175: Technology Connections – State of the Workflow
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Hello, welcome back to Cortex. On this episode of the State of the Workflow series, I have the absolute pleasure of being joined by Alec from the Technology Connections YouTube channel.
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Alec has become well known for his incredibly detailed and thoughtful videos, where he digs into how everyday technology works, from things like air conditioners to Christmas lights to, of course, dishwashers.
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I really love that through his incredible writing and presentation style, Alec can make me interested in things I never would have actually thought that I could be interested in.
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He has this unique way of being able to draw out a story from these unexpected places.
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I wanted to find out how Alec chooses the things that he wants to talk about, how he writes the scripts, how he decides if something really is worth a video,
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and also how the growth of his YouTube channel affects the decisions that he makes, and also how he thinks about YouTube as a platform at all.
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And we're going to get into all of that and more in today's episode.
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But before we get started, considering it is a new year, it is a tradition around these parts that we would have a yearly theme.
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In the absence of having a dedicated episode this year, I have made a YouTube video where I talk about my year of fatherhood from 2025 and set my theme for 2026.
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I'm going to add a link in the show notes to this video, which you should go and watch.
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And as I'm going through my process, once the script is done, I just want to get the video done, so I cannot be bothered to change that part of the process.
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It's a terrible process, but I know how to make it work.
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Does the teleprompter advance automatically?
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And it doesn't even save my settings, so every time I have to use it, I need to tell it scroll speed of 51, font size of 80, and mirror the text.
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There's some leeway, but I also use a teleprompter very weirdly.
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I have the text very, very small, which is why it's very convincing.
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You don't really see my eyes move very much, and also the teleprompter is very far away from me, but it's also pushing the limits of legibility for me.
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You're constantly doing your own eye exams.
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I make videos about how stuff works, but I try to find things that are surprising or interesting.
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And typically I like to focus on the ordinary everyday stuff that people just aren't really putting too much thought into.
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Everything has a fascinating story if you just tell it.
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Well, I would say that it also requires someone who can tell the story, which I cannot put my finger on what it is about the videos that you make that make me want to watch multiple hours about dishwashers and the like and, you know, catalytic converters.
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Maybe it is just your enthusiasm and interest for finding this stuff out that translates it in that way, but I think that's why it works.
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I've said before that if there's a secret to my writing process, it's just as I uncover information, I'm thinking, what might someone ask about that piece of information?
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And then I ask that question in the script and answer it.
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So my scripts, at this point, they kind of write themselves, but it's because of the process that I figured out.
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I'm a tortured Midwesterner who hates to toot his own horn, but I do recognize that I have some kind of talent for holding people's attention.
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So I don't know what exactly it is that I'm doing, but I apparently am doing something, so I'm not going to stop.
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I think in the many years which I've been lucky enough to talk to people who are good at what they do and are interesting communicators, I do think that there is a similar thing in that.
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You can do a thing but can't explain it.
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And I think the inability to be able to explain it is why it is not a thing that everybody can do.
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I think if someone was able to completely articulate why they can speak about something in an interesting way, they will be able to teach it.
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And I don't really think it's teachable.
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I haven't really thought of it, but I guess script writing and video making is a form of troubleshooting.
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I'm reading my script as I'm going, so I will have read the script probably a dozen times.
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But just reading it aloud helps me figure out that doesn't work and I need to fix that.
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But I couldn't really identify why any particular thing isn't working.
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With the writing and the troubleshooting, my assumption is that is your research process, essentially.
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You have an idea for a video and you're going through and researching it.
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You clearly take a lot of time to understand your subjects in detail, whether that is, I'm assuming, through reading about them, but also sometimes physically taking things apart and understanding.
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How does the research process begin on a video for you?
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At this point, I don't usually start a project unless I have figured out a good hook for it.
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I am conscious enough of the first 20 seconds of the video have to grab your attention.
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I have to have an interesting angle about the thing that I'm talking about.
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So a lot of my videos are just backburners almost permanently because either I haven't thought of a good hook for it or I'm not passionate about this subject right now.
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That is something that I know will produce bad videos.
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So until I want to do something, I'm not doing it.
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But once I decide, OK, I'm committing to this project, it really is just what's the most interesting way I can open up a dissection on this topic.
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Sometimes it's an interesting visual demo.
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Like, for instance, in the CRT projector video, I opened it up with actually a very old trick of mine where I will export my talking head to a different video format and play it through some other device.
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So I opened that video with video of my face upside down and only red, I think, is either red or blue, and sliding my camera from one of the projector lens to the next.
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CRT projectors, for those that don't know, it's three monochrome CRTs firing through three different lenses and the images are converged on the screen.
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And then I could zoom out and be like, this is how we used to do video projectors.
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So that is really where I start these days is trying to figure out what kind of hook can I pull people in?
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And from there, I continue on to what I mentioned before, where I'm just thinking what might people be curious about and then exploring that curiosity.
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I'm a little bit surprised by that answer, you know.
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I didn't think that you would necessarily have thought of the content that way.
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I mean, it is, I think, over time proven that if you want to be successful on YouTube, you do need to think that way.
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You give the impression that you just create the videos that you want to make, but there is still clearly the, even if you want to make it, if you can't find a way to make it immediately interesting, it has to wait.
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I guess I'm kind of a mix of the two because I have a Google doc that's like five pages long now of various things that I would like to cover at some point.
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And then whenever I'm stuck on something, I'll go back to that document and think, what subject can I grab from that, that I'm really excited to move forward with.
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But if I'm not very excited, I'll usually just take a break and be like, okay, guess I'm taking a week off.
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And that is how I force myself to take vacations because I'm really bad about that otherwise.
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That's not a bad way to take one though, right?
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If like, I don't have the inspiration, so I will take some time off.
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And I think that that's a pretty decent trade-off.
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I hadn't thought about that, but I guess it is.
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Honestly, that's the majority of the scripts where I'm like, I'm pretty confident I can do this.
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So I will write as if that worked and then actually do it and then make adjustments as necessary.
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But there are times where I have started just with getting B-roll of the subject, especially when I have to do more experimental stuff and write from that.
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But more often than not, I start with writing.
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And then I guess throughout the whole process, you're adjusting, adding, that kind of stuff.
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Because I'm sure very often the B-roll that you're shooting changes the course of the video because sometimes things are happening in that that maybe you're expected or unexpected.
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You'll always be able to tell because if I ever cut in with voiceover or a different cut, I've been meaning to get a T-shirt printed that says continuity error.
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I need to do that at some point, but you'll be able to tell that like this is something that did not go correctly.
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But usually the script is done and I shoot the talking head first and then I edit the talking head down and then I create a list of all the B-roll shots that I need.
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And I hate seeing that sometimes two-page long list of shots that I have to go through and get every single one and it's the biggest to-do lists in my life, but I like it.
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It's like I'm really tortured about it.
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And yet every time I know I could get it done in a day if I just kept my mind on it, but I'm always farting around because it's just like, I don't want to do this anymore.
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Because I guess it's a lot of hurry up and wait kind of stuff, right?
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Like you're essentially doing something that could take 20 minutes and like you're just filming it for 20 minutes and that's that.
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Or else it's just like I do a lot of shots on a slider because it's a lot more dynamic.
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That's your cheat for good B-roll, everybody get yourself a slider, but you need a really sturdy tripod to use one of them.
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And I have a really sturdy tripod, but moving it around is just really annoying because you have this four foot wide thing on the top of your tripod and the whole contraption probably weighs 20 pounds or so.
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So I try to organize my B-roll shoots as here's everything that needs the slider, here's everything that needs experimentation, and here's everything that's miscellaneous.
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But even doing that creates different headaches because then it means I'd have to set the thing up multiple times.
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Once for the slider shots, once again for the experiments or whatever.
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So no matter how I do it, there's some layers of tedium, and I guess that's why I don't like it.
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And this is part of why I do No Effort November, because that's kind of a challenge for me to just barf out a script in a day or two and try to get an entire video production done in one standard work week.
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But typically, the scripting itself takes a whole week at least.
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Like, sometimes what I'll do is I'll finish the script at noon and I'll shoot the talking head at maybe 2 p.m., edit it down to the point where I'm ready to get B-roll, and then go home.
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And then the next day will be fire up the set, get it all warmed up, and start making that list of B-roll shots and try to get it all done that day, which typically doesn't work.
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So I usually need two days for B-roll, but then once that's all done, probably only takes about 12 hours for me to do the edit.
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I was terminated because I went on what was called pool status.
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It was basically just like you're on the books as help when needed, purely so I could keep my travel benefits.
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And both of my bosses at my hotel had moved on to other hotels.
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And so one day, the new bosses were like, who is this guy?
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And just, yeah, I was just one day terminated.
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I'd like to talk about audience feedback.
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With the type of content that you produce, I would imagine that you get lots of opinions from people, whether that's people who they agree with what you're doing, they like what you're doing, or disagree, or have their own thoughts on the matter.
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What is that like for you, to kind of the overall realm of feedback?
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Well, first of all, I should say, my amazing Patreon members are not only amazing because they fund this work, but they're the best test audience you could ever ask for.
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So typically, if there is a major problem that they have identified, I will take that to heart and be like, okay, you're right, this is serious.
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Once it goes out to the YouTube general audience, though, I monitor the comments for a couple of hours, and so long as nothing terrible has come up, I don't look at them again.
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Why would you say it's dangerous to not look?
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For everyone who says never look at the comments, you do need to look at the comments because they're going to teach you what you're doing wrong.
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They're going to teach you what you're doing, which is annoying to people, although sometimes I'll lean into that depending on the kind of person.
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I mean, also, there's only so much you can do about the annoying things, right?
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Like there are some things that we do as people that we kind of have no control over, and it's incredibly hard to change.
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But the reason why the YouTube comments tend to be a bit of a minefield, my least favorite comment is, you forgot to talk about, X, which happens all the time.
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And I don't like it because 80% of the time, it's nothing I forgot to talk about.
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And so it's frustrating because I would like to be able to explain to these people that like, no, I'm aware of what you're talking about.
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It's just, I don't think it's actually that important.
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And those are the kind of comments that really dig at me.
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There's always this presumption of like, oh, this foolish person didn't think of this thing, even though the commenter doesn't understand that like, I've spent weeks on this project.
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It's not like, you know, I'm just throwing this stuff together.
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There might be a reason I didn't talk about that.
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But for every annoying comment, there are also really valuable ones.
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And like a lot of the direction of my channel changed because of feedback from people.
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So in the position that I'm in now, like I don't take the comments as seriously as I used to because you can't.
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It's really bad for your mental health.
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But at the same time, I don't like the advice, don't read the comments.
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Your work is going to be really impacted if you just never look at them.
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Yeah, I feel like it is decent advice for people later.
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And I think the thing about people saying don't read the comments, it is said by people who can stop now.
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But unfortunately, they say it and everybody hears that.
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Yeah, but that's not really if you're starting out, it's not for you.
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But you've got to live in that for a while while you're learning because people, even if it doesn't feel like they're trying to help, the things that they're saying can help.
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Are you familiar with the way you can tell when you've made it as a YouTuber?
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Because it has to do with the comments.
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I'm like, this is awesome, but you are going to have to stop doing that unless you want to hire someone to just do this.
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And I think that maybe they don't necessarily identify it happening.
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But one day, this community that you've curated in your comments is going to stop being such a cohesive community.
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And when that happens, you just kind of have to let go.
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Yeah, I think there is a time when you are part of the community and then there is a time when the community exists and you're not a part of it anymore.
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The community is formed around your work and it is people interacting with each other rather than the expectation that people are interacting with you, right?
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Do you have any or manage any other like smaller community efforts?
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Like, I mean, you mentioned your Patreon.
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Are you talking with people in there or do you have like a Discord or anything like that?
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Yeah, there's a Patreon exclusive Discord.
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I don't spend as much time in there as I should.
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I enjoy my time in there, but it is, sometimes it can feel like another thing to manage.
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And luckily I have some great people in the admin team that have volunteered to help out there.
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But I do, I try to do monthly Patreon live streams now, and I've been really enjoying that.
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It is a great way to actually like, not directly talk with people because I'm just seeing them write comments in, but it's still nice to have real time interactions with people in the audience.
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Is social media a place where you go to promote, or do you not really think about promotion of your work, post what YouTube will do for it?
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So as is the way in the show, I think that you can tell a lot about how somebody thinks works and what they're prioritized by looking at the home screen of their phone, the thing that they carry around in their pocket.
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So you have shared your home screen with me.
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As we've reached the end of the main episode, I wanted to give you the opportunity if you would like to let the audience know about anything you're excited about right now.
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Or if you've got anything that you've got going on that you would like to tell the audience about, please do.
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There are really cool things that you used to have to use to tune your car.
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You would clip it around one of the spark plug leads, and it would sense the current going through the spark plug and would flash a strobe light at the same time.
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And the idea was you would hold this light up against the spinning crankshaft of your engine, and because it's flashing the strobe light when the spark plug fires, it causes a persistence of vision effect, which makes the crankshaft appear as if it's not moving.
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And so you can adjust the ignition timing using this device.
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And on my Nissan Figaro, which has a distributor, but it's modern engine computer controlled, I was able to hook up the timing light, and you can actually see the computer making step adjustments to the ignition timing.