219: Terrible Things for Awful Reasons
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the incomparable number 219 November 24
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welcome back everybody to the
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incomparable podcast I'm your host Jason
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Snell it's time for us can be another
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episode of old movie club where we watch
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an old movie I love this because i have
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seen so few old movies and I got to see
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two movies that I've never seen before
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they remodeled they are old
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joining me to discuss old movies
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steve lets you heard him I Steve
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ba-ba-boom pretty power Jason Valle boom
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bang pow zoom zoom mustache room back up
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our excellent that's yep that's pretty
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much it
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that was that was Steve Moustakas there
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with her
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thanks for the good from the old garage
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also joining us David lower happy
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shocktober happy m / erica and science
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also out there hi hello yeah I'm coming
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along like schools out what I'm doing
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all righty and the you you know him you
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love him he is the man behind the old
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movie club he makes us watch these
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movies against our will it is Philip
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Michaels hello I'm just filling out my
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bingo cart because I literally said when
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the Nick character appeared and kiss me
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deadly Steve's gonna make a comment
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about here i have a whole series of
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comments that i was going to make about
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Nick to what I side that is being said
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in la the first thing I thought is
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that's not Spanish what is he saying in
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his totally fake dialogue is literally a
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section of of my notes about 17 lines
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along this just vavavoom home people you
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um we should say we watched two movies
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they're both Fillmore's we watch kiss me
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deadly and out of the past
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yes filled you want to explain a little
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bit about why you picked these movies
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why God why would you do that
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well um i was gonna send kind of like
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these movies Jason but now you make me
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feel good no no I know about the last
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time we are we can be in the old movie
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club i was forced against my will by the
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powers of democracy to do a couple who
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these that I don't really care for well
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so this time I am i turn the old movie
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club into the benevolent dictatorship
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that it was born to be and pick stuff
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that I like and I am I i love detective
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movies i i i really enjoy movies where
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there's that the pretense of a mystery
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but mostly it's just about the detective
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going around and some slapping people
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around ya himself getting slapped around
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in the process never got that from
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tennis and boy do these movies offer
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that plenty of slapping to yeah yeah I
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believe that was the original title of
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miss you daddy was Mickey Spillane
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plenty of slapping yeah
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slap me hardly so shall we start the
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show we start with kiss me deadly let's
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let's is what's that one first okay i
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just finished watching that the way God
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intended it to be seen which is on my
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phone on youtube without that was
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graceful I watched it on an iPad needs
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to slap to just now I switch to a TV
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about a third of the way through because
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i thought this is ridiculous and then i
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also watched it on YouTube but did watch
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it on a TV yeah I watched it on my
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appletv well there you go i watch it on
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netflix DVD and i'm glad i did because
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then I could take the DVD out look at it
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and realize I really watch that movie so
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kids kiss me deadly based on Mickey
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Spillane novel kiss me comma deadly mhm
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i missed the comma they remove the comma
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from when they adapted the movie they
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settled at commons gotta go
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that's what happened to it doesn't
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translate well the film now so a little
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bit of background on how i came across
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this movie I watched it many many years
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ago I was as home alone at night I i
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said hey it's a detective movie it's a
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film noir I like those and uh watched it
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and dear god the ending and I am I don't
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wanna I don't want to put the cart
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before the horse here but that the
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ending is a little bit disturbing when
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you're home alone it at that
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uh I'm friday night at after midnight
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and that's the last image you see before
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bed nine and as it turns out i had
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actually seen the I that there's an
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edited version of the movie short yeah
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after it came out but they they cropped
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the ending so that significant chunks
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are missing that make you think oh my
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god what is happening at the end of this
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movie but again we're getting ahead of
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ourselves
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yeah so why don't we why don't we begin
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at the beginning the movie opens with a
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naked woman running down a deserted
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country road was just and some really
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really bad ADR yes which is how I the
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whole movie has that whole movie yes but
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i like most of my movies to start that
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way about the the ADR they're like that
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first scene all she's doing is like
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heavy breathing and panting it was like
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a bad 70s porn where they're too cheap
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to rent sound equipment on location ran
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really far and was very much out of
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breath which is why she's panting
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heavily through the first three minutes
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of the credits the whole credit again
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erica you you like movies that you like
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and I like movies that I like so fair
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enough i actually really dug that though
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I thought this you have the weirdest
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thing a man over the credits or I think
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yeah I think it sets it it sets a tone
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that and it's not just its necking cold
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with like the breathless sob
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accompaniment and well at we we should
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point out that the this naked lady a
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very young
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Cloris Leachman all the obviously she
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still sort of looks 80 years old she
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yeah she observes angles from certain
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angles but it'sit's young naked Cloris
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Leachman also at after she's picked up
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in the credits roll the credits roll
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from the bottom to the top so
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everything's like reading a reading a
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highway markings on the you know street
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markings where it's all upside down
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which i think is intentional yeah i know
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its centennial but because it's it says
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the car is driving so it sits down now
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deadly kiss me Mickey Spillane ok deval
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Frank by music yeah mhm which I need to
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point out music by Frank of all of Brady
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Bunch same family affair her the there
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yeah family affair as well but here is
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doing music for for picky spooning and
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it turns out that the first person chief
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lines on the hot well she could have
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other people could have driven past her
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and she could have dodged them but the
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first person who stops and and get the
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stick stuck in his wheel it just happens
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to be tough
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la private dick Mike Hammer chair does
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amazing and he gets it and end and early
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on he he is just I there's there's no
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way of saying this is just the world's
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biggest dick the other hand good because
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it is or otherwise
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yeah let me guess you went out with a
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guy who thought the no was a
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three-letter word yet
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yeah he is just unsympathetic to this
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naked panting terrified for her life
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woman yeah and then says I should just
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kick you out of the car
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yeah well admittedly after three minutes
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of the panting I wanted to leave the car
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and although she did it she did get him
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she's like you're the kind of guy with
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appearance matters and nothing else and
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it's just your car and your muscles and
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all that i actually had him pegged yeah
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but so they drive for a bit and it turns
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out the cheese
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she's running from the loony bin mhm for
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reasons that we can't determine she's
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being pursued and all of a sudden the
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dudes who were pursuing that her catch
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up and torture her and beat up my camera
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and dump the bodies in the car and
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pushed off the side of the road to to
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make it look like a Oh terrific accident
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that will that will kill them both but
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but my camera lives
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D'Arnot mm turn helps probably heard is
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indeed and this is when we find out as
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he's being debriefed by his his pal the
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LA Police Lieutenant who looks a lot
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like former California Governor grave
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David yeah that's what is great Davis
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doing in this movie smoking always am
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also a quick question how do you get a
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tree branch the size of a shop broom
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wrapped around your axle it's
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complicated Steve cars in 52 very
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different you know the car was moving
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very fast and there was literally and he
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has a guy check it out cause it's
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pulling to the right so the guy at the
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at the filling station like leans
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forward and he pulls out like a mature
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poplar this was communist / still makes
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it all the way back to LA
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we just pulled out that tree and that
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was fine
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this was you know this is wrapped around
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your wheel and it one of my favorite
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early scenes of the movie is the the
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interview with all the federal
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investigators we're basically my camera
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doesn't say a word and there's just one
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guy answering all the questions about
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yeah my camera is and it turns out he's
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a very terrible person he's a Tae Hee
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does penny any divorce cases mostly and
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it involves basically him or his female
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assistant going and and setting up
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either the man or the woman or both and
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then did getting bribe money from them
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is in short a bedroom dick
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yes in every every sense of the word but
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I as it turns out and it ends with the
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with somebody demanding that someone how
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to open up a window as i recall which I
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thought was you have nice dreams anyway
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I'm sure you plan that absolutely
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as you know i'm quite the fan of 1776
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good so I e my camera decides either out
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of a sense of I'm going to avenge the
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death of a poor naked Cloris Leachman
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more likely out of the sense that hmm
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this seems like a case that could lead
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to some such a little piece of a little
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piece of money for my camera also has
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mad because you know they wrecked his
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car and they also wrecked his car so
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yeah so he's out to find out who exactly
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was pursuing her and what for and that
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leads us on a twisted tale that would
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take me hours to to unravel here on the
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podcast
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suffice it to say we skip ahead a bit
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and there's lots of confrontations with
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a lot of thugs and a lot of colorful
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characters but it turns out that the
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thing everyone's after is what my camera
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is a lady friend so eloquently calls the
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the the whose it i believe for the
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whatsit the the great whatsit the great
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whatsit it's a it's a case and it when
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you open it it's very hot to the touch
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and it's glowing and oh it burns my
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cameras and the first time he tries to
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open it
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yeah I have a note that is my king my
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cameras going to get armed cancer
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this thing thank you brother deserves it
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yeah probably it's the words out one of
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the people that's been helping my camera
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◼
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all along is the roommate of the
[TS]
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◼
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deceased Cloris Leachman shiza she's a
[TS]
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◼
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mousy haired wave herself and and she
[TS]
00:11:24
◼
►
smooches my camera whenever to
[TS]
00:11:26
◼
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everyone's is smooching my camera
[TS]
00:11:28
◼
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getting slapped by him in this movie
[TS]
00:11:30
◼
►
it doesn't matter how long we've known
[TS]
00:11:32
◼
►
if a woman sees him she basically walks
[TS]
00:11:34
◼
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up to him implants when running the
[TS]
00:11:36
◼
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yeah again has so often happens you like
[TS]
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◼
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the movies you like the movies I like so
[TS]
00:11:43
◼
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long story short they grabbed my
[TS]
00:11:47
◼
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camera's girl that the baddies and say
[TS]
00:11:49
◼
►
hey you better give us that that that
[TS]
00:11:51
◼
►
case and the UH my camera contrives a
[TS]
00:11:57
◼
►
way to confront the confront the bad
[TS]
00:12:01
◼
►
guys and it turns out that the the
[TS]
00:12:03
◼
►
roommate of Cloris Leachman is in fact
[TS]
00:12:05
◼
►
and I is spoiler alert it turns out that
[TS]
00:12:09
◼
►
she's working with the baddies and she
[TS]
00:12:11
◼
►
double crosses the baddies shoots the
[TS]
00:12:13
◼
►
the insane doctor who quotes lots of
[TS]
00:12:15
◼
►
mythology
[TS]
00:12:16
◼
►
yes haha ahead up but we'll get to that
[TS]
00:12:20
◼
►
a moment and she opens the box and
[TS]
00:12:23
◼
►
unlike my camera who like opens it gets
[TS]
00:12:26
◼
►
burton says I in open this any further
[TS]
00:12:28
◼
►
she opens it all the way and burst into
[TS]
00:12:31
◼
►
flames not my school bellick not unlike
[TS]
00:12:34
◼
►
the Nazis in Raiders of the Lost guard
[TS]
00:12:36
◼
►
as as Mike Hammer and his girlfriend
[TS]
00:12:39
◼
►
flee flee the premises now in the ending
[TS]
00:12:43
◼
►
that I saw originally the part where
[TS]
00:12:45
◼
►
them they escaped to the to the beach
[TS]
00:12:48
◼
►
outside of the beach house as it is
[TS]
00:12:50
◼
►
engulfed in flames was cut and it just
[TS]
00:12:53
◼
►
ends with the house bursting into flames
[TS]
00:12:55
◼
►
and into a nuclear cloud as if the
[TS]
00:12:57
◼
►
entire world has been destroyed by NASA
[TS]
00:12:59
◼
►
by this by this phone you are and that's
[TS]
00:13:02
◼
►
what made me originally see this movie
[TS]
00:13:04
◼
►
and go oh my god what's happening there
[TS]
00:13:07
◼
►
what I see I actually like that ending
[TS]
00:13:09
◼
►
better because yeah it
[TS]
00:13:11
◼
►
yeah it's a more chilling ended but in
[TS]
00:13:13
◼
►
in the in the orig what turns out to be
[TS]
00:13:15
◼
►
the original ending in the restored
[TS]
00:13:17
◼
►
ending which was I think resurfaced
[TS]
00:13:19
◼
►
about 1997 it has the the footage of
[TS]
00:13:22
◼
►
them escaping into the sea and then
[TS]
00:13:23
◼
►
looking back on the house as it is
[TS]
00:13:26
◼
►
enveloped in a in a nuclear implosion
[TS]
00:13:29
◼
►
and of course because this movie was
[TS]
00:13:30
◼
►
made in 1995 55 it is obviously a a
[TS]
00:13:37
◼
►
panicky movie about the Atomic Age and
[TS]
00:13:40
◼
►
how and it presupposes that we're all
[TS]
00:13:44
◼
►
going to be destroyed by the by the Big
[TS]
00:13:47
◼
►
Bob so so there you go
[TS]
00:13:49
◼
►
that that's the that's the most
[TS]
00:13:51
◼
►
comprehensive and cohesive somebody
[TS]
00:13:54
◼
►
gonna kiss me deadly yeah you'll ever
[TS]
00:13:56
◼
►
I throw to the floor for discussion yeah
[TS]
00:13:58
◼
►
i was just going to say that that ending
[TS]
00:14:00
◼
►
that they debate you added back in with
[TS]
00:14:02
◼
►
them escaping to the beach and looking
[TS]
00:14:04
◼
►
back up on the surface it might seem
[TS]
00:14:07
◼
►
like it's a happier ending but really
[TS]
00:14:09
◼
►
they're just gonna die very slowly and
[TS]
00:14:11
◼
►
horribly from radiation poisoning just
[TS]
00:14:13
◼
►
like anybody who's used the locker room
[TS]
00:14:15
◼
►
where that thing was stored for the past
[TS]
00:14:16
◼
►
how yeah how many weeks like all of
[TS]
00:14:18
◼
►
those guys that poor club who not pretty
[TS]
00:14:21
◼
►
well this this particular bit of nuclear
[TS]
00:14:24
◼
►
fuel apparently only works when it's
[TS]
00:14:25
◼
►
aimed at you know let's try possible
[TS]
00:14:29
◼
►
that's a letterbox TV we live a block
[TS]
00:14:31
◼
►
and if they offered in leather for most
[TS]
00:14:33
◼
►
the time so everybody say it's an
[TS]
00:14:36
◼
►
important installation when you go to
[TS]
00:14:38
◼
►
the dentist that vest they put on you
[TS]
00:14:39
◼
►
when you when they take your x-rays
[TS]
00:14:41
◼
►
that's what i like and i love that best
[TS]
00:14:43
◼
►
so heavy in comfy yet supposedly that
[TS]
00:14:47
◼
►
attending the the just you know see
[TS]
00:14:50
◼
►
everybody died in the house that was
[TS]
00:14:52
◼
►
only the US version everywhere else
[TS]
00:14:54
◼
►
around the country had the extra two
[TS]
00:14:56
◼
►
minutes where everyone else where in the
[TS]
00:14:58
◼
►
world have the extra minutes where there
[TS]
00:14:59
◼
►
on the beach looking at the house and
[TS]
00:15:02
◼
►
then say apparently was restored from
[TS]
00:15:03
◼
►
you know that's how they knew that was
[TS]
00:15:06
◼
►
the ending
[TS]
00:15:06
◼
►
yeah you know Phil I I your your
[TS]
00:15:09
◼
►
synopsis is fascinating to me because
[TS]
00:15:11
◼
►
you did you did very much what I would
[TS]
00:15:14
◼
►
do if I were to synopsize this movie
[TS]
00:15:15
◼
►
which is there's a lot of detail at the
[TS]
00:15:17
◼
►
beginning there's the end and then in
[TS]
00:15:19
◼
►
the middle
[TS]
00:15:20
◼
►
um lots of stuff happens there's they
[TS]
00:15:23
◼
►
get my camera talks to
[TS]
00:15:25
◼
►
people and goes to some places and I
[TS]
00:15:27
◼
►
didn't really follow that and then they
[TS]
00:15:29
◼
►
end up with the box and things explode
[TS]
00:15:32
◼
►
and I looked on the wikipedia summary to
[TS]
00:15:34
◼
►
try and get a better sense of the plot
[TS]
00:15:35
◼
►
and realize that the author of the
[TS]
00:15:37
◼
►
wikipedia some summary
[TS]
00:15:39
◼
►
similarly threw up their hands and say
[TS]
00:15:41
◼
►
well suffice to say that at the end
[TS]
00:15:44
◼
►
there's a box and it blows up the mess
[TS]
00:15:45
◼
►
be so here's the thing about film noir
[TS]
00:15:46
◼
►
that I found her at least the the
[TS]
00:15:48
◼
►
fillmore examples that I like it's not
[TS]
00:15:51
◼
►
so much about the plot as it is about
[TS]
00:15:54
◼
►
the the the characters that you meet
[TS]
00:15:57
◼
►
along the way and two of my favorites in
[TS]
00:16:00
◼
►
this movie are the two heavy sugar and
[TS]
00:16:02
◼
►
oh whose jacket was Chuck masharawi
[TS]
00:16:06
◼
►
yardley not really a small Harley max I
[TS]
00:16:09
◼
►
was gonna say max sugar and sugar and
[TS]
00:16:10
◼
►
Charlie Max who are these the if you I
[TS]
00:16:15
◼
►
don't know if listeners know who Jack
[TS]
00:16:16
◼
►
Elam is he is the character actor from
[TS]
00:16:18
◼
►
the nineteen fifties and sixties and
[TS]
00:16:20
◼
►
early seventies with with the eyes that
[TS]
00:16:22
◼
►
went in five thousand directions as he
[TS]
00:16:25
◼
►
was walking and he just in movies he
[TS]
00:16:27
◼
►
just played a series of heavies but
[TS]
00:16:30
◼
►
mostly it
[TS]
00:16:32
◼
►
never fear some heavies just sort of
[TS]
00:16:34
◼
►
heavies who were out of their depth and
[TS]
00:16:36
◼
►
has been a lot of westerns and sergio
[TS]
00:16:37
◼
►
leone's beginning Ryan's yes exactly he
[TS]
00:16:40
◼
►
he cut most of his teeth in westerns by
[TS]
00:16:42
◼
►
the early on in his career he he played
[TS]
00:16:44
◼
►
the goon and a lot of movies and usually
[TS]
00:16:46
◼
►
the goon that gets smacked around it is
[TS]
00:16:47
◼
►
he the guy who Mike Hammer beats up in
[TS]
00:16:49
◼
►
the alleyway I man throws down the
[TS]
00:16:52
◼
►
he's the one who acts up John sugar he's
[TS]
00:16:54
◼
►
going back to you slowly and in the pool
[TS]
00:16:56
◼
►
the quad a little pool now it's the boys
[TS]
00:16:58
◼
►
that's a medical scene where you don't
[TS]
00:17:00
◼
►
even see the guy get punch you just see
[TS]
00:17:02
◼
►
his body drop yes that was my favorite
[TS]
00:17:03
◼
►
action sequence of the whole thing and
[TS]
00:17:05
◼
►
he's so scared that one of his eyes
[TS]
00:17:07
◼
►
decides to point the other direction
[TS]
00:17:08
◼
►
I just love how like you know the one
[TS]
00:17:11
◼
►
guy approaches hammer and you don't see
[TS]
00:17:14
◼
►
anything you don't even see emotion from
[TS]
00:17:16
◼
►
hammer and just over some major
[TS]
00:17:18
◼
►
obstacles backing up backing up like
[TS]
00:17:20
◼
►
yeah what the hell was that the tip
[TS]
00:17:23
◼
►
that's just the two great scenes where
[TS]
00:17:24
◼
►
sugar gets the just first gets the crap
[TS]
00:17:27
◼
►
beaten out of them and then gets
[TS]
00:17:28
◼
►
murdered by my camera there are never
[TS]
00:17:30
◼
►
shown on camera it's just Jackie limbs
[TS]
00:17:32
◼
►
reaction yeah and you know for all that
[TS]
00:17:34
◼
►
this is probably not my favorite film
[TS]
00:17:36
◼
►
noir movie over there
[TS]
00:17:37
◼
►
there's some some decent directorial
[TS]
00:17:39
◼
►
touches like that I I appreciate that
[TS]
00:17:41
◼
►
for sure
[TS]
00:17:42
◼
►
time for a brief break to tell you about
[TS]
00:17:45
◼
►
Squarespace now you've heard everybody
[TS]
00:17:48
◼
►
in podcasting talk about Squarespace
[TS]
00:17:50
◼
►
before that Squarespace has big news
[TS]
00:17:53
◼
►
they just came out with a brand-new
[TS]
00:17:54
◼
►
version its Squarespace lucky number
[TS]
00:17:56
◼
►
seven and they made everything simpler
[TS]
00:17:59
◼
►
and easier to use while retaining all
[TS]
00:18:01
◼
►
the power and complexity of the
[TS]
00:18:03
◼
►
squarespace platform you already know
[TS]
00:18:05
◼
►
Squarespace seven refines all the
[TS]
00:18:07
◼
►
powerful features from Squarespace 6
[TS]
00:18:08
◼
►
into one seamless unified experience now
[TS]
00:18:12
◼
►
what does that mean it means they've
[TS]
00:18:13
◼
►
uncluttered your workspace they
[TS]
00:18:14
◼
►
simplified the whole website making
[TS]
00:18:17
◼
►
process thing by letting you add content
[TS]
00:18:19
◼
►
and customize your design all in one
[TS]
00:18:21
◼
►
window that's right you stay in the
[TS]
00:18:23
◼
►
window and see the changes that you're
[TS]
00:18:26
◼
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making you're going to spend less time
[TS]
00:18:27
◼
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building sites and more time doing what
[TS]
00:18:29
◼
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you love for a free trial and ten
[TS]
00:18:32
◼
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percent off go to squarespace.com and
[TS]
00:18:36
◼
►
use the offer code smell sent me there
[TS]
00:18:39
◼
►
are some great new features with
[TS]
00:18:41
◼
►
squarespace seven like cover pages
[TS]
00:18:42
◼
►
sometimes you just need a simple page to
[TS]
00:18:44
◼
►
communicate maybe the new product
[TS]
00:18:46
◼
►
communicate your personal brand or
[TS]
00:18:48
◼
►
announce your latest album if you are a
[TS]
00:18:50
◼
►
rock star and you may be with cover
[TS]
00:18:53
◼
►
pages you have all the power Squarespace
[TS]
00:18:54
◼
►
on a single page really great
[TS]
00:18:56
◼
►
single-serving site beautiful all I
[TS]
00:18:59
◼
►
Squarespace Squarespace also made a deal
[TS]
00:19:01
◼
►
with getty images to bring you getty
[TS]
00:19:03
◼
►
images integration you know you should
[TS]
00:19:06
◼
►
be paying for images don't rip off other
[TS]
00:19:08
◼
►
people's images and put them on your
[TS]
00:19:09
◼
►
website you can go to flicker and try to
[TS]
00:19:11
◼
►
find something that's creative commons
[TS]
00:19:13
◼
►
non commercial or commercial use ok and
[TS]
00:19:15
◼
►
it it can be tricky
[TS]
00:19:17
◼
►
or you can work with getty images which
[TS]
00:19:19
◼
►
is a library of images you have access
[TS]
00:19:21
◼
►
to more than 40 million professional
[TS]
00:19:24
◼
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stock photographs and they would
[TS]
00:19:25
◼
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normally cost you hundreds of thousands
[TS]
00:19:27
◼
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of dollars per image but they're ten
[TS]
00:19:29
◼
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dollars per image to squarespace
[TS]
00:19:30
◼
►
customers so huge way to make your
[TS]
00:19:32
◼
►
website look better through beautiful
[TS]
00:19:34
◼
►
professional photography
[TS]
00:19:36
◼
►
there are also new tastemaker templates
[TS]
00:19:38
◼
►
these are pages Squarespace is working
[TS]
00:19:41
◼
►
with cool people musicians artists
[TS]
00:19:43
◼
►
architects and chefs to Delta develop
[TS]
00:19:45
◼
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new templates that cater to each of
[TS]
00:19:47
◼
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those professions and then you get to
[TS]
00:19:49
◼
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use them to that's pretty awesome
[TS]
00:19:51
◼
►
so here's what you do get started at
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00:19:53
◼
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Squarespace with a free trial
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00:19:55
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you don't have to give them your credit
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00:19:56
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card you can just try it out and you can
[TS]
00:19:58
◼
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start building that website right now
[TS]
00:20:00
◼
►
when you sign up for Squarespace after
[TS]
00:20:02
◼
►
the trial
[TS]
00:20:03
◼
►
make sure to use the offer code smell
[TS]
00:20:05
◼
►
sent me to get ten percent off and show
[TS]
00:20:07
◼
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your support for the uncomfortable so
[TS]
00:20:09
◼
►
thank you very much to squarespace for
[TS]
00:20:11
◼
►
your continued support of the
[TS]
00:20:13
◼
►
uncomfortable
[TS]
00:20:14
◼
►
Squarespace a better web starts with
[TS]
00:20:16
◼
►
your website now I'm not a really a new
[TS]
00:20:19
◼
►
are aficionado
[TS]
00:20:20
◼
►
so I'm asking this in all honesty are
[TS]
00:20:22
◼
►
the lead characters usually so awful I
[TS]
00:20:27
◼
►
mean hammer is it is a terrible terrible
[TS]
00:20:29
◼
►
mess and he's gonna be a stream I i
[TS]
00:20:32
◼
►
would say not as awful but ready
[TS]
00:20:34
◼
►
generally not morally let's say at best
[TS]
00:20:38
◼
►
they're they're chaotic good i mean this
[TS]
00:20:40
◼
►
is a guy who's being walked out of the
[TS]
00:20:42
◼
►
hospital by his girlfriend sees two
[TS]
00:20:44
◼
►
other girls passed by and says we look
[TS]
00:20:45
◼
►
at all the goodies and that's kind of
[TS]
00:20:49
◼
►
our introduction the first words out of
[TS]
00:20:51
◼
►
his mouth is and on the scene on the
[TS]
00:20:53
◼
►
steps as you walk in the hospital's like
[TS]
00:20:54
◼
►
I never thought I'd smell that again
[TS]
00:20:57
◼
►
smell what what yeah sidewalk be our
[TS]
00:21:02
◼
►
yeah I do want to say a few kind words
[TS]
00:21:05
◼
►
about Ralph Meeker who plays plays my
[TS]
00:21:10
◼
►
camera I think that this is this is the
[TS]
00:21:12
◼
►
best thing he's ever done
[TS]
00:21:14
◼
►
he just throws himself into that role
[TS]
00:21:16
◼
►
with with relish he is great in that
[TS]
00:21:18
◼
►
part because he is not trying to be no
[TS]
00:21:21
◼
►
nice guy he is he is he is a jerk and he
[TS]
00:21:24
◼
►
embraces it there there's a scene where
[TS]
00:21:27
◼
►
he uh basically hides from a guy that
[TS]
00:21:30
◼
►
he's trying to outwit any out with some
[TS]
00:21:33
◼
►
quite easily and the guy discovers them
[TS]
00:21:36
◼
►
and and and Ralph maker just smiles
[TS]
00:21:40
◼
►
because he knows it's beaten time it's
[TS]
00:21:41
◼
►
time to slap you
[TS]
00:21:43
◼
►
he slaps around an old man at that
[TS]
00:21:44
◼
►
athletic club oh it's great and he takes
[TS]
00:21:47
◼
►
back the money he was going to bribe it
[TS]
00:21:49
◼
►
with that's that's the best part
[TS]
00:21:50
◼
►
exactly well it's either you get broader
[TS]
00:21:53
◼
►
you get slapped a mac i chose slap I
[TS]
00:21:55
◼
►
have a note that don't ask my camera for
[TS]
00:21:57
◼
►
more money just at no point asking for
[TS]
00:21:59
◼
►
more money and never put your hands near
[TS]
00:22:01
◼
►
drool he made you an offer he did
[TS]
00:22:04
◼
►
looks like he's having fun i wouldn't do
[TS]
00:22:05
◼
►
that looks like he's enjoying the role
[TS]
00:22:07
◼
►
but i cant send pic particularly enjoyed
[TS]
00:22:09
◼
►
the performance although i've never seen
[TS]
00:22:11
◼
►
Ralph maker in anything else that I can
[TS]
00:22:12
◼
►
call to mind so maybe i will agree that
[TS]
00:22:15
◼
►
this is his best role I think he takes
[TS]
00:22:17
◼
►
this really awful character and somehow
[TS]
00:22:18
◼
►
makes him less awful get you i really
[TS]
00:22:24
◼
►
can't condone that my camera character
[TS]
00:22:26
◼
►
in this but it you don't completely hate
[TS]
00:22:29
◼
►
him by the end at least I don't just
[TS]
00:22:31
◼
►
simply because he does appear to be
[TS]
00:22:33
◼
►
enjoying himself
[TS]
00:22:34
◼
►
I'll get a real real Nicholson vibe from
[TS]
00:22:37
◼
►
the middle of places maybe yeah yeah
[TS]
00:22:39
◼
►
underneath nerving grin that he has but
[TS]
00:22:41
◼
►
I think that's true this is very much I
[TS]
00:22:43
◼
►
I think you can draw a little dotted
[TS]
00:22:46
◼
►
line between this in chinatown he gave
[TS]
00:22:49
◼
►
me are kind of like a christopher
[TS]
00:22:50
◼
►
mcdonald kind of i've actually I thought
[TS]
00:22:53
◼
►
you know if these voices are is a dead
[TS]
00:22:56
◼
►
ringer actually for Kent Mansley and the
[TS]
00:22:57
◼
►
iron yeah it when it's it's interesting
[TS]
00:23:00
◼
►
is he was the other thing is probably
[TS]
00:23:02
◼
►
most famous for is doing the play picnic
[TS]
00:23:05
◼
►
on stage and he anyone awards for that
[TS]
00:23:08
◼
►
and then he got my camera and then that
[TS]
00:23:12
◼
►
was kind of it turns your career killer
[TS]
00:23:16
◼
►
but yeah you know it's it's kind of
[TS]
00:23:18
◼
►
interesting i I don't know about his you
[TS]
00:23:22
◼
►
know how he saw the character but i know
[TS]
00:23:23
◼
►
have the screenwriters saw this he did
[TS]
00:23:26
◼
►
not care for splain or for the book and
[TS]
00:23:30
◼
►
he just he just had fun and and his
[TS]
00:23:32
◼
►
contempt shows it's wonderful explain
[TS]
00:23:34
◼
►
clearly did not care much for him as
[TS]
00:23:36
◼
►
anything you're not happy you know
[TS]
00:23:39
◼
►
yeah this this movie at the what was
[TS]
00:23:41
◼
►
weird to me i was expecting a fairly
[TS]
00:23:44
◼
►
straightforward noir and at the end the
[TS]
00:23:46
◼
►
last note i had was okay that was a trip
[TS]
00:23:48
◼
►
and it wasn't you it wasn't just the
[TS]
00:23:52
◼
►
nuclear waste thing although that was
[TS]
00:23:54
◼
►
incredibly insane
[TS]
00:23:55
◼
►
there were all sorts of bits in there
[TS]
00:23:56
◼
►
that just maybe they were almost
[TS]
00:23:58
◼
►
hallucinatory yeah I think it's because
[TS]
00:24:00
◼
►
we're in the fifties here and we're
[TS]
00:24:02
◼
►
getting towards the end of a sort of the
[TS]
00:24:04
◼
►
the noir period so I think maybe they
[TS]
00:24:06
◼
►
were trying to just went up themselves
[TS]
00:24:07
◼
►
at this point but I mean even as even as
[TS]
00:24:11
◼
►
a movie other than water there were so
[TS]
00:24:12
◼
►
many just weird things like starting
[TS]
00:24:14
◼
►
with the sobs over the credits and
[TS]
00:24:17
◼
►
and i mean the the office has a ballet
[TS]
00:24:19
◼
►
bar and a stripper pole in it and then
[TS]
00:24:23
◼
►
there's always things that are sort of
[TS]
00:24:24
◼
►
they feel like they shouldn't be in 1955
[TS]
00:24:27
◼
►
but apparently they were like the the in
[TS]
00:24:29
◼
►
wall answering machine surreal to road
[TS]
00:24:31
◼
►
the answering machine was amazing
[TS]
00:24:33
◼
►
that's gonna learn that the first pi/2
[TS]
00:24:36
◼
►
have an answering machine in film and TV
[TS]
00:24:38
◼
►
and it's amazing even the leave your
[TS]
00:24:40
◼
►
message at the sound of the tone
[TS]
00:24:42
◼
►
outgoing messages intact in 1955 yeah
[TS]
00:24:45
◼
►
and it was a nice Tony really great tone
[TS]
00:24:47
◼
►
and I was impressed with the tone i love
[TS]
00:24:50
◼
►
to others there's always kind of a
[TS]
00:24:52
◼
►
presumably unintentional product
[TS]
00:24:54
◼
►
placement I mean there's there's seven
[TS]
00:24:56
◼
►
up there's Pabst Blue Ribbon their
[TS]
00:24:57
◼
►
standard oil is chevron there's there's
[TS]
00:25:01
◼
►
something else near the garage
[TS]
00:25:03
◼
►
Karl the one of the main bad guys know I
[TS]
00:25:06
◼
►
love izod shirt haha yeah in 1955 which
[TS]
00:25:10
◼
►
is how you know he's evil
[TS]
00:25:12
◼
►
the only product placement i noticed was
[TS]
00:25:14
◼
►
totally not actual product placement but
[TS]
00:25:15
◼
►
one of the guys was named trivago the
[TS]
00:25:18
◼
►
italian opera singer fellow and a whole
[TS]
00:25:19
◼
►
I could think of was that disheveled guy
[TS]
00:25:21
◼
►
from the hotel commercials and that I
[TS]
00:25:23
◼
►
think is my favorite Ralph maker moment
[TS]
00:25:25
◼
►
when he goes to confront the opera
[TS]
00:25:28
◼
►
singer and and and stumbles upon his
[TS]
00:25:30
◼
►
record collection goes hey this is a
[TS]
00:25:32
◼
►
nice record-smashing shame if something
[TS]
00:25:35
◼
►
happened to it might be just amazing and
[TS]
00:25:37
◼
►
have to do that either they're not
[TS]
00:25:39
◼
►
really no reason to push that guy right
[TS]
00:25:41
◼
►
camera i had that demo with him where he
[TS]
00:25:43
◼
►
goes to the house and the and the pretty
[TS]
00:25:45
◼
►
blonde Marilyn Monroe type is like it
[TS]
00:25:48
◼
►
she's like very interested in him and
[TS]
00:25:50
◼
►
then like oh come on inside and we'll go
[TS]
00:25:52
◼
►
let's go to the pool and all that and
[TS]
00:25:54
◼
►
and it's like this is so bizarre like
[TS]
00:25:55
◼
►
this would not what is happening what am
[TS]
00:25:58
◼
►
I seeing why would she behaved this way
[TS]
00:25:59
◼
►
and that the the thing that really
[TS]
00:26:01
◼
►
killed me is when he goes into the the
[TS]
00:26:03
◼
►
little of the little house where he
[TS]
00:26:04
◼
►
drops the guy off camera she looks at
[TS]
00:26:06
◼
►
the at the guys around the pool is like
[TS]
00:26:08
◼
►
I figured why not what
[TS]
00:26:11
◼
►
and she's the one that she's the one
[TS]
00:26:12
◼
►
who's never seen him before he drives it
[TS]
00:26:14
◼
►
all gets out of the car she immediately
[TS]
00:26:15
◼
►
kisses immediately genus car she should
[TS]
00:26:18
◼
►
you don't dislike anyone I know
[TS]
00:26:20
◼
►
oh my god here is our
[TS]
00:26:24
◼
►
and on top of that you've got the
[TS]
00:26:25
◼
►
performance of the girl who plays Lily
[TS]
00:26:27
◼
►
Carver who is either a wonderful or a
[TS]
00:26:30
◼
►
terrible actor i really need but her
[TS]
00:26:33
◼
►
performance is so insane I mean she's
[TS]
00:26:35
◼
►
completely unhinged
[TS]
00:26:37
◼
►
mhm Lily Carver we should mention is the
[TS]
00:26:39
◼
►
is the lady who secretly working with
[TS]
00:26:42
◼
►
the baddest yesterday not really the
[TS]
00:26:43
◼
►
roommate who was actually fished out of
[TS]
00:26:45
◼
►
the bay several weeks pre-ride we find
[TS]
00:26:48
◼
►
out let that's actually a nice
[TS]
00:26:50
◼
►
comeuppance for for a hammer in a way
[TS]
00:26:52
◼
►
where he is detective friend governor
[TS]
00:26:55
◼
►
gray davis is like oh yeah Mr private
[TS]
00:26:58
◼
►
dick if you talk to the police you know
[TS]
00:27:00
◼
►
she was dead weeks ago and i like that
[TS]
00:27:02
◼
►
was really matter what if there and
[TS]
00:27:03
◼
►
think about his girl that was a good kid
[TS]
00:27:08
◼
►
that's a healthy relationship
[TS]
00:27:10
◼
►
oh yeah velda ms/ms I'm always glad when
[TS]
00:27:12
◼
►
you're in trouble because you always
[TS]
00:27:13
◼
►
come to me that's healthy yeah well I
[TS]
00:27:16
◼
►
less said about that the better know is
[TS]
00:27:18
◼
►
that seen her wear it the police
[TS]
00:27:20
◼
►
detective really puts puts my camera
[TS]
00:27:24
◼
►
street i think is fun it is Howard to
[TS]
00:27:28
◼
►
know that he's this is not know nice guy
[TS]
00:27:30
◼
►
if you thought we were being ambivalent
[TS]
00:27:32
◼
►
about how we felt about my camera know
[TS]
00:27:34
◼
►
he's terrible he deserves everything
[TS]
00:27:35
◼
►
that happened to him
[TS]
00:27:37
◼
►
you know i'm pretty sure he's a
[TS]
00:27:38
◼
►
sociopath yes yeah I think maybe so but
[TS]
00:27:41
◼
►
so are we are we are we just gonna not
[TS]
00:27:44
◼
►
talk about Nick have we don't know why
[TS]
00:27:45
◼
►
I'm waiting for it i'm wade working up
[TS]
00:27:48
◼
►
to it i have in my notes that just like
[TS]
00:27:50
◼
►
you you know how you make a walk-on
[TS]
00:27:51
◼
►
character more interesting
[TS]
00:27:53
◼
►
you just make a mess Nick give me a cute
[TS]
00:27:55
◼
►
little accent wha instant character you
[TS]
00:27:57
◼
►
know we've got the Greek getty and if
[TS]
00:27:59
◼
►
you really want to make a married man
[TS]
00:28:01
◼
►
memorable make him the most ethnic
[TS]
00:28:03
◼
►
person of all time he is literally
[TS]
00:28:06
◼
►
listed in the imd credits as no I among
[TS]
00:28:09
◼
►
ethnic haha yeah his actual last name
[TS]
00:28:13
◼
►
was papadatos la colombe right now
[TS]
00:28:19
◼
►
because you know that everyone was movie
[TS]
00:28:22
◼
►
if you've watched this movie you know
[TS]
00:28:23
◼
►
what you were talking about if you
[TS]
00:28:25
◼
►
haven't let us warning
[TS]
00:28:26
◼
►
about yes nick is nick is my cameras
[TS]
00:28:29
◼
►
only friend hey my camera picture God
[TS]
00:28:32
◼
►
without doing a guy from Star Wars
[TS]
00:28:33
◼
►
Episode one now but it's basically the
[TS]
00:28:35
◼
►
same guy he's basically he's Greek is
[TS]
00:28:38
◼
►
necessarily well with elegant but yeah
[TS]
00:28:41
◼
►
sure I guess maybe surprisingly separate
[TS]
00:28:43
◼
►
he fixes my cameras car when the bad
[TS]
00:28:46
◼
►
guys like get my camera car that's wired
[TS]
00:28:48
◼
►
with explosives heat he gets in the car
[TS]
00:28:50
◼
►
like a child and I gotta gonna start the
[TS]
00:28:54
◼
►
car mr. mr. hammerstine just blithely
[TS]
00:28:57
◼
►
Yanks out the couple of sticks of
[TS]
00:28:58
◼
►
dynamite the I really constitute a
[TS]
00:29:00
◼
►
sophisticated car Bob and 19 and tucks
[TS]
00:29:03
◼
►
it into his breast pocket and stuff do
[TS]
00:29:05
◼
►
you notice how my camera is like
[TS]
00:29:07
◼
►
standing slightly away from the card
[TS]
00:29:08
◼
►
says go ahead Nick open the hood look
[TS]
00:29:11
◼
►
no I'm the other side I keep you not
[TS]
00:29:14
◼
►
getting anywhere letting his quote
[TS]
00:29:16
◼
►
unquote friends take that for india
[TS]
00:29:18
◼
►
around he came on-screen i flashed back
[TS]
00:29:21
◼
►
to pixar's cars and just went feet stop
[TS]
00:29:24
◼
►
yeah yeah that's about right and in
[TS]
00:29:27
◼
►
fairness to my camera he gets very sad
[TS]
00:29:29
◼
►
when when Nick guys okay so this is the
[TS]
00:29:31
◼
►
thing that made me laugh the most in the
[TS]
00:29:33
◼
►
entire movie is he my camera and nick
[TS]
00:29:36
◼
►
have a conversation later in the movie
[TS]
00:29:37
◼
►
and then he says neck look I can't I
[TS]
00:29:40
◼
►
can't finish talking to you now but i'll
[TS]
00:29:42
◼
►
be back I'll see you later I thought oh
[TS]
00:29:43
◼
►
my god nick is gonna die and the next
[TS]
00:29:45
◼
►
shot is the guy turning the jack off on
[TS]
00:29:47
◼
►
the car crushing Nick to death am I
[TS]
00:29:49
◼
►
guess II never promised a future
[TS]
00:29:51
◼
►
conversation with a character because
[TS]
00:29:53
◼
►
that means they're about to die
[TS]
00:29:55
◼
►
oh no my mustache oh yeah but they
[TS]
00:29:58
◼
►
killed Nick Nick that's a spicymeatball
[TS]
00:30:04
◼
►
may commit the ball
[TS]
00:30:06
◼
►
oh don't worry and it's not like he's
[TS]
00:30:09
◼
►
the only one because you've got the
[TS]
00:30:10
◼
►
Italian moving man and the Irish
[TS]
00:30:12
◼
►
landlord it just goes on but it's funny
[TS]
00:30:15
◼
►
that the Nick performance is so over the
[TS]
00:30:17
◼
►
top that the bartender when he's
[TS]
00:30:19
◼
►
describing Nick laters as novel haha he
[TS]
00:30:23
◼
►
says he's xu
[TS]
00:30:25
◼
►
you there even make it fun of it in film
[TS]
00:30:28
◼
►
the other the other character i think
[TS]
00:30:30
◼
►
that deserves a special call out is is
[TS]
00:30:33
◼
►
dr. Kennedy whose the corner that my
[TS]
00:30:37
◼
►
it's the crowd yeah sighs I realize I
[TS]
00:30:40
◼
►
need to specify when I say my camera
[TS]
00:30:41
◼
►
beats the crap out of someone that could
[TS]
00:30:43
◼
►
be any one of it as your captors but he
[TS]
00:30:46
◼
►
he find some evidence on the body of
[TS]
00:30:50
◼
►
Cloris Leachman and my camera once it
[TS]
00:30:53
◼
►
and my camera's pays him for it and the
[TS]
00:30:56
◼
►
doctor so hot that he's this mouthy
[TS]
00:30:59
◼
►
little fellow I'm not going to give it
[TS]
00:31:01
◼
►
to you and then my camera slams his hand
[TS]
00:31:03
◼
►
into a true or a couple of times and I I
[TS]
00:31:06
◼
►
that scene makes me giggle I don't want
[TS]
00:31:09
◼
►
because the first of all it's funny that
[TS]
00:31:10
◼
►
he just kind of let anybody any random
[TS]
00:31:12
◼
►
guy off the street wandering and check
[TS]
00:31:14
◼
►
out the steps
[TS]
00:31:15
◼
►
well whatever zooms that as a private
[TS]
00:31:17
◼
►
detective my camera knows his way around
[TS]
00:31:19
◼
►
the the coroner's office of of Los
[TS]
00:31:23
◼
►
Angeles surely this fellow is run across
[TS]
00:31:25
◼
►
my camera that and should know better
[TS]
00:31:26
◼
►
hmm indeed but yeah I love the bit where
[TS]
00:31:29
◼
►
he's a mic is sort of working out the
[TS]
00:31:32
◼
►
whole remember me Sonic thing which
[TS]
00:31:34
◼
►
basically everybody saw coming miles and
[TS]
00:31:36
◼
►
miles away and and as he's describing as
[TS]
00:31:40
◼
►
he's kind of working it out the
[TS]
00:31:41
◼
►
coroner's just smiling and nodding like
[TS]
00:31:43
◼
►
I already know this
[TS]
00:31:44
◼
►
yes cut to the chase if if you hit it is
[TS]
00:31:47
◼
►
just got there eventually nice get to
[TS]
00:31:49
◼
►
the part where you offer me money
[TS]
00:31:52
◼
►
skip the part where you slam my hand
[TS]
00:31:53
◼
►
into the drawer couple of dozen times
[TS]
00:31:56
◼
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and I scream in agony
[TS]
00:31:57
◼
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well somebody's screaming it's not him
[TS]
00:31:59
◼
►
it's it's all the bad ad origin my
[TS]
00:32:01
◼
►
camera's face when he does that though
[TS]
00:32:03
◼
►
he smiles yeah most disturbing gleaning
[TS]
00:32:06
◼
►
he's sadistic in this
[TS]
00:32:08
◼
►
yeah I mean of all of all the my camera
[TS]
00:32:11
◼
►
things I've seen over the years this
[TS]
00:32:13
◼
►
might be my favorite adaptation because
[TS]
00:32:14
◼
►
it's the only one that really captures
[TS]
00:32:16
◼
►
how just kind of stupid and brutish and
[TS]
00:32:19
◼
►
sociopathic he is
[TS]
00:32:20
◼
►
oh yeah Alex it's it's quite something I
[TS]
00:32:23
◼
►
am NOT a Mickey Spillane fan and I don't
[TS]
00:32:27
◼
►
really care for for the my camera
[TS]
00:32:29
◼
►
character over and I don't care for his
[TS]
00:32:32
◼
►
books but I
[TS]
00:32:33
◼
►
enjoy this adaptation because it gets to
[TS]
00:32:38
◼
►
the heart of this is this is this is
[TS]
00:32:40
◼
►
terrible man
[TS]
00:32:41
◼
►
yeah it does terrible things and he's a
[TS]
00:32:44
◼
►
terrible man he does Terry doesn't even
[TS]
00:32:46
◼
►
do right things for terrible reason as
[TS]
00:32:49
◼
►
terrible things for awful reason yeah
[TS]
00:32:51
◼
►
well I will say this though he doesn't
[TS]
00:32:54
◼
►
open up the he doesn't open up the box
[TS]
00:32:57
◼
►
in the locker room and kill everybody
[TS]
00:32:59
◼
►
and yeah I'm good I'm good on you
[TS]
00:33:00
◼
►
my camera yeah he's like well I don't
[TS]
00:33:02
◼
►
understand this weird science thing i'm
[TS]
00:33:04
◼
►
closing today I just close that if I
[TS]
00:33:06
◼
►
were you will just be regular in the
[TS]
00:33:08
◼
►
locker in a lot i'm sure it'll be safe
[TS]
00:33:10
◼
►
that we have to get no money or fame for
[TS]
00:33:12
◼
►
this if I die
[TS]
00:33:13
◼
►
yeah so I hate the creepy chick took off
[TS]
00:33:15
◼
►
wonder where she went well
[TS]
00:33:17
◼
►
driving on the other thing that
[TS]
00:33:20
◼
►
fascinates me about this movie is the
[TS]
00:33:22
◼
►
director robert aldrich and if you look
[TS]
00:33:24
◼
►
at this filmography it is it is like the
[TS]
00:33:26
◼
►
hometown buffet of movies he's just pick
[TS]
00:33:29
◼
►
he does every every dang thing one can
[TS]
00:33:33
◼
►
do we did the dirty dozen he did a hush
[TS]
00:33:37
◼
►
hush sweet Charlotte and whatever
[TS]
00:33:38
◼
►
happened to Baby Jane and the longest
[TS]
00:33:41
◼
►
yard and the Frisco kid and what do
[TS]
00:33:43
◼
►
these movies have in common
[TS]
00:33:44
◼
►
well they were all shot on film they use
[TS]
00:33:49
◼
►
doctors
[TS]
00:33:50
◼
►
yes he did for for texas which it is a
[TS]
00:33:53
◼
►
terrible terrible Frank Sinatra Dean
[TS]
00:33:55
◼
►
Martin movie know anyhow it down a
[TS]
00:33:58
◼
►
little more well you know how dare you
[TS]
00:34:02
◼
►
we know this movie did have though this
[TS]
00:34:05
◼
►
movie did have a lot of shots of pets on
[TS]
00:34:08
◼
►
pillows i don't know if you guys noticed
[TS]
00:34:10
◼
►
yeah hello dog in a pillow some other
[TS]
00:34:12
◼
►
shots they can depend on the cat the cat
[TS]
00:34:14
◼
►
was like in the answering service which
[TS]
00:34:16
◼
►
I really i love that that was a really
[TS]
00:34:18
◼
►
absurd moment we called the doctor and
[TS]
00:34:19
◼
►
the doctor is not available in the lady
[TS]
00:34:21
◼
►
at the answering service is like well I
[TS]
00:34:23
◼
►
don't know what to tell you he's not
[TS]
00:34:25
◼
►
available I'm like this is the most why
[TS]
00:34:27
◼
►
do you even have an answering service if
[TS]
00:34:28
◼
►
they don't do anything but say no sorry
[TS]
00:34:30
◼
►
he's not here he might make a Yeti job
[TS]
00:34:32
◼
►
but so that's all
[TS]
00:34:34
◼
►
like what about thank you for that
[TS]
00:34:35
◼
►
interesting piece of information answer
[TS]
00:34:37
◼
►
service lady but the best part is that
[TS]
00:34:38
◼
►
then she's got that cat perched above
[TS]
00:34:40
◼
►
her like the cat is also answering calls
[TS]
00:34:43
◼
►
or something and he
[TS]
00:34:44
◼
►
that was the previous model answering
[TS]
00:34:47
◼
►
Michelle before the real real in-wall
[TS]
00:34:50
◼
►
yeah was a cat based approach instead of
[TS]
00:34:53
◼
►
a lovely tone like is it was hell yeah
[TS]
00:34:56
◼
►
this is a weird movie
[TS]
00:34:59
◼
►
yeah couple more bits of insanity in the
[TS]
00:35:01
◼
►
movie i like this the the sleeping pills
[TS]
00:35:04
◼
►
that immediately knock the gap that's
[TS]
00:35:07
◼
►
totally how that works line as he can
[TS]
00:35:08
◼
►
avoid getting worked over best defense
[TS]
00:35:10
◼
►
ever i'm going to keep sleeping pills in
[TS]
00:35:12
◼
►
my house and case i'm gonna get hassled
[TS]
00:35:14
◼
►
that's crazy to see chug this is
[TS]
00:35:16
◼
►
sleeping potion and he starts snoring
[TS]
00:35:18
◼
►
just before my camera can work him over
[TS]
00:35:20
◼
►
so he's not awake for the beatings just
[TS]
00:35:22
◼
►
a good call renounce can be handsome and
[TS]
00:35:24
◼
►
smart ya know hehe read up on my
[TS]
00:35:26
◼
►
cameraman my camera can hit you if
[TS]
00:35:30
◼
►
you're sleepy nope that's harder than a
[TS]
00:35:32
◼
►
sect of sketches code
[TS]
00:35:34
◼
►
well I was expecting oh he's committing
[TS]
00:35:35
◼
►
suicide you know this is this is like
[TS]
00:35:37
◼
►
that yeah that's what I'm not able
[TS]
00:35:38
◼
►
sleeping pills no he's just taking a nap
[TS]
00:35:41
◼
►
yep I thought he was gonna start foaming
[TS]
00:35:43
◼
►
at the mouth instead he starts snoring
[TS]
00:35:44
◼
►
he's fairly certain my camera's got a
[TS]
00:35:46
◼
►
short attention span it will be gone
[TS]
00:35:49
◼
►
well I have to say this is the best
[TS]
00:35:53
◼
►
movie I've ever watched on YouTube it's
[TS]
00:35:55
◼
►
also the only movie i've ever watched on
[TS]
00:35:57
◼
►
youtube so features but there's a line
[TS]
00:35:59
◼
►
in in here and i'm going to read it that
[TS]
00:36:01
◼
►
it gets by one of the villains Carl who
[TS]
00:36:04
◼
►
he calls up to threaten my camera and
[TS]
00:36:07
◼
►
and I think it basically sums up the the
[TS]
00:36:09
◼
►
film noir experience in a way and it's
[TS]
00:36:11
◼
►
what what does it matter that your work
[TS]
00:36:13
◼
►
has been interrupted your correct your
[TS]
00:36:15
◼
►
life has been ruffled to to put it
[TS]
00:36:17
◼
►
if you would not stop to pick up
[TS]
00:36:19
◼
►
Christina not any of these things would
[TS]
00:36:21
◼
►
have happened and and i think that's a
[TS]
00:36:24
◼
►
that's a that's a beautiful little of
[TS]
00:36:27
◼
►
summation of the of the Mike Hammer
[TS]
00:36:29
◼
►
experience and kiss me deadly a
[TS]
00:36:32
◼
►
suggestion then is that he run over in
[TS]
00:36:34
◼
►
the middle of this well then why do we
[TS]
00:36:36
◼
►
get out of character why did you stop
[TS]
00:36:38
◼
►
you shouldn't have stopped well had
[TS]
00:36:41
◼
►
amateur popular in my god how there is
[TS]
00:36:43
◼
►
that alleged wedge the real i had a tree
[TS]
00:36:46
◼
►
that I wiggled into a kayak
[TS]
00:36:49
◼
►
lord I you know I enjoy this movie very
[TS]
00:36:54
◼
►
much i disturbing any notwithstanding
[TS]
00:36:56
◼
►
that freak the hell out of me
[TS]
00:36:58
◼
►
many many years ago i think it's it's an
[TS]
00:37:02
◼
►
unusual movie i think it it holds up
[TS]
00:37:05
◼
►
well over time I enjoy Ralph makers
[TS]
00:37:08
◼
►
performance as unhinged as it is I i
[TS]
00:37:12
◼
►
think it's beautifully shot and your
[TS]
00:37:15
◼
►
thumb and I i get the sense that i'm
[TS]
00:37:17
◼
►
going to be voted down here but dammit
[TS]
00:37:19
◼
►
I'm right you know in fact now i like i
[TS]
00:37:22
◼
►
like this movie too although it's got
[TS]
00:37:23
◼
►
the same problem that i have with a lot
[TS]
00:37:24
◼
►
of the film Noirs and including out of
[TS]
00:37:26
◼
►
the past which we're going to talk about
[TS]
00:37:27
◼
►
which is it is atmospheric and
[TS]
00:37:30
◼
►
interesting and I like the setup and
[TS]
00:37:32
◼
►
then the plot kicks in and there's like
[TS]
00:37:35
◼
►
a half an hour where I could swear that
[TS]
00:37:37
◼
►
I may have had some sort of event where
[TS]
00:37:41
◼
►
I've completely lost what has happened
[TS]
00:37:43
◼
►
in half and it's good that is a fair
[TS]
00:37:45
◼
►
city no idea and then the end comes on
[TS]
00:37:48
◼
►
like oh well cool things are happening I
[TS]
00:37:49
◼
►
don't really know why but it seems cool
[TS]
00:37:51
◼
►
okay the end and there's a portion where
[TS]
00:37:53
◼
►
they just throw all these names at you
[TS]
00:37:54
◼
►
ran some of which you never find out
[TS]
00:37:56
◼
►
anything about like the guy both these
[TS]
00:37:59
◼
►
movies my wife turned moves like this
[TS]
00:38:00
◼
►
was this a double-cross them like I
[TS]
00:38:02
◼
►
guess I I don't know I'd no idea at this
[TS]
00:38:05
◼
►
point in the history of film noir that's
[TS]
00:38:07
◼
►
kind of not surprising because you had
[TS]
00:38:09
◼
►
like the big sleep is one of the sort of
[TS]
00:38:11
◼
►
bigger film noir and in that film it was
[TS]
00:38:13
◼
►
is running long so you had Howard Hawks
[TS]
00:38:15
◼
►
actually taking scenes out of the film
[TS]
00:38:19
◼
►
and they were a lot of the scenes that
[TS]
00:38:20
◼
►
actually made the plot make centuries to
[TS]
00:38:21
◼
►
see just to see if they could actually
[TS]
00:38:23
◼
►
still have a hit because of the main
[TS]
00:38:25
◼
►
characters and and and whether or not
[TS]
00:38:27
◼
►
people like it and that is apparently a
[TS]
00:38:29
◼
►
classical them not sure I understand why
[TS]
00:38:31
◼
►
so yeah they were able to do that you
[TS]
00:38:33
◼
►
can carve out huge parts of the plot
[TS]
00:38:36
◼
►
plot doesn't matter so much when you've
[TS]
00:38:37
◼
►
got enough atmosphere in a way that are
[TS]
00:38:39
◼
►
six fun to watch and and even in the
[TS]
00:38:41
◼
►
book of The Big Sleep
[TS]
00:38:42
◼
►
you know it people kept asking Chandler
[TS]
00:38:45
◼
►
will have what about this guy who died
[TS]
00:38:47
◼
►
who killed him like I don't know
[TS]
00:38:49
◼
►
ya know I I senior call Howard Hawks
[TS]
00:38:51
◼
►
called up having Chandler to ask yes yes
[TS]
00:38:54
◼
►
and a what happens here you got me pal
[TS]
00:38:57
◼
►
I left as an exercise for the reader ya
[TS]
00:39:01
◼
►
know I have to say I mean I this is this
[TS]
00:39:04
◼
►
is one of my favorite film Noirs so you
[TS]
00:39:08
◼
►
are by no means alone you and me lor
[TS]
00:39:10
◼
►
yeah i just i i i actually it can laugh
[TS]
00:39:14
◼
►
at all that i may not like me even Nick
[TS]
00:39:15
◼
►
the Greek mechanic i am ia just made me
[TS]
00:39:18
◼
►
laugh right you're locked room and show
[TS]
00:39:21
◼
►
respect it's so far over the top and the
[TS]
00:39:25
◼
►
end the same with the with the woman at
[TS]
00:39:26
◼
►
the at the pool party where she's like
[TS]
00:39:28
◼
►
kissing him and and all that right like
[TS]
00:39:30
◼
►
when she sees him it's like okay about
[TS]
00:39:33
◼
►
you I i found that amusing on on a level
[TS]
00:39:36
◼
►
so yeah I actually and enjoyed it quite
[TS]
00:39:38
◼
►
a bit except for the part where I was
[TS]
00:39:40
◼
►
scratching my head going ok I don't know
[TS]
00:39:42
◼
►
what is happening now but let's just
[TS]
00:39:43
◼
►
assume that my cameras up to no good and
[TS]
00:39:46
◼
►
these drugs are gonna beat him up and I
[TS]
00:39:49
◼
►
just shrugged Mike I don't
[TS]
00:39:50
◼
►
and seriously the read the wikipedia
[TS]
00:39:52
◼
►
summary it's like literally the first 10
[TS]
00:39:54
◼
►
minutes of the movie and then the end
[TS]
00:39:56
◼
►
and in between there like I don't know
[TS]
00:39:58
◼
►
and then eventually this happens so it
[TS]
00:40:00
◼
►
turns out turns out is there's a box
[TS]
00:40:03
◼
►
ok I didn't think this was too bad to
[TS]
00:40:04
◼
►
follow it the first time I didn't
[TS]
00:40:06
◼
►
obviously but after some pausing and in
[TS]
00:40:09
◼
►
some diagrams and charts and what about
[TS]
00:40:13
◼
►
what happened every time I you two
[TS]
00:40:15
◼
►
arrows boxes and so forth subscription
[TS]
00:40:17
◼
►
to do I didn't have a huge problem
[TS]
00:40:19
◼
►
following it i just i think for all of
[TS]
00:40:21
◼
►
the things you mentioned Jason that are
[TS]
00:40:23
◼
►
over-the-top I that made me not so much
[TS]
00:40:25
◼
►
like I think once you get past about
[TS]
00:40:26
◼
►
1952 my interest in film sort of starts
[TS]
00:40:29
◼
►
to fall off pretty drastically and this
[TS]
00:40:31
◼
►
fits right into that it just it they're
[TS]
00:40:34
◼
►
trying different things and sometimes it
[TS]
00:40:35
◼
►
works and most of the time it doesn't
[TS]
00:40:37
◼
►
and just gets weirder and this this
[TS]
00:40:39
◼
►
falls into that weird it's weird that
[TS]
00:40:40
◼
►
doesn't do it for me
[TS]
00:40:42
◼
►
we should mention its influence because
[TS]
00:40:44
◼
►
this is obviously the influence on repo
[TS]
00:40:45
◼
►
man and pulp fiction right the right
[TS]
00:40:47
◼
►
yeah MacGuffin with that the glowing on
[TS]
00:40:50
◼
►
the inside
[TS]
00:40:51
◼
►
no although in this they actually
[TS]
00:40:53
◼
►
explain what it is yeah i know it is
[TS]
00:40:55
◼
►
much better and sorta yeah it's an
[TS]
00:40:57
◼
►
isotope I can't they don't work this way
[TS]
00:41:00
◼
►
but I'm sure whatever your nuclear fuel
[TS]
00:41:03
◼
►
cells don't work like that you know
[TS]
00:41:05
◼
►
we're sleeping pills but it's Marsellus
[TS]
00:41:07
◼
►
Wallace's soul
[TS]
00:41:08
◼
►
sure i liked it i will say this for it
[TS]
00:41:11
◼
►
it was not boring yep and almost every
[TS]
00:41:14
◼
►
other noir I've ever seen
[TS]
00:41:15
◼
►
there's at least a 30-minute period
[TS]
00:41:17
◼
►
where I'm ready to drift off and this
[TS]
00:41:19
◼
►
did not happen yeah that's exactly what
[TS]
00:41:22
◼
►
the screenwriter said to when they said
[TS]
00:41:24
◼
►
you know what does this mean what'd he
[TS]
00:41:25
◼
►
do why did you do this is it didn't care
[TS]
00:41:27
◼
►
i just want to have fun every scene has
[TS]
00:41:29
◼
►
to have something funny going on and
[TS]
00:41:30
◼
►
something that you're interested in like
[TS]
00:41:31
◼
►
a cat and ya know you and I feel a
[TS]
00:41:35
◼
►
little filthy having seen this film
[TS]
00:41:37
◼
►
especially the bits where peace pimping
[TS]
00:41:40
◼
►
out Delta oh yeah unless we all just
[TS]
00:41:43
◼
►
have to be happy in the knowledge that
[TS]
00:41:45
◼
►
two years later my camera died of armed
[TS]
00:41:47
◼
►
cancer and that would be and so on
[TS]
00:41:49
◼
►
during the apocalypse I think apparently
[TS]
00:41:52
◼
►
but yeah mm got home Bob
[TS]
00:41:55
◼
►
well I i do enjoy that the doctor in the
[TS]
00:41:59
◼
►
the one the one on camera seen that he
[TS]
00:42:01
◼
►
has it is like I know it's Pandora's by
[TS]
00:42:05
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heat like quotes like four different
[TS]
00:42:08
◼
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yes four different mythological or thing
[TS]
00:42:13
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we get it you you studied humanities in
[TS]
00:42:16
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addition to becoming a scientist the
[TS]
00:42:17
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best part of that is the fact that that
[TS]
00:42:20
◼
►
that he's got this very important piece
[TS]
00:42:22
◼
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of information to convey to Gabrielle /
[TS]
00:42:25
◼
►
lily which is don't open the bottom of
[TS]
00:42:27
◼
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the box i know yet i say to you as if i
[TS]
00:42:29
◼
►
am all of sarah said you're not getting
[TS]
00:42:32
◼
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through paypal he has the time to get
[TS]
00:42:35
◼
►
all of that out there she's I'm he's got
[TS]
00:42:37
◼
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his priorities in line and with with all
[TS]
00:42:39
◼
►
of the amazingly sexist things in this
[TS]
00:42:43
◼
►
movie I actually found that seemed the
[TS]
00:42:45
◼
►
most sexist because that doctor is
[TS]
00:42:48
◼
►
talking to her literally like she's like
[TS]
00:42:51
◼
►
not even a child like she just cannot
[TS]
00:42:53
◼
►
understand being a woman and knowing
[TS]
00:42:55
◼
►
your place you don't understand these
[TS]
00:42:57
◼
►
complicated things and I'm sitting there
[TS]
00:42:59
◼
►
thinking Lily she's got the gun guy
[TS]
00:43:01
◼
►
she's probably got one over on you here
[TS]
00:43:03
◼
►
but he has no idea this particular woman
[TS]
00:43:06
◼
►
though clearly is addled in some way
[TS]
00:43:08
◼
►
based on the way she act she's playing
[TS]
00:43:10
◼
►
dumb through most of the film and then
[TS]
00:43:11
◼
►
it's only at the very end that she kept
[TS]
00:43:13
◼
►
her voice even change when she pulls out
[TS]
00:43:15
◼
►
the gun and I think maybe he was just a
[TS]
00:43:17
◼
►
little too wrapped up in his own
[TS]
00:43:19
◼
►
pontifications to notice
[TS]
00:43:21
◼
►
she had switched so the graphic I don't
[TS]
00:43:23
◼
►
know I'm ontological rate up nuts at the
[TS]
00:43:25
◼
►
way she turns on a dime and she's like
[TS]
00:43:27
◼
►
afraid and then she wants to kiss on
[TS]
00:43:29
◼
►
hammer and also she opens the box at the
[TS]
00:43:31
◼
►
end which is crazy she opens a real wide
[TS]
00:43:34
◼
►
and she keeps opening it
[TS]
00:43:36
◼
►
Mary Martin peter out for the part of
[TS]
00:43:39
◼
►
Peter Pan she never got over them yeah
[TS]
00:43:41
◼
►
clearly what's like the scene with the
[TS]
00:43:43
◼
►
landlord killed me just because you know
[TS]
00:43:46
◼
►
hammers talking to the landlord and the
[TS]
00:43:47
◼
►
landlord's wife is right there and she
[TS]
00:43:49
◼
►
keeps repeating everything and finally
[TS]
00:43:50
◼
►
hammer just says tell it to shut up and
[TS]
00:43:53
◼
►
this long pause and then the labor goes
[TS]
00:43:55
◼
►
shut up why is that even here all right
[TS]
00:44:01
◼
►
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00:44:09
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00:46:26
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00:46:27
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00:46:30
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touch three for sponsoring the
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00:46:31
◼
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incomparable we also watched out of the
[TS]
00:46:34
◼
►
past will do you want to explain out of
[TS]
00:46:38
◼
►
the past to us
[TS]
00:46:39
◼
►
oh I don't think I could uh huh well so
[TS]
00:46:41
◼
►
well Robert Mitchum is in its so out of
[TS]
00:46:44
◼
►
the pass we we start in any town USA
[TS]
00:46:47
◼
►
which is bridgeport California report
[TS]
00:46:50
◼
►
California's right on the other side of
[TS]
00:46:52
◼
►
the Sierra Nevadas new the Nevada border
[TS]
00:46:54
◼
►
exactly hundred miles from where I grew
[TS]
00:46:56
◼
►
up to the mile small mountain town
[TS]
00:46:59
◼
►
yep and Robert Mitchum is running a gas
[TS]
00:47:03
◼
►
station they have of course but he's not
[TS]
00:47:06
◼
►
really a gas station attendant is he
[TS]
00:47:08
◼
►
Jason he's not and it's not that's not
[TS]
00:47:10
◼
►
even his real name
[TS]
00:47:12
◼
►
no he's a man with those asked what ya
[TS]
00:47:15
◼
►
know seriously and someone comes from
[TS]
00:47:19
◼
►
out of his past you to all who ought to
[TS]
00:47:27
◼
►
bring him back into I don't know anyhow
[TS]
00:47:29
◼
►
he's cruising along the 395 as you do
[TS]
00:47:32
◼
►
yeah joe mr. job yes so John missed it
[TS]
00:47:36
◼
►
one of his old associates uh stumbles
[TS]
00:47:38
◼
►
across this gas station and says oh boy
[TS]
00:47:41
◼
►
hey I finally found you a there's
[TS]
00:47:43
◼
►
there's a guy who wants to meet you and
[TS]
00:47:45
◼
►
that's when licks his cigarette a deaf
[TS]
00:47:47
◼
►
kid so yeah always a bad yeah yes I
[TS]
00:47:49
◼
►
Robert Mitchum is assistant at the gas
[TS]
00:47:52
◼
►
station we should point out is a very
[TS]
00:47:54
◼
►
helpful deaf kid which will come in
[TS]
00:47:57
◼
►
handy later and help me Hester yeah
[TS]
00:48:00
◼
►
which will also kind of the movie yeah
[TS]
00:48:03
◼
►
spoiler alert um so Robert Mitchum has
[TS]
00:48:07
◼
►
to go see a guy and he gets the girl
[TS]
00:48:09
◼
►
that he's sweet on in town to drive him
[TS]
00:48:12
◼
►
up there and he basically tells her his
[TS]
00:48:14
◼
►
life story which he's been hiding up
[TS]
00:48:17
◼
►
until this point and so we start off as
[TS]
00:48:18
◼
►
very nearly as awkward incidentally as
[TS]
00:48:21
◼
►
the two-hour description to franklin
[TS]
00:48:24
◼
►
delano roosevelt and happened James yeah
[TS]
00:48:26
◼
►
if it is this is the thing about half of
[TS]
00:48:29
◼
►
the past it begins with a guy narrating
[TS]
00:48:32
◼
►
a flashback that goes on forever about
[TS]
00:48:34
◼
►
40 minutes adding into some detail about
[TS]
00:48:37
◼
►
his past love that doesn't necessarily
[TS]
00:48:39
◼
►
need to be brought up so we discover
[TS]
00:48:41
◼
►
that instead of being a kindly gas
[TS]
00:48:43
◼
►
station attendant he used to be a
[TS]
00:48:44
◼
►
hard-bitten private eye and he was hired
[TS]
00:48:46
◼
►
at one point by Kirk Douglas to hunt
[TS]
00:48:49
◼
►
down a coveted shot Kirk Douglas and
[TS]
00:48:51
◼
►
made off with forty thousand dollars of
[TS]
00:48:53
◼
►
his money which was quite a bit of money
[TS]
00:48:56
◼
►
in 1947 and so he chases her down to
[TS]
00:49:00
◼
►
and in the process of doing so falls in
[TS]
00:49:04
◼
►
love with her which is pretty not a
[TS]
00:49:06
◼
►
really good plan again spoiler well
[TS]
00:49:08
◼
►
we're told they fall in love
[TS]
00:49:10
◼
►
I don't think we ever see it but we'll
[TS]
00:49:13
◼
►
get to that in a moment anyhow Kirk
[TS]
00:49:15
◼
►
Douglas shows up in Mexico and robert
[TS]
00:49:18
◼
►
mitchum decide say this is a this is
[TS]
00:49:20
◼
►
about the time that i make like I
[TS]
00:49:21
◼
►
couldn't find her and me in the me and
[TS]
00:49:24
◼
►
the new mrs. we we live off 44 points
[TS]
00:49:27
◼
►
north while telling telling Kirk Douglas
[TS]
00:49:29
◼
►
that she must have escaped down south so
[TS]
00:49:32
◼
►
they go and they run into Robert Mitchum
[TS]
00:49:35
◼
►
is old partner who ends up following
[TS]
00:49:38
◼
►
them and is going to blackmail them and
[TS]
00:49:41
◼
►
it's at that point that the that the
[TS]
00:49:43
◼
►
lady friend who's played by jane greer
[TS]
00:49:45
◼
►
shoots Robert mentions partner and
[TS]
00:49:48
◼
►
that's when they split up and robert
[TS]
00:49:50
◼
►
mitchum begins his new life as the gas
[TS]
00:49:52
◼
►
station attendant in in bridgeport well
[TS]
00:49:55
◼
►
hehe i guess he be
[TS]
00:49:57
◼
►
he hides the body or berry berry is the
[TS]
00:49:59
◼
►
bonding and and that brings us back to
[TS]
00:50:01
◼
►
present-day and out of the past
[TS]
00:50:05
◼
►
yes we ran out of the ground and into
[TS]
00:50:08
◼
►
the present and we shine up there we we
[TS]
00:50:10
◼
►
we arrived at Kirk Douglases Lake Tahoe
[TS]
00:50:13
◼
►
mansion which has a lovely few and it
[TS]
00:50:16
◼
►
turns out that no Jane Greer is now back
[TS]
00:50:19
◼
►
with with kirk douglas and Kirk Douglas
[TS]
00:50:22
◼
►
has a favor that he's going to ask
[TS]
00:50:23
◼
►
robert mitchum to do and Robert mentions
[TS]
00:50:25
◼
►
gotta do it because well you kind of
[TS]
00:50:27
◼
►
dropped the ball and that whole finding
[TS]
00:50:29
◼
►
this girl thing and falling in love with
[TS]
00:50:31
◼
►
her and uh betrayed my trust and the job
[TS]
00:50:36
◼
►
that Kirk Douglas has is I'm a horrible
[TS]
00:50:39
◼
►
tax cheat and you've got to go find the
[TS]
00:50:41
◼
►
the books that I've been keeping
[TS]
00:50:45
◼
►
separately before they fall into the
[TS]
00:50:48
◼
►
hands of the Internal Revenue Service
[TS]
00:50:50
◼
►
and get those books for me and we'll
[TS]
00:50:53
◼
►
just call it square and robert mitchum
[TS]
00:50:55
◼
►
knows that he's being set up and indeed
[TS]
00:50:57
◼
►
he is because not only uh does the the
[TS]
00:51:01
◼
►
tax lawyer get murdered the books are
[TS]
00:51:06
◼
►
a made off with and they're gonna be
[TS]
00:51:07
◼
►
sent to kirk douglas but because Robert
[TS]
00:51:09
◼
►
Mitchum sort of knows that he's being
[TS]
00:51:11
◼
►
set up he gets the the phone ebooks
[TS]
00:51:13
◼
►
first and he's able to strike a deal
[TS]
00:51:15
◼
►
with the with Kirk Douglas where it's
[TS]
00:51:17
◼
►
basically hey you
[TS]
00:51:20
◼
►
you uh you don't duh get me in trouble
[TS]
00:51:25
◼
►
for that that partner of mine that got
[TS]
00:51:28
◼
►
shot we send Jane Greer up the river and
[TS]
00:51:31
◼
►
and and now we call it square well Jane
[TS]
00:51:33
◼
►
Greer doesn't like that so much so so
[TS]
00:51:35
◼
►
she plugs Kirk Douglas she's gonna
[TS]
00:51:37
◼
►
decide to start a new with Robert
[TS]
00:51:39
◼
►
Mitchum robert mitchum besides that's
[TS]
00:51:41
◼
►
not going to be good so I tips off the
[TS]
00:51:43
◼
►
cops that they're they're coming and it
[TS]
00:51:46
◼
►
they died in a hail of gunfire at the
[TS]
00:51:47
◼
►
end of the movie and Robert Mitchum is
[TS]
00:51:49
◼
►
somewhat redeemed for his a horrible
[TS]
00:51:51
◼
►
choices in life and again that's the
[TS]
00:51:53
◼
►
500-yard view this is the problem with
[TS]
00:51:55
◼
►
filming where I realize this about five
[TS]
00:51:57
◼
►
seconds before this podcast began I'm
[TS]
00:51:59
◼
►
gonna have to summarize these plots yeah
[TS]
00:52:01
◼
►
and it is like describing a game of
[TS]
00:52:05
◼
►
chess when you thought it was a game of
[TS]
00:52:08
◼
►
checkers
[TS]
00:52:10
◼
►
so I open it up to the floor again
[TS]
00:52:14
◼
►
you've got an idea that there's a lot of
[TS]
00:52:16
◼
►
fishing is important in this movie that
[TS]
00:52:18
◼
►
well yes yes we should mention Kirk
[TS]
00:52:21
◼
►
Douglas has a goon goon named Jojo is
[TS]
00:52:24
◼
►
not very good at the job of being a goon
[TS]
00:52:26
◼
►
no learned throughout this movie is
[TS]
00:52:27
◼
►
curtis says Joe couldn't find a printer
[TS]
00:52:30
◼
►
in the Bible and so at one point Joe is
[TS]
00:52:37
◼
►
sent tail Robert Mitchum and he does so
[TS]
00:52:40
◼
►
by following the the Deaf kid and he
[TS]
00:52:44
◼
►
spies Robert Mitchum and he's got gonna
[TS]
00:52:46
◼
►
shoot you Robert Mitchum but all the
[TS]
00:52:48
◼
►
Deaf kid turns around and uses fly
[TS]
00:52:50
◼
►
casting skills to crap job by the arm
[TS]
00:52:52
◼
►
and pull off a cliff into the Walker
[TS]
00:52:55
◼
►
yeah Billy Joe instantly he's a fly cast
[TS]
00:52:59
◼
►
yeah that deaf dumb accomplished sure
[TS]
00:53:01
◼
►
casts a mean bastard below
[TS]
00:53:03
◼
►
the inspiration for Tommy this movie
[TS]
00:53:06
◼
►
it's a little-known fact
[TS]
00:53:07
◼
►
wow yeah but that isn't that is one of
[TS]
00:53:10
◼
►
the more unique death scenes I've ever
[TS]
00:53:12
◼
►
seen where a guy is standing on a cliff
[TS]
00:53:13
◼
►
top he's hooked by a fishing line and
[TS]
00:53:16
◼
►
pulled to his death
[TS]
00:53:17
◼
►
I'm getting a very strong fishing think
[TS]
00:53:20
◼
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it is awesome by the way you just gotta
[TS]
00:53:22
◼
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get them off balance
[TS]
00:53:23
◼
►
that's it she was standing right on the
[TS]
00:53:25
◼
►
edge as may have become apparent when I
[TS]
00:53:27
◼
►
was quoting Kirk Douglas there i love
[TS]
00:53:29
◼
►
kirk douglas in this movie is nicely
[TS]
00:53:32
◼
►
menacing he is so menacing and so and
[TS]
00:53:36
◼
►
enjoys being menacing so much in every
[TS]
00:53:38
◼
►
line that he says is just dripping with
[TS]
00:53:40
◼
►
double meaning this is like his second
[TS]
00:53:43
◼
►
yeah and every threat that he makes is
[TS]
00:53:46
◼
►
is just so said through through a smile
[TS]
00:53:49
◼
►
and know he is he is a delight to watch
[TS]
00:53:52
◼
►
he's it's charming in the most oily sort
[TS]
00:53:55
◼
►
of way I didn't love it when he shows up
[TS]
00:53:58
◼
►
in Mexico I'm just here to see a man
[TS]
00:54:00
◼
►
about a horse
[TS]
00:54:01
◼
►
literally I'm on my way to Mexico City
[TS]
00:54:04
◼
►
see a man about a horse
[TS]
00:54:06
◼
►
mhm great you know when we were emailing
[TS]
00:54:10
◼
►
about what we were gonna watch I was
[TS]
00:54:12
◼
►
like oh cool to fillmore I've never seen
[TS]
00:54:14
◼
►
before I was so excited and I watched
[TS]
00:54:16
◼
►
kiss me deadly and that was the thing
[TS]
00:54:18
◼
►
that I did and then I and then I watched
[TS]
00:54:21
◼
►
out of the past and the credits hadn't
[TS]
00:54:23
◼
►
even finished when I was like oh my god
[TS]
00:54:25
◼
►
I've seen this before i watched a lot of
[TS]
00:54:27
◼
►
old movies and I have a terrible memory
[TS]
00:54:29
◼
►
for titles so it was it was just a
[TS]
00:54:31
◼
►
matter of 35 seconds and was like oh my
[TS]
00:54:34
◼
►
goodness i have seen this before and I
[TS]
00:54:35
◼
►
was excited is so take it in now now yes
[TS]
00:54:39
◼
►
she mentioned this was remade in the
[TS]
00:54:42
◼
►
early eighties as against all odds
[TS]
00:54:44
◼
►
starring jeff bridges in the robert
[TS]
00:54:47
◼
►
mitchum roll rachel ward in the jane
[TS]
00:54:49
◼
►
greer or roll and james woods in the
[TS]
00:54:54
◼
►
Kirk Douglas role that is not lateral
[TS]
00:54:57
◼
►
movement that is not not no probably be
[TS]
00:55:01
◼
►
okay with james woods in that role but I
[TS]
00:55:03
◼
►
don't know what anybody else and and
[TS]
00:55:05
◼
►
jane greer as her character's mother and
[TS]
00:55:07
◼
►
I believe alex karras is as as Joe own
[TS]
00:55:10
◼
►
couldn't find couldn't find a prayer in
[TS]
00:55:12
◼
►
the Bible
[TS]
00:55:13
◼
►
yeah who plays the Deaf kid I don't you
[TS]
00:55:17
◼
►
know I've never actually seen the movie
[TS]
00:55:18
◼
►
i've only seen the music video
[TS]
00:55:20
◼
►
I've only I've only seen Phil Collins
[TS]
00:55:22
◼
►
this just an empty space
[TS]
00:55:25
◼
►
fun fact about against all odds Phil
[TS]
00:55:27
◼
►
Collins was turned down to sing that
[TS]
00:55:29
◼
►
song at the Oscars yeah they didn't know
[TS]
00:55:30
◼
►
who the hell would they had a dancing
[TS]
00:55:32
◼
►
singing it instead
[TS]
00:55:34
◼
►
yeah yeah a dancer sang again so my
[TS]
00:55:38
◼
►
terrible thing
[TS]
00:55:40
◼
►
cathy is not very good in this movie I
[TS]
00:55:42
◼
►
find her I find that yeah he gave i find
[TS]
00:55:45
◼
►
that character completely uninteresting
[TS]
00:55:46
◼
►
I find the actress uninteresting they
[TS]
00:55:48
◼
►
act as if she's interesting and yet she
[TS]
00:55:51
◼
►
isn't their relationship is completely
[TS]
00:55:53
◼
►
unbelievable at all points I i think
[TS]
00:55:57
◼
►
this is the central flaw of our past
[TS]
00:55:59
◼
►
which I'm gonna say again I enjoy this
[TS]
00:56:01
◼
►
movie I wanted to but that at the end
[TS]
00:56:04
◼
►
but yeah she is problematic because she
[TS]
00:56:06
◼
►
is the femme fatale who inspires no
[TS]
00:56:09
◼
►
fatalities but she causes and very
[TS]
00:56:13
◼
►
little and causes a few but she's not
[TS]
00:56:15
◼
►
when they go to alcohol Acapulco it's
[TS]
00:56:17
◼
►
like they have they have some snappy
[TS]
00:56:20
◼
►
dialogue that is kind of not earned and
[TS]
00:56:23
◼
►
then they go to the beach to kiss and
[TS]
00:56:25
◼
►
then they're in love
[TS]
00:56:26
◼
►
I'm Mike like it's really good the tour
[TS]
00:56:28
◼
►
guide sponded I have no problem with
[TS]
00:56:30
◼
►
that because so that's the kind of a
[TS]
00:56:33
◼
►
hallmark of some of the films like of
[TS]
00:56:35
◼
►
that era
[TS]
00:56:35
◼
►
it's it if they don't necessarily go in
[TS]
00:56:38
◼
►
for too much character development
[TS]
00:56:39
◼
►
you're just sort of expected to make
[TS]
00:56:40
◼
►
those that those you know yourself and
[TS]
00:56:42
◼
►
she was very pretty and they had that
[TS]
00:56:44
◼
►
dialogue so for being that was good
[TS]
00:56:46
◼
►
it was alright with it the problem with
[TS]
00:56:47
◼
►
that is they have the the scene where
[TS]
00:56:49
◼
►
Kirk Douglas is hiring robert mitchum
[TS]
00:56:51
◼
►
neee well hey why are you sending me to
[TS]
00:56:54
◼
►
find her there are a lot of Dame's the
[TS]
00:56:55
◼
►
rope in the world
[TS]
00:56:57
◼
►
oh when you see her you'll know but no I
[TS]
00:57:00
◼
►
know I don't know I do entertainment
[TS]
00:57:05
◼
►
I thought she was lovely and I thought
[TS]
00:57:07
◼
►
the actors did a pretty good job with it
[TS]
00:57:08
◼
►
when you're bonding moment is do you
[TS]
00:57:10
◼
►
like to gamble
[TS]
00:57:10
◼
►
not with a wheel that's it mm that's the
[TS]
00:57:13
◼
►
kind of chemistry that works for me it
[TS]
00:57:16
◼
►
was it yes it's silly but I like it the
[TS]
00:57:18
◼
►
bonding moment
[TS]
00:57:19
◼
►
is the is jose rodriguez who comes in ya
[TS]
00:57:21
◼
►
farmers to give the door knockers them
[TS]
00:57:23
◼
►
rings and earrings and then gets paid by
[TS]
00:57:26
◼
►
Bailey just before he recommends the
[TS]
00:57:28
◼
►
donkey show
[TS]
00:57:29
◼
►
yes oh no that's the meat cute and you
[TS]
00:57:31
◼
►
know we do have to say something from
[TS]
00:57:33
◼
►
the past the the ethnic characters
[TS]
00:57:35
◼
►
actually makes sense within the setting
[TS]
00:57:37
◼
►
and they are overdone and over the top
[TS]
00:57:39
◼
►
so that the Federated scapula teal yeah
[TS]
00:57:42
◼
►
I just I just didn't find that the
[TS]
00:57:43
◼
►
cactus interesting you know
[TS]
00:57:45
◼
►
well she and and who is the these the
[TS]
00:57:48
◼
►
small-town girl that Robert Mitchum is
[TS]
00:57:49
◼
►
sweet on now they are just real drips in
[TS]
00:57:52
◼
►
this movie
[TS]
00:57:53
◼
►
yeah there's no there's no nice way of
[TS]
00:57:54
◼
►
saying it and it really is underscored
[TS]
00:57:56
◼
►
by by the fact when Rhonda Fleming shows
[TS]
00:57:58
◼
►
up she is the Secretary of the lawyer
[TS]
00:58:01
◼
►
the tax lawyer that Robert Mitchum is
[TS]
00:58:03
◼
►
supposed to steal the stuff from their
[TS]
00:58:05
◼
►
ends up getting framed for murder for
[TS]
00:58:07
◼
►
she is in like maybe two or three scenes
[TS]
00:58:09
◼
►
and she is great she is is she pops and
[TS]
00:58:14
◼
►
she has she has verve and she has been
[TS]
00:58:16
◼
►
and you sit there in co now why wasn't
[TS]
00:58:19
◼
►
she cast the the role of Cathy because
[TS]
00:58:21
◼
►
at least then you could see it's someone
[TS]
00:58:23
◼
►
that that can match wits with Robert
[TS]
00:58:26
◼
►
Mitchum was notable and in some way
[TS]
00:58:28
◼
►
yeah well Jean Grey was it she was
[TS]
00:58:30
◼
►
pretty actually generate had been um she
[TS]
00:58:33
◼
►
had some sort of policy when she was
[TS]
00:58:34
◼
►
young and with had a part of her face
[TS]
00:58:36
◼
►
paralyzed and all the well now I feel
[TS]
00:58:38
◼
►
that Erica thank you and all of the
[TS]
00:58:41
◼
►
exercises that she had to do to get the
[TS]
00:58:43
◼
►
emotion back in her face sort of helped
[TS]
00:58:45
◼
►
push her toward a sort of acting that
[TS]
00:58:47
◼
►
used her face a lot to express emotion
[TS]
00:58:50
◼
►
and I think that's kind of what she
[TS]
00:58:51
◼
►
became known for and I think she does
[TS]
00:58:53
◼
►
that a lot i think i think that her way
[TS]
00:58:56
◼
►
of encoding is is more just not so much
[TS]
00:58:58
◼
►
the the dialogue in the emotion in the
[TS]
00:59:00
◼
►
speech but the really you know what
[TS]
00:59:03
◼
►
looks on her face when she just looks so
[TS]
00:59:05
◼
►
upset or so completely feeling list or
[TS]
00:59:08
◼
►
you know from one scene to the next
[TS]
00:59:09
◼
►
thing I worked for me I actually thought
[TS]
00:59:11
◼
►
she was pretty good
[TS]
00:59:12
◼
►
she you know she's not she's not really
[TS]
00:59:15
◼
►
a big character but she's she's got some
[TS]
00:59:18
◼
►
subtle tease her post
[TS]
00:59:21
◼
►
I'm with snow understand what I'm going
[TS]
00:59:23
◼
►
to immediately fall in love with her the
[TS]
00:59:25
◼
►
second i see your bit is a bit
[TS]
00:59:26
◼
►
ridiculous but I and later when trim
[TS]
00:59:28
◼
►
when there's the double-double cross the
[TS]
00:59:29
◼
►
briefcase and I thought I sounded like
[TS]
00:59:31
◼
►
she was totally and
[TS]
00:59:32
◼
►
leave a bottle she didn't work didn't
[TS]
00:59:33
◼
►
work for me and she set up I mean that
[TS]
00:59:35
◼
►
that's what phil was saying to is that
[TS]
00:59:37
◼
►
she set up to be well you when you see
[TS]
00:59:40
◼
►
your you know and she's like cash fine
[TS]
00:59:42
◼
►
she's fine but she didn't know she I did
[TS]
00:59:44
◼
►
I just I didn't find any chemistry
[TS]
00:59:45
◼
►
between her and mitch mitchum is like a
[TS]
00:59:48
◼
►
force of nature he's like John he's so I
[TS]
00:59:52
◼
►
you know angular and and and visceral
[TS]
00:59:55
◼
►
and weird even and then she's just she's
[TS]
00:59:59
◼
►
also present
[TS]
00:59:59
◼
►
also present
[TS]
01:00:00
◼
►
and you know i kinda liked the bit where
[TS]
01:00:02
◼
►
he's fighting with his partner and and
[TS]
01:00:04
◼
►
she's watching it and she's got kind of
[TS]
01:00:06
◼
►
a little smile on her face like she's
[TS]
01:00:08
◼
►
really kind of enjoying watching the
[TS]
01:00:10
◼
►
beatings requiring you know and of
[TS]
01:00:11
◼
►
course she busts out with the gun
[TS]
01:00:13
◼
►
because she really liked shootin guys
[TS]
01:00:14
◼
►
he's no Veronica Lake she's no Rita
[TS]
01:00:16
◼
►
Hayworth she really does like shooting
[TS]
01:00:18
◼
►
people though that is not as it's true i
[TS]
01:00:20
◼
►
don't know maybe I just appreciated the
[TS]
01:00:21
◼
►
fact that that towards the end of the
[TS]
01:00:23
◼
►
film became evident that well it wasn't
[TS]
01:00:27
◼
►
clear earlier on she's kind of been
[TS]
01:00:28
◼
►
pulling the strings all yelling that was
[TS]
01:00:30
◼
►
great seeing that's a great scene where
[TS]
01:00:31
◼
►
she lets them get in that like it's the
[TS]
01:00:34
◼
►
it is the punchy estate punch-up i have
[TS]
01:00:37
◼
►
seen in a movie a long time just punch
[TS]
01:00:39
◼
►
after punch after punch and when finally
[TS]
01:00:41
◼
►
we've reached the end she just shoots
[TS]
01:00:43
◼
►
the guy and make him think you didn't
[TS]
01:00:45
◼
►
have to kill him
[TS]
01:00:47
◼
►
she's like yeah I did she's told home
[TS]
01:00:48
◼
►
she's totally cold about it and well and
[TS]
01:00:50
◼
►
an earlier she says oh with didn't die
[TS]
01:00:53
◼
►
I'm sorry he didn't die I mean she's
[TS]
01:00:55
◼
►
cold that much is fascinating about this
[TS]
01:00:58
◼
►
care called around the heart she's got a
[TS]
01:01:00
◼
►
couple of good line readings like that
[TS]
01:01:01
◼
►
one and it towards the end when she's
[TS]
01:01:04
◼
►
finally getting Mitchum to take off to
[TS]
01:01:06
◼
►
Mexico with her and and he tells her put
[TS]
01:01:09
◼
►
a few think she's going to pack and just
[TS]
01:01:11
◼
►
put a few things in for me and she says
[TS]
01:01:12
◼
►
I have and it's her reading I that is
[TS]
01:01:15
◼
►
great that this the the real selling
[TS]
01:01:18
◼
►
point of out of the past for me is the
[TS]
01:01:20
◼
►
script as it has just some some great
[TS]
01:01:23
◼
►
some great hard-boiled hard-bitten lines
[TS]
01:01:27
◼
►
in there and I don't know she can't be
[TS]
01:01:29
◼
►
all that bad well she comes closer than
[TS]
01:01:30
◼
►
anyone elses yeah that was great and the
[TS]
01:01:33
◼
►
other one I really liked is is when
[TS]
01:01:36
◼
►
everybody dies honey I don't want to do
[TS]
01:01:39
◼
►
it either but if I do I want to be last
[TS]
01:01:41
◼
►
yeah that was my god I'm gonna be the
[TS]
01:01:43
◼
►
last couple minutes
[TS]
01:01:45
◼
►
fantastic and lay in that kind of my god
[TS]
01:01:47
◼
►
that was great yeah they did don't you
[TS]
01:01:49
◼
►
believe me baby i don't care of my
[TS]
01:01:53
◼
►
gallows hi baby
[TS]
01:01:54
◼
►
my biggest problem with this with this
[TS]
01:01:56
◼
►
movie which I did end up liking
[TS]
01:01:58
◼
►
eventually was that initially like in
[TS]
01:02:01
◼
►
the very opening segment there's a
[TS]
01:02:03
◼
►
couple of conversations between Marty
[TS]
01:02:05
◼
►
who works at the diner and and and Joe
[TS]
01:02:08
◼
►
and then I alien Joe have a conversation
[TS]
01:02:09
◼
►
and these conversations are like ninety
[TS]
01:02:12
◼
►
percent innuendo and cliches and has no
[TS]
01:02:14
◼
►
idea what they're talking to no idea and
[TS]
01:02:16
◼
►
I'm just shaking my head going these
[TS]
01:02:17
◼
►
these first of all these conversations
[TS]
01:02:18
◼
►
are way too snappy by has so snaggle
[TS]
01:02:21
◼
►
that are having them and it's supposed
[TS]
01:02:23
◼
►
to be the exposition guys I'm supposed
[TS]
01:02:25
◼
►
to be able to pick up on this and I I
[TS]
01:02:27
◼
►
felt completely lost its a slow starting
[TS]
01:02:29
◼
►
movie it really it annoy it doesn't take
[TS]
01:02:32
◼
►
off until Kirk Douglas yes
[TS]
01:02:34
◼
►
yeah well and then but see if you're
[TS]
01:02:35
◼
►
totally rate it's it snappy dialogue is
[TS]
01:02:37
◼
►
supposed to be like snappy dialogue with
[TS]
01:02:39
◼
►
you're like oh I really like how these
[TS]
01:02:40
◼
►
people are giving and taking when
[TS]
01:02:41
◼
►
everybody speaks in superfast snappy
[TS]
01:02:44
◼
►
dialogue it just becomes like I don't
[TS]
01:02:46
◼
►
know it's it's confusing and weird and
[TS]
01:02:48
◼
►
like why is everybody talking like this
[TS]
01:02:50
◼
►
and that I definitely got that feeling
[TS]
01:02:52
◼
►
in the diner especially like what is
[TS]
01:02:54
◼
►
even happening here
[TS]
01:02:56
◼
►
yeah I was afraid at that point that it
[TS]
01:02:57
◼
►
was going to be that way the entire way
[TS]
01:02:59
◼
►
through yeah unfortunately it wasn't it
[TS]
01:03:01
◼
►
was still found I was irritated enough
[TS]
01:03:03
◼
►
by that possibly that i found kind of
[TS]
01:03:06
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the entire sequence in the past to be
[TS]
01:03:08
◼
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kind of kind of boring honestly and then
[TS]
01:03:10
◼
►
when it when we were out of the past the
[TS]
01:03:13
◼
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present i found it picked up nicely i
[TS]
01:03:15
◼
►
like the whole frame job plot but but
[TS]
01:03:17
◼
►
that that whole opening sequence just
[TS]
01:03:20
◼
►
didn't I also not a fan of grabbing of
[TS]
01:03:22
◼
►
the narration in that part in fact there
[TS]
01:03:24
◼
►
was one bit of narration that made me
[TS]
01:03:26
◼
►
laugh out loud because she says why
[TS]
01:03:29
◼
►
don't we go back to my place and it's
[TS]
01:03:31
◼
►
immediately followed by narration that
[TS]
01:03:33
◼
►
says it was the first time she mentioned
[TS]
01:03:34
◼
►
her place or going there she said it i
[TS]
01:03:41
◼
►
love that tile a generation I mean it's
[TS]
01:03:44
◼
►
just it's kind of cheesy thing that the
[TS]
01:03:46
◼
►
that the hallmark of some of some of the
[TS]
01:03:48
◼
►
more films of that particular area just
[TS]
01:03:50
◼
►
feels like self-parody at i know but the
[TS]
01:03:53
◼
►
thing is that the
[TS]
01:03:54
◼
►
time you know this was pre irony this is
[TS]
01:03:56
◼
►
the wrist as can be i just it gets me in
[TS]
01:03:58
◼
►
the heart i love it there's a lot of
[TS]
01:04:00
◼
►
reasons why this movie shouldn't work
[TS]
01:04:02
◼
►
and yet it does for me
[TS]
01:04:04
◼
►
oh I didn't even mention the bankbook
[TS]
01:04:05
◼
►
she leaves a bankbook but just one thing
[TS]
01:04:07
◼
►
that this is deposited forty thousand
[TS]
01:04:09
◼
►
dollars and it's ok it's open on the
[TS]
01:04:12
◼
►
very top of her purse and she walks away
[TS]
01:04:13
◼
►
I'll thats hilarious
[TS]
01:04:15
◼
►
it's like she should just have a bag
[TS]
01:04:17
◼
►
with a dollar sign up now if it weren't
[TS]
01:04:21
◼
►
for Michigan Kirk Douglas it probably
[TS]
01:04:23
◼
►
wouldn't work
[TS]
01:04:24
◼
►
no I wouldn't know but they're great
[TS]
01:04:25
◼
►
they're great but apparently it a the
[TS]
01:04:28
◼
►
both of them were kinda wary of being
[TS]
01:04:32
◼
►
upstaged by the other which added movie
[TS]
01:04:35
◼
►
free papabile on-screen tension whenever
[TS]
01:04:38
◼
►
the two of them are on screen together
[TS]
01:04:40
◼
►
that maybe they got along with each
[TS]
01:04:42
◼
►
other after this movie was made but they
[TS]
01:04:44
◼
►
surely did not get along with each other
[TS]
01:04:46
◼
►
during the filming and that that quite
[TS]
01:04:49
◼
►
that translates quite well onto the
[TS]
01:04:51
◼
►
screen and it's very appropriate and
[TS]
01:04:53
◼
►
helps out with the mood of the picture
[TS]
01:04:55
◼
►
yeah i like the fact that Mitchell's
[TS]
01:04:58
◼
►
character here is is almost always a
[TS]
01:05:01
◼
►
step or two ahead of the game which is a
[TS]
01:05:03
◼
►
nice change from the doors I've seen
[TS]
01:05:06
◼
►
where the lead is just getting dragged
[TS]
01:05:07
◼
►
around by events he always seems like
[TS]
01:05:09
◼
►
he's kinda with it and you know he's
[TS]
01:05:11
◼
►
he's smart enough to know that he's
[TS]
01:05:12
◼
►
being framed and he's smart enough to
[TS]
01:05:14
◼
►
hide the body although not smart enough
[TS]
01:05:15
◼
►
to hide it somewhere the police will
[TS]
01:05:16
◼
►
find a 10 minutes later but i find i
[TS]
01:05:20
◼
►
found that kind of a kind of a fun to
[TS]
01:05:22
◼
►
watch because it felt like almost like
[TS]
01:05:24
◼
►
the ferris bueller of ur's really yeah
[TS]
01:05:26
◼
►
and I also like the fact that you know
[TS]
01:05:28
◼
►
he he with his plan at the end is he
[TS]
01:05:31
◼
►
wants to pin the murders basically on
[TS]
01:05:33
◼
►
the people who actually committed them
[TS]
01:05:35
◼
►
shows already dead so he's like let's
[TS]
01:05:37
◼
►
let's pin the murder of this seals
[TS]
01:05:38
◼
►
lawyer guy on Joe he's the one that did
[TS]
01:05:40
◼
►
it and then you know send and
[TS]
01:05:43
◼
►
whatsherface up the river and she's the
[TS]
01:05:44
◼
►
one that shot his partner so to me this
[TS]
01:05:47
◼
►
movie is like the b-side to melt ease
[TS]
01:05:49
◼
►
Falcon and where you've got the the
[TS]
01:05:51
◼
►
detective who's one step ahead of
[TS]
01:05:53
◼
►
everyone and and there's there's there's
[TS]
01:05:56
◼
►
lots of how's he gonna get out of this
[TS]
01:05:57
◼
►
so i want to pin it on the people who
[TS]
01:05:59
◼
►
actually did it and write down to the
[TS]
01:06:02
◼
►
problem with I is the biggest problem i
[TS]
01:06:04
◼
►
have with maltese falcon is met Mary
[TS]
01:06:07
◼
►
in the femme fatale role just as the
[TS]
01:06:10
◼
►
biggest problem without the past is Jane
[TS]
01:06:12
◼
►
Greer so there you go you're palsy Jane
[TS]
01:06:16
◼
►
Greer however i'm gonna make the point
[TS]
01:06:19
◼
►
of it i would like one of every dress
[TS]
01:06:22
◼
►
that she wears actually in that
[TS]
01:06:23
◼
►
everybody else whereas in this movie
[TS]
01:06:24
◼
►
please that instead of the goal of mine
[TS]
01:06:26
◼
►
now even the waitress at the restaurant
[TS]
01:06:29
◼
►
okay all but one he got me there
[TS]
01:06:33
◼
►
wow what I i don't know i don't know
[TS]
01:06:35
◼
►
what else to say about this movie death
[TS]
01:06:36
◼
►
by fishing line that's a big thing that
[TS]
01:06:38
◼
►
happened you know I just think it's
[TS]
01:06:39
◼
►
weird that like okay so we got this this
[TS]
01:06:41
◼
►
seemingly nice deaf kid who helps out in
[TS]
01:06:45
◼
►
that by the end of the film he's a
[TS]
01:06:46
◼
►
cold-blooded murderer like he's gotta
[TS]
01:06:48
◼
►
live with that for the rest of my
[TS]
01:06:49
◼
►
savings what she's gonna shoot his buddy
[TS]
01:06:52
◼
►
he's saving his buddy that's true that
[TS]
01:06:54
◼
►
cult that's sure but still you UAE I
[TS]
01:06:56
◼
►
think you experiencing emotional fallout
[TS]
01:06:58
◼
►
from that sort of thing no matter what
[TS]
01:06:59
◼
►
the motivation was
[TS]
01:07:00
◼
►
that's right my you can't you can't
[TS]
01:07:03
◼
►
determine intent from the kid pulling
[TS]
01:07:05
◼
►
him down he's saving his friends et soon
[TS]
01:07:07
◼
►
the guy I'm there too quickly you know
[TS]
01:07:09
◼
►
defuse the situation either he's saving
[TS]
01:07:11
◼
►
his friend or he just really wanted to
[TS]
01:07:13
◼
►
go fishing and the line was a little bit
[TS]
01:07:14
◼
►
too long and it just puts an accident
[TS]
01:07:16
◼
►
one of the ways that he we know he's
[TS]
01:07:18
◼
►
ultimately a good kid because i was
[TS]
01:07:19
◼
►
selfless well not really selfless but
[TS]
01:07:21
◼
►
his action at the end when he kind of
[TS]
01:07:22
◼
►
lets the girlfriend get on with her life
[TS]
01:07:25
◼
►
and turns and see I do not diagnose care
[TS]
01:07:28
◼
►
for that anyway I thought that was a
[TS]
01:07:29
◼
►
kind of bizarre ending tell them you're
[TS]
01:07:31
◼
►
it's like the the lie that way should we
[TS]
01:07:34
◼
►
did good
[TS]
01:07:35
◼
►
Steve sort of said what it was so the
[TS]
01:07:37
◼
►
drippy girlfriend that he has she's
[TS]
01:07:40
◼
►
she's she's not a fish together what is
[TS]
01:07:43
◼
►
wrong with two people fishing together
[TS]
01:07:45
◼
►
in addition to being courted by robert
[TS]
01:07:47
◼
►
mitchum she's also being courted by this
[TS]
01:07:49
◼
►
that Dirk square jaw who I guess is some
[TS]
01:07:52
◼
►
sort of local state employment forestry
[TS]
01:07:54
◼
►
organization yeah and uh you know now
[TS]
01:07:58
◼
►
that I would know what it was if I could
[TS]
01:08:00
◼
►
figure out what the hell the lady at the
[TS]
01:08:01
◼
►
counter was saying in the oh yeah now
[TS]
01:08:04
◼
►
that Robert Mitchum is out of the
[TS]
01:08:05
◼
►
picture of course she's gonna go with
[TS]
01:08:07
◼
►
him but she she goes to the the Deaf kid
[TS]
01:08:10
◼
►
and says I've got to know was he really
[TS]
01:08:13
◼
►
going to go off with the equally drippy
[TS]
01:08:15
◼
►
gene career and is spoiler alert to the
[TS]
01:08:19
◼
►
audience no he was not
[TS]
01:08:20
◼
►
was just going along with with Jane
[TS]
01:08:22
◼
►
Greer cuz she was holding the gun to his
[TS]
01:08:24
◼
►
yeah and he he really did it also to
[TS]
01:08:27
◼
►
said that she would get her comeuppance
[TS]
01:08:30
◼
►
and so it is with holes the cops to set
[TS]
01:08:34
◼
►
it's a setup he's gonna set hops
[TS]
01:08:36
◼
►
yeah i was she really going off and
[TS]
01:08:38
◼
►
family really slick moment two words
[TS]
01:08:40
◼
►
like stay here honey I gotta make a
[TS]
01:08:41
◼
►
phone call
[TS]
01:08:42
◼
►
yeah okay I'll finish this conversation
[TS]
01:08:45
◼
►
go pack our things i gotta put myself a
[TS]
01:08:47
◼
►
drink I've gotta call the chi me for
[TS]
01:08:49
◼
►
myself 3mm so she says I gotta know what
[TS]
01:08:54
◼
►
she really going with him and the Deaf
[TS]
01:08:57
◼
►
kids sort of knots and cost ya
[TS]
01:08:59
◼
►
she was now you can go off and be with
[TS]
01:09:01
◼
►
your equally drippy Forrester guy and so
[TS]
01:09:04
◼
►
she doesn't update any friend was
[TS]
01:09:06
◼
►
draining you but I hope that makes you
[TS]
01:09:08
◼
►
feel better
[TS]
01:09:09
◼
►
yeah and then he turns to the the the
[TS]
01:09:12
◼
►
gas station sign and does the the wink
[TS]
01:09:15
◼
►
in the nod and that to me was just
[TS]
01:09:18
◼
►
really weird and hacking kind of
[TS]
01:09:20
◼
►
pointless yeah I would agree with the
[TS]
01:09:22
◼
►
end and that's who Keyser Soze was I
[TS]
01:09:26
◼
►
understand the motivation behind it
[TS]
01:09:27
◼
►
because he's you know that this is the
[TS]
01:09:29
◼
►
nineteen-forties women are lesser
[TS]
01:09:31
◼
►
creatures and they need to be protected
[TS]
01:09:33
◼
►
so that their feelings you know don't
[TS]
01:09:35
◼
►
get hurt so David will arise like a guy
[TS]
01:09:37
◼
►
with an idiot
[TS]
01:09:38
◼
►
we're going easy on her
[TS]
01:09:42
◼
►
yeah my wife maninder took exception
[TS]
01:09:44
◼
►
that one too she also have a rod Jason
[TS]
01:09:47
◼
►
yeah I I don't understand it but I don't
[TS]
01:09:53
◼
►
like Robert Mitchum could kill a guy
[TS]
01:09:55
◼
►
with a knitting needle is all I'm saying
[TS]
01:09:57
◼
►
or Rodwell that the Deaf kid that the
[TS]
01:09:59
◼
►
Deaf kid technically did kill somebody
[TS]
01:10:00
◼
►
with a rod and reel it did and real
[TS]
01:10:03
◼
►
totally did I was just saying that I
[TS]
01:10:04
◼
►
don't understand why they ended it that
[TS]
01:10:07
◼
►
way and it was supposed to be a sweet
[TS]
01:10:08
◼
►
touching thing but for me as a woman of
[TS]
01:10:12
◼
►
this in the next century a little bit
[TS]
01:10:14
◼
►
insulting 44 due to the next century
[TS]
01:10:16
◼
►
it's not that clever either a movie
[TS]
01:10:20
◼
►
seems to think that we give a damn what
[TS]
01:10:21
◼
►
happens to that girl and she's really
[TS]
01:10:23
◼
►
not a particularly major character other
[TS]
01:10:25
◼
►
than the fact that we've she's she had
[TS]
01:10:27
◼
►
to suffer through the rather extended
[TS]
01:10:29
◼
►
description i hate to keep using the
[TS]
01:10:31
◼
►
word drip but drip is
[TS]
01:10:33
◼
►
really and I liked her I thought she was
[TS]
01:10:36
◼
►
sweet hometown girl next door
[TS]
01:10:39
◼
►
I wanted him to end up with her how
[TS]
01:10:41
◼
►
terribly wrong you are
[TS]
01:10:42
◼
►
did you feel like at the end there had
[TS]
01:10:44
◼
►
to be some sort of a closure for her you
[TS]
01:10:46
◼
►
would have felt unsatisfied because
[TS]
01:10:48
◼
►
that's that's the impression i get for
[TS]
01:10:49
◼
►
why they added that ending up yeah I
[TS]
01:10:51
◼
►
suppose that say I need to feel like
[TS]
01:10:53
◼
►
she's no she's ok I need to know that
[TS]
01:10:56
◼
►
she's happy with Dirk square jaw forest
[TS]
01:10:59
◼
►
ranger I don't like the implication that
[TS]
01:11:01
◼
►
she couldn't go on with her life if even
[TS]
01:11:04
◼
►
if she had known that he was going to be
[TS]
01:11:05
◼
►
faithful to her I mean I feel like that
[TS]
01:11:07
◼
►
would be maybe a nicer way to start
[TS]
01:11:09
◼
►
continue one right in thinking oh he was
[TS]
01:11:12
◼
►
just going to leave me anyway like a
[TS]
01:11:14
◼
►
wily for with a bunch of anger rather
[TS]
01:11:15
◼
►
than some more memories yeah that's
[TS]
01:11:17
◼
►
right now because i already got the
[TS]
01:11:18
◼
►
corpse or he doesn't matter that he's
[TS]
01:11:20
◼
►
dead he was a jerk move on because
[TS]
01:11:23
◼
►
that's how feelings work
[TS]
01:11:25
◼
►
yeah totally these are these are
[TS]
01:11:29
◼
►
fascinating man this movie like the
[TS]
01:11:31
◼
►
other one that got into the middle where
[TS]
01:11:32
◼
►
there was the I'm being framed and
[TS]
01:11:34
◼
►
there's a kind of like the one he
[TS]
01:11:35
◼
►
figures out he sniffed out that it's
[TS]
01:11:37
◼
►
gonna be a frame job he actually says to
[TS]
01:11:38
◼
►
the guy i'm in a frame but then that was
[TS]
01:11:42
◼
►
like and I gotta taxes and I'm gonna go
[TS]
01:11:44
◼
►
get the thing before the other guy
[TS]
01:11:45
◼
►
that's there and get that moment of like
[TS]
01:11:48
◼
►
I don't know what's happening in many
[TS]
01:11:49
◼
►
ways the plot of this is more convoluted
[TS]
01:11:51
◼
►
than kiss me deadly or more to the point
[TS]
01:11:53
◼
►
the parts of the plot that don't involve
[TS]
01:11:56
◼
►
Kirk Douglas and robert mitchum crossing
[TS]
01:11:59
◼
►
swords running every literal sense I are
[TS]
01:12:03
◼
►
less interesting than the many Makka
[TS]
01:12:06
◼
►
nations going on and Kiss Me Deadly yeah
[TS]
01:12:08
◼
►
I was admit I was drinking a bit of wine
[TS]
01:12:11
◼
►
that i did get a little bit lost and
[TS]
01:12:12
◼
►
this is my second times don't know I
[TS]
01:12:14
◼
►
don't know yet the needs wine probably
[TS]
01:12:17
◼
►
help the journey because maybe instead
[TS]
01:12:19
◼
►
of these norms are fascinating to me
[TS]
01:12:21
◼
►
because they got the twisted plot and in
[TS]
01:12:23
◼
►
the end in the end for me when i get out
[TS]
01:12:25
◼
►
of them as the atmosphere and sometimes
[TS]
01:12:27
◼
►
the dialogue is is great and in this
[TS]
01:12:29
◼
►
movie they're so great dialogue but but
[TS]
01:12:31
◼
►
it's that it's that some of the
[TS]
01:12:32
◼
►
characters are great and you get that
[TS]
01:12:34
◼
►
you know it's i love in in kiss me
[TS]
01:12:37
◼
►
deadly especially there's the you know
[TS]
01:12:39
◼
►
bright sunny Los Angeles with it see you
[TS]
01:12:41
◼
►
bright and dark at the same time I you
[TS]
01:12:44
◼
►
know that's that's just a classic trade
[TS]
01:12:46
◼
►
market this stuff
[TS]
01:12:47
◼
►
there's in this movie and out of the
[TS]
01:12:50
◼
►
past one of the things that really
[TS]
01:12:51
◼
►
struck me is that literally the greatest
[TS]
01:12:54
◼
►
crutch I director could have is smoking
[TS]
01:12:58
◼
►
because like if nothing's happening in a
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01:13:00
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scene they just have a fiddle with their
[TS]
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cigarettes and he hasn't it it happens
[TS]
01:13:05
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endlessly and to the point where I just
[TS]
01:13:08
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kind of found it hilarious that the like
[TS]
01:13:10
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there's nothing else for them to do in
[TS]
01:13:13
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the scenes like I i would start playing
[TS]
01:13:14
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the game would be like what would Robert
[TS]
01:13:16
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Mitchum be doing in this scene if you
[TS]
01:13:17
◼
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weren't fiddling with his cigarettes and
[TS]
01:13:19
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the answer generally was nothing he
[TS]
01:13:21
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wouldn't just be sitting there like a
[TS]
01:13:23
◼
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lump for somebody needs to do a YouTube
[TS]
01:13:26
◼
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cut of Anwar without smokes and just
[TS]
01:13:28
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know your brush out the cigarette so
[TS]
01:13:30
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they're just standing there waving their
[TS]
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answer and that's one of the reasons i
[TS]
01:13:33
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like laura is one of my favorite film
[TS]
01:13:35
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Noirs because he didn't smooth although
[TS]
01:13:37
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there is an incident where he he clocks
[TS]
01:13:39
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a gaylord in his office and then stops
[TS]
01:13:42
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to light a smoke I know
[TS]
01:13:43
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likewise it's and speaking of the
[TS]
01:13:46
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smoking part of shortly when when that
[TS]
01:13:48
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when Robert Mitchum gets back to the gas
[TS]
01:13:50
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station i think the first time yeah and
[TS]
01:13:52
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I'm always really loved it he flicks he
[TS]
01:13:54
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flicks a lit cigarette out his gas
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01:13:56
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station
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01:13:57
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hello what that's why they always got a
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01:14:01
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death wish
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01:14:01
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it's it's also shows a sign that he's
[TS]
01:14:04
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not really a guy with a castration but
[TS]
01:14:06
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that's not just realized there you can
[TS]
01:14:08
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see very little babysitter's missed it
[TS]
01:14:10
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that's gas station 101 friend yeah that
[TS]
01:14:13
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that that kind of amazing but you know
[TS]
01:14:14
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►
it again it's of a kind this is its own
[TS]
01:14:16
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genre it is you know that when you not
[TS]
01:14:19
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get into the argument about whether or
[TS]
01:14:21
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not Fillmore's and johnrandall that'll
[TS]
01:14:23
◼
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take us another okay let me rephrase
[TS]
01:14:25
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that I I plead the court to rephrase
[TS]
01:14:27
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these these films are of a kind and they
[TS]
01:14:30
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have tropes and they have you what I
[TS]
01:14:33
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take away often is the atmosphere and
[TS]
01:14:36
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some of the characters and some of the
[TS]
01:14:37
◼
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dialogue and not so much the plot and so
[TS]
01:14:41
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like out of the past it's about Mitchum
[TS]
01:14:43
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►
it's about Kirk Douglas and that's a
[TS]
01:14:46
◼
►
fight scene with all the punching and
[TS]
01:14:48
◼
►
then the guy just gets shot at the end
[TS]
01:14:49
◼
►
the poor guy to shoot him up front white
[TS]
01:14:51
◼
►
with a punching the sound that it is
[TS]
01:14:54
◼
►
compared to kiss me deadly this sound in
[TS]
01:14:56
◼
►
that scene was awesome and yet even was
[TS]
01:14:58
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►
watching a baseball game in the
[TS]
01:15:00
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►
same room and when that scene came on he
[TS]
01:15:01
◼
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like looked up and looked over he's like
[TS]
01:15:03
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►
oh I love people stuff it's 1840 sound
[TS]
01:15:06
◼
►
of metal whereas in kiss me deadly
[TS]
01:15:08
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literally just lines of dialogue are
[TS]
01:15:10
◼
►
repeated because they didn't have any
[TS]
01:15:12
◼
►
other dialogue and its really not great
[TS]
01:15:14
◼
►
but miss ya that punch up is a good
[TS]
01:15:17
◼
►
that's a really good punch-up it's
[TS]
01:15:18
◼
►
brutal and flap flap flap plan after all
[TS]
01:15:21
◼
►
that work guy just gets shot
[TS]
01:15:22
◼
►
what was the point if why I work so hard
[TS]
01:15:25
◼
►
you could have shot him to begin with
[TS]
01:15:27
◼
►
what's the point really is the theme
[TS]
01:15:28
◼
►
that runs through the fruit water pretty
[TS]
01:15:30
◼
►
much what why bother the point when she
[TS]
01:15:35
◼
►
was really enjoying watching that she
[TS]
01:15:36
◼
►
really was actually got my shooting your
[TS]
01:15:39
◼
►
general climax in the end up and then
[TS]
01:15:41
◼
►
she needed a cigarette
[TS]
01:15:42
◼
►
that's right that's right I I feel like
[TS]
01:15:44
◼
►
we should mention this was directed by
[TS]
01:15:46
◼
►
jacques Turner who also directed cat
[TS]
01:15:50
◼
►
yep and same set of the cinematographer
[TS]
01:15:53
◼
►
those were his two movies
[TS]
01:15:56
◼
►
yeah you may know me from such films as
[TS]
01:16:00
◼
►
cat people and that's it
[TS]
01:16:04
◼
►
not the nineteen eighties remake of cat
[TS]
01:16:06
◼
►
pee no no the good one
[TS]
01:16:09
◼
►
well anything more about out of the past
[TS]
01:16:10
◼
►
now I think I think we've pretty much
[TS]
01:16:12
◼
►
beating these movies to death talk to
[TS]
01:16:14
◼
►
our way through the I think we pretty
[TS]
01:16:16
◼
►
much dissuaded people from watching
[TS]
01:16:17
◼
►
either of these movies which is a shame
[TS]
01:16:19
◼
►
because I enjoy both yes why don't I
[TS]
01:16:23
◼
►
still like out of the past I i will go
[TS]
01:16:25
◼
►
to bat for that one but I knew that
[TS]
01:16:26
◼
►
Kathy was bad when in the restaurant in
[TS]
01:16:28
◼
►
Mexico they order drinks and they get up
[TS]
01:16:31
◼
►
to leave Robert Mitchum drinks his but
[TS]
01:16:33
◼
►
Kathy leaves her shot of bourbon behind
[TS]
01:16:36
◼
►
sorry that was it right there
[TS]
01:16:39
◼
►
I knew she was a drip she she wasn't
[TS]
01:16:42
◼
►
even trying
[TS]
01:16:43
◼
►
no the only shot she likes her when she
[TS]
01:16:46
◼
►
plugs a guy with a shower has a long way
[TS]
01:16:50
◼
►
to go but I don't know over-the-top it
[TS]
01:16:52
◼
►
anyway she likes to shoot people this is
[TS]
01:16:55
◼
►
what I'm saying
[TS]
01:16:56
◼
►
yeah well I I i am glad that I watched
[TS]
01:17:00
◼
►
them am I I wouldn't say I whole
[TS]
01:17:02
◼
►
heartedly enjoyed either of them but i
[TS]
01:17:04
◼
►
enjoyed parts of both of them and i'm
[TS]
01:17:05
◼
►
happy to have seen them no good if I can
[TS]
01:17:08
◼
►
bring a little joy into your humdrum
[TS]
01:17:11
◼
►
everything's been for nothing him i
[TS]
01:17:15
◼
►
would probably recommend these films to
[TS]
01:17:16
◼
►
somebody if I knew somebody that was the
[TS]
01:17:18
◼
►
sort of person to whom these films
[TS]
01:17:20
◼
►
should be recommended the right sort of
[TS]
01:17:23
◼
►
person but i'm not sure that i know
[TS]
01:17:25
◼
►
anybody that description so but i did
[TS]
01:17:28
◼
►
enjoy them both sporadic i'm glad i saw
[TS]
01:17:30
◼
►
kiss me deadly if only to reinforce the
[TS]
01:17:33
◼
►
fact that is did not at all the kind of
[TS]
01:17:35
◼
►
film noir that is my favorite it just
[TS]
01:17:37
◼
►
makes the ones that i like seeing even
[TS]
01:17:40
◼
►
good eats a silver lining now that the
[TS]
01:17:45
◼
►
outline of the shape of the movie that
[TS]
01:17:47
◼
►
defines the parts of other movies that
[TS]
01:17:49
◼
►
you like
[TS]
01:17:50
◼
►
yes the negative space really emphasis
[TS]
01:17:53
◼
►
on negative yeah yeah nite it won't
[TS]
01:17:56
◼
►
surprise anyone that I really enjoy some
[TS]
01:17:58
◼
►
door in general and I know really
[TS]
01:18:00
◼
►
enjoyed both of these not surprisingly
[TS]
01:18:02
◼
►
David i find that sort of surprising
[TS]
01:18:03
◼
►
yeah that really so it's all my
[TS]
01:18:07
◼
►
seventies sci-fi stories that me and
[TS]
01:18:09
◼
►
David have adventures going around boom
[TS]
01:18:15
◼
►
watch movies smacking people upside
[TS]
01:18:17
◼
►
hovel saving Cloris Leachman yeah as
[TS]
01:18:20
◼
►
always not let's not say things we can
[TS]
01:18:22
◼
►
take Cloris Leachman that's a pretty
[TS]
01:18:25
◼
►
brutal scene of of her being tortured to
[TS]
01:18:28
◼
►
death though I gotta say yeah yeah yeahs
[TS]
01:18:30
◼
►
five movie
[TS]
01:18:31
◼
►
yeah for 1955 that movie crosses a lot
[TS]
01:18:34
◼
►
of boundaries
[TS]
01:18:35
◼
►
hey fun fact the s the the Kefauver
[TS]
01:18:38
◼
►
Commission like side of that is the
[TS]
01:18:41
◼
►
number one threat to you more alert and
[TS]
01:18:45
◼
►
yeah the movie that estes kefauver
[TS]
01:18:47
◼
►
doesn't want you to see ya the ADR and
[TS]
01:18:51
◼
►
that scene was actually quite effective
[TS]
01:18:53
◼
►
that was that was really disagree edge
[TS]
01:18:55
◼
►
she's a good screamer I gotta say in the
[TS]
01:18:56
◼
►
and then the sort of reveal well first
[TS]
01:18:59
◼
►
of all her legs are twitching which is
[TS]
01:19:00
◼
►
disturbing itself while you are bare
[TS]
01:19:03
◼
►
legs the lower halves of them sort of
[TS]
01:19:05
◼
►
twitching as she screams and then that
[TS]
01:19:07
◼
►
the reveal of I guess it pans up a
[TS]
01:19:09
◼
►
little from the dr shoes which it has
[TS]
01:19:11
◼
►
film as some sort of a weird obsession
[TS]
01:19:13
◼
►
with and you see he's holding something
[TS]
01:19:14
◼
►
I assume it's pliers it looks kind of
[TS]
01:19:17
◼
►
like a bottle opener but either one is a
[TS]
01:19:19
◼
►
little disturbing
[TS]
01:19:21
◼
►
no it's yeah the scene of her legs
[TS]
01:19:23
◼
►
twitching it's just that
[TS]
01:19:24
◼
►
in my memory I will never get that out I
[TS]
01:19:26
◼
►
need to wash my brain with bleach and
[TS]
01:19:29
◼
►
it's not clear from his his
[TS]
01:19:30
◼
►
pontificating afterwards whether she has
[TS]
01:19:32
◼
►
died in the process or she's been
[TS]
01:19:33
◼
►
knocked out
[TS]
01:19:34
◼
►
I think she's I don't know if you tried
[TS]
01:19:37
◼
►
to revive her
[TS]
01:19:38
◼
►
it would be a resurrection who are you
[TS]
01:19:40
◼
►
to resurrect another person or whatever
[TS]
01:19:43
◼
►
it is you know very good i just love the
[TS]
01:19:46
◼
►
mic my library was surprisingly for a
[TS]
01:19:50
◼
►
small town library it had the criterion
[TS]
01:19:52
◼
►
edition of kiss me deadly I am notice
[TS]
01:19:56
◼
►
youtube listeners you yes scared to an
[TS]
01:20:00
◼
►
interview at church i love that it just
[TS]
01:20:03
◼
►
uses some of the original art on the
[TS]
01:20:04
◼
►
cover and apparently they promoted it as
[TS]
01:20:07
◼
►
Mickey splains latest h-bomb explanation
[TS]
01:20:11
◼
►
spoiler here's your picture on the front
[TS]
01:20:15
◼
►
oh I finally get that I saw that on the
[TS]
01:20:21
◼
►
poster as I that sets of nice bit of
[TS]
01:20:23
◼
►
hyperbole and then or is no i get it and
[TS]
01:20:27
◼
►
he didn't even have a bomb how crazy is
[TS]
01:20:30
◼
►
that though all of a sudden he opens
[TS]
01:20:31
◼
►
this thing that glows and it makes this
[TS]
01:20:33
◼
►
horrifying noise like the sort of the
[TS]
01:20:35
◼
►
whispering that's going on all the noise
[TS]
01:20:37
◼
►
at the end in the beach house is
[TS]
01:20:39
◼
►
haunting you know the sound that is the
[TS]
01:20:42
◼
►
bob is going up that is the most
[TS]
01:20:43
◼
►
disturbing thing actually hard
[TS]
01:20:46
◼
►
yeah seriously do not watch that movie
[TS]
01:20:48
◼
►
when your wife is out of town because
[TS]
01:20:51
◼
►
you won't you will you will be clutching
[TS]
01:20:53
◼
►
pillows and every night
[TS]
01:20:56
◼
►
oh no life is not worth living
[TS]
01:20:59
◼
►
look Barry I told you Pandora was in
[TS]
01:21:01
◼
►
that box I told you watch 1776 their
[TS]
01:21:06
◼
►
yeah 10 open up a window just open up
[TS]
01:21:11
◼
►
the box
[TS]
01:21:12
◼
►
yeah don't open no all right we've
[TS]
01:21:15
◼
►
reached the end of old movie club nor
[TS]
01:21:18
◼
►
edition Phil how do you think it went
[TS]
01:21:22
◼
►
yeah they sure alright well I'll tell ya
[TS]
01:21:27
◼
►
that well-fed Erica and sign thank you
[TS]
01:21:31
◼
►
for being here thank you for having me
[TS]
01:21:33
◼
►
you know i think it's time we drop this
[TS]
01:21:34
◼
►
Junior League pattern
[TS]
01:21:36
◼
►
very nice David lure thank you thank you
[TS]
01:21:40
◼
►
I'm you know I'm just the Looney from a
[TS]
01:21:41
◼
►
laughing house but I'm glad to be Steve
[TS]
01:21:44
◼
►
let's thank you for being here thank you
[TS]
01:21:47
◼
►
Jason James are worse than flange and I
[TS]
01:21:52
◼
►
ran a quote i guess i could do some of
[TS]
01:21:54
◼
►
whom I mouton you want to play house to
[TS]
01:21:57
◼
►
talk business
[TS]
01:21:58
◼
►
Stevie can't be all bad but you're the
[TS]
01:21:59
◼
►
closest and Phil Michael thank you once
[TS]
01:22:03
◼
►
again for navigating us through another
[TS]
01:22:04
◼
►
old booty club not at all i look forward
[TS]
01:22:07
◼
►
to win this series is finally cancelled
[TS]
01:22:09
◼
►
and for the government i have been your
[TS]
01:22:14
◼
►
host Jason smell thank you for listening
[TS]
01:22:16
◼
►
and joining us and perhaps watching
[TS]
01:22:18
◼
►
these movies
[TS]
01:22:19
◼
►
we'll see you next time
[TS]