼
►
two star-crossed lovers who were just
[TS]
00:12:50
◼
►
trying to get away and they just had a
[TS]
00:12:52
◼
►
baby and they're being pursued by
[TS]
00:12:54
◼
►
everybody else in the galaxy and we
[TS]
00:12:56
◼
►
should also say one of the really
[TS]
00:12:57
◼
►
wonderful touches in this story is that
[TS]
00:12:59
◼
►
it's narrated by the baby as an adult
[TS]
00:13:03
◼
►
and she's telling you the story and this
[TS]
00:13:06
◼
►
is where you get some of that fairytale
[TS]
00:13:07
◼
►
tone she's telling you her life story
[TS]
00:13:09
◼
►
from the beginning but because it's her
[TS]
00:13:12
◼
►
as an adult you get those moments where
[TS]
00:13:14
◼
►
she's alluding to things that are going
[TS]
00:13:17
◼
►
to happen in the future just to give it
[TS]
00:13:19
◼
►
some extra ominous tone Eileen normally
[TS]
00:13:23
◼
►
when you read something like that you'd
[TS]
00:13:25
◼
►
see a box in Marvel anyway you see a
[TS]
00:13:27
◼
►
rectangular box usually in the upper
[TS]
00:13:29
◼
►
left-hand corner
[TS]
00:13:30
◼
►
yes the narrow for the narration right
[TS]
00:13:32
◼
►
in this case there's like a girl's
[TS]
00:13:34
◼
►
handwriting just kind of you know i'm
[TS]
00:13:36
◼
►
guessing the narrator feels like a young
[TS]
00:13:38
◼
►
young adults and older team but it's
[TS]
00:13:40
◼
►
written in this kind of girls you know
[TS]
00:13:42
◼
►
handwriting just kind of background the
[TS]
00:13:46
◼
►
page around the graphics it and it's
[TS]
00:13:49
◼
►
like you say there's a lot to it that's
[TS]
00:13:51
◼
►
it's a nice it's almost 36
[TS]
00:13:53
◼
►
is almost like a chorus a lot of times
[TS]
00:13:55
◼
►
it's something that contrast heavily
[TS]
00:13:57
◼
►
with what we're looking at and reading
[TS]
00:13:59
◼
►
we do you know what I mean it kind of
[TS]
00:14:00
◼
►
puts it in relief and and very much from
[TS]
00:14:03
◼
►
the very beginning is dropping these
[TS]
00:14:04
◼
►
hints about stuff that you don't you
[TS]
00:14:06
◼
►
know the one man who broke my heart like
[TS]
00:14:08
◼
►
who's that like I don't know that is you
[TS]
00:14:09
◼
►
know about it that's the framing device
[TS]
00:14:12
◼
►
for all of this is that and it opens the
[TS]
00:14:13
◼
►
door to this took being told slightly
[TS]
00:14:15
◼
►
out of sequence at certain points i
[TS]
00:14:17
◼
►
almost feel like the narration with just
[TS]
00:14:19
◼
►
the text right over the sum of the
[TS]
00:14:20
◼
►
visuals kind of feels almost a little
[TS]
00:14:22
◼
►
bit more like the style and some
[TS]
00:14:23
◼
►
children books which is of course then
[TS]
00:14:25
◼
►
weird with the very adult image and
[TS]
00:14:28
◼
►
sometimes seven
[TS]
00:14:29
◼
►
yeah like a children's books did you
[TS]
00:14:31
◼
►
read geez
[TS]
00:14:32
◼
►
acceptable losses sob without but that's
[TS]
00:14:37
◼
►
part of the combination that makes this
[TS]
00:14:38
◼
►
very interesting is this is a rated M
[TS]
00:14:40
◼
►
for Mature comic book and yet it has
[TS]
00:14:43
◼
►
this very interesting mixture of tones
[TS]
00:14:45
◼
►
this is a story for adults but it is a
[TS]
00:14:48
◼
►
story told in the two you know in the
[TS]
00:14:51
◼
►
all the tools of something we think of
[TS]
00:14:54
◼
►
as a as a mythical kind of story for
[TS]
00:14:56
◼
►
kids but this isn't for kids it's a it's
[TS]
00:14:58
◼
►
a fascinating combination Merlin I'm so
[TS]
00:15:01
◼
►
glad that you mentioned the the way the
[TS]
00:15:03
◼
►
narration is written I was going to
[TS]
00:15:04
◼
►
mention that it's great and I i was
[TS]
00:15:07
◼
►
especially noticing there's a bit where
[TS]
00:15:10
◼
►
she points at a at a rocket ship while
[TS]
00:15:14
◼
►
she's describing it in the narration and
[TS]
00:15:15
◼
►
at the end of the sentence there's a
[TS]
00:15:17
◼
►
little arrow drawn and pointing at the
[TS]
00:15:19
◼
►
rocket ship that is being annotated
[TS]
00:15:22
◼
►
almost like it's a journal we have Fiona
[TS]
00:15:24
◼
►
staples you know just her artwork and I
[TS]
00:15:28
◼
►
believe she does the handwriting that's
[TS]
00:15:30
◼
►
it i just got a tooth from my friend
[TS]
00:15:32
◼
►
image Jennifer reduced lunches said that
[TS]
00:15:34
◼
►
the narration saga is actually and
[TS]
00:15:36
◼
►
staples yeah right it's amazing and and
[TS]
00:15:39
◼
►
so it looks great and that is that adds
[TS]
00:15:42
◼
►
to the quality of it that it's
[TS]
00:15:43
◼
►
handwritten on there it doesn't feel
[TS]
00:15:45
◼
►
like every other comic book with the box
[TS]
00:15:48
◼
►
with the text in it right it's it's not
[TS]
00:15:50
◼
►
all a straight line or anything it's
[TS]
00:15:52
◼
►
being written in a journal basically i
[TS]
00:15:54
◼
►
am more of a story person an art person
[TS]
00:15:56
◼
►
with comics but the art in saga is just
[TS]
00:15:59
◼
►
it's really impressive and I mean I've
[TS]
00:16:01
◼
►
been reading brand cave on stuff for a
[TS]
00:16:02
◼
►
long time and not to say the art in
[TS]
00:16:04
◼
►
his other titles was bad but the art in
[TS]
00:16:07
◼
►
the end up in saga is particularly
[TS]
00:16:09
◼
►
noteworthy it's really impressive and
[TS]
00:16:10
◼
►
people to check that out
[TS]
00:16:12
◼
►
yeah they have not already flipped
[TS]
00:16:13
◼
►
through yeah probably want to buy it
[TS]
00:16:15
◼
►
yes it doesn't it doesn't you know it
[TS]
00:16:17
◼
►
when I just try to describe this you
[TS]
00:16:19
◼
►
know i'll be that guy about stuff like
[TS]
00:16:20
◼
►
that I'm here talking about totoro or
[TS]
00:16:24
◼
►
you know the wire or arrested
[TS]
00:16:26
◼
►
development all these things like in the
[TS]
00:16:27
◼
►
case of some of those things where you
[TS]
00:16:29
◼
►
have to have a huge investment to like
[TS]
00:16:30
◼
►
basically commit to this big thing and
[TS]
00:16:32
◼
►
I've always feel like soccer has such a
[TS]
00:16:34
◼
►
place in my heart it such a small amount
[TS]
00:16:36
◼
►
of time that has been out and I want to
[TS]
00:16:38
◼
►
describe people to people in the way
[TS]
00:16:39
◼
►
that's gonna kind of most you know
[TS]
00:16:41
◼
►
resonate with them and it's it's really
[TS]
00:16:43
◼
►
difficult to pick out the one part of
[TS]
00:16:45
◼
►
this that grabs you the most because you
[TS]
00:16:46
◼
►
don't want to say like oh there's some
[TS]
00:16:48
◼
►
family stuff in here that really hits
[TS]
00:16:50
◼
►
close to home
[TS]
00:16:51
◼
►
I mean whether you have kids are not
[TS]
00:16:52
◼
►
especially if you have kids but if you
[TS]
00:16:54
◼
►
don't have kids you definitely have
[TS]
00:16:55
◼
►
grandparents and their stuff about this
[TS]
00:16:56
◼
►
is going to like really grab you even
[TS]
00:16:58
◼
►
though they're Rams or whatever you do
[TS]
00:17:01
◼
►
you know what I mean yeah it's not it's
[TS]
00:17:03
◼
►
not important I mean it's the same way
[TS]
00:17:04
◼
►
that you felt like you made a Star Wars
[TS]
00:17:06
◼
►
comparison a couple times with the same
[TS]
00:17:07
◼
►
way you felt like when you're like wow
[TS]
00:17:08
◼
►
okay maybe Yoda is just a puppet but
[TS]
00:17:11
◼
►
like you know there's an actual there's
[TS]
00:17:13
◼
►
an actual emotion conveyed by that right
[TS]
00:17:15
◼
►
star wars is not just about gunfights
[TS]
00:17:16
◼
►
right superficially it's about one thing
[TS]
00:17:18
◼
►
but it's hard it's really about
[TS]
00:17:20
◼
►
something else
[TS]
00:17:21
◼
►
I'm sorry I I couldn't talk way too much
[TS]
00:17:23
◼
►
about this because it's found such a
[TS]
00:17:24
◼
►
place in my life today I had absolutely
[TS]
00:17:25
◼
►
no problem reading all 12 issues again
[TS]
00:17:27
◼
►
up and and I IE there's so much to it
[TS]
00:17:31
◼
►
first of all in some ways I can't
[TS]
00:17:33
◼
►
believe how little happened over 12
[TS]
00:17:34
◼
►
issues in some ways but at the same time
[TS]
00:17:36
◼
►
it's astonishing like how many quotable
[TS]
00:17:39
◼
►
lines and I don't know and I don't
[TS]
00:17:42
◼
►
overstate it but like really i'll just
[TS]
00:17:44
◼
►
say extremely memorable characters come
[TS]
00:17:46
◼
►
up in the space of those few issues
[TS]
00:17:48
◼
►
I'm I'm gotta be one of the in the top
[TS]
00:17:50
◼
►
5% of x-men fans of all time but you
[TS]
00:17:53
◼
►
could you could you could slide your way
[TS]
00:17:55
◼
►
through you know a hundred and fifty is
[TS]
00:17:58
◼
►
clear and not come up with quite this
[TS]
00:18:00
◼
►
mini like amazingly memorable lines and
[TS]
00:18:03
◼
►
characters even if they're just they're
[TS]
00:18:04
◼
►
like I say that the alligator Butler
[TS]
00:18:06
◼
►
just things that are in there for a
[TS]
00:18:07
◼
►
couple fart fart isn't in there for more
[TS]
00:18:09
◼
►
than what like four pages five pages but
[TS]
00:18:11
◼
►
nobody's ever going to forget the first
[TS]
00:18:13
◼
►
time they see fard
[TS]
00:18:14
◼
►
you know but it never it never gets away
[TS]
00:18:16
◼
►
like we should i say though about like
[TS]
00:18:19
◼
►
you or whatever Kermit the Frog you know
[TS]
00:18:21
◼
►
if if you know if Wayne Newton had sung
[TS]
00:18:24
◼
►
the rainbow connection that might have
[TS]
00:18:26
◼
►
been very touching but the fact that
[TS]
00:18:27
◼
►
it's a little felt frog in a boat with a
[TS]
00:18:30
◼
►
banjo like why does that make me want to
[TS]
00:18:32
◼
►
sob you know there's something about
[TS]
00:18:34
◼
►
this that makes it even more human in
[TS]
00:18:36
◼
►
some ways
[TS]
00:18:37
◼
►
well it touches something that it
[TS]
00:18:39
◼
►
touches something that is innate right
[TS]
00:18:40
◼
►
like that isn't yeah I don't know what
[TS]
00:18:42
◼
►
it is it's hard states in that is that
[TS]
00:18:44
◼
►
very intangible nature of it where it's
[TS]
00:18:46
◼
►
like anything when you watch a movie and
[TS]
00:18:48
◼
►
it's not like okay yeah there's
[TS]
00:18:50
◼
►
something that is that is texturally sad
[TS]
00:18:52
◼
►
about this because like what is
[TS]
00:18:53
◼
►
happening is sad but it makes you think
[TS]
00:18:55
◼
►
it's the it's the empathic response
[TS]
00:18:57
◼
►
right where it's like oh my god what if
[TS]
00:18:58
◼
►
that was me in this situation and like
[TS]
00:19:01
◼
►
you know what if I especially you know
[TS]
00:19:03
◼
►
we think about stuff and you talk about
[TS]
00:19:05
◼
►
me having kids
[TS]
00:19:06
◼
►
everybody's got parents to write like
[TS]
00:19:07
◼
►
think about your parents it's like oh my
[TS]
00:19:08
◼
►
god you know here's an example of
[TS]
00:19:09
◼
►
somebody losing a parent right like
[TS]
00:19:11
◼
►
everybody can relate to that to a
[TS]
00:19:13
◼
►
certain extent like everybody can relate
[TS]
00:19:15
◼
►
to the idea of losing a parent or a
[TS]
00:19:17
◼
►
loved one and i think that you know that
[TS]
00:19:20
◼
►
strikes home and makes us and especially
[TS]
00:19:22
◼
►
when it's done in a very genuine fashion
[TS]
00:19:24
◼
►
as opposed to in a very artificial
[TS]
00:19:26
◼
►
fashion which we see a lot of times in
[TS]
00:19:28
◼
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certain things i think you know a lot of
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a lot of superhero comics are prone to
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do that like let's kill off a person
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just like get a visceral response right
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you know and it doesn't really have
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necessarily the same kind of thing
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especially because in most comic books
[TS]
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you know death is merely a temporary
[TS]
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obstacle whereas you know this it saga
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does not seem like that kind of world
[TS]
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right you know stuff is permanent stuff
[TS]
00:19:48
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happens and it makes you leave scars and
[TS]
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and makes marks on people
[TS]
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alright let's talk for a moment about
[TS]
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our sponsor for this episode of the
[TS]
00:19:55
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uncomfortable we have a sponsor for the
[TS]
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stuff that we do we do this
[TS]
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I'm not it's not a practical joke no we
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don't know I just saying like that we
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00:20:03
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don't always know about what was our
[TS]
00:20:05
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sponsor tell me this week on mass it's
[TS]
00:20:08
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called into it's a comic app which is
[TS]
00:20:10
◼
►
perfect for this episode because we're
[TS]
00:20:11
◼
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talking about saga
[TS]
00:20:12
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it's called chunky comic reader and it's
[TS]
00:20:15
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an ipad app so i know i don't know if
[TS]
00:20:18
◼
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you have GF comics that are in some some
[TS]
00:20:20
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of these various formats your CBR CBC's
[TS]
00:20:23
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yeah I might have a couple of PBR
[TS]
00:20:24
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Yankees lying around the pdfs might
[TS]
00:20:28
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three-letter mighty la's I've got
[TS]
00:20:29
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acronyms yeah that's some of those i got
[TS]
00:20:31
◼
►
a bunch of PDFs from Marvel I've got a
[TS]
00:20:33
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bunch of CBR that i downloaded from
[TS]
00:20:35
◼
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various corners of the Internet of
[TS]
00:20:36
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comics that I own that are out of print
[TS]
00:20:38
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I mean I'm let's start on the up-and-up
[TS]
00:20:40
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here but you know the Micronauts are not
[TS]
00:20:42
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in print anymore and if i want to read
[TS]
00:20:44
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them on my iPad I can't imagine why them
[TS]
00:20:46
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anywhere so I have them downloaded i
[TS]
00:20:48
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know it is hard to well this legal
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I'm just saying because I I think you
[TS]
00:20:52
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you may be the only person to have
[TS]
00:20:54
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invested in i don't i don't think that's
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00:20:57
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there there are many of us out there Dan
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but very small sure your evil they are
[TS]
00:21:00
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the microbots they're tiny dancer can't
[TS]
00:21:03
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even see it anyway so you take a sheet
[TS]
00:21:05
◼
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cbrc beezies pdfs these are comic book
[TS]
00:21:08
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formats and you can read them in they
[TS]
00:21:11
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don't read in something like comiXology
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00:21:12
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read them in an app like chunky comic
[TS]
00:21:15
◼
►
reader so chunky comic reader runs on
[TS]
00:21:17
◼
►
the iPad you can connect it to your mac
[TS]
00:21:20
◼
►
via or pc i suppose if you are that way
[TS]
00:21:22
◼
►
by USB and just drag the comic files
[TS]
00:21:25
◼
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over you can also hook chunky comic
[TS]
00:21:28
◼
►
reader up to dropbox and you can load
[TS]
00:21:30
◼
►
your files over from dropbox and there
[TS]
00:21:33
◼
►
are other comic readers out there on the
[TS]
00:21:35
◼
►
app store but the cool thing about
[TS]
00:21:36
◼
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chunky comic reader is that it makes
[TS]
00:21:38
◼
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them look great it makes the comics look
[TS]
00:21:41
◼
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great and it's focused on making your
[TS]
00:21:42
◼
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comics look good and read really easily
[TS]
00:21:46
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which is the whole thing that is that's
[TS]
00:21:48
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►
kind of the point right of of a cop III
[TS]
00:21:51
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mean you don't want you don't read
[TS]
00:21:52
◼
►
comics look Carol that is looking at
[TS]
00:21:55
◼
►
them is the whole point so this
[TS]
00:21:57
◼
►
obviously it's only working with the drm
[TS]
00:21:59
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►
free stuff like we said see crc beezies
[TS]
00:22:01
◼
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and PDFs but what they've done is the
[TS]
00:22:04
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►
developers have done a ton of work
[TS]
00:22:05
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►
behind the scenes to make them look
[TS]
00:22:06
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sharp and clear there are a couple
[TS]
00:22:08
◼
►
different modes if you're on an ipad 2
[TS]
00:22:10
◼
►
or an ipad mini i was looking at this
[TS]
00:22:12
◼
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earlier there's a mode that does some
[TS]
00:22:14
◼
►
really nice work so when it's assumed
[TS]
00:22:15
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►
out it does this nice
[TS]
00:22:18
◼
►
it's sort of like downsampling to make
[TS]
00:22:19
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it clear even though you're you're
[TS]
00:22:21
◼
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looking at a much larger image in a
[TS]
00:22:22
◼
►
smaller space if you're on a Retina
[TS]
00:22:24
◼
►
display and you zoom really into it it
[TS]
00:22:27
◼
►
does some work to make it not look
[TS]
00:22:28
◼
►
blotchy it makes it a lot clearer by
[TS]
00:22:30
◼
►
upsampling it so that the whole idea
[TS]
00:22:32
◼
►
here is that it's gonna look good
[TS]
00:22:35
◼
►
turning the pages is kind of fun the
[TS]
00:22:36
◼
►
flipping effect is is this like it's
[TS]
00:22:38
◼
►
like a little almost like a blurry kind
[TS]
00:22:40
◼
►
of like the slides and
[TS]
00:22:41
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►
get the next page and it is i will say
[TS]
00:22:45
◼
►
this the best library organization that
[TS]
00:22:48
◼
►
I've seen from any ipad comic reader you
[TS]
00:22:51
◼
►
drag your files in and you open the app
[TS]
00:22:53
◼
►
and it's figured it out i don't know how
[TS]
00:22:55
◼
►
it does it I don't know how it knows it
[TS]
00:22:58
◼
►
automatically groups your comics by the
[TS]
00:23:00
◼
►
individual comics that they're in so
[TS]
00:23:02
◼
►
you'll see like particular series and a
[TS]
00:23:04
◼
►
bunch of covers and tap on one to read
[TS]
00:23:06
◼
►
it when you get to the end it'll prompt
[TS]
00:23:08
◼
►
you for the next one it's really really
[TS]
00:23:10
◼
►
you might say that sits superpower it
[TS]
00:23:12
◼
►
could be I don't know how it gets it
[TS]
00:23:14
◼
►
could be a mutant app it's amazing apple
[TS]
00:23:16
◼
►
left to do this mutant app through the
[TS]
00:23:18
◼
►
app store did the Sentinels of the App
[TS]
00:23:20
◼
►
Store not sense for the cerebro if you
[TS]
00:23:23
◼
►
will if you want to go that way i don't
[TS]
00:23:25
◼
►
know i mix XP well all the better for us
[TS]
00:23:28
◼
►
right i mean that's that's really what
[TS]
00:23:30
◼
►
kind of sense so really chunky comic
[TS]
00:23:32
◼
►
reader show your comic some love it's
[TS]
00:23:34
◼
►
four bucks
[TS]
00:23:36
◼
►
although for the rest of august it's
[TS]
00:23:38
◼
►
gonna be two bucks i say i'm just
[TS]
00:23:39
◼
►
looking at right now six is very old and
[TS]
00:23:42
◼
►
it really does look good I was opening
[TS]
00:23:44
◼
►
up by open but micronauts i opened up
[TS]
00:23:46
◼
►
pdf I've got of the x-men i opened up a
[TS]
00:23:48
◼
►
PDF of sorts of the swashbucklers which
[TS]
00:23:51
◼
►
is a graphic novel that was available in
[TS]
00:23:54
◼
►
PDF that's by film at low in and which
[TS]
00:23:57
◼
►
guys who did micronauts because it all
[TS]
00:23:59
◼
►
comes back to the microphones with me
[TS]
00:24:00
◼
►
and and a bunch of other stuff so it's
[TS]
00:24:03
◼
►
just a really nice ipad comic reader so
[TS]
00:24:06
◼
►
if you are comic fan and you've got an
[TS]
00:24:08
◼
►
ipad you owe it to yourself to try
[TS]
00:24:10
◼
►
chunky comic reader its four bucks and
[TS]
00:24:13
◼
►
it's two bucks right now by the until
[TS]
00:24:14
◼
►
the end of august to point your browser
[TS]
00:24:16
◼
►
and chunky reader dot-com or just go to
[TS]
00:24:18
◼
►
the app store and search for chunky
[TS]
00:24:20
◼
►
comic reader the comics look great you
[TS]
00:24:22
◼
►
got a retina iPad makes those look
[TS]
00:24:24
◼
►
better to get my iPad Mini makes those
[TS]
00:24:25
◼
►
look better
[TS]
00:24:26
◼
►
it's a no-brainer chunky comic reader
[TS]
00:24:28
◼
►
and thanks to chunky comic reader for
[TS]
00:24:30
◼
►
fortuitously sponsoring this very
[TS]
00:24:32
◼
►
episode of the uncomfortable so before
[TS]
00:24:35
◼
►
we go any further I i think i'm going to
[TS]
00:24:36
◼
►
use this opportunity to fire off the
[TS]
00:24:38
◼
►
spoiler horn before you know we spoil
[TS]
00:24:40
◼
►
even more from these 12 issues
[TS]
00:24:45
◼
►
but before we get too deep into it i
[TS]
00:24:49
◼
►
wanted to say something immoral and
[TS]
00:24:50
◼
►
talked about these 12 issues and have a
[TS]
00:24:52
◼
►
hundred and fifty fifty issues with
[TS]
00:24:53
◼
►
chris claremont into trades 12 issues
[TS]
00:24:58
◼
►
and and some of these are these are
[TS]
00:25:00
◼
►
actually longer than your your standard
[TS]
00:25:02
◼
►
comic it and what impressed me about it
[TS]
00:25:05
◼
►
is is on one level on what level you
[TS]
00:25:09
◼
►
could say well what happened in these 12
[TS]
00:25:11
◼
►
issues they were on one planet they got
[TS]
00:25:13
◼
►
their spaceship they floated around and
[TS]
00:25:16
◼
►
almost got sucked in a in a time suck
[TS]
00:25:18
◼
►
and then they went to visit the favorite
[TS]
00:25:23
◼
►
author of one of the main characters and
[TS]
00:25:26
◼
►
you could say not a lot happened but the
[TS]
00:25:28
◼
►
trade-off for not having it be like you
[TS]
00:25:31
◼
►
know I think they told the entire plot
[TS]
00:25:33
◼
►
of star wars in four issues in 1978
[TS]
00:25:37
◼
►
what you get is the richness you've got
[TS]
00:25:40
◼
►
multiple storylines and you've got all
[TS]
00:25:42
◼
►
this detail and so although we don't we
[TS]
00:25:45
◼
►
don't have you know you get the sense
[TS]
00:25:46
◼
►
that the story may take awhile in terms
[TS]
00:25:48
◼
►
of issues what we get is so rich that
[TS]
00:25:51
◼
►
that really impressed me that that I'm
[TS]
00:25:53
◼
►
you know that one point I think we go an
[TS]
00:25:57
◼
►
entire issue or an issue and a little
[TS]
00:25:59
◼
►
bit where we've literally we haven't
[TS]
00:26:02
◼
►
gone back to the will who is the bounty
[TS]
00:26:04
◼
►
hunter he's exactly where we left him
[TS]
00:26:06
◼
►
like an issue and a half ago
[TS]
00:26:07
◼
►
it's that decompressed a story and i'm
[TS]
00:26:10
◼
►
not complaining about just I'm kind of I
[TS]
00:26:12
◼
►
think that's why they're able to provide
[TS]
00:26:16
◼
►
the richness that the story doesn't have
[TS]
00:26:17
◼
►
those characters is is they don't rush
[TS]
00:26:20
◼
►
it that that they take the time to have
[TS]
00:26:23
◼
►
character moments in in ways that some
[TS]
00:26:26
◼
►
some comics don't because they rush and
[TS]
00:26:29
◼
►
just wanna rip off as much plot as
[TS]
00:26:31
◼
►
possible and i don't want to say that
[TS]
00:26:32
◼
►
things don't happen to my god
[TS]
00:26:34
◼
►
lots of things happen thats exactly that
[TS]
00:26:36
◼
►
it's exactly what i was thinking I mean
[TS]
00:26:38
◼
►
you'll see
[TS]
00:26:40
◼
►
yes like me you may be able to describe
[TS]
00:26:43
◼
►
the main plot point of the story in a
[TS]
00:26:45
◼
►
paragraph without much problem but that
[TS]
00:26:48
◼
►
doesn't get you anywhere near what's
[TS]
00:26:49
◼
►
actually happening in and just to be
[TS]
00:26:51
◼
►
clear it isn't like a bust a gut thing
[TS]
00:26:52
◼
►
where somebody goes into a monologue for
[TS]
00:26:54
◼
►
six pages you know it's
[TS]
00:26:56
◼
►
it really there's no Bendis meetings in
[TS]
00:26:59
◼
►
this one
[TS]
00:27:00
◼
►
what do you think Black Panther nothing
[TS]
00:27:04
◼
►
no no absolutely end but but but you
[TS]
00:27:07
◼
►
might be interrupting also think about
[TS]
00:27:09
◼
►
the relatively small number of locations
[TS]
00:27:11
◼
►
i mean the Prince robot you know jumps
[TS]
00:27:12
◼
►
around and so forth but I mean there
[TS]
00:27:14
◼
►
aren't there like it isn't like you're
[TS]
00:27:16
◼
►
in a woman's i love about star wars is
[TS]
00:27:18
◼
►
marching towards parts stores is how and
[TS]
00:27:20
◼
►
especially the first movie how elegant
[TS]
00:27:22
◼
►
the storytelling is about moving from
[TS]
00:27:24
◼
►
location location and you get the white
[TS]
00:27:26
◼
►
and now we know that your little car is
[TS]
00:27:28
◼
►
driving into this crazy City where the
[TS]
00:27:30
◼
►
planes go
[TS]
00:27:30
◼
►
ok now we're in place this is most
[TS]
00:27:32
◼
►
likely right understand it there's a lot
[TS]
00:27:34
◼
►
of lot of very great pacing of the scene
[TS]
00:27:37
◼
►
changes but every scene change at least
[TS]
00:27:40
◼
►
from the family's point of view every
[TS]
00:27:41
◼
►
scene change every spaceship change and
[TS]
00:27:44
◼
►
I'll has a lot of portent to it you know
[TS]
00:27:46
◼
►
they don't just jump in like you know
[TS]
00:27:48
◼
►
they don't like Steve McQueen they don't
[TS]
00:27:49
◼
►
just jump into a different Mustang or
[TS]
00:27:50
◼
►
something
[TS]
00:27:51
◼
►
getting into this particular wooden
[TS]
00:27:52
◼
►
spaceship ends up having a lot of
[TS]
00:27:54
◼
►
significance to it and and that allows
[TS]
00:27:57
◼
►
them to let this story unwind in its own
[TS]
00:27:58
◼
►
way and something as simple as I mean
[TS]
00:28:01
◼
►
one more quick side note but there's
[TS]
00:28:03
◼
►
nothing about the delightfulness of this
[TS]
00:28:05
◼
►
that you can explain to anybody without
[TS]
00:28:06
◼
►
it sounding incredibly stupid
[TS]
00:28:08
◼
►
father-in-law that you just met made you
[TS]
00:28:11
◼
►
this really sexy bulletproof outfit out
[TS]
00:28:13
◼
►
of plants
[TS]
00:28:14
◼
►
what okay all right I not only to get
[TS]
00:28:18
◼
►
another one
[TS]
00:28:18
◼
►
okay there's this guy who has an
[TS]
00:28:20
◼
►
ex-girlfriend is kind of a crab with
[TS]
00:28:22
◼
►
lots of weapons and he has a cat can
[TS]
00:28:23
◼
►
tell whether you're telling the truth
[TS]
00:28:25
◼
►
ok anything no matter what no more no
[TS]
00:28:27
◼
►
matter what I tried none of the details
[TS]
00:28:29
◼
►
matter right for selling it to something
[TS]
00:28:31
◼
►
where's this pink blowing teen ghost who
[TS]
00:28:34
◼
►
has nothing is there a unicorn is there
[TS]
00:28:36
◼
►
a rainbow you like books with what with
[TS]
00:28:40
◼
►
guys with horns and you like books with
[TS]
00:28:41
◼
►
guys wings you're gonna love this one
[TS]
00:28:42
◼
►
couple i hope my opening line to every
[TS]
00:28:44
◼
►
person i try to turn onto this comic and
[TS]
00:28:46
◼
►
generally somite with there's no Hawkeye
[TS]
00:28:48
◼
►
and Sokka are the 2 comments were like
[TS]
00:28:50
◼
►
I'm gonna tell you once but then i'm
[TS]
00:28:52
◼
►
going to just buy your copy
[TS]
00:28:53
◼
►
dan does that sound familiar I read both
[TS]
00:28:55
◼
►
of those recently thanks to thanks to
[TS]
00:28:56
◼
►
its yeah basically those are the two
[TS]
00:28:58
◼
►
ones i'm recommending well no I just
[TS]
00:28:59
◼
►
thought i did it today i took my friend
[TS]
00:29:01
◼
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comic store and bottom the two traits of
[TS]
00:29:03
◼
►
Hokkaido I'm gonna buy you this comic
[TS]
00:29:05
◼
►
and I want you to at least read the
[TS]
00:29:06
◼
►
first is
[TS]
00:29:07
◼
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you have it but the thing I say to all
[TS]
00:29:08
◼
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of them is let me just be upfront about
[TS]
00:29:09
◼
►
this nothing about this should work
[TS]
00:29:11
◼
►
describing this story to somebody
[TS]
00:29:13
◼
►
pitching this is somebody like like
[TS]
00:29:15
◼
►
totoro I guess nothing about this should
[TS]
00:29:18
◼
►
it sounds even the best parts of it
[TS]
00:29:20
◼
►
sounds so clichéd I I go so far as to
[TS]
00:29:22
◼
►
say this is the kind of work that could
[TS]
00:29:24
◼
►
only come from somebody who had the the
[TS]
00:29:27
◼
►
background and the clout of bryan cave
[TS]
00:29:30
◼
►
on who had had these successful comics
[TS]
00:29:32
◼
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in the past because otherwise I don't
[TS]
00:29:35
◼
►
know how you would even sell this and I
[TS]
00:29:37
◼
►
don't know who would pick it up but
[TS]
00:29:39
◼
►
people picked it up because it was the
[TS]
00:29:40
◼
►
new bryan cave on project and somebody
[TS]
00:29:42
◼
►
said yes because well you know bryan
[TS]
00:29:44
◼
►
cave on will let him do it and and I'm
[TS]
00:29:47
◼
►
not sure somebody else would have been
[TS]
00:29:49
◼
►
allowed to do it which it doesn't change
[TS]
00:29:51
◼
►
the fact that it's it's fantastic it's
[TS]
00:29:53
◼
►
just it's so hard to describe and it's
[TS]
00:29:55
◼
►
such a weird cell
[TS]
00:29:57
◼
►
yeah somebody else might have had a
[TS]
00:29:58
◼
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harder time even if they produced it
[TS]
00:29:59
◼
►
getting it picked up right and in terms
[TS]
00:30:01
◼
►
of getting past five issues or six
[TS]
00:30:03
◼
►
issues right so we should let's let's
[TS]
00:30:05
◼
►
talk about the characters a little bit i
[TS]
00:30:06
◼
►
got that rather than trying to walk
[TS]
00:30:09
◼
►
through the plot I i think that the
[TS]
00:30:11
◼
►
merlons gotta write that the characters
[TS]
00:30:12
◼
►
here so interesting and since I fired
[TS]
00:30:14
◼
►
the spoiler horn and were free to talk
[TS]
00:30:16
◼
►
about these these characters so we
[TS]
00:30:18
◼
►
should start with our our protagonist i
[TS]
00:30:22
◼
►
guess i really want to talk about the
[TS]
00:30:23
◼
►
line cat but let's tighten and let's
[TS]
00:30:25
◼
►
start with our protagonist who are Marco
[TS]
00:30:27
◼
►
and Alana right yeah
[TS]
00:30:29
◼
►
mhm so Marco has he's the one with the
[TS]
00:30:32
◼
►
yeah the muny he's a Moonie he's from
[TS]
00:30:35
◼
►
the moon the moon free and and and Alana
[TS]
00:30:39
◼
►
is this the soldier from the the main
[TS]
00:30:43
◼
►
planet whose landfall boo in done so uh
[TS]
00:30:48
◼
►
so Marco Marco is he's got horns we are
[TS]
00:30:52
◼
►
we established that he has vowed not to
[TS]
00:30:55
◼
►
use his sword B&B we learned that he is
[TS]
00:31:00
◼
►
a conscientious objector
[TS]
00:31:02
◼
►
whoo-hoo-hoo I'll tell you re reading it
[TS]
00:31:05
◼
►
was fascinating because not only do i
[TS]
00:31:07
◼
►
pick up a lot of the of subtle things
[TS]
00:31:10
◼
►
that I know I didn't notice before but I
[TS]
00:31:11
◼
►
picked up a lot of things that I said oh
[TS]
00:31:13
◼
►
he's planning that there to pay off
[TS]
00:31:15
◼
►
later like you think this is not
[TS]
00:31:18
◼
►
important now but in 13 issue
[TS]
00:31:20
◼
►
i'm going to say haha do you remember
[TS]
00:31:22
◼
►
when I said that her shirt was
[TS]
00:31:23
◼
►
bulletproof
[TS]
00:31:24
◼
►
well so Marco is conscientious objector
[TS]
00:31:29
◼
►
he's not going to use a sword anymore
[TS]
00:31:30
◼
►
he's taken prisoner and I and that's
[TS]
00:31:34
◼
►
where he meets Alana he surrendered on
[TS]
00:31:36
◼
►
the field yeah yeah because he didn't
[TS]
00:31:38
◼
►
want to fight anymore and then of course
[TS]
00:31:39
◼
►
he does eventually use his sword and
[TS]
00:31:42
◼
►
like kill an entire squadron of Whitney
[TS]
00:31:44
◼
►
people he's a little bit of a badass he
[TS]
00:31:46
◼
►
goes he goes totally berserker his wife
[TS]
00:31:49
◼
►
has to shoot him to get him to stop
[TS]
00:31:51
◼
►
killing people many breaks the sword in
[TS]
00:31:54
◼
►
order to get the the rocketship so so
[TS]
00:31:57
◼
►
and then he's got a family
[TS]
00:31:59
◼
►
I'm you know he's his mom and dad show
[TS]
00:32:01
◼
►
up in a wonderful wonderful sequence
[TS]
00:32:04
◼
►
that the last thing I think i was
[TS]
00:32:06
◼
►
expecting in the story with to have his
[TS]
00:32:08
◼
►
mom and dad show up that time my
[TS]
00:32:10
◼
►
grandparents up on the rocket ship they
[TS]
00:32:14
◼
►
were shooting at me i was shooting at
[TS]
00:32:15
◼
►
them anyway and he's got a he's got an
[TS]
00:32:17
◼
►
ex-girlfriend and their wedding rings
[TS]
00:32:19
◼
►
are actually the ones that he was
[TS]
00:32:21
◼
►
supposed to use with her but he gave it
[TS]
00:32:23
◼
►
to alana instead you know
[TS]
00:32:26
◼
►
good good character interesting
[TS]
00:32:29
◼
►
interesting i mean i-i didn't so much of
[TS]
00:32:31
◼
►
the so much of this is on the on the
[TS]
00:32:34
◼
►
richness of the supporting cast that I
[TS]
00:32:35
◼
►
think it's easy to to you know the these
[TS]
00:32:38
◼
►
guys are a little more straightforward
[TS]
00:32:39
◼
►
in some ways because they're there the
[TS]
00:32:41
◼
►
there who we expect to be our our
[TS]
00:32:43
◼
►
protagonist right I'd like to bryan cave
[TS]
00:32:46
◼
►
on you just a little bit here and the
[TS]
00:32:48
◼
►
terms of groundwork I think it's worth
[TS]
00:32:49
◼
►
mentioning it
[TS]
00:32:50
◼
►
Marco he's a vicious well trained killer
[TS]
00:32:54
◼
►
yes to the first time he sees battle
[TS]
00:32:55
◼
►
says you know what I'm done I can't do
[TS]
00:32:57
◼
►
this but his family I you know I don't
[TS]
00:32:59
◼
►
use that term terrorist his he says I'd
[TS]
00:33:01
◼
►
like to be called freedom fighters but
[TS]
00:33:03
◼
►
that they're there they are the store
[TS]
00:33:07
◼
►
looking for the guerrillas right that
[TS]
00:33:09
◼
►
the people on on the moon is the
[TS]
00:33:11
◼
►
resistance that what's the moon called
[TS]
00:33:13
◼
►
mamuni 33 but people have wreaths are
[TS]
00:33:16
◼
►
basically they're like what they liked
[TS]
00:33:18
◼
►
the vehicon they're like the contrast
[TS]
00:33:20
◼
►
they're the ones who are trying to
[TS]
00:33:21
◼
►
undermine through guerrilla warfare this
[TS]
00:33:24
◼
►
big planet so just I think it's worth
[TS]
00:33:25
◼
►
mentioning that his parents are hundred
[TS]
00:33:27
◼
►
percent like died in their hardcore that
[TS]
00:33:29
◼
►
this is what we do this is what we do
[TS]
00:33:32
◼
►
and you know and and of course back on
[TS]
00:33:34
◼
►
land fall they just got they've got all
[TS]
00:33:35
◼
►
the power they've got all the money
[TS]
00:33:37
◼
►
they've got the ability to hire all
[TS]
00:33:39
◼
►
these people to work for them but it's a
[TS]
00:33:40
◼
►
disproportionate war has been fought you
[TS]
00:33:43
◼
►
know for years and you know that they
[TS]
00:33:45
◼
►
hit the end of the video
[TS]
00:33:46
◼
►
neither one of them has that much skin
[TS]
00:33:48
◼
►
in the game until they realized the skin
[TS]
00:33:50
◼
►
they have in the game is like for the
[TS]
00:33:51
◼
►
this relationship that's when they get
[TS]
00:33:53
◼
►
really passionate anyway just want to
[TS]
00:33:55
◼
►
mention that his parents are bad assets
[TS]
00:33:57
◼
►
you know that his dad obviously a little
[TS]
00:34:00
◼
►
bit on the softer side that his mom
[TS]
00:34:02
◼
►
yes like seriously I mean I loved I you
[TS]
00:34:05
◼
►
know it's such an interesting way to
[TS]
00:34:07
◼
►
introduce them as we were saying and I I
[TS]
00:34:09
◼
►
really came to love his dad so quickly
[TS]
00:34:12
◼
►
totally only only to ya hard on the
[TS]
00:34:16
◼
►
spoiler hard right
[TS]
00:34:17
◼
►
yes we did get all the only to have him
[TS]
00:34:19
◼
►
taken away from us so its mission i
[TS]
00:34:21
◼
►
cried twice so I he did he did warn us
[TS]
00:34:23
◼
►
and say that he didn't have long to live
[TS]
00:34:25
◼
►
and boy was he right but he's great
[TS]
00:34:28
◼
►
because he used the spinning wheel and
[TS]
00:34:30
◼
►
he makes the clothes and and and he he
[TS]
00:34:34
◼
►
sees what his son season Alana and the
[TS]
00:34:38
◼
►
mother is a little more wrapped up in
[TS]
00:34:40
◼
►
the warrior part of it and the father he
[TS]
00:34:45
◼
►
gets it you know in a way that I thought
[TS]
00:34:47
◼
►
was pretty cool
[TS]
00:34:48
◼
►
well he reminded me of like I don't know
[TS]
00:34:50
◼
►
like not like my uncle or something
[TS]
00:34:51
◼
►
right like there's a certain amount of
[TS]
00:34:53
◼
►
that that a funkier charm that he has
[TS]
00:34:55
◼
►
that he's like oh he could never really
[TS]
00:34:58
◼
►
be mad at anybody for that long right
[TS]
00:35:00
◼
►
I don't know it's just it yeah he does a
[TS]
00:35:02
◼
►
great job of drawing that that character
[TS]
00:35:05
◼
►
in just a couple subtle strokes like
[TS]
00:35:08
◼
►
several brushstrokes and you said that
[TS]
00:35:10
◼
►
you have an idea of who that character
[TS]
00:35:11
◼
►
is right right
[TS]
00:35:13
◼
►
this is part of what i was trying to
[TS]
00:35:14
◼
►
play my kid today without going you know
[TS]
00:35:15
◼
►
about ruining her for life worse that i
[TS]
00:35:17
◼
►
have is you know without getting a hard
[TS]
00:35:20
◼
►
I think it's a fascinating piece of of
[TS]
00:35:22
◼
►
not just contemporary life of kind of
[TS]
00:35:25
◼
►
just of the human condition that we get
[TS]
00:35:27
◼
►
entrenched in these these kinds of
[TS]
00:35:30
◼
►
ongoing Wars where we dehumanize the
[TS]
00:35:32
◼
►
other side and you know when I say
[TS]
00:35:35
◼
►
something like the troubles or south
[TS]
00:35:36
◼
►
africa or whatever what you might
[TS]
00:35:37
◼
►
remember it you know you know it started
[TS]
00:35:40
◼
►
because somebody has a different opinion
[TS]
00:35:42
◼
►
about whether this blood is there this
[TS]
00:35:45
◼
►
bread is jesus what it really means is
[TS]
00:35:47
◼
►
like my brother lost his leg because of
[TS]
00:35:50
◼
►
the orange marchers or whatever like
[TS]
00:35:52
◼
►
what you really remember is like this
[TS]
00:35:54
◼
►
Hatfield got killed because of that
[TS]
00:35:55
◼
►
McCoy and that's why we fight back and
[TS]
00:35:57
◼
►
so on and so forth
[TS]
00:35:58
◼
►
what I got on this reading I like what
[TS]
00:35:59
◼
►
you said Jason about that because as
[TS]
00:36:01
◼
►
much as I've devoured these going back I
[TS]
00:36:03
◼
►
picked up a lot
[TS]
00:36:04
◼
►
the one that I got this time reading it
[TS]
00:36:06
◼
►
straight through was that horrible word
[TS]
00:36:08
◼
►
miscegenation what I really got this
[TS]
00:36:11
◼
►
time is how much you know and I mean I'd
[TS]
00:36:15
◼
►
love to come back to proxies at some
[TS]
00:36:16
◼
►
point that everybody's always hiring
[TS]
00:36:18
◼
►
someone else to do something whether
[TS]
00:36:19
◼
►
it's Jack termine bone or kill their
[TS]
00:36:21
◼
►
their enemy or capture someone's baby
[TS]
00:36:23
◼
►
everybody wants this baby and they want
[TS]
00:36:25
◼
►
these people captured because it's
[TS]
00:36:27
◼
►
almost like somebody screwing a monkey
[TS]
00:36:29
◼
►
like these people are so nobody can even
[TS]
00:36:32
◼
►
believe that like the the times that
[TS]
00:36:35
◼
►
these free combinations of horns and
[TS]
00:36:37
◼
►
wings have happened the baby hasn't
[TS]
00:36:39
◼
►
lived because it's such a horrible like
[TS]
00:36:41
◼
►
abomination of nature you see this may
[TS]
00:36:43
◼
►
be my daughter sees baby she I can't
[TS]
00:36:45
◼
►
take the comic away from her because
[TS]
00:36:46
◼
►
she's looking for pages with the baby on
[TS]
00:36:48
◼
►
it it has horns and wings and it's
[TS]
00:36:50
◼
►
completely adorable you know it's you
[TS]
00:36:51
◼
►
know what I mean it's the the way that
[TS]
00:36:53
◼
►
either side in this battle sees the
[TS]
00:36:56
◼
►
other side first of all as a complete
[TS]
00:36:59
◼
►
monster but the only thing worse than
[TS]
00:37:01
◼
►
that monster is somebody on your side
[TS]
00:37:02
◼
►
who would have a baby with that monster
[TS]
00:37:04
◼
►
and it just makes both sides so mad and
[TS]
00:37:08
◼
►
there might be more to this that we get
[TS]
00:37:09
◼
►
you down down the stream but like I
[TS]
00:37:11
◼
►
think at the beginning it helps
[TS]
00:37:12
◼
►
understand it
[TS]
00:37:13
◼
►
everybody's after because they're like
[TS]
00:37:14
◼
►
the Duke boys right everybody's added
[TS]
00:37:16
◼
►
that a part of it is there so that they
[TS]
00:37:19
◼
►
hate that this has happened but they're
[TS]
00:37:20
◼
►
also angry that that that they would so
[TS]
00:37:23
◼
►
not only betray their side but then they
[TS]
00:37:25
◼
►
would make this abomination of the baby
[TS]
00:37:26
◼
►
is the one thing everybody agrees on
[TS]
00:37:28
◼
►
outside of this family is that this baby
[TS]
00:37:30
◼
►
should have never ever happened I I
[TS]
00:37:32
◼
►
think that's yeah there is something
[TS]
00:37:34
◼
►
very much in that in this whole idea of
[TS]
00:37:36
◼
►
the other right of vilifying the other
[TS]
00:37:40
◼
►
just because that's that's unfamiliar an
[TS]
00:37:43
◼
►
alien and I think you know in this comic
[TS]
00:37:46
◼
►
to those reading it
[TS]
00:37:47
◼
►
everything's kind of alien right so you
[TS]
00:37:50
◼
►
know I think there's not a lot of
[TS]
00:37:51
◼
►
Allegiance you come in like one way or
[TS]
00:37:52
◼
►
the other right like all those guys have
[TS]
00:37:54
◼
►
wings as important as well that's all
[TS]
00:37:56
◼
►
kinda weird so what gets I don't really
[TS]
00:37:58
◼
►
you know think too hard about that but
[TS]
00:37:59
◼
►
but even then they did you know there's
[TS]
00:38:01
◼
►
kind of these faceless forces on either
[TS]
00:38:03
◼
►
side but they then make the kind of the
[TS]
00:38:05
◼
►
operatives for each team you know become
[TS]
00:38:08
◼
►
these characters that there and explore
[TS]
00:38:10
◼
►
so you know we're gonna find out about
[TS]
00:38:11
◼
►
the freelancer who has been employed by
[TS]
00:38:14
◼
►
by the wings and we're gonna find out
[TS]
00:38:15
◼
►
about the you know the robot friends
[TS]
00:38:19
◼
►
you know if not there they're not
[TS]
00:38:20
◼
►
looking well I could I was a faceless
[TS]
00:38:22
◼
►
poor choice of words for the robot
[TS]
00:38:23
◼
►
prints but um you know that he's got a
[TS]
00:38:25
◼
►
facebook is a CRT monitor
[TS]
00:38:27
◼
►
yeah well to face you know they're gonna
[TS]
00:38:29
◼
►
they're gonna be characters that we're
[TS]
00:38:31
◼
►
gonna learn about to tell you know so
[TS]
00:38:33
◼
►
Alana strange happenings one of the
[TS]
00:38:35
◼
►
things about Alana as I as I sort of
[TS]
00:38:37
◼
►
vaguely push through various characters
[TS]
00:38:39
◼
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is uh is that she she's an interesting
[TS]
00:38:42
◼
►
character because she's an outsider that
[TS]
00:38:46
◼
►
way there's a scene where she is like in
[TS]
00:38:48
◼
►
the guard room or something and and the
[TS]
00:38:51
◼
►
squid who's in the in the plastic mole
[TS]
00:38:55
◼
►
says to her her other guard partner boy
[TS]
00:38:58
◼
►
she's you know basically she's miserable
[TS]
00:39:00
◼
►
to be around because she she's excited
[TS]
00:39:02
◼
►
about this book that is you know this of
[TS]
00:39:06
◼
►
turns out to be the sort of really big
[TS]
00:39:07
◼
►
incredibly boring yet subversive in its
[TS]
00:39:10
◼
►
boring this book which is a very funny
[TS]
00:39:12
◼
►
recurring bit and you know and then she
[TS]
00:39:16
◼
►
you know she actually beats the crap out
[TS]
00:39:18
◼
►
of Marco because you won't shut up but
[TS]
00:39:19
◼
►
it but she that was their meat cute but
[TS]
00:39:21
◼
►
they've they fall in love and she shoots
[TS]
00:39:23
◼
►
his chain off and says go not a
[TS]
00:39:26
◼
►
euphemism
[TS]
00:39:27
◼
►
and if she says go go go get out of your
[TS]
00:39:29
◼
►
escape and they ended up escaping
[TS]
00:39:31
◼
►
together i gotta talk about the book
[TS]
00:39:32
◼
►
first I know because I'm yes you talking
[TS]
00:39:34
◼
►
upon it i think i think i love the I
[TS]
00:39:38
◼
►
love that in its be goes back to what we
[TS]
00:39:39
◼
►
were talking about before about those
[TS]
00:39:40
◼
►
elements of manatee like that's what the
[TS]
00:39:42
◼
►
book is right it's the mundane it's
[TS]
00:39:45
◼
►
literally like you want to order a pizza
[TS]
00:39:47
◼
►
tonight y'all thinks it's a potboiler
[TS]
00:39:48
◼
►
anything like that sucks
[TS]
00:39:50
◼
►
heroes like I rolling 30 books like who
[TS]
00:39:53
◼
►
cares i was just trying to get a
[TS]
00:39:54
◼
►
paycheck but it'sit's like you can
[TS]
00:39:56
◼
►
understand from her perspective why it's
[TS]
00:39:59
◼
►
so powerful and why it's so important in
[TS]
00:40:02
◼
►
a in a world where everything the
[TS]
00:40:04
◼
►
mundane is like violence and war right
[TS]
00:40:07
◼
►
like that's the everyday is we're stuck
[TS]
00:40:09
◼
►
in this war and have been stuck in this
[TS]
00:40:11
◼
►
war for so
[TS]
00:40:11
◼
►
one that we don't remember so what's
[TS]
00:40:13
◼
►
comforting is this idea like let's just
[TS]
00:40:15
◼
►
hang out and watch TV you know I and
[TS]
00:40:18
◼
►
it's almost like limping into all of our
[TS]
00:40:19
◼
►
back into all of our own lives which is
[TS]
00:40:22
◼
►
a little weird because it gets kinda
[TS]
00:40:23
◼
►
self-reflective they're like oh I guess
[TS]
00:40:25
◼
►
my life is sitting around reading comic
[TS]
00:40:27
◼
►
books about aliens and tried to get away
[TS]
00:40:28
◼
►
and therefore the people who are the
[TS]
00:40:30
◼
►
aliens in the comic books a reading life
[TS]
00:40:32
◼
►
about getting away into my reality it's
[TS]
00:40:34
◼
►
a rock monster who enjoys sitting on the
[TS]
00:40:36
◼
►
couch and watching to ordering takeout
[TS]
00:40:38
◼
►
you know what did you guys I mean I
[TS]
00:40:41
◼
►
think i can get this as much until this
[TS]
00:40:42
◼
►
secondary but I also volunteers to see
[TS]
00:40:45
◼
►
if you guys agree with this but I i got
[TS]
00:40:47
◼
►
that seriously
[TS]
00:40:49
◼
►
Alana was not a great soldier no no I
[TS]
00:40:51
◼
►
like the second she wasn't nobody liked
[TS]
00:40:54
◼
►
her but also she wasn't particularly
[TS]
00:40:55
◼
►
distinguished in any way i like the idea
[TS]
00:40:57
◼
►
that she was like oh she was like she's
[TS]
00:40:59
◼
►
like the Maria Hill of this operator
[TS]
00:41:02
◼
►
they did they say where she was
[TS]
00:41:04
◼
►
they say that she was parked on this
[TS]
00:41:06
◼
►
world and and somebody actually says
[TS]
00:41:08
◼
►
seriously they still send people there
[TS]
00:41:10
◼
►
but that was an urban myth that's like
[TS]
00:41:13
◼
►
that was a joke right that you can't be
[TS]
00:41:15
◼
►
that bad and she's a private right
[TS]
00:41:17
◼
►
ladies he literally like the
[TS]
00:41:18
◼
►
lowest-ranked she's given the guard duty
[TS]
00:41:20
◼
►
on this terrible world she's not even
[TS]
00:41:23
◼
►
really that good at that because she's
[TS]
00:41:24
◼
►
it's around reading her books all the
[TS]
00:41:26
◼
►
I mean yeah there's this very
[TS]
00:41:28
◼
►
interesting because she is paired up of
[TS]
00:41:29
◼
►
course then with marco who is like a
[TS]
00:41:31
◼
►
total badass so it is a very bizarre
[TS]
00:41:33
◼
►
it's a little bit of an odd couple going
[TS]
00:41:36
◼
►
yeah okay can we talk about the will of
[TS]
00:41:38
◼
►
the will but the will is the is the
[TS]
00:41:41
◼
►
freelancer bounty hunter the first the
[TS]
00:41:44
◼
►
first real answer
[TS]
00:41:45
◼
►
yeah he he he is an interesting cat he
[TS]
00:41:49
◼
►
also has a cat the lion cat who is his
[TS]
00:41:52
◼
►
sidekick and does nothing except growl
[TS]
00:41:56
◼
►
and say lying when somebody lies which
[TS]
00:42:00
◼
►
is inconvenient even for the will
[TS]
00:42:02
◼
►
sometimes and somebody is why haven't
[TS]
00:42:05
◼
►
you killed that cat misses believe me
[TS]
00:42:07
◼
►
I've tried and you're a lying cat
[TS]
00:42:09
◼
►
doesn't say lying at that burn that what
[TS]
00:42:14
◼
►
I mean like there's so many so many you
[TS]
00:42:15
◼
►
know you see all these these ridiculous
[TS]
00:42:17
◼
►
plot devices that people throw into
[TS]
00:42:19
◼
►
things thinking they're being clever and
[TS]
00:42:21
◼
►
I've never had seen a plot device that I
[TS]
00:42:23
◼
►
love more than one
[TS]
00:42:24
◼
►
and cat and it comes up at the most
[TS]
00:42:26
◼
►
immediate at the exactly perfect times i
[TS]
00:42:28
◼
►
just posted a picture of this earlier
[TS]
00:42:30
◼
►
the one with the phone rings and it's
[TS]
00:42:31
◼
►
fucking coming call from the stock and
[TS]
00:42:34
◼
►
and and with the will is like I'm
[TS]
00:42:37
◼
►
expecting a call from that keyword again
[TS]
00:42:39
◼
►
the cat goes my and then we'll just
[TS]
00:42:43
◼
►
stares at her
[TS]
00:42:44
◼
►
yeah yeah there's there's something
[TS]
00:42:46
◼
►
fascinating about that too because then
[TS]
00:42:48
◼
►
you have this whole like philosophical
[TS]
00:42:49
◼
►
thing like well was he lying does he
[TS]
00:42:52
◼
►
pick it up because the cats that he was
[TS]
00:42:53
◼
►
lying or ya know but he relies on he
[TS]
00:42:55
◼
►
also relies on her to say he looks to
[TS]
00:42:57
◼
►
her is like the person telling the truth
[TS]
00:42:59
◼
►
he's a key like that the cat is a key
[TS]
00:43:01
◼
►
partner in this in this range and so
[TS]
00:43:03
◼
►
much so that when the cast life is in
[TS]
00:43:05
◼
►
jeopardy which was the other point where
[TS]
00:43:06
◼
►
I was like oh my god you know it gets
[TS]
00:43:08
◼
►
blown out into space yeah because it's
[TS]
00:43:10
◼
►
like okay this is this is a character
[TS]
00:43:12
◼
►
that it literally has like one line and
[TS]
00:43:14
◼
►
yet they do such a good job of being
[TS]
00:43:16
◼
►
like oh my god no don't get the wine cat
[TS]
00:43:18
◼
►
no no don't get the lying cat and you
[TS]
00:43:21
◼
►
know there is a moment of feeling like
[TS]
00:43:23
◼
►
you're watching the will be like no okay
[TS]
00:43:26
◼
►
now I'm not gonna let the cat right like
[TS]
00:43:28
◼
►
in that there's something there's
[TS]
00:43:29
◼
►
something very effective in that which
[TS]
00:43:31
◼
►
is strange that you should feel that
[TS]
00:43:33
◼
►
much empathy for a character that is a
[TS]
00:43:35
◼
►
cat with one but it works yeah it worked
[TS]
00:43:38
◼
►
and that's that's across an issue break
[TS]
00:43:40
◼
►
so there's a and its really well setup
[TS]
00:43:43
◼
►
where I think that's also the woman
[TS]
00:43:45
◼
►
grandpa there's a there's a panel
[TS]
00:43:46
◼
►
there's a set of panels yet is where
[TS]
00:43:49
◼
►
they terrible where where they showed
[TS]
00:43:51
◼
►
the the damage that's being done to the
[TS]
00:43:54
◼
►
spaceships is after one is acceptable
[TS]
00:43:56
◼
►
loss and then and then flip the page at
[TS]
00:43:58
◼
►
the narrator says that and then you flip
[TS]
00:44:00
◼
►
the page to see the line cat drifting in
[TS]
00:44:02
◼
►
space and we and then it's not until the
[TS]
00:44:04
◼
►
next issue where the will basically
[TS]
00:44:06
◼
►
jumps out into space to get the line cat
[TS]
00:44:09
◼
►
and bring it back so use you also have
[TS]
00:44:11
◼
►
the whole month where you don't know if
[TS]
00:44:12
◼
►
the lion cat is gonna make it we keep we
[TS]
00:44:14
◼
►
keep the railing so the will is a
[TS]
00:44:16
◼
►
freelancer sorry i keep the railing no
[TS]
00:44:18
◼
►
no we're talking about the will the will
[TS]
00:44:19
◼
►
is interesting too because he gets this
[TS]
00:44:20
◼
►
job and he obviously got this
[TS]
00:44:21
◼
►
ex-girlfriend or sometime girlfriend who
[TS]
00:44:24
◼
►
is this complete badass a freelancer her
[TS]
00:44:28
◼
►
own self
[TS]
00:44:29
◼
►
who's like a crab net crab lady and and
[TS]
00:44:34
◼
►
then she is killed by Prince robot
[TS]
00:44:37
◼
►
sure about the fourth we call it for
[TS]
00:44:40
◼
►
which will get 2i and so that's upset
[TS]
00:44:43
◼
►
him and then he also has this whole
[TS]
00:44:44
◼
►
diversion where he's on this he decides
[TS]
00:44:47
◼
►
to take the the credit card that's been
[TS]
00:44:49
◼
►
given to him as an advance for going and
[TS]
00:44:51
◼
►
finding his targets finding our friends
[TS]
00:44:54
◼
►
and he decides to go to the sex planet
[TS]
00:44:56
◼
►
with it to just have a good time except
[TS]
00:44:58
◼
►
he doesn't have a good time I and he
[TS]
00:45:01
◼
►
finds a young girl who's been sold into
[TS]
00:45:03
◼
►
sex slavery and decides he's going to
[TS]
00:45:05
◼
►
free her so there's this whole diversion
[TS]
00:45:08
◼
►
with him that is fascinating in some
[TS]
00:45:10
◼
►
ways because you've got this example of
[TS]
00:45:13
◼
►
how he is and it like he kills people
[TS]
00:45:15
◼
►
together murderer out he went he pops
[TS]
00:45:18
◼
►
the head of the guy who leads him to the
[TS]
00:45:22
◼
►
the underage roll let's just say he
[TS]
00:45:24
◼
►
didn't go there to free a slave girl he
[TS]
00:45:26
◼
►
went there and was approached by the the
[TS]
00:45:28
◼
►
creepy groomer guy because he wanted
[TS]
00:45:31
◼
►
like something extremely dangerous
[TS]
00:45:32
◼
►
beyond like spanking men in a window
[TS]
00:45:33
◼
►
like he wanted something serious
[TS]
00:45:36
◼
►
he's not a nice guy yea he's not a nice
[TS]
00:45:38
◼
►
guy and yet he has these he has these
[TS]
00:45:40
◼
►
moments like trying to trying to free
[TS]
00:45:42
◼
►
the slave girl so he's a fascinating
[TS]
00:45:45
◼
►
character because he's not and he's
[TS]
00:45:47
◼
►
completely the muzzle and he's the most
[TS]
00:45:49
◼
►
visually human-looking character
[TS]
00:45:51
◼
►
yes yes right he's basically a bald
[TS]
00:45:54
◼
►
human yeah yeah you're right with the
[TS]
00:45:57
◼
►
with a cloak that blocks bullets
[TS]
00:45:59
◼
►
yes and fire to it all just sucks fired
[TS]
00:46:01
◼
►
nine and he's he's had a fancy spaceland
[TS]
00:46:03
◼
►
yes he said he says he's a badass but he
[TS]
00:46:05
◼
►
is um yeah he's interesting in that he's
[TS]
00:46:09
◼
►
awful and yet also redeemable in there
[TS]
00:46:13
◼
►
yet in the words of one of our earlier
[TS]
00:46:15
◼
►
pocket he has a code
[TS]
00:46:17
◼
►
yes right is that there's a little bit
[TS]
00:46:18
◼
►
of both fenton you know
[TS]
00:46:20
◼
►
yeah yeah that's got a man's got him
[TS]
00:46:21
◼
►
code boba fett without a hat
[TS]
00:46:24
◼
►
yeah yeah yeah but of course heated that
[TS]
00:46:26
◼
►
makes us like him just enough to be
[TS]
00:46:27
◼
►
concerned about the fact that his goal
[TS]
00:46:29
◼
►
in life is very specifically to find our
[TS]
00:46:32
◼
►
friends and kill them and that's his job
[TS]
00:46:35
◼
►
and that's what he wants his money for
[TS]
00:46:37
◼
►
then he's joined by marcos ex-girlfriend
[TS]
00:46:39
◼
►
who has motivation to have him killed
[TS]
00:46:42
◼
►
and she also wants her wedding rings
[TS]
00:46:44
◼
►
back for translation wanna get up again
[TS]
00:46:46
◼
►
the proxies they like a yes to me this
[TS]
00:46:48
◼
►
is so prevalent because they have an
[TS]
00:46:50
◼
►
agent the
[TS]
00:46:51
◼
►
stock in the Delta stopping the will
[TS]
00:46:52
◼
►
Sharon aj do they have amazing yeah
[TS]
00:46:54
◼
►
because they have this guy who's like
[TS]
00:46:55
◼
►
this Robert Evans character who likes
[TS]
00:46:57
◼
►
its on each the seahorse the sea horse
[TS]
00:46:59
◼
►
on the beach is like he's exactly is a
[TS]
00:47:01
◼
►
seahorse on line one and you see I'm
[TS]
00:47:05
◼
►
gonna take this i got an incoming call
[TS]
00:47:06
◼
►
here again because he is exactly like
[TS]
00:47:08
◼
►
that happen well as well I hear your
[TS]
00:47:10
◼
►
buddy i hate but you gotta do this for
[TS]
00:47:12
◼
►
me I those characters like him and like
[TS]
00:47:15
◼
►
the one guy who's like that with the
[TS]
00:47:16
◼
►
shield guy forget his name the guy with
[TS]
00:47:18
◼
►
the the guy with the with the cell phone
[TS]
00:47:20
◼
►
this is characters that you instantly
[TS]
00:47:21
◼
►
recognizable i mean i could see i forget
[TS]
00:47:23
◼
►
that i forget the guys name the guy from
[TS]
00:47:25
◼
►
the guy that's working for the king
[TS]
00:47:27
◼
►
you know is from ya special ops
[TS]
00:47:28
◼
►
specialist with that means I could
[TS]
00:47:30
◼
►
totally see like sam rockwell playing
[TS]
00:47:32
◼
►
that guy he's a very sound Sam Rockwell
[TS]
00:47:34
◼
►
in you know iron man two kind of like
[TS]
00:47:37
◼
►
like Greece a character reminds me of
[TS]
00:47:40
◼
►
Ellis from die hard
[TS]
00:47:41
◼
►
no yeah we'll Bobby yeah so who else we
[TS]
00:47:47
◼
►
have four let's talk about the robots
[TS]
00:47:48
◼
►
because this is fat this is one of the
[TS]
00:47:49
◼
►
things that I think is bizarre and
[TS]
00:47:51
◼
►
fascinating about this is we have so
[TS]
00:47:53
◼
►
many questions that the royal family of
[TS]
00:47:55
◼
►
robots as far as we can tell they are it
[TS]
00:48:00
◼
►
looks like they're kind of the client of
[TS]
00:48:03
◼
►
that the primary people that have been
[TS]
00:48:05
◼
►
hired by landfall to fight this war at
[TS]
00:48:07
◼
►
scale right right so there there it's
[TS]
00:48:10
◼
►
unclear to me whether they are sort of
[TS]
00:48:11
◼
►
under there like a a a colony of land
[TS]
00:48:16
◼
►
father they talk because there's there's
[TS]
00:48:17
◼
►
a little bit where they talk about it
[TS]
00:48:19
◼
►
it's like they have like you know they
[TS]
00:48:21
◼
►
have like a an arrangement but they're
[TS]
00:48:22
◼
►
not and it's like they say like or they
[TS]
00:48:25
◼
►
are customers are they
[TS]
00:48:26
◼
►
oh yeah i'm skeptical about what the
[TS]
00:48:28
◼
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power relationship is between landfall
[TS]
00:48:30
◼
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in the robot ralph is the robot seem to
[TS]
00:48:32
◼
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be important they do they seem to be
[TS]
00:48:33
◼
►
very important and yet they do have a
[TS]
00:48:35
◼
►
people with wings giving them partial
[TS]
00:48:39
◼
►
orders so it's kind of unclear about
[TS]
00:48:41
◼
►
whether there are truly sort of
[TS]
00:48:43
◼
►
employees or whether they may be a
[TS]
00:48:45
◼
►
little more sinister devious the map i
[TS]
00:48:48
◼
►
mean i think we can understand that it's
[TS]
00:48:50
◼
►
not something they can slough off
[TS]
00:48:51
◼
►
I mean it seems to me that this robot
[TS]
00:48:53
◼
►
for is the son of the king and he's just
[TS]
00:48:57
◼
►
thought in what I would perceive to be
[TS]
00:48:58
◼
►
42 years he's been fighting their
[TS]
00:49:00
◼
►
version of like the Battle of the Bulge
[TS]
00:49:01
◼
►
has been in this incredibly hellish war
[TS]
00:49:04
◼
►
and again
[TS]
00:49:04
◼
►
completely unsympathetic character that
[TS]
00:49:06
◼
►
you end up feeling sympathy for he's had
[TS]
00:49:08
◼
►
this horrible experience he's trying to
[TS]
00:49:09
◼
►
have a baby
[TS]
00:49:10
◼
►
he apparently can't get a boner he's
[TS]
00:49:12
◼
►
confused about what we know what he what
[TS]
00:49:14
◼
►
what's going to happen in his life he's
[TS]
00:49:16
◼
►
a totally like hateable character and
[TS]
00:49:18
◼
►
yet very human even though he has a TV
[TS]
00:49:20
◼
►
forehead you should describe what they
[TS]
00:49:21
◼
►
look like
[TS]
00:49:22
◼
►
yeah so the robot people they when we
[TS]
00:49:25
◼
►
first see them they're dressed up and
[TS]
00:49:27
◼
►
they've got a TV for ahead it is
[TS]
00:49:29
◼
►
literally a big bulbous TV set and the
[TS]
00:49:33
◼
►
men have rabbit ears and the women
[TS]
00:49:36
◼
►
apparently don't but but Prince robot
[TS]
00:49:37
◼
►
the fourth has wrapped that has ever
[TS]
00:49:39
◼
►
happened to your eyes and know that
[TS]
00:49:40
◼
►
either on the back of his head and yet
[TS]
00:49:44
◼
►
then not too long thereafter of course
[TS]
00:49:46
◼
►
as Merlin alluded to we see Prince robot
[TS]
00:49:50
◼
►
and his and his princess having sex and
[TS]
00:49:53
◼
►
I get that page with my daughter yeah I
[TS]
00:49:56
◼
►
think I was not widely I don't
[TS]
00:49:57
◼
►
understand and uh in an unconventional
[TS]
00:50:01
◼
►
slight slightly unconventional position
[TS]
00:50:03
◼
►
all the better to anyway they're naked
[TS]
00:50:06
◼
►
and their human-like accepted android
[TS]
00:50:11
◼
►
humanoid and you actually it's not even
[TS]
00:50:13
◼
►
like you don't get the sense that
[TS]
00:50:15
◼
►
they're cyborgs because the skin is like
[TS]
00:50:18
◼
►
the next skin it's all smooth up into
[TS]
00:50:20
◼
►
the TV set
[TS]
00:50:21
◼
►
they almost kinda look they look kind of
[TS]
00:50:22
◼
►
like you know classical Greek statues
[TS]
00:50:24
◼
►
with TV it's because our kind of like
[TS]
00:50:27
◼
►
grace Tony looked so they're they're
[TS]
00:50:28
◼
►
called it's Prince robot but he's not
[TS]
00:50:31
◼
►
really a robot at least so far as we can
[TS]
00:50:33
◼
►
see because he appears to be completely
[TS]
00:50:35
◼
►
sort of fleshy other than the he can
[TS]
00:50:39
◼
►
turn his arm into a gun he can turn his
[TS]
00:50:41
◼
►
arm into so cool so its energy also you
[TS]
00:50:44
◼
►
know Merlin is right there's a there's a
[TS]
00:50:46
◼
►
great moment while he's having sex with
[TS]
00:50:48
◼
►
his lady where he something shows up on
[TS]
00:50:51
◼
►
the TV set and he's unable to perform so
[TS]
00:50:54
◼
►
there's this week it is weird biological
[TS]
00:50:56
◼
►
and everyone's got TV PTSD
[TS]
00:50:59
◼
►
yeah it's crazy so I I mean anywhere
[TS]
00:51:04
◼
►
you're right he's a fascinating
[TS]
00:51:05
◼
►
character because he is he's introduced
[TS]
00:51:07
◼
►
is really being a monster and and and
[TS]
00:51:10
◼
►
yet you start to realize that
[TS]
00:51:12
◼
►
essentially his biz pregnant wife it's
[TS]
00:51:15
◼
►
being basically held hostage by the
[TS]
00:51:17
◼
►
of landfall even monsters have jobs
[TS]
00:51:20
◼
►
Jason yeah and he's being sent to go
[TS]
00:51:21
◼
►
kill our friends but uh you know he
[TS]
00:51:25
◼
►
doesn't want to do it because he not
[TS]
00:51:27
◼
►
because it's wrong but because he really
[TS]
00:51:29
◼
►
would like a vacation and everybody has
[TS]
00:51:32
◼
►
a box and he spoiled obviously you get
[TS]
00:51:34
◼
►
the sense because he's a prince is the
[TS]
00:51:35
◼
►
son of the king and all that it's just
[TS]
00:51:37
◼
►
so bizarre one of the most bizarre
[TS]
00:51:39
◼
►
characters understand it's like it's a
[TS]
00:51:41
◼
►
horrible combination because obviously
[TS]
00:51:42
◼
►
his father has sold him out he's been if
[TS]
00:51:45
◼
►
we if I understand this correctly he's
[TS]
00:51:46
◼
►
been in this two-year war that everybody
[TS]
00:51:48
◼
►
and this is sounds like this is one of
[TS]
00:51:49
◼
►
those if i'm reading this right this is
[TS]
00:51:51
◼
►
one of those wars were heavy casualties
[TS]
00:51:54
◼
►
were felt on both sides i'm going
[TS]
00:51:55
◼
►
through this kind of world war two jag
[TS]
00:51:57
◼
►
right now but hey it sounds like one of
[TS]
00:51:58
◼
►
those Wars we're like there was a lot of
[TS]
00:52:01
◼
►
atrocities on both sides a lot of people
[TS]
00:52:03
◼
►
lost their friends a lot of people did a
[TS]
00:52:04
◼
►
lot of stuff that they're not happy with
[TS]
00:52:06
◼
►
and this guy went through that and the
[TS]
00:52:08
◼
►
thing is he's royalty you know he is
[TS]
00:52:10
◼
►
he's the whatever your highness not your
[TS]
00:52:13
◼
►
majesty whatever anyway he's right he's
[TS]
00:52:15
◼
►
he but he's been there for two years he
[TS]
00:52:17
◼
►
comes home his wife desperate his wife
[TS]
00:52:19
◼
►
who is a serious partisan she's very
[TS]
00:52:21
◼
►
much in the camp where is this guy's
[TS]
00:52:23
◼
►
mostly you know he's a soldier but he's
[TS]
00:52:24
◼
►
got a job to do and and right at the
[TS]
00:52:26
◼
►
moment when he's ready to like it
[TS]
00:52:28
◼
►
through his TV PTSD and have a have a
[TS]
00:52:30
◼
►
baby you know why my him like but he's
[TS]
00:52:33
◼
►
compelled to go back out into that and
[TS]
00:52:35
◼
►
so he has a lot of skin in the game more
[TS]
00:52:37
◼
►
about skin in the game like and that is
[TS]
00:52:39
◼
►
not quickly as possible so he can get
[TS]
00:52:40
◼
►
back to you know having this family
[TS]
00:52:42
◼
►
first remember when I thought you were
[TS]
00:52:44
◼
►
going to say that his wife is a serious
[TS]
00:52:45
◼
►
hottie and I was going to say man that
[TS]
00:52:47
◼
►
console he / she wants to keep her baby
[TS]
00:52:50
◼
►
don't ask about our resolution okay no
[TS]
00:52:53
◼
►
that's not cool
[TS]
00:52:54
◼
►
its lucky am i right yeah that I i was
[TS]
00:52:58
◼
►
thinking in particular that the
[TS]
00:53:00
◼
►
flashback that we get from him in the
[TS]
00:53:01
◼
►
issue 12 where we see you know basically
[TS]
00:53:04
◼
►
in getting wounded on the battlefield in
[TS]
00:53:06
◼
►
which i think was another one of those
[TS]
00:53:07
◼
►
excellently moving scenes where
[TS]
00:53:09
◼
►
basically you know the medic comes over
[TS]
00:53:11
◼
►
impact your blouse mother Mouse very
[TS]
00:53:13
◼
►
adorable mouse madman and you're like
[TS]
00:53:15
◼
►
alone its mouth guard oh no I using
[TS]
00:53:18
◼
►
school it's got his face when he says
[TS]
00:53:19
◼
►
they didn't give you wouldn't get a mask
[TS]
00:53:22
◼
►
oh my god table and you see the you know
[TS]
00:53:25
◼
►
but the prince is actually concerned
[TS]
00:53:27
◼
►
right yeah like the princes like get
[TS]
00:53:30
◼
►
your game
[TS]
00:53:30
◼
►
mass come on like you just saved my life
[TS]
00:53:32
◼
►
you know don't you can't die here and
[TS]
00:53:34
◼
►
then the just explodes and it's just
[TS]
00:53:36
◼
►
really tries to increase consultant to
[TS]
00:53:38
◼
►
he goes users
[TS]
00:53:39
◼
►
oh I didn't think of me asking so well
[TS]
00:53:41
◼
►
it's alright i'm sure it'll be fine and
[TS]
00:53:44
◼
►
then explodes
[TS]
00:53:45
◼
►
he's trying right he's trying to but
[TS]
00:53:47
◼
►
like you know into Merlin's point about
[TS]
00:53:49
◼
►
the PTSD like you know he sees this
[TS]
00:53:50
◼
►
happened right in front of it right like
[TS]
00:53:52
◼
►
so there's and you know despite being a
[TS]
00:53:54
◼
►
quote on quote robot-like clearly that
[TS]
00:53:56
◼
►
affects him in some way we see that he's
[TS]
00:53:58
◼
►
thinking about its on his mind was also
[TS]
00:54:01
◼
►
thinking about something else in a
[TS]
00:54:02
◼
►
rather famous panel that cause image to
[TS]
00:54:05
◼
►
withdraw this and I don't wanna I don't
[TS]
00:54:06
◼
►
wanna you know pop the clutch here but
[TS]
00:54:08
◼
►
it's something I want to talk about what
[TS]
00:54:09
◼
►
causes what to appear on the screen
[TS]
00:54:11
◼
►
because i am still not figured it out i
[TS]
00:54:13
◼
►
I'm a little unclear how much of it into
[TS]
00:54:16
◼
►
did does he have control of it Jason do
[TS]
00:54:18
◼
►
you want to talk about the screens let's
[TS]
00:54:20
◼
►
talk about what appears on the robot
[TS]
00:54:21
◼
►
face screen there's there's we could say
[TS]
00:54:23
◼
►
there's gay sex on the screens sometimes
[TS]
00:54:25
◼
►
it's something like we're just like he
[TS]
00:54:27
◼
►
got a little busy zout the famous one is
[TS]
00:54:29
◼
►
there's there's getting it looks sort of
[TS]
00:54:31
◼
►
like gay porn basically on the screen
[TS]
00:54:34
◼
►
door and that's the one where the the
[TS]
00:54:36
◼
►
word comiXology didn't submit to apple
[TS]
00:54:39
◼
►
or something like that there was a minor
[TS]
00:54:40
◼
►
but there's there's weird stuff before
[TS]
00:54:42
◼
►
yes he has reclaiming the user screaming
[TS]
00:54:45
◼
►
at once you get a dollar sign like an is
[TS]
00:54:48
◼
►
no I find get the incoming call from
[TS]
00:54:50
◼
►
yeah yeah
[TS]
00:54:51
◼
►
the caller ID well because it's from
[TS]
00:54:54
◼
►
there it's the Imperial security yeah
[TS]
00:54:57
◼
►
right there is he is he is the four by
[TS]
00:55:00
◼
►
I guess he is absolutely fine it looks
[TS]
00:55:03
◼
►
cool it's impolite to ask i guess i
[TS]
00:55:05
◼
►
guess my basic question is is that
[TS]
00:55:07
◼
►
something he felt and showed
[TS]
00:55:09
◼
►
involuntarily is it something you don't
[TS]
00:55:11
◼
►
mean is it something that he had to show
[TS]
00:55:13
◼
►
or not because I get the feeling he
[TS]
00:55:14
◼
►
doesn't control it
[TS]
00:55:15
◼
►
no I think it's involuntary I guess I
[TS]
00:55:17
◼
►
wasn't sure cuz like in the last couple
[TS]
00:55:19
◼
►
pages where he's interrogating the
[TS]
00:55:20
◼
►
author and at one point like his screen
[TS]
00:55:22
◼
►
goes all swirly and I wasn't sure if
[TS]
00:55:24
◼
►
that was supposed to be like him
[TS]
00:55:25
◼
►
reacting or him trying to intimidate the
[TS]
00:55:29
◼
►
there's some part I think it's
[TS]
00:55:30
◼
►
involuntary and I started to wonder if
[TS]
00:55:32
◼
►
you know so that that flashback is the
[TS]
00:55:34
◼
►
key see more like he's good shot right
[TS]
00:55:36
◼
►
and they say like oh he's frizz you know
[TS]
00:55:37
◼
►
and it's like is that is there something
[TS]
00:55:40
◼
►
that happened there that has caused him
[TS]
00:55:41
◼
►
to lose control to a certain extent like
[TS]
00:55:44
◼
►
these impulses right you know that he's
[TS]
00:55:45
◼
►
which is you know again kind of like
[TS]
00:55:47
◼
►
there's an analogy to the to the scene
[TS]
00:55:49
◼
►
combat in like the shell shocked that
[TS]
00:55:51
◼
►
kind of thing where it's like our he
[TS]
00:55:52
◼
►
just he can't quite control his impulses
[TS]
00:55:54
◼
►
in the way that he used to do you notice
[TS]
00:55:56
◼
►
in the same he bleeds blue blood
[TS]
00:55:58
◼
►
yes he is literally literally a blue
[TS]
00:56:00
◼
►
pillar called The Bistro see it i just i
[TS]
00:56:02
◼
►
love it like the first couple pages when
[TS]
00:56:04
◼
►
they're in like the mechanic shop and
[TS]
00:56:06
◼
►
they refer to a grease monkey and you're
[TS]
00:56:07
◼
►
like I like a mechanic and it's like no
[TS]
00:56:09
◼
►
it's literally a monkey right we'll be
[TS]
00:56:11
◼
►
okay as long as they don't have a
[TS]
00:56:12
◼
►
blueblood and then there's a blue but
[TS]
00:56:13
◼
►
that's so can you believe that we just
[TS]
00:56:15
◼
►
spent the last five minutes talking
[TS]
00:56:17
◼
►
about what the meaning is of the images
[TS]
00:56:21
◼
►
that flash on the screen of the robots
[TS]
00:56:24
◼
►
who have fleshy bodies but TVs for their
[TS]
00:56:26
◼
►
heads in a comic book i can't i can't
[TS]
00:56:28
◼
►
believe I'm sitting here in my underwear
[TS]
00:56:29
◼
►
wednesday night talking about comics the
[TS]
00:56:31
◼
►
whole thing is completely perplexing to
[TS]
00:56:33
◼
►
yeah so you get the stalk you got the
[TS]
00:56:35
◼
►
will you got the robots are we kind of
[TS]
00:56:37
◼
►
talked about is about some yes Isabel I
[TS]
00:56:39
◼
►
was gonna say that leads us to our next
[TS]
00:56:41
◼
►
major character Isabelle who is a who is
[TS]
00:56:43
◼
►
a ghost with her intestines dangling out
[TS]
00:56:46
◼
►
of her bottom side as she kind of floats
[TS]
00:56:48
◼
►
because she was blown up by a landmine
[TS]
00:56:50
◼
►
the best babysitter you can find the
[TS]
00:56:52
◼
►
Haunted Forest yeah that actually is one
[TS]
00:56:55
◼
►
of my favorite turns in the story is
[TS]
00:56:57
◼
►
where they they meet are our friends
[TS]
00:57:00
◼
►
meet the stock who is this horrifying
[TS]
00:57:03
◼
►
spider crab lady naked spider crab lady
[TS]
00:57:06
◼
►
and the following their following the
[TS]
00:57:08
◼
►
goofball pirate map that yes 22 this
[TS]
00:57:10
◼
►
Bishop for us
[TS]
00:57:11
◼
►
exactly and she shows up and she's like
[TS]
00:57:14
◼
►
I'm gonna kill you all now and shoots
[TS]
00:57:15
◼
►
Marco and she's gonna shoot Lana right
[TS]
00:57:19
◼
►
there except that she's got to take the
[TS]
00:57:20
◼
►
baby alive and then the you know you you
[TS]
00:57:23
◼
►
do yours
[TS]
00:57:25
◼
►
the ghostly sounds come from the forest
[TS]
00:57:27
◼
►
and a freak the stock out she's like oh
[TS]
00:57:29
◼
►
jeez those Horrors yet you know if you
[TS]
00:57:32
◼
►
if you're thinking correctly old kill
[TS]
00:57:34
◼
►
your own baby yourself but i gotta go
[TS]
00:57:35
◼
►
goodbye
[TS]
00:57:36
◼
►
can I read 31 line from the stock sure I
[TS]
00:57:38
◼
►
once saw pack of them rip a man's spine
[TS]
00:57:40
◼
►
out through his urethra
[TS]
00:57:41
◼
►
that's not an exaggeration I saw that so
[TS]
00:57:45
◼
►
says the spider Lee so the spider lady
[TS]
00:57:47
◼
►
runway that's horrifying spider lady
[TS]
00:57:49
◼
►
runs away and what we see then is this
[TS]
00:57:54
◼
►
group of ghosts who like to freak people
[TS]
00:57:56
◼
►
out with like
[TS]
00:57:57
◼
►
fake images of horrible things but
[TS]
00:58:00
◼
►
Isabelle is just a teenager who died and
[TS]
00:58:04
◼
►
I you know she's got an attitude and
[TS]
00:58:07
◼
►
things like that but these the horrors
[TS]
00:58:08
◼
►
turn out to not be horse at all and I
[TS]
00:58:10
◼
►
thought that was a really great turn
[TS]
00:58:12
◼
►
that they're ghosts yes and they show
[TS]
00:58:13
◼
►
people horrible things but they're okay
[TS]
00:58:17
◼
►
and yet the the the crab lady ran away
[TS]
00:58:19
◼
►
but I mean there there it's also great
[TS]
00:58:21
◼
►
because they're mutilated children who
[TS]
00:58:24
◼
►
have become ghosts a but also like be
[TS]
00:58:26
◼
►
like Isabelle doesn't know whose mind
[TS]
00:58:28
◼
►
did it like it's just such a mess but
[TS]
00:58:30
◼
►
the kids who died on this planet turn
[TS]
00:58:31
◼
►
into ghosts because the other great
[TS]
00:58:32
◼
►
thing is Isabelle for her entire life as
[TS]
00:58:35
◼
►
a dead person has been have more than
[TS]
00:58:37
◼
►
happy to scare the living crap out of
[TS]
00:58:39
◼
►
it's just that now because of the
[TS]
00:58:41
◼
►
wonderful storytelling she has a reason
[TS]
00:58:43
◼
►
she needs these people you know what I
[TS]
00:58:45
◼
►
mean I think she would have scared him
[TS]
00:58:46
◼
►
like anybody else except that she sees
[TS]
00:58:48
◼
►
an opportunity here because of what she
[TS]
00:58:50
◼
►
knows and that's why this story she can
[TS]
00:58:52
◼
►
connect to Hazel the baby and you get
[TS]
00:58:56
◼
►
awfully planet and B and she also she
[TS]
00:58:59
◼
►
you know she's a teenage girl so she's a
[TS]
00:59:01
◼
►
good babysitter
[TS]
00:59:02
◼
►
she's a little babysitting money yeah
[TS]
00:59:04
◼
►
but a little pocket change and she can
[TS]
00:59:06
◼
►
she can she can make giant scary
[TS]
00:59:07
◼
►
gorillas to yeah she can get some new
[TS]
00:59:10
◼
►
Oh apartment if I don't take
[TS]
00:59:13
◼
►
relationship advice from a teenage girl
[TS]
00:59:16
◼
►
with no vagina that's it
[TS]
00:59:18
◼
►
the so many great lines
[TS]
00:59:21
◼
►
yeah yeah Isabel who are so so Isabelle
[TS]
00:59:24
◼
►
has to be able to the idea is the only
[TS]
00:59:26
◼
►
way she can get off of this planet is by
[TS]
00:59:29
◼
►
finding with hazel just a connector soul
[TS]
00:59:32
◼
►
exactly yeah and they asked a little
[TS]
00:59:34
◼
►
hurt and she says it won't hurt when we
[TS]
00:59:36
◼
►
connect it'll hurt when we disconnect
[TS]
00:59:38
◼
►
which we all miss you little for today
[TS]
00:59:40
◼
►
in the future then yes you know as a
[TS]
00:59:43
◼
►
babysitter
[TS]
00:59:44
◼
►
you know of course you would use a ghost
[TS]
00:59:45
◼
►
that has no legs
[TS]
00:59:47
◼
►
sure that seems perfectly logical to me
[TS]
00:59:48
◼
►
or intestines her intestines let's be
[TS]
00:59:50
◼
►
clear her intestines are literally
[TS]
00:59:51
◼
►
hanging out from our hipster t-shirt
[TS]
00:59:53
◼
►
yes yeah well that's what else you gonna
[TS]
00:59:55
◼
►
do with the hipster t-shirt really I i
[TS]
00:59:58
◼
►
need such a fast again
[TS]
00:59:58
◼
►
need such a fast again
[TS]
01:00:00
◼
►
one of those long lines of like every
[TS]
01:00:02
◼
►
every issue where you read something
[TS]
01:00:03
◼
►
you're like now this can't get weirder
[TS]
01:00:05
◼
►
and then it's like what about ghosts
[TS]
01:00:08
◼
►
yeah it's like okay alright you beat me
[TS]
01:00:10
◼
►
you got weirder and she knows more about
[TS]
01:00:12
◼
►
kids and a lot of them the moment when
[TS]
01:00:15
◼
►
she takes them to the the the forest the
[TS]
01:00:19
◼
►
the spaceship forest and reveals the the
[TS]
01:00:21
◼
►
spaceship tree thing that was that
[TS]
01:00:24
◼
►
moment of like that was really a great
[TS]
01:00:26
◼
►
moment that that this law and she gets
[TS]
01:00:29
◼
►
the the part where she gets banished by
[TS]
01:00:30
◼
►
Marcus we answer to a nearby asteroid
[TS]
01:00:33
◼
►
which is mounted by the egg
[TS]
01:00:36
◼
►
uh-huh my god is so good anything with a
[TS]
01:00:40
◼
►
Giants with his parts resolve fard hard
[TS]
01:00:46
◼
►
was that line you don't you know that
[TS]
01:00:47
◼
►
you don't fly a rocket ship you're right
[TS]
01:00:49
◼
►
it can't believe that's not already that
[TS]
01:00:51
◼
►
such a great sister great line but I
[TS]
01:00:54
◼
►
mean but you know it's gonna give me I
[TS]
01:00:56
◼
►
mean not to be all you know whatever
[TS]
01:00:57
◼
►
brainy but like it's the economy of the
[TS]
01:01:00
◼
►
storytelling like in all this madness
[TS]
01:01:01
◼
►
and all these generals and all these
[TS]
01:01:03
◼
►
robots like they're still every every
[TS]
01:01:05
◼
►
bit of this is essential like every one
[TS]
01:01:07
◼
►
of these relationships is important to
[TS]
01:01:09
◼
►
propelling the story forward but it
[TS]
01:01:10
◼
►
doesn't feel like a story you know what
[TS]
01:01:13
◼
►
I mean I just I was flipping forward and
[TS]
01:01:14
◼
►
I just got to the you know the scene
[TS]
01:01:17
◼
►
where you know his Marco's father dies
[TS]
01:01:20
◼
►
and and Hazel from the future you know
[TS]
01:01:22
◼
►
talking back to us as I still have a
[TS]
01:01:24
◼
►
scrap of the output he made for me i use
[TS]
01:01:26
◼
►
it as a bookmark which is like again you
[TS]
01:01:28
◼
►
know sort of playing with the whole like
[TS]
01:01:30
◼
►
is this a journal like this is sort of a
[TS]
01:01:32
◼
►
recounting you know and that's the end
[TS]
01:01:35
◼
►
of a chapter to write so it kinda it
[TS]
01:01:36
◼
►
kinda works very very cleverly as a like
[TS]
01:01:39
◼
►
it's holding my place right here and i
[TS]
01:01:42
◼
►
think yet again all of those little
[TS]
01:01:44
◼
►
things that just yeah they do such a
[TS]
01:01:48
◼
►
good job of just like turning the like
[TS]
01:01:50
◼
►
you know like your interest like peeking
[TS]
01:01:52
◼
►
you just a little bit and like yeah okay
[TS]
01:01:54
◼
►
i understand that I mean even with the
[TS]
01:01:56
◼
►
way it starts right it doesn't start
[TS]
01:01:57
◼
►
with Marco and a lot of meeting and like
[TS]
01:02:00
◼
►
well you know and escaping and running
[TS]
01:02:02
◼
►
away it starts with the birth of the
[TS]
01:02:03
◼
►
child and then we're gonna find out
[TS]
01:02:04
◼
►
about that other stuff later
[TS]
01:02:05
◼
►
via flashback right it's the ground
[TS]
01:02:07
◼
►
running and just keeps keeps going
[TS]
01:02:09
◼
►
yeah I also want to say the the other
[TS]
01:02:10
◼
►
interesting thing we were talking about
[TS]
01:02:11
◼
►
stuff that differentiates like yeah okay
[TS]
01:02:13
◼
►
you it's is an interesting that we can
[TS]
01:02:16
◼
►
do all this sort of you know violent
[TS]
01:02:17
◼
►
stuff but also really touching stuff and
[TS]
01:02:19
◼
►
all these little little you know the
[TS]
01:02:21
◼
►
handwriting these little details I
[TS]
01:02:22
◼
►
thought that the use of language both
[TS]
01:02:25
◼
►
with a capital L and with a lowercase l
[TS]
01:02:27
◼
►
was interesting as a differentiation for
[TS]
01:02:30
◼
►
so you know we have this idea that these
[TS]
01:02:32
◼
►
these two cultures despite being very
[TS]
01:02:34
◼
►
close proximity you know like there's a
[TS]
01:02:36
◼
►
moon and there's the main planet
[TS]
01:02:38
◼
►
they're separated of course by a
[TS]
01:02:39
◼
►
language in most of the text that we get
[TS]
01:02:42
◼
►
is in what is I think capital L language
[TS]
01:02:47
◼
►
yes it's like there's like a language
[TS]
01:02:49
◼
►
and what they speak on landfall which
[TS]
01:02:51
◼
►
which the them from the people from
[TS]
01:02:53
◼
►
wreath do not they speak a language blue
[TS]
01:02:56
◼
►
right as their native language which is
[TS]
01:02:58
◼
►
written in blue text right and when
[TS]
01:02:59
◼
►
Marco speaks language the soldiers are
[TS]
01:03:01
◼
►
gassed and they say they should cut his
[TS]
01:03:03
◼
►
tongue out
[TS]
01:03:04
◼
►
it's like Planet of the Apes I mean it's
[TS]
01:03:06
◼
►
like people are just like what is this
[TS]
01:03:07
◼
►
monster is speaking like what is what
[TS]
01:03:09
◼
►
kind of magic is easy right and the
[TS]
01:03:11
◼
►
fascinating part for me is the the
[TS]
01:03:12
◼
►
bravery of doing panels that are
[TS]
01:03:14
◼
►
entirely in this language right which
[TS]
01:03:15
◼
►
are not in blue which are not translated
[TS]
01:03:17
◼
►
and you basically have to get from
[TS]
01:03:19
◼
►
context which is federally is the
[TS]
01:03:21
◼
►
flashbacks especially experiment makes
[TS]
01:03:23
◼
►
Merlin cry in the episode where Markos
[TS]
01:03:25
◼
►
dad dies and we don't get me started on
[TS]
01:03:27
◼
►
the grasshopper
[TS]
01:03:28
◼
►
I'm literally begging it and also it's
[TS]
01:03:30
◼
►
just close enough to spanish that that
[TS]
01:03:32
◼
►
is apparently Esperanto or based on its
[TS]
01:03:35
◼
►
anto I looked this up because I was very
[TS]
01:03:36
◼
►
curious to know I did not know that I
[TS]
01:03:39
◼
►
was fascinated to know that because then
[TS]
01:03:41
◼
►
it sent me down a rabbit hole of reading
[TS]
01:03:42
◼
►
wikipedia ya blue maybe cry with the
[TS]
01:03:44
◼
►
grasshopper I'm not gonna lie to you and
[TS]
01:03:45
◼
►
that because you know and also in that
[TS]
01:03:47
◼
►
issue I was not expecting that there's
[TS]
01:03:48
◼
►
there's the whole scene with like what
[TS]
01:03:50
◼
►
happens to those remember when your dad
[TS]
01:03:52
◼
►
taught you to write a grasshopper for
[TS]
01:03:53
◼
►
the first time I mean let's remember he
[TS]
01:03:56
◼
►
didn't Esperanto I said dad I and
[TS]
01:03:57
◼
►
language language but it's very
[TS]
01:04:00
◼
►
effective and also like all my gosh how
[TS]
01:04:02
◼
►
much do you love it when the loop
[TS]
01:04:04
◼
►
ordered the part when the one that when
[TS]
01:04:06
◼
►
the magic people come blasting into the
[TS]
01:04:07
◼
►
garage the first time you see the blue
[TS]
01:04:09
◼
►
language and you get like oh man this is
[TS]
01:04:12
◼
►
the this is the rules are different in
[TS]
01:04:13
◼
►
this universe and the magic people come
[TS]
01:04:15
◼
►
in and the spells and it's just
[TS]
01:04:17
◼
►
and some of the magic they don't really
[TS]
01:04:19
◼
►
explain how it works but it's nice when
[TS]
01:04:21
◼
►
they do get a little into it it's like
[TS]
01:04:23
◼
►
the magic is more than just technology
[TS]
01:04:24
◼
►
that we understand you have the secrets
[TS]
01:04:26
◼
►
that this is something that is needed a
[TS]
01:04:28
◼
►
secret that can has never been spoken
[TS]
01:04:31
◼
►
when we last drippy Jason you're on
[TS]
01:04:33
◼
►
Isabel's that where we left off
[TS]
01:04:34
◼
►
yeah who's left who else do you want to
[TS]
01:04:36
◼
►
talk about i do we do we cover Gwendolyn
[TS]
01:04:39
◼
►
wendelin we don't see her a lot
[TS]
01:04:43
◼
►
true she's she reason that people can
[TS]
01:04:45
◼
►
understand what Marco is saying is
[TS]
01:04:47
◼
►
because he has a pair of magical and
[TS]
01:04:49
◼
►
chanted rings that I guess is like the
[TS]
01:04:51
◼
►
babelfish right yeah that kind of yes
[TS]
01:04:55
◼
►
yeah yeah with babelfish with with a GPS
[TS]
01:04:59
◼
►
alright certainly android thing yeah but
[TS]
01:05:02
◼
►
at but we learn later and that Alana is
[TS]
01:05:05
◼
►
very unhappy to discover is that those
[TS]
01:05:08
◼
►
belong to someone else
[TS]
01:05:09
◼
►
right which is another great one of
[TS]
01:05:11
◼
►
those melding of like oh they're magical
[TS]
01:05:13
◼
►
rings that can translate things wait you
[TS]
01:05:15
◼
►
took these from your last fiancé like
[TS]
01:05:17
◼
►
there's that jarring like transition
[TS]
01:05:20
◼
►
back into the something that everyone
[TS]
01:05:22
◼
►
can understand right like wow okay that
[TS]
01:05:25
◼
►
was a bad move market now what makes it
[TS]
01:05:27
◼
►
worse is that there's all she also has a
[TS]
01:05:29
◼
►
pendant and and the the freed sex slave
[TS]
01:05:33
◼
►
girl can tell that dependent is calling
[TS]
01:05:36
◼
►
out for its friends and they used that
[TS]
01:05:38
◼
►
as a homing beacon which is also really
[TS]
01:05:40
◼
►
interesting but yeah hit marcos
[TS]
01:05:42
◼
►
ex-girlfriend we see why he wasn't into
[TS]
01:05:44
◼
►
her because she's hardcore she's kind of
[TS]
01:05:48
◼
►
like store meets lelu and a good in a
[TS]
01:05:51
◼
►
good way both multipath she's got the
[TS]
01:05:55
◼
►
outfit yeah lt+ yeah but they but then
[TS]
01:05:58
◼
►
you get the sense that she would be a
[TS]
01:05:59
◼
►
non-player character that like that we
[TS]
01:06:01
◼
►
would never see this this girlfriend
[TS]
01:06:03
◼
►
yeah although I gotta say the problem i
[TS]
01:06:06
◼
►
have with a girlfriend is it does seem
[TS]
01:06:08
◼
►
like this is an awfully small world then
[TS]
01:06:11
◼
►
that she's also a player and all of this
[TS]
01:06:14
◼
►
and ends up with you and with the will
[TS]
01:06:16
◼
►
that with that pussy is she's connected
[TS]
01:06:18
◼
►
right you know she is I just I just had
[TS]
01:06:20
◼
►
the moment of like wow this is and maybe
[TS]
01:06:22
◼
►
this is part of the story is the reason
[TS]
01:06:24
◼
►
that Marco is as important as he is is
[TS]
01:06:27
◼
►
also because of the
[TS]
01:06:29
◼
►
shoot that he has with his fiancee and
[TS]
01:06:32
◼
►
maybe that's why that one of the reasons
[TS]
01:06:33
◼
►
they were initially were looking for him
[TS]
01:06:35
◼
►
but just that was a moment of like wow
[TS]
01:06:38
◼
►
everybody there aren't that many
[TS]
01:06:39
◼
►
characters and yet they all seem to be
[TS]
01:06:41
◼
►
very closely connected with each other
[TS]
01:06:43
◼
►
sometimes it's a small universe
[TS]
01:06:45
◼
►
yeah it's only that planet moon and a
[TS]
01:06:47
◼
►
whole other galaxies but then all the
[TS]
01:06:49
◼
►
funny little animal guys
[TS]
01:06:51
◼
►
yeah don't don't get attached to them
[TS]
01:06:52
◼
►
they don't they'll go so we don't it
[TS]
01:06:54
◼
►
doesn't go well for them
[TS]
01:06:55
◼
►
yeah especially the this mold guys as
[TS]
01:06:57
◼
►
more guys on sextillion get pretty mad
[TS]
01:06:59
◼
►
they're my favorite thing is i love that
[TS]
01:07:01
◼
►
page you know it's like the little seal
[TS]
01:07:04
◼
►
guys on the White House plain old then
[TS]
01:07:06
◼
►
the seals the seal guy on so he's
[TS]
01:07:08
◼
►
weirdly already hit walrus with ya and
[TS]
01:07:11
◼
►
I'm not gonna go back here where the
[TS]
01:07:12
◼
►
author the author lives of the of the
[TS]
01:07:14
◼
►
world's most by the guy with the yellow
[TS]
01:07:16
◼
►
like overalls
[TS]
01:07:18
◼
►
yeah there's a seal guy and and like a
[TS]
01:07:20
◼
►
walrus monkey
[TS]
01:07:22
◼
►
yes I mean that the seal guy kind of
[TS]
01:07:24
◼
►
looks like he's out of a miyazaki movie
[TS]
01:07:25
◼
►
a little bit totally does
[TS]
01:07:27
◼
►
I'm glad I'm I'm really glad he doesn't
[TS]
01:07:29
◼
►
get cut in half in tomorrow
[TS]
01:07:33
◼
►
yeah that's a you know a good day with
[TS]
01:07:35
◼
►
you can say that I got I got a little
[TS]
01:07:37
◼
►
attached to this charming more guys in
[TS]
01:07:39
◼
►
it you know that didn't pay off for me
[TS]
01:07:40
◼
►
you know
[TS]
01:07:41
◼
►
did you bring him bottles mr. hice likes
[TS]
01:07:43
◼
►
it when ladies bring in bottles are you
[TS]
01:07:45
◼
►
lady folk anyway I enjoy enjoy the
[TS]
01:07:49
◼
►
author who is just you know i'll be
[TS]
01:07:51
◼
►
talking a little bit before with just
[TS]
01:07:53
◼
►
the bike is a cyclone has just yeah I
[TS]
01:07:55
◼
►
just right now i'm sitting here with my
[TS]
01:07:56
◼
►
dreams like Catholics like Ernest
[TS]
01:07:58
◼
►
Hemingway with this is like oxygen LOL
[TS]
01:08:00
◼
►
samuel jackson as nick fury as Ernest
[TS]
01:08:03
◼
►
Hemingway a lot of people don't know
[TS]
01:08:04
◼
►
that about us having left and dan did
[TS]
01:08:07
◼
►
you not notice that the 12 issue of this
[TS]
01:08:09
◼
►
is essentially constructed as an episode
[TS]
01:08:11
◼
►
of Columbo I because essentially Prince
[TS]
01:08:17
◼
►
robot comes in interrogation he just
[TS]
01:08:19
◼
►
stays around irritates him to irritate
[TS]
01:08:21
◼
►
him until he gets the information and
[TS]
01:08:23
◼
►
the first half of the story we are we
[TS]
01:08:27
◼
►
have this turn word this supposed to be
[TS]
01:08:28
◼
►
this great subversive work and we need
[TS]
01:08:29
◼
►
the author and the author one robot is
[TS]
01:08:32
◼
►
supposed to be interrogating him the
[TS]
01:08:33
◼
►
authors like sorry that book is just
[TS]
01:08:35
◼
►
crap and you get to that last scene
[TS]
01:08:38
◼
►
where robot is gonna head out the door
[TS]
01:08:39
◼
►
and be like all right well I gave it a
[TS]
01:08:41
◼
►
shot this was a shot in the dark
[TS]
01:08:43
◼
►
and then he goes actually one more thing
[TS]
01:08:46
◼
►
which he doesn't actually say but he
[TS]
01:08:48
◼
►
comes back around and basically like
[TS]
01:08:52
◼
►
what does he do exactly what battle
[TS]
01:08:54
◼
►
which battle did you say your son was
[TS]
01:08:56
◼
►
killed right right there and then it all
[TS]
01:08:59
◼
►
turns because it turns out his son died
[TS]
01:09:01
◼
►
in a battle his son killed himself and
[TS]
01:09:03
◼
►
this is his motivation for writing this
[TS]
01:09:05
◼
►
subversive work and it you know it kind
[TS]
01:09:08
◼
►
of goes down from there he pulls a gun
[TS]
01:09:09
◼
►
and and Prince robot can turn his arm
[TS]
01:09:12
◼
►
into a gun and shoots him in the knee
[TS]
01:09:13
◼
►
and we end up with him Prince robot
[TS]
01:09:17
◼
►
saying that he's gonna stay there and
[TS]
01:09:19
◼
►
wait around for our friends to come but
[TS]
01:09:21
◼
►
anyway that's the colombo trick right
[TS]
01:09:23
◼
►
you give you another guard down you talk
[TS]
01:09:25
◼
►
to him for a while you think you're
[TS]
01:09:26
◼
►
gonna get away with it and then he comes
[TS]
01:09:28
◼
►
back in the room and he and he destroys
[TS]
01:09:30
◼
►
you which is basically what happens here
[TS]
01:09:32
◼
►
except then we get the last panel which
[TS]
01:09:35
◼
►
is the end of the 12th issue in the end
[TS]
01:09:37
◼
►
of the second trade which is the
[TS]
01:09:39
◼
►
revelation that all of our other
[TS]
01:09:40
◼
►
characters that we've been following for
[TS]
01:09:42
◼
►
the first 11 issues have been upstairs
[TS]
01:09:44
◼
►
in this house the entire time where you
[TS]
01:09:49
◼
►
know how they got there and all that
[TS]
01:09:50
◼
►
still to be explained but they've been
[TS]
01:09:53
◼
►
they've been listening to this entire
[TS]
01:09:54
◼
►
conversation the entire episode of
[TS]
01:09:56
◼
►
Columbo that's been going on downstairs
[TS]
01:09:59
◼
►
that's pretty cool pretty good
[TS]
01:10:00
◼
►
cliffhangers pretty good yeah okay and
[TS]
01:10:02
◼
►
saga has been doing this kind of
[TS]
01:10:03
◼
►
interesting thing for folks who you know
[TS]
01:10:06
◼
►
or sometimes hesitant about picking up
[TS]
01:10:07
◼
►
comics were you know they put out six
[TS]
01:10:09
◼
►
issues then they collected in a trade
[TS]
01:10:11
◼
►
and then they they proceeded almost like
[TS]
01:10:13
◼
►
with you know TVC and something so it's
[TS]
01:10:16
◼
►
like we're usually I don't I always wait
[TS]
01:10:17
◼
►
for the trades to come out it's usually
[TS]
01:10:18
◼
►
like I'm you know I'm Way behind people
[TS]
01:10:21
◼
►
are chatting about things that I can't
[TS]
01:10:22
◼
►
read about yet and so far that's not as
[TS]
01:10:24
◼
►
big a problem with saga
[TS]
01:10:25
◼
►
well you know we're running out of time
[TS]
01:10:26
◼
►
but what else should we talk about
[TS]
01:10:29
◼
►
before we go you guys have anything more
[TS]
01:10:31
◼
►
you want to get off your chest before we
[TS]
01:10:32
◼
►
wrap it up it's a recent list all the
[TS]
01:10:34
◼
►
weird thing now ladies with no torsos
[TS]
01:10:37
◼
►
dudes they're only torsos
[TS]
01:10:39
◼
►
oh my god 16 can imagine i don't i'm not
[TS]
01:10:42
◼
►
super familiar with the honest eight
[TS]
01:10:45
◼
►
balls outside of Seattle saga but it
[TS]
01:10:46
◼
►
must have been so much fun to just go
[TS]
01:10:48
◼
►
nuts with sextillion or like any of the
[TS]
01:10:51
◼
►
times where I you know I'm always
[TS]
01:10:52
◼
►
interested in reading how people write a
[TS]
01:10:54
◼
►
script and have somebody and collaborate
[TS]
01:10:56
◼
►
and very interested in that process but
[TS]
01:10:58
◼
►
my gosh what a tremendous amount of
[TS]
01:11:00
◼
►
creativity must take to come up with
[TS]
01:11:01
◼
►
some of that stuff you know
[TS]
01:11:03
◼
►
yeah well I and i enjoyed reading i'm
[TS]
01:11:06
◼
►
gonna turn over whatever i think was at
[TS]
01:11:07
◼
►
the end of one I had one of the single
[TS]
01:11:09
◼
►
issues I think it was issue 12 actually
[TS]
01:11:10
◼
►
and reading at the end
[TS]
01:11:12
◼
►
bryan cave on talks about how much like
[TS]
01:11:13
◼
►
how important use the whole front like
[TS]
01:11:15
◼
►
she's not just the artist right like i
[TS]
01:11:17
◼
►
bounce ideas off her and she comes up
[TS]
01:11:18
◼
►
with sometimes with stuff that's like
[TS]
01:11:19
◼
►
way better than what I came up with my
[TS]
01:11:21
◼
►
you know and i think that's that's so
[TS]
01:11:23
◼
►
important is it seems like they really
[TS]
01:11:25
◼
►
have it's nice to see a creative
[TS]
01:11:27
◼
►
partnership where they're clearly not
[TS]
01:11:29
◼
►
only just on the same wavelength but it
[TS]
01:11:31
◼
►
really is just this it's a partnership
[TS]
01:11:32
◼
►
in the truth is not like alright the
[TS]
01:11:34
◼
►
words you draw the pictures like they
[TS]
01:11:36
◼
►
seem to be working together to tell this
[TS]
01:11:37
◼
►
story and I think it's enhanced by that
[TS]
01:11:40
◼
►
yeah i'm also used in the letter column
[TS]
01:11:41
◼
►
where in several letter columns he says
[TS]
01:11:44
◼
►
oh here's what Fiona said when she got
[TS]
01:11:47
◼
►
to the gym when she read the script and
[TS]
01:11:48
◼
►
one of them is just she gave a sad face
[TS]
01:11:52
◼
►
reply colon parentheses sad because i
[TS]
01:11:57
◼
►
think that was when we when we see the
[TS]
01:11:59
◼
►
stock get killed I think maybe or maybe
[TS]
01:12:01
◼
►
it was when the line cat gets me there
[TS]
01:12:03
◼
►
was a double whammy like two straight
[TS]
01:12:04
◼
►
issues of like pop rank upon what are
[TS]
01:12:06
◼
►
you doing to me to Street issues 12
[TS]
01:12:10
◼
►
straight issues so yeah that the covers
[TS]
01:12:13
◼
►
are great the the interior artist great
[TS]
01:12:16
◼
►
though we talked about the the narration
[TS]
01:12:18
◼
►
being handwritten you know this is a
[TS]
01:12:22
◼
►
weird book but it's great and it's great
[TS]
01:12:26
◼
►
kind of in all phases i think it's okay
[TS]
01:12:28
◼
►
but you know I guess we're probably went
[TS]
01:12:31
◼
►
down I mean it to me one of the reasons
[TS]
01:12:33
◼
►
I feel like alongside Hawkeye right now
[TS]
01:12:36
◼
►
one reason i can feel really good about
[TS]
01:12:38
◼
►
recommending this to somebody and I
[TS]
01:12:40
◼
►
don't hate this to come out the way it
[TS]
01:12:42
◼
►
sounds but like if you are the one hand
[TS]
01:12:44
◼
►
like if you can't get into this then
[TS]
01:12:47
◼
►
maybe comics aren't your thing because
[TS]
01:12:49
◼
►
there haven't been no stories or maybe
[TS]
01:12:51
◼
►
you're not into maybe there's not
[TS]
01:12:52
◼
►
dependable maybe you don't like love
[TS]
01:12:54
◼
►
maybe you're literally dead inside
[TS]
01:12:57
◼
►
maybe you're really into Mary worth very
[TS]
01:13:01
◼
►
rare Mary worth the both like Hawkeye
[TS]
01:13:06
◼
►
you've got a big you got a big
[TS]
01:13:08
◼
►
understandably a big hurdle to go over
[TS]
01:13:10
◼
►
because nobody likes Hawkeye and you can
[TS]
01:13:12
◼
►
explain to people enough like no really
[TS]
01:13:15
◼
►
like just what is the guy shoots of
[TS]
01:13:17
◼
►
people with bow and arrow
[TS]
01:13:18
◼
►
this is the guy from that gulf war movie
[TS]
01:13:20
◼
►
buff guy no no this is it's a guy with a
[TS]
01:13:23
◼
►
dog trust me just try it but you know in
[TS]
01:13:25
◼
►
that case you've got some baggage but in
[TS]
01:13:27
◼
►
this case I mean if you're even open to
[TS]
01:13:29
◼
►
the idea of comics folks out there
[TS]
01:13:32
◼
►
listeners at this is a this is worth
[TS]
01:13:35
◼
►
this is worth picking up because there's
[TS]
01:13:38
◼
►
a very it's so awkward to say human that
[TS]
01:13:41
◼
►
suddenly sounds incredibly self-involved
[TS]
01:13:43
◼
►
it's very human story is a very personal
[TS]
01:13:44
◼
►
story at the middle of this and I'll
[TS]
01:13:46
◼
►
return to what I said at the beginning
[TS]
01:13:47
◼
►
because I'm obsessed on second and third
[TS]
01:13:49
◼
►
reading of this with the proxies with
[TS]
01:13:51
◼
►
the fact that that so much of what's
[TS]
01:13:53
◼
►
happening throughout this entire book is
[TS]
01:13:55
◼
►
a bunch of people who are who are being
[TS]
01:13:57
◼
►
ground up in a system of proxies like
[TS]
01:14:00
◼
►
you hire proxy to fight your war your
[TS]
01:14:02
◼
►
higher proxies to go find your own
[TS]
01:14:04
◼
►
soldiers who wrote runaway you hire
[TS]
01:14:06
◼
►
proxies to Jack you mean bone like
[TS]
01:14:08
◼
►
whatever you're going to do
[TS]
01:14:08
◼
►
there's somebody that you can hire with
[TS]
01:14:10
◼
►
your black card to go out and do that
[TS]
01:14:12
◼
►
for you and the people who are standing
[TS]
01:14:15
◼
►
athwart that system are trying not to be
[TS]
01:14:17
◼
►
ground up in those gears that people
[TS]
01:14:19
◼
►
used to be part of that system and
[TS]
01:14:20
◼
►
obviously they still are to some extent
[TS]
01:14:22
◼
►
but now they have like serious serious
[TS]
01:14:24
◼
►
skin in the game they've got this little
[TS]
01:14:26
◼
►
neither one of these people is like any
[TS]
01:14:27
◼
►
parent they feel totally incapable of
[TS]
01:14:29
◼
►
taking care of this thing that suddenly
[TS]
01:14:31
◼
►
means everything to them and and even as
[TS]
01:14:33
◼
►
they like you see the concentric circles
[TS]
01:14:35
◼
►
moving out of people who then begin to
[TS]
01:14:37
◼
►
care about that like you know in the
[TS]
01:14:39
◼
►
case of the grandparents or even meet
[TS]
01:14:40
◼
►
somebody like the will you realize like
[TS]
01:14:42
◼
►
we don't know why the will want to save
[TS]
01:14:44
◼
►
that girl from the comet but but he
[TS]
01:14:45
◼
►
obviously went out of his way to do it
[TS]
01:14:47
◼
►
you know these little these little weird
[TS]
01:14:49
◼
►
little human moments and like if you put
[TS]
01:14:51
◼
►
off by comics and the whole idea of like
[TS]
01:14:54
◼
►
you know perverts in underwear with
[TS]
01:14:57
◼
►
mutant powers i just think this is a
[TS]
01:14:58
◼
►
great place to start as graphic as it is
[TS]
01:15:01
◼
►
because it is there is at the heart of
[TS]
01:15:04
◼
►
it something that's very human which is
[TS]
01:15:06
◼
►
we get we get very torn up by these big
[TS]
01:15:08
◼
►
systems you know like the wire we get
[TS]
01:15:11
◼
►
torn up by big systems but the heart of
[TS]
01:15:12
◼
►
it where were you know there's there's
[TS]
01:15:14
◼
►
love in the middle of all that and it's
[TS]
01:15:16
◼
►
hard to express that without sounding
[TS]
01:15:17
◼
►
mawkish and I think this does that
[TS]
01:15:19
◼
►
extremely well I i would put it up there
[TS]
01:15:21
◼
►
with I mean and again I'm not like super
[TS]
01:15:23
◼
►
broadly well read and comment whatever a
[TS]
01:15:25
◼
►
decent number and I I easily even after
[TS]
01:15:27
◼
►
12 issues feel like this is going up
[TS]
01:15:30
◼
►
there would say like Sandman which for
[TS]
01:15:31
◼
►
me use is one of the this is the great
[TS]
01:15:33
◼
►
examples of what this John work what
[TS]
01:15:35
◼
►
this medium can do it's worth checking
[TS]
01:15:37
◼
►
out even if you're not going to go out
[TS]
01:15:39
◼
►
and fill the bookshelf with comics
[TS]
01:15:41
◼
►
yeah it's perfectly yeah it's a great
[TS]
01:15:43
◼
►
it's a great piece of art that stands on
[TS]
01:15:44
◼
►
its own regardless of whether or not
[TS]
01:15:45
◼
►
it's a comic right like that's it it's
[TS]
01:15:47
◼
►
just it's a good story unless you don't
[TS]
01:15:50
◼
►
want to see robot TV people having sex
[TS]
01:15:54
◼
►
you may not want to see that but it's a
[TS]
01:15:56
◼
►
cost of doing business with you maybe
[TS]
01:15:57
◼
►
you should
[TS]
01:15:59
◼
►
what's guess if you don't want to see
[TS]
01:16:00
◼
►
that what is wrong with you what about
[TS]
01:16:02
◼
►
far too far to get a cream is there
[TS]
01:16:04
◼
►
anything you can do for that I think
[TS]
01:16:07
◼
►
might be in trouble with living on an
[TS]
01:16:08
◼
►
egg yeah your options are limited when
[TS]
01:16:10
◼
►
you're good Jason yeah yeah it's not the
[TS]
01:16:13
◼
►
end for him by the way is he being
[TS]
01:16:15
◼
►
fatalistic their ways as well
[TS]
01:16:17
◼
►
no this isn't a planet sure and then
[TS]
01:16:18
◼
►
like the egg thing also had three eyes
[TS]
01:16:20
◼
►
and he had three hands and it's like
[TS]
01:16:22
◼
►
well you know I don't want to be like
[TS]
01:16:23
◼
►
well 3i guys you got you know you know
[TS]
01:16:25
◼
►
each other but is that there's an ego
[TS]
01:16:26
◼
►
sum symbiotic relationship here I i look
[TS]
01:16:28
◼
►
forward to be farmed spin-off series so
[TS]
01:16:32
◼
►
this looks bad but this looks bad yeah
[TS]
01:16:35
◼
►
fart fart and pizza dog fight crime
[TS]
01:16:38
◼
►
I hate animation I mean I hate
[TS]
01:16:40
◼
►
enchantment I don't like the whole idea
[TS]
01:16:42
◼
►
of like things being enchanted normally
[TS]
01:16:44
◼
►
I'm like God really the stick is real
[TS]
01:16:46
◼
►
you know but in this case the idea of
[TS]
01:16:48
◼
►
the rocket ship with a walk in the woods
[TS]
01:16:49
◼
►
got a full year there's a foyer like
[TS]
01:16:51
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what is that so delightful to me and
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01:16:53
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looks like it's like buying a house
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01:16:55
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right like it's it's like you okay there
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01:16:57
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the rocket about rocket ship owners now
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01:16:58
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right maybe that right never thought
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they'd have enough money to put a down
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01:17:01
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payment on a rocketship but I never you
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01:17:04
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want to be a druid it just seems so
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01:17:05
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fruity and and and now with this one
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01:17:07
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going to I'm going to worship a bush you
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01:17:10
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know about that in this case like
[TS]
01:17:12
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there's something that's very resonant
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01:17:13
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about it that that whatever stupid
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comment
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01:17:18
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and on that note I'm gonna close up this
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01:17:20
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edition of the comfortable comic book
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01:17:22
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club saga check it out
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01:17:24
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you know you just heard that you just
[TS]
01:17:25
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heard it everybody likes it
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01:17:27
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you should read it issue 1 i believe
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01:17:29
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it's free on comixology to go out and
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01:17:32
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get it unless again you don't like what
[TS]
01:17:35
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let's run down unless you don't like
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01:17:36
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comics you don't like stories
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01:17:38
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you don't like love you don't like
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01:17:40
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people and you don't like images of
[TS]
01:17:42
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robots having sex
[TS]
01:17:43
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those those are only excuses you should
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01:17:46
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not be listening to podcasts maybe you
[TS]
01:17:48
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can buy a nice collection of dilbert
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01:17:49
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reprints oh alright so i would like to
[TS]
01:17:53
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thank my excellent guess for their
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01:17:54
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excellent work discussing this wonderful
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01:17:56
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piece of a piece of art Dan Morgan thank
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01:17:58
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you as always for being here
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01:18:00
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a pleasure to be here for this rare
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01:18:02
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comic book yes it's nice you should read
[TS]
01:18:04
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more comic books
[TS]
01:18:04
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okay done alright Tony sindelar you
[TS]
01:18:07
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shouldn't read more comic books you read
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01:18:08
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enough it was great to have you on again
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01:18:10
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that's always fun to be here I'll go
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01:18:11
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make can read some more so I can't wait
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01:18:13
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for Batman to be a saga that will be
[TS]
01:18:15
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great when that happens I'm so excited
[TS]
01:18:17
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what is Batman spaceship look like well
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01:18:19
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bat ship like a bat yeah I mean you know
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01:18:22
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it's easy
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01:18:23
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he doesn't really he doesn't really get
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01:18:24
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outside the consistent is conceived in
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01:18:27
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the box is bad shape yes and merlin mann
[TS]
01:18:31
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thank you for being on the uncomfortable
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01:18:33
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for a third time
[TS]
01:18:34
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thank you i appreciate this is a special
[TS]
01:18:36
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thing you guys are a gentleman thank you
[TS]
01:18:39
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it's enjoyable to to talk about
[TS]
01:18:41
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something you're so enthusiastic about
[TS]
01:18:42
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too so it's great and thanks to
[TS]
01:18:44
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everybody out there for listening to the
[TS]
01:18:45
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incomparable and we will see you next
[TS]