39: You'll Never Guess What Happens!
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Have you moved office yet?
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No. No Myke, I have not.
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Did we give a name for our friend? Our next door neighbor friend?
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Have we got a name for him?
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He doesn't need a name. He's just an inconvenience.
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It's really annoying.
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There at 6.30 in the morning and there at 8.30 at night.
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Annoyance. He doesn't need a name.
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So he's still hanging around, huh?
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Yeah, this is like, this is like if you live on a farm, you know, you don't name the farm
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animals because you get attached.
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Like I'm not going to name the neighbor.
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It's not going to happen.
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In case you become friends with the guy who calls China.
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Yeah, I literally don't want to know what he looks like.
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I don't want to bump into him in the common area.
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Have you not seen him?
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No, of course not.
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Why would I?
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You've never seen him?
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Why would I see him?
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What am I going to do?
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Introduce myself?
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on his door, "Hey I know you're in the middle of a call but I just I just wanted to say
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hi. Why would I do that?" It just surprises me that that like you're next door to him,
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he's there all the time that you're there and you've not seen him. It's just you know
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not that you should necessarily barge in and be like "Hey I'm gray!" but just like that
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that you may have bumped into him in the hallway or something. No I don't I don't want to bump
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into him. Well I guess you might have done but you just don't know because you don't
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know what he looks like. Yeah so it's like missions and achievements. You could already
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be friends with him but you have no idea right like because you it might be somebody else no
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I talked to nobody except the secretary in the whole building that's the secretary only because
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she holds the packages so I need to talk to her to get the packages mm-hmm it's like I'm not here
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to make friends I'm here to work that's true yeah so I don't want to get to know the next-door
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neighbor guy and the way I entered the building and get to my office I don't have to pass his
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office so I never look inside I just I just hear him. You never pass that area
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interesting. I don't have to pass that area no. You're still in the office that you're
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in you haven't moved yet. No I have not I have not moved yet which is a great
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annoyance because this neighbor is having a legitimate impact on my
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productivity because his simple presence is bothersome to me and I would like to
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eliminate it.
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Right, I've been in these sort of situations, right, where something just, it just frustrates
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you so much unnecessarily that then the mere presence of the thing stops you from working.
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So when I worked in the bank, the radio did this to me. They used to play a station in
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the UK called Capitol Radio, which just plays the latest hits. But the problem with Capitol
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radio at least at this time was they had about 25 songs on their playlist. Heavy rotation.
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They played those heavy rotation songs all day. And there are a few of those songs that
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I didn't like most of the time because it was more general. Wasn't hipster enough for
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you. Just really mainstream. It was too mainstream. That was actually the problem. It was too
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mainstream. I know. I know Myke. And I would sit for nine hours a day with this radio basically
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in my eye. Oh god. In my eyeline while it was just playing these 25 songs. And then
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And just the mere idea of the radio being turned on
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in the morning, that just set my day off badly.
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'Cause I was just, I was merely frustrated at the fact
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that the radio was receiving any power.
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Right, like that was more than enough.
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And there would be days where like there was this one lady
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who insisted on having it on that station.
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Whenever she was off, I would change it to something
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that I would want and it was so much nicer.
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And then I would remember like she would come in
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the next day, she would turn it on,
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and she would change the dial.
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and I was ready to just take that radio,
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just throw it out the window.
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So I can completely sympathize with this idea
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of just there just being a base annoyance,
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which is there constantly,
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and every time you're reminded of it,
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it stops you from wanting to work.
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- Well, the problem is that it's,
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his presence is not perfectly constant.
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If it was perfectly constant, that's easier to deal with.
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- It's like white noise.
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- Yeah, but he's randomly there,
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probably two out of three times either in the morning or in the evening.
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And I really do.
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I almost sent you a text message once cause I walked in and it was 6am and he
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was there and I was like, God damn it. Like what? And again, again,
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always the same feeling like, what is this loser doing in this office building?
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It's six in the morning, right?
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As I am standing there in a totally empty office building at six in the morning.
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Like I should be the only loser in this office building at this time in the
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morning but nope there he is and again of course it's like we're the only two
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people with this crazy schedule and we're the only two people like and
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we're right next to each other it's infuriating I honestly believe that on
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this guy's podcast he talks about the fact that he's varying his schedule but
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you're still always there right right we're each trying to like move our
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working hours further and further off of normal working hours into greater edges
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insanity at the same time. You would not believe the times I go there and that guy's in the room
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with his thunder sounds talking to himself. A bunch of people in the Reddit pointed out,
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which was hilarious, that you are more likely a problem to him than he is to you. You may hear
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him on the phone every now and then, but he's hearing you repeat yourself over and over and
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over again, reading through your scripts. Yeah, yeah. I liked it. It really made me laugh.
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Someone left a comment in the Reddit, which was, right, that that's, right, that I'm not locked in
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in there with him, he's locked in there with me.
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It really made me laugh.
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I think there is a certain element of truth to that.
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I do not know what this guy thinks of his neighbor.
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Because part of the...
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Okay, so here's what's been occurring, which is frustrating.
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So a lot of people were suggesting, "Why don't you just soundproof your office?"
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As though soundproofing an office is a thing that's even really practical.
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When the walls are made of plywood and you're just renting a space.
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Like, what am I going to do?
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I'm gonna spend thousands and thousands of dollars to soundproof this little cube
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And then I'm just gonna sweat to death on the inside of it because it's perfectly insulated.
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That's the problem with soundproofing
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Exactly. Like the office is already warmer than I really want it to be which is also a thing that slightly annoys me all the time
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It's like soundproofing it. It just would be just totally unworkable
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but I think a lot of people misunderstood that the the
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Problem for me is not so much that I am hearing him because I'm again using those those headphones
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We talked about last time the bone conducting headphones, which again
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They're kind of great and I'm most of the time listening to Thunder sounds and one song on repeat through those
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And so then I'm hearing myself talk out loud
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But it is it is the simple knowledge that there is without a doubt someone nearby who hears me
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with crystal clarity right through a wall because his office is right on the other side and his desk is right on the other side of
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where I'm talking. And it's that kind of thing. It's like trying to do a presentation in
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a room that isn't empty, but a room that has one person who's sitting in the front row
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who's trying to do something else while you're doing a presentation and you're like running through what lines are gonna be like.
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Like, is that person really bothering you? No, you're actually a nuisance to that person,
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But it doesn't change the fact that it makes it much harder to just like
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Try stuff out or just say something or really go through the motions of the way you would you would
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Try to write a script so it's less of him being an actual
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Disruption as it is like that you feel like you're slightly performing for this guy
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Yeah, it's if he
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Didn't take and make phone calls which I which I overhear and again
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that's like the most hilariously business phone call.
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Like he could be an extra in the office space movie
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in the background with just like the things he's saying.
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It's just so, like no one talks like this
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with your synergizing, you know?
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It's like, but he does, like this is what's really occurring.
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But even if he was just there, you know,
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being an accountant and silently doing paperwork,
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that wouldn't change anything.
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Like the phone calls just make me more aware
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of when he arrives and when he leaves.
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But it's the fact that there is someone nearby
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who is hearing me that's the real problem.
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And so this is where, this crazy thing where I'm spending a whole bunch of money
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to rent an office in central London and so
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in the past couple weeks, when I go in the morning, sometimes if he's there, it's like
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"You know what, I just can't even deal with this today. I have a lot of work to do."
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And so I turn right back around and walk back to my house
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and then do work in my house instead.
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Right, which is like, "Well, now what the hell is the point of all of this?"
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But I just know in a certain kind of mood, like, I cannot just
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run through this thing out loud, being aware that there's somebody else hearing me like
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verbally edit myself constantly. It's just a little bit of an impediment that is super
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frustrating.
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Have you considered that this person might be your mortal enemy?
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Because if they know this about you, right, that you can't work in this way, then it would
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make sense that the calls that he's having are nonsense because they're not real calls.
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He's just trying to put you off.
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Right, well this is, it's also just the possibility that like, we're each hoping that the other
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one caves first.
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He's doing everything he can.
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Yeah, there's no way I'm not an annoyance to this guy.
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And it did occur to me like, you know, six in the morning, I could just turn the speaker
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on and pretend like I don't know this person is there, but I'm not going to do that.
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So I know right now the listeners are thinking, "Why the hell am I still there?"
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Because now this is like three or four weeks of neighbor frustrations now at this point,
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because I think when I spoke to you about it, yeah, it had been like two weeks since
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this guy showed up.
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So everyone's wondering like, "Why am I still there?"
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And the reason is, it's because this video that I am currently working on is...
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It has just been absolutely killing me over the last few weeks.
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This has turned out to be just one of the hardest things that I've worked on in terms
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of trying to come up with a coherent script to explain an idea.
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Like this one is, it's just murder.
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Uh, and it's one of these things where
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almost everything else in my life has been pushed to the side for the past several weeks
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because it's like, I have to get this script done.
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Like I have a particular time frame that it needs to get done, and it's like,
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everything in my life has fallen by the wayside.
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So it's like, there will be no other projects. Like I'm not doing anything else.
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I'm just trying to focus on this one thing.
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And so this is why, even though this neighbor is coming at a particularly annoying time,
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when I have this particularly difficult script to write,
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I can't psychologically deal with trying to figure out how to move offices right now.
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And like, if I move offices, well, I might as well get a real standing desk if I'm going to switch offices.
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And then it's like, what am I-- I'm gonna spend a whole day looking at different standing--
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It's like, you know, I'm just putting all of this to the side,
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And it's like I'm just gonna just kind of like power through this for the time being and as soon as I'm
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Done with this main video project, then I can refocus on
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Making things better in the long run, but in the meantime, it's it. Yeah, it's just it has been frustrating
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but I I do I do wonder what on earth this guy thinks about me because of
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Any topic I have ever done
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This is by far and away the worst one for someone to just overhear someone talking out loud next door
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because like on the spectrum of videos that I do from like let's say
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Brexit briefly which is like we're talking really fast and here's a thing and bah bah bah bah bah
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and like it's kind of obvious that this is this is like a presentation that's going on to
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America pox on the other end which is like slow and
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serious, this video is way on the America pox end of the spectrum and
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the topic makes me sound like I'm a total sociopath if someone hears me just saying the lines out loud
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over and over again.
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With thunder sounds.
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Yeah, and like slightly changing them and yes sometimes with thunder sounds if I think everybody's gone in the evening
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and I don't realize that he's come to the office at nine o'clock at night.
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So yeah, that that certainly doesn't help but there have been a couple of times where he's obviously come to the office in the evening
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after I got started and I didn't realize he came and then I leave and I look next door and I just think
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Oh God, like I know I know what I was talking about here. Like there's a section about like crushing your enemy
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It's like oh my god
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It's like I don't know what this person thinks is happening next door
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but maybe this is part of the reason why he hasn't felt the need to come over to me and have a little discussion about
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what our working hours are and obviously us bothering each other with noise.
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Because let's be frank,
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whatever he thinks you're doing, he doesn't think you're making YouTube videos, right?
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No, there's- right, it makes no sense. Yeah, it wouldn't make any sense.
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there's no reason someone would come to this conclusion.
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There's no reason hearing what I'm doing would make you think that I'm anything other than just a
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raving lunatic who for some reason is renting an office
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It does sound bad
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I honestly I can sympathize
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Who do you sympathize with though me or the guy because I always feel like you're on this guy's side
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I really don't know with the way that you've explained it today
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I am definitely on your side because I've been in a similar situation of just this like
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Dull annoyance which is then constantly like just eating away in your head and like it is more your problem and his problem
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He's not actually doing anything really, you know, like it's it's your problem, but I have totally been there and
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There's kind of there's there is no way to deal with it
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Like there has to be a change if he leaves or you live like this this office ain't big enough for the both of you
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Yeah, and I am happy to admit that I am
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If not the unreasonable one in the scenario clearly the like the picky one and the one who is the oddball in the office
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So like is way more my problem than it is. It's unreasonable
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It's like because the guy is just trying to he's doing exactly what you're doing, right? He's paying for an office space
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He's trying to get his job done and and you're he's able to do with it, right?
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He's listening to you crushing your enemies and trying to take over the world and he's still calling China
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Maybe this is why he needs all these motivational posters
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00:18:21
◼
►
So Myke, how is your entry to the world of being a YouTube vlogger?
00:18:28
◼
►
So I will say overall, the experience from last episode to this episode has been extremely
00:18:35
◼
►
positive and exciting. I'm very excited to be doing this because the reception that I've
00:18:42
◼
►
received has been very warm and I've been encouraged in this endeavor. There seems to
00:18:49
◼
►
be, at least I have, the overall kind of sense from a lot of people that have watched the
00:18:53
◼
►
videos and have left me comments that people are actually enjoying them, which is a key
00:18:59
◼
►
thing. If everybody said it was terrible, then it would have stopped, right? Because
00:19:02
◼
►
clearly I can't do it. But I haven't had that. Now I do want to talk a little bit more about
00:19:08
◼
►
that but I can't get to the good stuff without talking about the bad stuff. And about 95%
00:19:17
◼
►
of the bad stuff is focused around trying to use YouTube.
00:19:21
◼
►
See now, it's funny to me that you apparently have a list of complaints about using YouTube.
00:19:32
◼
►
using YouTube because I would think that surely, surely you must be broken into this already
00:19:39
◼
►
since I dumped handling the Cortex YouTube channel on you when we were first talking
00:19:44
◼
►
about who would do what with this podcast.
00:19:46
◼
►
And I was like, "Oh, why don't you take this minor part of this job, this little thing,
00:19:52
◼
►
just upload a video, it'll be super easy."
00:19:54
◼
►
I feel like with that, you've handled annotations with that, you've handled all of YouTube's
00:19:59
◼
►
back-end system so I don't even understand why you would why you would
00:20:02
◼
►
have any additional complaints surely you're a YouTube expert by this point.
00:20:05
◼
►
If memory serves me there is a previous episode of the show where I complain
00:20:10
◼
►
about using YouTube in the limited sense that I use it. But trying to be a lot
00:20:17
◼
►
more serious about this and paying more attention to it for my own project has
00:20:22
◼
►
highlighted some different things. So with the stuff that we do for the Cortex
00:20:26
◼
►
channel it is super simple. It is make the video, upload the video, draw a box around
00:20:32
◼
►
the logo, publish. Right. Like that is it. But I'm trying to do more complicated things.
00:20:39
◼
►
Well, what the YouTube system obviously deems to be more complicated. I didn't think they
00:20:46
◼
►
would be complicated but they seem to be. And also I'm paying more attention to it once
00:20:51
◼
►
the video publishes.
00:20:52
◼
►
Right, of course, of course.
00:20:55
◼
►
Because I kind of like just set it and forget it with the Cortex channel, right?
00:20:59
◼
►
Like it's up and it's done and it's gone.
00:21:01
◼
►
Like I never spend any time on the analytics.
00:21:03
◼
►
I don't do anything like that.
00:21:05
◼
►
Every now and then I look through the comments but I don't contribute because it would be
00:21:10
◼
►
weird for me, I think, if the Cortex channel was responding because it's the two of us.
00:21:16
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►
So I don't ever reply to comments on the Cortex channel with the Cortex account.
00:21:21
◼
►
I just kind of leave them as they are.
00:21:24
◼
►
But some of the things that I'm finding with YouTube that has been a real problem for me,
00:21:31
◼
►
focus around the processing thing.
00:21:34
◼
►
We've spoken about this before, it just seems to process forever for no reason.
00:21:38
◼
►
It's just stuck at 95% for like an hour for over a two minute video.
00:21:45
◼
►
This is the mystery of uploading a video comes in three parts.
00:21:50
◼
►
uploading it, which of course you understand, like a bigger video is going to take longer because you have to squeeze it through the pipes or whatever.
00:21:57
◼
►
So you have an estimate of how long it's going to take to upload.
00:22:00
◼
►
YouTube then provides you with an estimate for
00:22:04
◼
►
processing time, which is where they're, I don't know, putting it through a gigantic Rube Goldberg machine and
00:22:11
◼
►
out the other end pops a bunch of different size
00:22:14
◼
►
resolution videos. I think that's at least that's what they say they do. I have serious reasons to doubt
00:22:20
◼
►
That's actually what's occurring during the processing because not all the resolutions are available right away
00:22:23
◼
►
But anyway, that's what they say is occurring like they're they're converting the video into their format and into their system
00:22:29
◼
►
And they tell you how long it's going to take until the processing is finished
00:22:33
◼
►
But as you're referencing here and what I often find is the case
00:22:38
◼
►
There's really two phases of processing one of which is the one that they give you a time estimate for
00:22:43
◼
►
but that only gets you to
00:22:46
◼
►
95% processed and then it will just say 95% processed for a
00:22:53
◼
►
Random interval of time every video that I have uploaded it took longer to get those last 5% in the previous 95%
00:23:01
◼
►
Yeah, it's it's bizarre
00:23:04
◼
►
You know sometimes I do have it go quite quickly sometimes it takes a lot
00:23:10
◼
►
It's like it's like the YouTube computer is is rolling a hundred
00:23:14
◼
►
D20s to come up with how many seconds it should take to get from 95% processed to finished because it doesn't seem to have any
00:23:21
◼
►
correlation with video length or size or anything. It's bizarre and
00:23:28
◼
►
infuriating and I wish instead of saying 95% processed they would just say something like
00:23:35
◼
►
post-processing... Please refresh this page. It will be done when it's done. Yeah, exactly
00:23:41
◼
►
Exactly, just some kind of like the 95% is so,
00:23:44
◼
►
like it reminds me of the old Windows days
00:23:46
◼
►
of like updates or copying files.
00:23:48
◼
►
You'd get to like 95% immediately
00:23:50
◼
►
and then who knows how long it's gonna take
00:23:53
◼
►
to get that last tiny bit.
00:23:55
◼
►
It's such a minor thing, but it is super infuriating
00:24:00
◼
►
and I imagine from your perspective
00:24:01
◼
►
just seems kind of baffling to somebody
00:24:04
◼
►
who's just doing this for the first time.
00:24:06
◼
►
Like what is it doing?
00:24:07
◼
►
This is an example of something
00:24:10
◼
►
which I think I'm going to talk about quite a little bit,
00:24:12
◼
►
which is the only person,
00:24:15
◼
►
the only thing that knows the answer to this is YouTube,
00:24:20
◼
►
but they can't seem to answer their own questions.
00:24:24
◼
►
For example, all of the view counts are estimated,
00:24:28
◼
►
just as estimated, everything says estimated.
00:24:30
◼
►
The only thing that knows the real answer is you, YouTube.
00:24:35
◼
►
And I know that it's difficult
00:24:37
◼
►
because they want to weed out what's real and what's not,
00:24:40
◼
►
But just everything has these asterisks.
00:24:42
◼
►
Like you go into the analytics page,
00:24:44
◼
►
and there's just asterisks everywhere.
00:24:46
◼
►
Everything is estimated.
00:24:48
◼
►
And it's like, how long is this gonna take?
00:24:52
◼
►
It takes three days to work out the view numbers
00:24:55
◼
►
on a video, like what are you doing?
00:24:57
◼
►
It's all just so baffling to me.
00:24:59
◼
►
And I'm like, it says estimated.
00:25:01
◼
►
Can I actually trust it's real though?
00:25:03
◼
►
Like, and I'm trying to work that out.
00:25:05
◼
►
But there are so many things like this
00:25:06
◼
►
where it's like the only thing that knows the real answer
00:25:09
◼
►
is the thing that's telling you it doesn't know the answer.
00:25:12
◼
►
It's just mind boggling to me.
00:25:16
◼
►
- I do always find that stuff baffling.
00:25:17
◼
►
Today I logged into YouTube to change a couple settings
00:25:20
◼
►
behind the scenes and I noticed on the CGP Grade channel
00:25:23
◼
►
there was a little banner popped up on the top
00:25:25
◼
►
which said view numbers and revenue numbers
00:25:28
◼
►
from Mexico are incorrect and we will update them later.
00:25:32
◼
►
Whenever I see a message like that,
00:25:34
◼
►
it's like okay, so something went wrong,
00:25:37
◼
►
But I felt like, but how will you know what happens?
00:25:40
◼
►
Like, I just, I don't understand,
00:25:41
◼
►
like what is the nature of the problem where--
00:25:43
◼
►
- Oh, here you go, yeah.
00:25:44
◼
►
YouTube Red Partner revenue from Mexico
00:25:47
◼
►
is showing incorrect data for September.
00:25:50
◼
►
But like, how, how, how did that happen?
00:25:54
◼
►
- Well, I can, I mean, here's the thing.
00:25:55
◼
►
It's easy to understand, okay, so there was some problem.
00:25:58
◼
►
Like, I can just accept that, right?
00:26:00
◼
►
The chaos monkey came along
00:26:02
◼
►
and you lost a bunch of data from Mexico.
00:26:04
◼
►
What I find much more confusing is,
00:26:06
◼
►
How are you going to fix this in the future?
00:26:10
◼
►
Like either you know now or you don't or like you just lost it.
00:26:13
◼
►
You know, maybe you put up the little shrug emoji for like,
00:26:17
◼
►
"Well, I just, you know, YouTube read money from for September.
00:26:20
◼
►
Like we just we just don't know. We're sorry."
00:26:21
◼
►
You know, and we'll prorate it based on what we guessed.
00:26:24
◼
►
And I just but I don't understand like how how they can recover this information.
00:26:29
◼
►
But I see messages like that quite often enough where they're letting you know
00:26:34
◼
►
something went wrong and
00:26:36
◼
►
they'll fix it in the future, but I always just wonder, but how do you how do you know what it should be?
00:26:41
◼
►
I don't even understand like it's it's
00:26:43
◼
►
There's a lot of just you just have to accept the analytics dashboard for what it is
00:26:49
◼
►
Okay, these are the numbers it's telling me these are the numbers I'm gonna go with
00:26:53
◼
►
It seems like magic how they know or how they're calculated
00:26:57
◼
►
And I get enough messages saying that something might not be right, but they'll fix it later
00:27:02
◼
►
So I'll just I'll just trust that it's fixed, you know, but I don't know like no idea really then there are other things right like
00:27:10
◼
►
There have been on two occasions where I've accidentally included
00:27:14
◼
►
15 seconds of just a black screen at the end of my videos everybody does that don't worry and YouTube
00:27:21
◼
►
Offers these handy tools for trimming. Mm-hmm. So you go in and you trim your video down. It's like great. Thanks YouTube
00:27:29
◼
►
We'll be back with you in an hour maybe to let you know that this is done
00:27:33
◼
►
And then you might have to do it again because it didn't seem to stick
00:27:38
◼
►
Like there are all these like it's like we have these handy tools. Why don't you fix this?
00:27:43
◼
►
why don't you fix that but any edits that you make can take an
00:27:46
◼
►
Unknown amount of time to be updated in their system. I mean look don't get me wrong
00:27:52
◼
►
I'm happy that those tools are there because otherwise I would have had to have re-uploaded
00:27:56
◼
►
But it just seems like all of this stuff just takes so long
00:28:00
◼
►
Yeah, I would just advise to anybody starting a YouTube career
00:28:06
◼
►
Don't use YouTube's built-in editing tools
00:28:10
◼
►
If you can do anything to avoid using those tools, you should avoid using those tools
00:28:17
◼
►
I don't recommend the user experience of them. I don't recommend the reliability of them
00:28:23
◼
►
I would suggest that you stay far, far, far away from those tools if you can.
00:28:30
◼
►
If I wasn't uploading them on my mobile data, then I would just delete the video and upload it again.
00:28:35
◼
►
Yeah, in the outer rim you have to pay for your internet so you don't want to double upload it.
00:28:39
◼
►
Exactly. It would also be great if you could just swap the video out.
00:28:42
◼
►
Well now you understand what I want from YouTube, but they will never give you that.
00:28:47
◼
►
You are now part of the YouTube system where what they want is more,
00:28:52
◼
►
Not necessarily better.
00:28:54
◼
►
Everything in the system is designed to upload more videos.
00:29:01
◼
►
They'll let you upload at the top of every page.
00:29:05
◼
►
They'll let you upload directly from your phone.
00:29:07
◼
►
But if you want to change an existing video, forget it.
00:29:11
◼
►
That's not a possibility for you.
00:29:13
◼
►
So, welcome to the Club Myke.
00:29:15
◼
►
Better make sure everything's right in your vlog the first time around.
00:29:18
◼
►
Seems like it.
00:29:19
◼
►
Don't make any mistakes.
00:29:20
◼
►
That's the plan.
00:29:22
◼
►
When I'm looking at also, you know, saying that I want to be a part of the system
00:29:26
◼
►
Mm-hmm. It isn't just the YouTube system. It's also like the mentality and the thinking and
00:29:31
◼
►
Something that I knew that I needed to focus on was my titles and my thumbnails, right?
00:29:36
◼
►
They were just not youtubey enough, you know, they weren't enticing enough. They didn't give enough information
00:29:43
◼
►
Can I ask a question? Yeah, I'm bit confused here Myke
00:29:47
◼
►
Your original few videos the one that's the ones that you showed me. Mm-hmm. They just had thumbnails
00:29:53
◼
►
Which were yellow words on a black background
00:29:56
◼
►
Yeah with sort of the format of your show where you talk about like three things
00:29:59
◼
►
I would just like list go to London to buy a house, but not really just sign some paperwork
00:30:06
◼
►
Yeah, three edit emojis into the video right like you list the three things that are going to occur
00:30:10
◼
►
You were you ever were you ever serious about those being the actual thumbnails
00:30:16
◼
►
I always thought those were placeholder thumbnails.
00:30:19
◼
►
They were just the thumbnails that I had because I couldn't think of anything.
00:30:23
◼
►
Right, so like I just put them up there and then just left them because I didn't really
00:30:26
◼
►
have a strategy for thumbnails.
00:30:29
◼
►
Okay, but you weren't thinking like these are actually acceptable YouTube thumbnails.
00:30:33
◼
►
I mean now they have to be left there on those original ones for posterity, but you weren't
00:30:39
◼
►
thinking going forward like, "Oh, I can just have a list of text on the screen."
00:30:43
◼
►
No, no, it never really crossed my mind.
00:30:45
◼
►
not gonna fly in YouTube land."
00:30:47
◼
►
Like, it was like, this is what I'll just leave there for now because I don't have any
00:30:51
◼
►
other ideas. Like, vlog 000 also is, again, like, not the naming strategy. It was just
00:30:57
◼
►
like, well, I haven't got any other ideas for this. I'm just gonna put it here. So I
00:31:02
◼
►
figured I needed a strategy, and I had people saying to me like, "Oh, this isn't enticing
00:31:07
◼
►
enough, blah blah blah blah blah." And then I was like, "Clickbait," right? Like, is this
00:31:12
◼
►
what I'm supposed to be doing here? Am I supposed to entice people in? How do you do that without,
00:31:19
◼
►
you know, being clickbaity?" And then I was kind of thinking to myself, "Well, if I'm
00:31:24
◼
►
going to give in to the system, maybe this is what I need to do. Like, this is what I
00:31:30
◼
►
see people do. Like, they have to try and entice you in some way. So maybe I just need
00:31:35
◼
►
to give in to the system."
00:31:37
◼
►
I have to say Myke, you know I subscribed to your YouTube channel, you know, back when it was still a secret.
00:31:45
◼
►
Back before it was cool, right?
00:31:47
◼
►
Yeah, exactly. And when you uploaded your first real video, I wasn't quite sure how to feel about the fact that you went straight for the clickbaitiest of clickbait titles.
00:32:04
◼
►
What was your original title?
00:32:07
◼
►
I went too far. The title was...
00:32:10
◼
►
"Adena Left Me" was the title.
00:32:13
◼
►
That was the title that I chose.
00:32:16
◼
►
Which I will just state for the record was suggested by Adena.
00:32:20
◼
►
I did approve said suggestion.
00:32:23
◼
►
Myke, you're the decider here. You can't fob this off.
00:32:27
◼
►
She didn't type it in. I typed it in.
00:32:29
◼
►
You did this. You decided to go with this.
00:32:32
◼
►
Because Adina left me for a week. She's in Romania right now, and I thought, "This is funny."
00:32:37
◼
►
So I did it. I think it lasted about 15 minutes before I added some brackets in which I wrote "for a week."
00:32:45
◼
►
Well, you know what this looks like to me? This looks like a man who lacks the courage of his convictions.
00:32:49
◼
►
Oh, I definitely didn't have the courage to leave that on there.
00:32:53
◼
►
Right, but that's exactly what this title conveys to me. It's like, "Clickbait, ooh but not, ooh but not really."
00:33:00
◼
►
This is the thing, I don't know how to title these things in a way that is not, because
00:33:05
◼
►
I could say a bunch of stuff, but it's boring.
00:33:08
◼
►
Like I'm either going one or two ways.
00:33:11
◼
►
I'm either going to have an interesting enticing title or they're just going to be called
00:33:15
◼
►
Vlog Episode 4.
00:33:18
◼
►
And I need to work out which one of those I want to do and I feel like I want to be
00:33:21
◼
►
enticing, but I went too far.
00:33:24
◼
►
I went too far and I know I went too far, which is why I then tried to walk it back.
00:33:29
◼
►
How do you know that you went too far? How do you know this?
00:33:33
◼
►
Because people told me I went too far.
00:33:35
◼
►
Did you not receive a bunch of happy comments about that title?
00:33:39
◼
►
Some people actually thought it was funny.
00:33:40
◼
►
I actually honestly, before I changed it, I got as many people thinking that it was funny as I did
00:33:48
◼
►
people thinking that I shouldn't title it that. Because there were people that were like,
00:33:51
◼
►
Like they thought it was funny because I was being so outwardly clickbaity.
00:33:56
◼
►
But the fact that there were people that didn't like it, I was like, "No, I don't want to
00:34:00
◼
►
So I reversed my decision and put the brackets in there.
00:34:05
◼
►
And I have a little thumbnail of the two of us.
00:34:08
◼
►
I chose the thumbnail because it's the two of us laughing.
00:34:12
◼
►
And I thought that that would counterbalance the title, but it clearly didn't.
00:34:17
◼
►
So I shifted the balance back again.
00:34:20
◼
►
This is really hard. Seriously, like the titling is really really hard.
00:34:27
◼
►
I am giving you a hard time about this, but anyone who's never done this, trying to pick
00:34:36
◼
►
a title for something like this, especially for something when you're trying to get attention
00:34:41
◼
►
from people, it is shockingly difficult.
00:34:43
◼
►
Because that's it, right? Like if all I ever wanted was for people that listen to this
00:34:48
◼
►
show to watch my videos, I would just call them vlog episode three. Because those people
00:34:54
◼
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have made their mind up if they're gonna watch before they've even seen the video come out,
00:34:59
◼
►
right? Like basically most of the people, if not all of the people that are subscribed
00:35:04
◼
►
now, they are people that are familiar with my work and will watch it based on the fact
00:35:09
◼
►
of whether they like me or not, right? And then they might watch one or two of them,
00:35:13
◼
►
if it's for them and then go forward. But my whole point of doing this is to find new
00:35:19
◼
►
people. So I need to give it some kind of like pizzazz, right?
00:35:25
◼
►
Yeah, you're selling the sizzle, Myke. I guess you got her, right? Yeah.
00:35:31
◼
►
Like that's what I mean. It is, it is, I'm giving you a hard time, but it is also, it's
00:35:38
◼
►
It's also legitimately difficult and I think there's this kind of...
00:35:45
◼
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People use clickbait because it works and because it gets more people to click on video
00:35:55
◼
►
And it's like you can have very complicated feelings about this.
00:35:58
◼
►
And that's why when I saw that you went straight for the clickbait I was a bit "ahh, I'm not
00:36:02
◼
►
quite sure how to think about this" because part of me is aware.
00:36:06
◼
►
if I was starting a vlog from the start, I think people who do vlogs or vlogging-like content,
00:36:15
◼
►
that seems to have some of the highest density of clickbaity-type titles.
00:36:19
◼
►
And I think it's partly because the competition in that area is so incredibly fierce.
00:36:26
◼
►
Like, there's so many people who want to do vlogs that there's a bit of an arms race
00:36:31
◼
►
that if you are in that category, you almost have to.
00:36:35
◼
►
Which is why when I look at your title with the brackets that pulls it back, I almost feel like,
00:36:40
◼
►
"I don't know Myke, maybe you should just embrace the clickbait, embrace the clickbait and try to bring in the audience."
00:36:48
◼
►
My thinking now is I'm still going further towards clickbait. That is my thinking.
00:36:56
◼
►
But the level that this is clickbaity is probably the level that I'm going to go for, but I chose the wrong thing to point out.
00:37:05
◼
►
Hmm, okay, okay. Like you're toying with people's emotions and your relationship.
00:37:10
◼
►
Exactly. And that's so I know that that was the wrong thing to do.
00:37:15
◼
►
But I'm still gonna keep going in this direction, but in some other way. But like,
00:37:21
◼
►
this is the thing. If you told me to try and come up with another name for that video,
00:37:26
◼
►
in that style, I can't do it. That's why it's called this because it was the easiest clickbait
00:37:33
◼
►
to come up with.
00:37:34
◼
►
- Yeah, it's so hard to title stuff, right?
00:37:37
◼
►
Clickbaiting or not clickbaiting,
00:37:39
◼
►
it's shockingly difficult.
00:37:41
◼
►
It's frustrating because it's one of the hardest things,
00:37:45
◼
►
and I think it's really important to have a good title.
00:37:50
◼
►
I think the titles really matter.
00:37:53
◼
►
Anybody who pays attention to their own user behavior
00:37:55
◼
►
when just watching videos and seeing what the algorithm serves,
00:37:58
◼
►
you know the titles affect you.
00:38:00
◼
►
Like they can't not. So it really does matter trying to select something that's good.
00:38:09
◼
►
I feel like eventually I'm going to get into the rhythm and like that these names
00:38:18
◼
►
will come up just naturally for me, right? Like I'll get into a rhythm of thinking
00:38:25
◼
►
what can these things be called and come up with a name at some point during the process
00:38:29
◼
►
of making it, but right now I just, I haven't got it. I feel like I've laid the groundwork
00:38:35
◼
►
now, like I feel like I understand where I want to be going with it, like from a naming
00:38:40
◼
►
perspective, but I haven't yet landed on the identification of those names. And this is
00:38:48
◼
►
something that is going to be, I think, a bit of a struggle for me. And again, like
00:38:52
◼
►
the thumbnails are so hard as well, like you've got to come up with something that is enticing
00:38:56
◼
►
and also where do they even come from, right?
00:38:58
◼
►
Like, I'm trying to pull them out of the footage
00:39:00
◼
►
that I've shot so they're not always
00:39:02
◼
►
at the highest resolution
00:39:03
◼
►
'cause they might be moving images, right?
00:39:07
◼
►
So now I'm thinking, oh, do I now need to think
00:39:09
◼
►
about taking a photo of something as well,
00:39:12
◼
►
like as well as taking video of something
00:39:15
◼
►
so I get like a good photograph to be used?
00:39:19
◼
►
Like, this is like part of why I started doing this process
00:39:23
◼
►
in the first place, is like the understanding
00:39:24
◼
►
of the different type of production,
00:39:27
◼
►
a different type of creation,
00:39:28
◼
►
and this is definitely part of that, right?
00:39:30
◼
►
Like trying to work out
00:39:33
◼
►
what this is meant to be.
00:39:39
◼
►
And again, like I really could just do things
00:39:42
◼
►
the way that I think that they should be done,
00:39:45
◼
►
but then I'm not being a part of the system, right?
00:39:49
◼
►
Like I'm really trying to fit into this system,
00:39:53
◼
►
because the way that we title stuff, it's so different.
00:39:57
◼
►
Like, the titles for our episodes of this show are not meant to entice anyone.
00:40:02
◼
►
They're just, we just pick a funny thing that we said and we just put it in there.
00:40:08
◼
►
Or on the very rare occasions, it is descriptive of the content.
00:40:12
◼
►
Like whenever we've done book club episodes, for example,
00:40:15
◼
►
it's just a title of the book. So it kind of indicates that it's a book club episode.
00:40:20
◼
►
But like the titles are not anything. The titles are not meant to entice anybody.
00:40:25
◼
►
And I think you can see on just across a huge number of podcasts,
00:40:29
◼
►
until you start getting into the really highly produced shows that have teams of people.
00:40:38
◼
►
But if you are a sort of normal podcast, the titles don't matter because the people listening
00:40:47
◼
►
listening because they're interested in the people who are doing the podcast, right, for whatever reasons.
00:40:52
◼
►
They're not intended to be-- they're really not able to be
00:40:57
◼
►
viral things. Like, you don't have
00:41:00
◼
►
huge swings in the number of downloads of an episode of a podcast. It's relatively
00:41:07
◼
►
consistent. And I think even if you and I, Myke, like, we sat down and we're like, "Okay,
00:41:13
◼
►
What's the clickbait-iest title we could possibly come up with?
00:41:17
◼
►
But like, for an episode of a podcast, especially this kind of podcast,
00:41:20
◼
►
there's no way even with the highest quality weaponized clickbait title
00:41:27
◼
►
that the episode is going to go viral.
00:41:28
◼
►
Because that's just not how people consume the medium.
00:41:33
◼
►
I think I'd be willing to bet that a pretty large portion of the people who hear episodes of podcasts
00:41:39
◼
►
never even know what the title is because it just comes up automatically on their playlist as the next thing to listen to.
00:41:44
◼
►
So that's why the titles for podcasts are like a little afterthought of "Oh, we need a title, let's just whatever, let's just pick something."
00:41:52
◼
►
But that's why it's like it is a different game on YouTube.
00:41:58
◼
►
I think I often wonder like, I'm sure YouTube knows, but I'd love to see some big data analysis on
00:42:06
◼
►
How much can a title affect views on a video?
00:42:12
◼
►
I'm convinced that it matters, but I think it's an interesting and open question of
00:42:17
◼
►
let's say the worst title possible versus the best title possible.
00:42:22
◼
►
What percentage difference range are you talking about in views?
00:42:27
◼
►
Is it 10% difference? Is it 200% difference?
00:42:32
◼
►
Like, I wonder what it is.
00:42:35
◼
►
You know, like, what is the theoretical maximum difference
00:42:38
◼
►
that the perfect title could make versus the worst title?
00:42:41
◼
►
There's an answer to that question,
00:42:43
◼
►
but it might not be a knowable answer.
00:42:44
◼
►
So I see something I'm still working through.
00:42:47
◼
►
Like, I feel like I'm getting closer to an idea,
00:42:51
◼
►
but right now, like, I obviously have not executed on that idea very well.
00:42:57
◼
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This episode of Cortex is brought to you by Hover.
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00:45:06
◼
►
Actually making the videos has been an interesting experience. There are some things that I'm
00:45:11
◼
►
struggling with that I think I'm getting better with, like audio levels, which is kind of hilarious.
00:45:17
◼
►
especially using the iPhone like as I am the audio can be tricky at the best of
00:45:24
◼
►
times to get right. Pretty variable. But I'm working on it and I'm kind of
00:45:29
◼
►
working on trying to make that better and I'm spending more time like the last
00:45:34
◼
►
video I like bounced it out or however you call it exported it played it on my
00:45:38
◼
►
iPhone played it with headphones like I'm trying to work out what the system
00:45:42
◼
►
is so this is another thing where it's like I can't judge how long these videos
00:45:45
◼
►
are taken because I'm doing way more to them than I would be doing in like six
00:45:50
◼
►
months time because by then I'll just know how to do it. Right? Like by then it
00:45:54
◼
►
would be like yeah I know this is how much I have to boost the video from
00:45:57
◼
►
outside or inside or whatever but I have to say like I am loving the process of
00:46:03
◼
►
making these videos. Like even doing things like that they're frustrating but
00:46:07
◼
►
like when I get to the end of them I feel really satisfied. You know like I
00:46:11
◼
►
feel like that the audio in the last video that I published, the Adina Left
00:46:15
◼
►
video was way better than any of the others.
00:46:18
◼
►
And from my taste, was pretty much as good
00:46:20
◼
►
as it was gonna be, right, with what I'm doing.
00:46:23
◼
►
And it isn't necessarily audio quality
00:46:25
◼
►
that I'm looking for, it's audio balancing.
00:46:28
◼
►
I know the fact that because I'm using the iPhone,
00:46:30
◼
►
the audio's not gonna sound as good as it can sound.
00:46:32
◼
►
But I don't think that's so much of a problem
00:46:34
◼
►
on YouTube videos, to be honest,
00:46:36
◼
►
in the style that I'm doing them.
00:46:38
◼
►
Like as long as you can hear me clearly,
00:46:40
◼
►
I think that's fine.
00:46:41
◼
►
Like it doesn't have to sound like how my podcasts
00:46:45
◼
►
sound. No you don't need the audio at that at that high level. Better audio is
00:46:51
◼
►
always better obviously but how much does it matter and as we have
00:46:55
◼
►
talked before like the the production quality doesn't matter as as much as
00:47:03
◼
►
people think it does. What matters is have you created a thing that's engaging
00:47:09
◼
►
to watch? Do you know how to cut a video together roughly even if you're not doing it in the greatest possible way that you can?
00:47:19
◼
►
This is what matters way more to are people going to continue to watch a video.
00:47:27
◼
►
And just going back to one thing that you were saying before about how you're finding this a really satisfying process.
00:47:33
◼
►
Another reason that I think this is a great side project for you is that this is a side project that has a fast feedback loop and iteration loop.
00:47:45
◼
►
And I think it's one of the reasons why so many people like to do vlogging as a project is because it's the kind of thing that if you're getting better at it, you learn how to do a thing, you have a skill, you upload the video, you immediately see feedback from it.
00:48:02
◼
►
from it and then you can go into making the next vlog thinking about how that
00:48:07
◼
►
previous one went and it can be this this loop of fast feedback right it's
00:48:12
◼
►
and I think that's that's an advantage for side projects as opposed to
00:48:16
◼
►
something where it's like oh you're gonna work in secrecy for years on on
00:48:20
◼
►
one long movie or whatever and then put it out to the public and they only get
00:48:24
◼
►
feedback then it's a very different experience for side projects that have
00:48:29
◼
►
long feedback cycles versus side projects that have very short, very tight feedback loops.
00:48:36
◼
►
And obviously, vlogging is one of those things.
00:48:39
◼
►
I think that's why it can feel really addictive, is because you're always...
00:48:44
◼
►
you're in a little cycle where you're always looking for the next part of it.
00:48:47
◼
►
It's like you're learning a new skill, you've just put it up, you're getting the feedback,
00:48:51
◼
►
and you always want to go into the next part of that cycle.
00:48:55
◼
►
So that's been a lot of fun and I've liked seeing what people are liking and what they're not liking and
00:49:01
◼
►
Kind of trying to craft the videos a little bit more right like okay people like this part. They didn't like this part
00:49:08
◼
►
So what can I do to make this bit better?
00:49:11
◼
►
You know and that's been an interesting thing and it there's more feedback to give than there is with the podcast
00:49:19
◼
►
Mm-hmm because people can like they can say what they like and don't like about what we talk about
00:49:23
◼
►
But that's kind of it. But with this it's like we want to see you talk more about these things
00:49:28
◼
►
But also why don't you try tweaking this a little bit differently or like I really like that thing that you do
00:49:33
◼
►
Visually and maybe you could try and make this a little bit better that kind of thing. Yeah, and again, it's it's much more easily
00:49:39
◼
►
Consumable as a complete project even for someone who's not super into it
00:49:45
◼
►
But who wants to leave some feedback?
00:49:47
◼
►
Like someone can watch a three minute or four minute video and then leave a comment and say like I didn't like this
00:49:52
◼
►
I didn't like that right but no one's going to listen to a two hour long podcast
00:49:55
◼
►
Just to leave some feedback about I didn't really like this part. It's just like the time commitment is vastly different
00:50:02
◼
►
I've also liked the production process
00:50:05
◼
►
The kind of the rhythm of it the feeling of it
00:50:07
◼
►
So I kind of dump all of my footage into final cut
00:50:11
◼
►
Start making my cuts and pulling out the things that I think are interesting
00:50:14
◼
►
Then I go back and I add the music in and then I go back and then I add any of the little
00:50:20
◼
►
graphics in but what I like is how while I'm making it it's
00:50:24
◼
►
Feeling better like before I've added the music when it's just the footage. I always think it's boring and rubbish
00:50:31
◼
►
Every time this has happened music does a lot of the heavy lifting weird right my god
00:50:38
◼
►
Any music it doesn't matter what it is
00:50:40
◼
►
Yeah, because then as well like I start doing fun stuff with the visuals right where I'm trying and it's tricky
00:50:46
◼
►
But like I'm trying to like match some of the visual stuff up with the pace of the music and beats of the music and stuff
00:50:51
◼
►
Like that which is a really hard thing to do
00:50:53
◼
►
But like I'm trying to do that because I really like that in the videos that I watch so
00:50:58
◼
►
It's funny to me how like I'm getting into this
00:51:01
◼
►
rhythm and understanding my own
00:51:04
◼
►
Process in that like when I'm putting the video together
00:51:08
◼
►
It doesn't start to get good until the music's there and then in my mind
00:51:12
◼
►
I'm like, well if I've got the music in and it still doesn't feel good
00:51:15
◼
►
there's something more fundamentally wrong.
00:51:17
◼
►
Yeah, that's that's that is definitely that's definitely the case when I'm editing the audio from my own videos
00:51:24
◼
►
I always have to just just be listening to some kind of temp music
00:51:29
◼
►
I just I'll just put something on repeat while I'm editing the audio
00:51:33
◼
►
Because I'm aware of that same effect
00:51:36
◼
►
Like if I don't do this, I'm going to cut it way too harshly because I think everything is just super boring
00:51:42
◼
►
It's like well actually just like listening to any narration without the music. It just it's just
00:51:47
◼
►
wrong and I wonder if it's partly also with vlogs that there's a certain element of performance that's occurring
00:51:56
◼
►
like people just speak differently into a camera and I think maybe we're just I
00:52:01
◼
►
don't know like
00:52:05
◼
►
expecting that there's going to be music
00:52:07
◼
►
underlying when a person is talking in a particular way and maybe that's why it sounds so weird if you don't have
00:52:12
◼
►
anything playing underneath, but yeah, it's it's
00:52:15
◼
►
astounding how
00:52:18
◼
►
Any piece of content
00:52:21
◼
►
Doesn't feel real until you have the audio there
00:52:26
◼
►
Like it just it just feels so strange without it
00:52:30
◼
►
I just really like that I'm able to have this feeling like I've made a thing
00:52:36
◼
►
Out of stuff so like all of the all of the shows
00:52:39
◼
►
There's just one
00:52:42
◼
►
Piece of raw footage which is the whole recording, right?
00:52:46
◼
►
Mm-hmm, and then I can cut that up and I can kind of make a thing out of it
00:52:49
◼
►
but there's something different in like having 25 video clips and
00:52:54
◼
►
Moving them around
00:52:57
◼
►
So they make more sense in like the flow of the video
00:52:59
◼
►
cutting them up and
00:53:03
◼
►
making one thing out of these 25 things?
00:53:06
◼
►
Yeah, it's the difference between
00:53:08
◼
►
chiseling something out of marble or
00:53:11
◼
►
constructing something out of Lego.
00:53:14
◼
►
And I like the Lego more. Yeah. Yeah with the audio you're taking the thing and cutting it down and
00:53:20
◼
►
with the video you have a wide selection of stuff from which you're picking some things and building a little vlog.
00:53:27
◼
►
Yeah, like they even though I think if someone was sitting behind you and watching you do either of these processes
00:53:33
◼
►
They would look very similar, but mentally they're totally different things
00:53:37
◼
►
I want one is entirely about cutting and one is entirely about assembling
00:53:43
◼
►
So I can see I can see why you would enjoy it as a very different experience
00:53:46
◼
►
But I have learned a valuable lesson about the production
00:53:52
◼
►
That it's kind of split into three parts and a lot of the time that they can take
00:53:57
◼
►
Very similar amounts of time to get done. So what are the three parts of assembling a vlog?
00:54:03
◼
►
I need to know maybe I'm gonna do this shooting. Okay, so I have to shoot video editing
00:54:07
◼
►
editing video YouTube
00:54:10
◼
►
YouTube's not a part
00:54:13
◼
►
You just upload it Myke it's really easy it takes me
00:54:19
◼
►
Right now it is taking me an astoundingly long time to get the video from export to publish
00:54:26
◼
►
Like you know, and it's just like I'm having myriad technical problems
00:54:33
◼
►
And and try and again like trying to like force this web app to do what I want it to do. Mm-hmm
00:54:41
◼
►
I really don't understand why there isn't a native desktop
00:54:45
◼
►
application where you can do all of the annotations and all the cards and then just upload it
00:54:49
◼
►
from there directly to YouTube with the metadata. I don't know why that doesn't exist. Because
00:54:53
◼
►
most of the problems that I have in responsiveness, in buffering, in loading, it's all based
00:54:59
◼
►
on the fact that I'm uploading this video before I'm adding any of the annotations
00:55:03
◼
►
and cards. And I wish there was a way to do that locally and then upload that information
00:55:09
◼
►
to YouTube. And I again, like I'm getting better at it, I'm learning different ways
00:55:13
◼
►
of doing it, but it still takes me a long time and also based in that is like the coming
00:55:20
◼
►
up with a title and putting in all the keywords and adding it into a playlist and all this
00:55:26
◼
►
stuff and it's building more and more and more every time I publish because people are
00:55:30
◼
►
like, "Hey, you should do this thing that everybody does," which is like creating a
00:55:34
◼
►
playlist and adding it to a playlist because YouTube refuses to play in any other order
00:55:38
◼
►
than the one that they set.
00:55:39
◼
►
And it's, you know, like all of these things, it's like building and building and building
00:55:44
◼
►
So for me right now, at least, it's split into these three parts.
00:55:49
◼
►
So I kind of think of it as like shooting, editing, distribution.
00:55:53
◼
►
And those three parts are taking very long times.
00:55:57
◼
►
And I know that it's going to change, like, and every video will be different.
00:56:01
◼
►
Some videos, I will be only shooting them for like an hour or two, depending on what
00:56:05
◼
►
If I'm doing something at home, and there's going to be more stuff like that, where I'm
00:56:08
◼
►
I'm kind of just talking or showing something.
00:56:10
◼
►
Those videos take way less than if I'm out in London
00:56:12
◼
►
for eight hours and then over that time
00:56:15
◼
►
I'm taking video of stuff.
00:56:16
◼
►
But I have highlighted that these are three, for me,
00:56:19
◼
►
major things and they're all gonna take
00:56:21
◼
►
a substantial amount of time to do.
00:56:24
◼
►
Because, and this was, I only kind of really realized this
00:56:28
◼
►
on the last video, 'cause prior to that I was just thinking,
00:56:31
◼
►
just shooting and editing and then just uploading.
00:56:33
◼
►
But if you're being serious about it
00:56:35
◼
►
and you're really trying to bend to the system
00:56:39
◼
►
and make the system work for you,
00:56:41
◼
►
there are lots of things that you need
00:56:43
◼
►
to kind of pay attention to.
00:56:45
◼
►
That's kind of the way that I'm approaching it right now.
00:56:47
◼
►
So the YouTube stuff and the distribution stuff
00:56:49
◼
►
and the promotion stuff is taking a long time,
00:56:51
◼
►
especially as I'm working on setting up a mailing list
00:56:54
◼
►
because a couple of people have asked for that
00:56:56
◼
►
and now realizing there's no way to automate this.
00:56:59
◼
►
So that's gonna be another step in the publishing process.
00:57:03
◼
►
See? I think you can see how I mentioned a while back like I have a 70+ item checklist for putting up a video.
00:57:12
◼
►
I haven't built that checklist yet, but that's like something I may be gonna do with the next video that I publish.
00:57:18
◼
►
Just write down all my steps, you know.
00:57:20
◼
►
You should really do that and you can see now why.
00:57:23
◼
►
Like there's just a bunch of little switches to flip and buttons to press and like, "Oh, did I add this in here?"
00:57:30
◼
►
And it's like yes, you can mentally keep all of that in your head
00:57:34
◼
►
But it's gonna be way better if you just you're just going to like a pre-flight checklist
00:57:38
◼
►
Because one of them are gonna be like check the video ends at the right time and then I just saved myself
00:57:43
◼
►
45 minutes of waiting for the YouTube system to complete its edit. Yeah, one of the items on my checklist is
00:57:51
◼
►
To watch the video fully on YouTube right after it's been uploaded because a surprising amount of times
00:57:58
◼
►
I've run into an issue where the audio just falls out of sync with the video eventually
00:58:04
◼
►
Given me warnings like this every now and then nothing's wrong with it, but it's like hey
00:58:08
◼
►
We think the video and audio is out of sync. I'm like why do you think this yeah?
00:58:12
◼
►
I have never gotten a warning, but I have often gotten the video and audio out of sync
00:58:17
◼
►
There's a problem here. I'm getting your warnings
00:58:20
◼
►
That's what it is
00:58:23
◼
►
But that's why it's just one of those items on the checklist is every time I upload it
00:58:27
◼
►
I kind of mentally want to start filling in all of the metadata and doing all of the steps while it's uploading
00:58:33
◼
►
Because at least YouTube does let you do that, but I've learned from experience like nope
00:58:37
◼
►
Don't try to fill in any of this ahead of time because it's just going to be a huge waste if when you actually
00:58:42
◼
►
Finally watch the video it falls out of sync halfway through
00:58:46
◼
►
Yep, it's like then you've just wasted 30 minutes filling in all of this stuff
00:58:50
◼
►
And also protip don't bother with those keywords. There's no point in filling
00:58:54
◼
►
Okay, good to know. YouTube really wants you to fill them in but you don't have to.
00:58:57
◼
►
See, I've been filling them in because I thought it might help get it in front of people.
00:59:01
◼
►
My understanding from some conversations that I've had is that those keywords are entirely for the benefit of the advertisers bidding on the video.
00:59:11
◼
►
Oh, then I don't care.
00:59:12
◼
►
that if there are no keywords in there, that YouTube just algorithmically decides what the video is about based on the comments that people are leaving.
00:59:21
◼
►
It auto-generates keywords for auctions based on the comments people leave.
00:59:26
◼
►
I had this in the context of a conversation of someone who was really convincing me to try to use keywords.
00:59:33
◼
►
The longer you talk, dude, the more I am hearing "I don't need to bother with this."
00:59:37
◼
►
This is for you. This is not for me. So yeah, don't bother with those.
00:59:43
◼
►
Talking about advertising, I want to share some of my numbers with the audience.
00:59:50
◼
►
You don't normally like to share numbers, Myke. You never want to share the numbers
00:59:53
◼
►
about the podcast, but you're happy with sharing numbers about the YouTube channel?
00:59:56
◼
►
I don't care about these numbers.
00:59:58
◼
►
Right, because they're comical?
01:00:00
◼
►
Yes. So this is another thing about the YouTube system. There is two reports. There is a revenue
01:00:06
◼
►
report and an ad rates report and they both have different numbers on them.
01:00:12
◼
►
This is another thing about YouTube's analytics system.
01:00:14
◼
►
There's so much data but 90% of it makes no sense.
01:00:19
◼
►
Why is there a revenue report and an ad rates report and they both have different numbers
01:00:25
◼
►
Okay, well Myke, the difference between the ad rate report and the revenue report is the
01:00:32
◼
►
The ad rate report shows how much money was actually generated by the ads.
01:00:39
◼
►
And then the revenue is how much I got.
01:00:43
◼
►
The revenue is your 55% of the money that was actually generated by the advertisements.
01:00:51
◼
►
Why do they think they can take that amount of money from me?
01:00:54
◼
►
Because they can.
01:00:55
◼
►
Because they successfully can.
01:00:56
◼
►
This is always again.
01:00:57
◼
►
I hear Apple people always complain, they're like, "Oh, 30%!"
01:01:00
◼
►
It's like I'd murder a family member for 30%,
01:01:07
◼
►
- Well let me share my ad rates report
01:01:10
◼
►
so people get the full kind of picture
01:01:12
◼
►
and then I'll talk about the revenue.
01:01:13
◼
►
So I have had 14,270 estimated monetized playbacks,
01:01:18
◼
►
which is maybe my favorite statistic,
01:01:23
◼
►
estimated monetized playbacks.
01:01:26
◼
►
This is from September 14th to October 11th
01:01:30
◼
►
because of course the data is multiple days old because YouTube, you know.
01:01:35
◼
►
Right. So these are for the listener.
01:01:37
◼
►
What that means in YouTube's system is this is a video that plays
01:01:42
◼
►
against which YouTube was able to run an ad.
01:01:47
◼
►
There are many circumstances under which a video might play where they can't run an ad.
01:01:51
◼
►
Either there's nothing in the auction to fill, or someone's watching on a platform
01:01:56
◼
►
where the ads don't play.
01:01:57
◼
►
So you can have the video play
01:02:00
◼
►
without necessarily having an ad show up.
01:02:03
◼
►
Or if, I forget what the timer is,
01:02:07
◼
►
but YouTube has some internal timer
01:02:08
◼
►
where they won't show someone a video ad in front
01:02:12
◼
►
if they've watched a video ad
01:02:14
◼
►
within a certain window of time.
01:02:15
◼
►
So this is what estimated monetized playbacks means.
01:02:19
◼
►
- So I've had 14,270 estimated monetized playbacks.
01:02:25
◼
►
I have made $88.98.
01:02:29
◼
►
Well, not me, there has been $88.98 generated.
01:02:35
◼
►
And then of those 88.98, I have got 48.94 of it.
01:02:40
◼
►
- There you go, Myke.
01:02:43
◼
►
- So look, this is not me complaining about
01:02:46
◼
►
the amount of money that I make from my videos
01:02:50
◼
►
'cause I kind of don't care about it in that way.
01:02:54
◼
►
And I've put ads on the videos not to make,
01:02:58
◼
►
again, this is like, I'm not trying to make money here,
01:03:00
◼
►
I'm again trying to understand the system.
01:03:03
◼
►
So by having ads on my videos,
01:03:05
◼
►
I am now understanding how much money
01:03:07
◼
►
can be made on YouTube, seriously.
01:03:10
◼
►
And the answer is, not a lot of money.
01:03:13
◼
►
Now, again, this $50 that I'm gonna get,
01:03:18
◼
►
that's great, that's $50, right?
01:03:22
◼
►
I didn't really expect any money out of that. It's $50. It's just very interesting to me.
01:03:27
◼
►
And I think it, you know, and again, I know that I make different money than you would
01:03:32
◼
►
make. You make different money than PewDiePie would make because YouTube also calculate
01:03:37
◼
►
their CPM, which is how much they pay per thousand, differently depending on many variable
01:03:42
◼
►
factors. It's not a fixed rate, right? Like everybody has their own to a point.
01:03:47
◼
►
Yeah, this is... the rates can vary by...
01:03:52
◼
►
I would say from the absolute bottom to the absolute top, maybe by a factor of like five is the biggest range
01:04:01
◼
►
I've kind of seen across different creators. And again that partly depends on
01:04:05
◼
►
the auction system that is going on behind the scenes.
01:04:09
◼
►
I'm always never quite sure how aware people are of this, but when you go to load a video
01:04:16
◼
►
YouTube has a kind of instantaneous auction between a bunch of advertisers to decide what ad is going to be shown and
01:04:23
◼
►
Advertisers can put in all kinds of stuff that they that they want their viewers like so they can fill out demographic data
01:04:31
◼
►
So you know fairly commonly if it's like like a new shoot-em-up video game comes out that like okay?
01:04:37
◼
►
We want males you know 14 to 35 in North America
01:04:42
◼
►
And there's a few other like characteristics that they can put and they can say we want also videos that are in the video game
01:04:49
◼
►
Category so we know like it's somebody
01:04:51
◼
►
Watching a PewDiePie video that we want to run this ad against there's like a little auction that occurs to try to figure out which
01:04:58
◼
►
advertiser is willing to spend the most money to get in front of
01:05:03
◼
►
You at that moment, and it's actually it's quite like an interesting complicated
01:05:10
◼
►
system, but what that means is that some people
01:05:13
◼
►
like beauty vloggers in particular can rake in like
01:05:17
◼
►
incredibly high ad rates when there's like built-in products around what they're talking about.
01:05:25
◼
►
And then for
01:05:27
◼
►
for channels like vlogs or for channels like myself that don't necessarily have a built-in
01:05:33
◼
►
topic, the ad rates tend to be lower because there's not something that
01:05:40
◼
►
there is specifically being advertised against.
01:05:44
◼
►
So like that's part of what is occurring behind
01:05:48
◼
►
the scenes. And it is one of the reasons why it's a little bit hard to compare
01:05:52
◼
►
what ad rates are for one person versus another.
01:05:56
◼
►
But yeah, that is what's occurring behind the scenes.
01:06:00
◼
►
Okay Myke, we've talked about your revenue numbers. What I want to know
01:06:04
◼
►
is on the YouTube Analytics page
01:06:08
◼
►
There is one tab that is a combination of fascinating and terrifying, and it is the
01:06:19
◼
►
audience retention tab.
01:06:21
◼
►
Have you found this one yet?
01:06:22
◼
►
I've been looking at this one.
01:06:24
◼
►
Alright, would you please explain for the listener, what is the audience retention tab?
01:06:33
◼
►
The audience retention tab is what tells me for every video how long people watch it.
01:06:40
◼
►
So of the amount of people that pressed play, what percentage of those people get to the
01:06:50
◼
►
Now I have actually been paying attention to this and I am pretty happy with my numbers.
01:06:59
◼
►
Now my average number, I guess across everything, should we maybe look at here?
01:07:03
◼
►
Yes, so tell me, if you just load it up on the first page, it should have two numbers.
01:07:09
◼
►
It should have average view duration, but the second one is the average percentage viewed.
01:07:15
◼
►
What's the average percentage viewed across your videos?
01:07:19
◼
►
Ooh, see I think that's pretty good.
01:07:24
◼
►
with it, especially because the ends of the videos really skew the numbers. So there's
01:07:32
◼
►
like a harsh drop off in like the last 15 seconds because the video's done. Right? So
01:07:39
◼
►
lots of people close it. But like I keep it like most of my videos stay in like the 70
01:07:45
◼
►
to 60% range for the majority of the content.
01:07:50
◼
►
Yeah, so just so the listeners have a comparison, like my average viewed percentage across again the whole video
01:07:58
◼
►
and I have the same effect that you do obviously like sharp drop up at the end
01:08:02
◼
►
is 65% and so it's just around the same area
01:08:08
◼
►
The thing that I think is really interesting and is terrifying
01:08:12
◼
►
but to me is like the heart of YouTube tracking data
01:08:16
◼
►
that you can click on any video and see exactly when people started getting bored and left.
01:08:25
◼
►
They will draw a line on the screen that shows you the percent of people who are still paying
01:08:31
◼
►
attention to your video from the start and the really interesting graph is that they
01:08:36
◼
►
will give you relative audience attention.
01:08:39
◼
►
So compared to other videos that are the same length on YouTube, is your video more or less
01:08:49
◼
►
engaging than the average video of the same length?
01:08:53
◼
►
And those graphs are-- they're both sort of like interesting and terrifying because you
01:09:01
◼
►
can see the exact moment when you lose people, right?
01:09:04
◼
►
Or like when people start getting bored.
01:09:07
◼
►
really interesting to see like when when does something dip and you know
01:09:13
◼
►
particularly if if you have moments where like you're talking about one
01:09:16
◼
►
thing and then you're talking about another you can see the shape of
01:09:19
◼
►
segments in your own video with those graphs. Now the thing that I find is that
01:09:26
◼
►
it's this stuff is is fascinating and it's interesting it's interesting to
01:09:31
◼
►
look at you know and to see how are how are different videos
01:09:36
◼
►
received by people
01:09:38
◼
►
Like I'm just like I'm just pulling up humans need not apply like and that one never crosses the below-average interesting graph. Mm-hmm, but
01:09:46
◼
►
It is also very youtubey to me because they give you so much information
01:09:51
◼
►
But it's also like well
01:09:54
◼
►
It's very hard to know if there's anything actionable to be drawn from these graphs
01:09:59
◼
►
right like it's it's very hard to
01:10:02
◼
►
to pull out a general trend of what you should do and what you shouldn't do.
01:10:06
◼
►
It's more like YouTube is just telling you exactly when you were boring and then saying, "Don't be boring."
01:10:12
◼
►
That's what I kind of don't like about it in a way. Like I know why that's valuable and useful, but as
01:10:18
◼
►
an artist, you know, like it can be a bit like, "Oh, I
01:10:21
◼
►
don't really think of myself as an artist." Of course you do, Myke.
01:10:25
◼
►
But yeah, so they're just telling you where you were boring and
01:10:30
◼
►
What are you gonna do about that? Who knows? Don't be boring in the future. That's that's kind of what that graph says. So, yep, I
01:10:36
◼
►
find it interesting but unactionable
01:10:43
◼
►
think what might be the the summary of what I think is the the YouTube analytics page.
01:10:48
◼
►
Like they will tell you everything about your viewers that you could possibly want to know. Their demographics, the playback location, the exact moment
01:10:55
◼
►
they got bored, where they came from, what device they're watching on,
01:10:59
◼
►
how much money YouTube made, how much money they're going to give to you, but it's also just
01:11:05
◼
►
unactionable all of it.
01:11:09
◼
►
I find that that's the YouTube data is a bit like
01:11:13
◼
►
Okay, it's a thing
01:11:16
◼
►
It's interesting. I check it every once in a while, but it's not a thing
01:11:20
◼
►
to live or die by, Myke. I think you should just pay much more attention to your subscriber numbers and your view numbers and
01:11:28
◼
►
And those are the things that you should track.
01:11:30
◼
►
That's really kind of all I'm paying attention to.
01:11:34
◼
►
I dip into the other things just to see what they're doing.
01:11:37
◼
►
But it's the view numbers and subscriber numbers, just because I feel like I understand those.
01:11:42
◼
►
They're analogous to the stuff that I'm used to.
01:11:47
◼
►
That's what you gotta focus on.
01:11:49
◼
►
Asking people to like, comment, and subscribe.
01:11:52
◼
►
Like, comment, and subscribe. YouTube.com/MykeHurley.
01:11:56
◼
►
/user/MykeHurley.
01:11:57
◼
►
This episode of Cortex is brought to you by Backblaze, the unlimited native backup solution for your Mac or PC.
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You can sign up for a 15-day free trial, no credit card required, at backblaze.com/cortex.
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I don't need Backblaze, you're thinking to yourself right now. I use Time Machine.
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Sure, that's good. Like, it's better than nothing, but it's not actually an adequate backup solution.
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If you don't have off-site backup, you are just not doing things right.
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What happens when your house is robbed? What happens when your house burns down?
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Your time machine drive won't save you then, will it? No, of course not.
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That's why any adequate backup solution must include off-site, and you need to use backplays.
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I run them on my computer. I've been running them on my computer for a really long time, and it is fantastic.
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Fantastic. It just sits there in the background safely and securely uploading all of my files to their server.
01:13:01
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And these guys know what they're doing.
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They look after 200 petabytes of people's data and they have restored over 10 billion files.
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You're just waiting for the day for it to all go away.
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This lets Backblaze know that it is Cortex that led you to data salvation, which helps us out.
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So thank you to Backblaze for protecting the data of the world, and for supporting Cortex and all of Relay FM.
01:14:13
◼
►
Alright, so I opened this whole conversation with you, Myke, kind of wanting to know how you felt about it,
01:14:17
◼
►
And you wanted to launch into all the like behind the scenes
01:14:20
◼
►
nerdery about your feelings on the processing but like to like so can we get can we get back to my original question from
01:14:27
◼
►
an hour ago, which is
01:14:29
◼
►
Overall, like how are you feeling man?
01:14:33
◼
►
You're like you're a vlogger out in the world like you're a dude walking on the street. You're filming yourself
01:14:38
◼
►
You're talking into a camera. You're at home talking to your UK echo
01:14:43
◼
►
You put this out into the world, people have commented on it. How are you feeling?
01:14:48
◼
►
Like what's your take on the reception of it?
01:14:52
◼
►
So the reception has surprised me, I think is the best way to put it.
01:14:57
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►
I didn't think people would hate the videos.
01:15:03
◼
►
I thought that some people would like them and some people would not like them.
01:15:07
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►
And that I would have lots of criticism, good and bad, to kind of take away and work on.
01:15:14
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►
But I think overall, the response has been more positive than I expected it to be, which
01:15:23
◼
►
has been really encouraging.
01:15:26
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►
Like people seem to like from straight away, were like watching the videos, like, "I really
01:15:31
◼
►
I like that you do this and I like that you do this.
01:15:34
◼
►
And I feel like you have your have kind of have your own style going on here or at least
01:15:38
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►
like I can see the beginnings of like what will be your style, which is a very encouraging
01:15:44
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►
thing because that was important to me, but I didn't try and like hammer it home.
01:15:51
◼
►
Like I wasn't really trying to like force the Myke Hurley vlogging style.
01:15:57
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►
I just did what I thought represented me and how I wanted the videos to look.
01:16:04
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►
And in doing that, I've kind of feel like I'm landing on a few things which kind of
01:16:09
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►
feel like me.
01:16:12
◼
►
You know, like my use of emoji and my use of like, I like it.
01:16:17
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►
Some people don't like it, which is fine.
01:16:19
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►
But I like it.
01:16:20
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I like it a lot.
01:16:21
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I'm glad you like it, Myke.
01:16:25
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You're in that camp.
01:16:26
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►
It'll be no surprise to you that I really do not like the emojis.
01:16:30
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►
But I'm balancing it out. I think that I went a little too far in one video
01:16:36
◼
►
and now I'm kind of like balancing it out a little bit. I'm trying to use them effectively but sparingly.
01:16:42
◼
►
But this was one of my things when you first sent me the videos. That was going to be one of my negative pieces of feedback
01:16:48
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►
but I thought, "No, you know, you gotta let a mic be a mic. He's gonna use his little emoji. There's no point."
01:16:55
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►
I don't know if I... I wouldn't take your guidance on the emoji as clearly because you
01:17:04
◼
►
don't send emoji, you don't use emoji, you are like emoji negative, you know? So I was
01:17:13
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►
taking... in aggregate people really like the emoji.
01:17:16
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►
Right. Yeah. I expected they would.
01:17:18
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►
I'm sorry, but you're a bad test case for it.
01:17:20
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►
I know people like their stickers. They like their emoji. Mm-hmm. They like their phones exploding with confetti
01:17:27
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►
I understand and I like that the part that I you know
01:17:30
◼
►
if what I can kind of call in my brain the narrator like the little comments that pop up which is
01:17:37
◼
►
Editing mic telling you things or pointing things out or making little jokes. And also it allows me to make the jokes that I missed
01:17:47
◼
►
It's like you should have made that joke there. You know what I could just put the text on the screen and I've made the joke
01:17:52
◼
►
Yeah, and again for anyone who hasn't done this kind of stuff you you have to
01:17:57
◼
►
Get into those mental modes. There's there's on camera mic and there is editing mic
01:18:05
◼
►
Like and what what feels like the kind of thing that editing mic would put into the video versus what on
01:18:11
◼
►
camera like would do. Like this is this is what makes a thing a thing.
01:18:20
◼
►
Right, it's it's um as a slight side note because I'm still worried about this video that I'm working on
01:18:25
◼
►
that's gonna be coming out at some point. Like there's a very a very conscious decision in in this video that this
01:18:32
◼
►
that the narrator it's like is this normal gray talking or is this like a different gray talking and you feel like a crazy person
01:18:40
◼
►
when you're even thinking about this stuff in your head, but this is the kind of stuff that you
01:18:45
◼
►
have to think about when you're creating something that is to be consumed by others.
01:18:52
◼
►
Like, what is this? Like, as I'm talking into this microphone,
01:18:56
◼
►
is it me talking, right? Or is it like a different version of me talking?
01:19:01
◼
►
Just like you're doing this with the editing. Like, is it mic or is it editor mic in this moment?
01:19:07
◼
►
- Yeah, to get super fancy about it.
01:19:10
◼
►
It's like the characters at the video,
01:19:12
◼
►
and there's me, there's me on screen,
01:19:15
◼
►
the person that you're seeing,
01:19:16
◼
►
and then the use of text is like a different character
01:19:19
◼
►
'cause it's like a different personality.
01:19:21
◼
►
It's doing things that are not done by the people
01:19:24
◼
►
in the video that you can see, right?
01:19:26
◼
►
So it's like it's adding a different sense of humor.
01:19:29
◼
►
It's adding a different perspective.
01:19:31
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►
And that's kind of how I think about it,
01:19:34
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►
which is maybe too much,
01:19:36
◼
►
and people should and will roll their eyes at that,
01:19:39
◼
►
but that makes sense in my brain, at least.
01:19:42
◼
►
- It does make sense, although I do sometimes have
01:19:46
◼
►
some limited patience for people who like to hide behind
01:19:51
◼
►
the idea of like, oh, it's just a character on screen,
01:19:53
◼
►
it's not me, right?
01:19:54
◼
►
- Oh no, that's definitely me, you're seeing me.
01:19:57
◼
►
- Yeah, yeah. - Right, like it's all me,
01:19:58
◼
►
but it's like different versions of me.
01:20:01
◼
►
- Yeah, I just think there's a, some people like,
01:20:03
◼
►
hide behind this notion of like, "Oh, it's a character! It's all for fun!"
01:20:08
◼
►
Right? It's like, "Oh, and I meet you!" and you're exactly the person on screen.
01:20:11
◼
►
There's no character here at all.
01:20:13
◼
►
For me, like, one of the things that is actually quite important is I want to be as close to me as possible in these videos
01:20:20
◼
►
because that feels like the only way I can do them.
01:20:23
◼
►
Yeah, you want to be raw and honest, Myke.
01:20:25
◼
►
I want to just be, you know, open with the audience, you know?
01:20:28
◼
►
Just like, I want them to see the real me, Gray.
01:20:30
◼
►
Yeah, that's all you want.
01:20:32
◼
►
They want you want you want the world to gaze upon the real Myke and love him
01:20:36
◼
►
Please love me
01:20:39
◼
►
Like comment and subscribe
01:20:50
◼
►
One thing that's been hilarious to me over the course of my youtube career is that the face you career now
01:20:58
◼
►
It's my YouTube career so far is that basically I think the day the day that I kind of started taking it seriously in publishing the
01:21:06
◼
►
Videos was the day that PewDiePie's tuber simulator was released and we spoke about this game a bunch
01:21:12
◼
►
It's like it is basically PewDiePie's mobile game in which you play a youtuber
01:21:20
◼
►
I basically consider this the dark look at reality
01:21:25
◼
►
That is PewDiePie's tuba simulator. Okay. What do you mean by the dark look at reality here?
01:21:32
◼
►
So you play this mobile game where?
01:21:35
◼
►
You are making YouTube videos in such a sense
01:21:39
◼
►
It's like you click a button and then it's recorded edited and viewed and then the views start coming in
01:21:43
◼
►
The more views you get the more items you can buy
01:21:46
◼
►
And it kind of upgrade the room that you're in right? Mm-hmm. And then you adorn your room with things
01:21:54
◼
►
You make it more lavish you make the room bigger over time that kind of stuff
01:21:58
◼
►
Now some of the things that I consider to be the dark look at reality. So your character in the game is is you
01:22:04
◼
►
And this character never moves from the desk
01:22:08
◼
►
This character sits in front of a computer
01:22:13
◼
►
Constantly and there is nothing you can do to make them get up and all they do is sit there and
01:22:22
◼
►
and you are making them grind through making videos just to generate views and you are
01:22:28
◼
►
like focusing on what's trending to make the video that's going to get the most views,
01:22:34
◼
►
right? And there's things that you can do and every now and then the sponsor, Eagle,
01:22:40
◼
►
drops something present on you and there are just like the and it's like the more views
01:22:46
◼
►
you're able to get, the more things you're able to buy. It's like this twisted look
01:22:54
◼
►
on what it's like to be a YouTuber. It's kind of fascinating to me.
01:22:59
◼
►
- Mainly because your character just sits there, floating in a little room in empty
01:23:04
◼
►
space. - On a desk.
01:23:06
◼
►
- With nothing else to do. - And you're buying things to put in the room
01:23:10
◼
►
around you but you never get to experience them because you have to sit and grind and
01:23:16
◼
►
make more videos to get more views.
01:23:21
◼
►
It is kind of existentially bleak when you think about it that way.
01:23:25
◼
►
The person sitting there just to make everybody love them.
01:23:27
◼
►
And then when I start to think about it, right, like I've been thinking a lot about this
01:23:31
◼
►
game, I think about who made it.
01:23:35
◼
►
And I guess the creative vision for this game is the most popular YouTuber in the world.
01:23:42
◼
►
And it's just this really kind of like, strange view on this stuff.
01:23:49
◼
►
Yeah, I did because we've discussed PewDiePie a surprisingly large amount on this show,
01:23:57
◼
►
and I think at one point we mentioned how the Tuber Simulator seemed like an obvious
01:24:01
◼
►
project for him.
01:24:02
◼
►
I find his growing business empire like a very interesting thing to observe from a distance
01:24:09
◼
►
So I definitely thought like oh when this comes out
01:24:11
◼
►
I have to download and just give it a try and kind of kind of see what it's like
01:24:14
◼
►
but yeah, it is
01:24:16
◼
►
it is kind of
01:24:22
◼
►
one thing it actually made me think of is a
01:24:25
◼
►
Black Mirror episode one of my favorite episodes. It's called the exact title, but something like a hundred million points
01:24:31
◼
►
I think is the episode title.
01:24:33
◼
►
But in that episode,
01:24:36
◼
►
everybody just like kind of lives their own life in their own little world in their own little room doing their own
01:24:42
◼
►
things. Like everybody's kind of very isolated for a large portion of the time. And so when I'm thinking about, I
01:24:48
◼
►
mean, he has millions of downloads. I'm thinking about millions of people
01:24:52
◼
►
playing these little characters, each of which are in tiny rooms that don't go anywhere,
01:24:59
◼
►
that are totally isolated from each other.
01:25:01
◼
►
There's something about it that is very black mirror to me.
01:25:06
◼
►
It's very, very, I think there's real strong parallels
01:25:14
◼
►
between that episode and the physical look of this game
01:25:18
◼
►
and what it actually encourages in the players of the game.
01:25:21
◼
►
- I honestly cannot look at this game
01:25:24
◼
►
and not see it as a social commentary.
01:25:28
◼
►
I'm being deadly serious.
01:25:29
◼
►
Like I feel like that there is an element in here of PewDiePie expressing
01:25:35
◼
►
something, which I think he has been expressing in some videos recently.
01:25:40
◼
►
Like just this look at what it's like to be someone who does this type of stuff.
01:25:47
◼
►
And it's kind of fascinating to me.
01:25:49
◼
►
Like I was watching a video of his recently where it ended at like seven
01:25:54
◼
►
minutes and then he just came back and I was like, I've got to do another two
01:25:57
◼
►
minutes because we need 10 minute videos. Because I assume that there's some kind of
01:26:04
◼
►
thing about YouTube's algorithm which means it likes 10 minute videos. That's what I took
01:26:08
◼
►
from that. But he's kind of doing this weird thing at the moment where he's pulling back
01:26:14
◼
►
the curtain at what it's like to live his type of life. And this game I think is a real
01:26:21
◼
►
example of that. And it's just fascinating to me. The other part of it is this game is
01:26:27
◼
►
probably the best free to play game I have ever played from a mechanics perspective.
01:26:34
◼
►
I play this game and can see that it was directed by somebody who understands video games. I
01:26:44
◼
►
tend to spend money on free to play games if I really like them because I'm putting
01:26:50
◼
►
time into them and I kind of want the games to move along and or like and it doesn't really
01:26:55
◼
►
bother me because if I've played the game for a bunch of hours I don't mind giving them
01:26:58
◼
►
five pounds because I've played a bunch of the game. I haven't needed to do that in this
01:27:03
◼
►
game. Like, because there is just a real way of progressing easily if you just watch some
01:27:10
◼
►
ads. Like, the watching of ads in this game actually has a real benefit on the way that
01:27:17
◼
►
the game plays in a way that I find is typically not the case for other free to play games.
01:27:24
◼
►
Like, there's always like an element of needing to speed things up in a different way, but
01:27:29
◼
►
there's like multiple ways of doing it.
01:27:30
◼
►
You can watch an ad to advance the clock a little bit more, and then you can spend some
01:27:36
◼
►
of the views that you accumulate to take percentages out of the time it takes to generate items.
01:27:42
◼
►
And it's like, I have not needed to spend any money.
01:27:45
◼
►
And also, one of the really, really interesting things about this game is the currency in
01:27:50
◼
►
the game is views, which again, I think is hilarious.
01:27:53
◼
►
your YouTube views are currency which you use to buy things. You cannot turn real world
01:27:59
◼
►
money into views. Right, you can't buy views in the game. Which again, I have to say, I
01:28:07
◼
►
can't look at that and not see a wink there. What do you think is the wink there? Money
01:28:14
◼
►
does not buy you views. Like, doesn't matter how much money you put into it, it doesn't
01:28:19
◼
►
mean you'll get views out of it. Right? Again, I can't help, I mean, I'm definitely overthinking
01:28:27
◼
►
Yeah, you're like a film student here.
01:28:30
◼
►
Yeah, I'm looking at it like a Shakespeare.
01:28:32
◼
►
Every single page, right? The opening shot tells you everything about the movie.
01:28:37
◼
►
It's everything you need to know. It harkens back to Godfather.
01:28:41
◼
►
Like all movies do. Citizen Kane is just throughout this entire piece.
01:28:49
◼
►
But that idea though is really interesting.
01:28:52
◼
►
It's like it's encouraging you to actually play the game,
01:28:55
◼
►
to do the things you're supposed to do in the game.
01:28:58
◼
►
And I just find it, it's just really sticky for me.
01:29:00
◼
►
I have been playing it every single day
01:29:03
◼
►
since it came out for two weeks.
01:29:05
◼
►
I really like it. - You are an addict.
01:29:07
◼
►
- But I'm not putting any money in.
01:29:09
◼
►
The ads are 30 seconds long.
01:29:12
◼
►
I press play on the ad and typically put my phone down.
01:29:16
◼
►
Some of them I've watched,
01:29:17
◼
►
But yeah, I just think it's really, really well made.
01:29:21
◼
►
Like it really does just scream to me
01:29:23
◼
►
if somebody understands how these games are made and played.
01:29:26
◼
►
- Yeah, it's interesting 'cause I played it
01:29:33
◼
►
because I figured, oh, it'll probably come up
01:29:36
◼
►
on the show at some point
01:29:37
◼
►
and I wanna be familiar with it.
01:29:39
◼
►
- It has been a long running topic.
01:29:41
◼
►
- Yeah, and I do agree that perhaps the first video
01:29:47
◼
►
that ever got me into PewDiePie, still one of my favorites,
01:29:49
◼
►
is him playing the YouTube--
01:29:51
◼
►
- YouTuber life, yeah.
01:29:52
◼
►
Which I think he said later,
01:29:54
◼
►
he was already working on this game when he played that,
01:29:56
◼
►
which is kind of hilarious.
01:29:58
◼
►
- Yeah, but that video is like an amazing meta commentary
01:30:03
◼
►
on YouTube and being PewDiePie, and it's fabulous.
01:30:06
◼
►
But yes, I figured I do wanna play this
01:30:10
◼
►
just to have a sense of it,
01:30:11
◼
►
and I'll agree with you that as far as these things go,
01:30:15
◼
►
It is a free to play game that doesn't feel like it's trying to suck the money
01:30:19
◼
►
right out of your wallet, which every,
01:30:20
◼
►
every other game like this I have ever played,
01:30:23
◼
►
they just slow things down so incredibly dramatically, very quickly. Like you,
01:30:27
◼
►
so you just, you just have to put money into it. But I,
01:30:32
◼
►
I, for me anyway,
01:30:35
◼
►
it's weird cause I had a lot of people tweeting at me and sending me messages
01:30:39
◼
►
about the game. Cause I, you know, I talk about like,
01:30:43
◼
►
I enjoy work simulator type games.
01:30:46
◼
►
But this to me is just, I don't know,
01:30:49
◼
►
this is, it's not for me because I feel like
01:30:52
◼
►
with a lot of these free to play games,
01:30:55
◼
►
I don't know, the mechanics are just too
01:30:59
◼
►
on the surface for me.
01:31:03
◼
►
Like the, I can never play these things
01:31:07
◼
►
without feeling like all I'm doing
01:31:09
◼
►
is constantly resetting a bunch of clocks.
01:31:12
◼
►
That's all this is, is just winding up a bunch of timers
01:31:16
◼
►
and waiting for them to go off.
01:31:19
◼
►
And that's what these free-to-play games are.
01:31:22
◼
►
And I know that that's fundamentally a ridiculous comparison
01:31:26
◼
►
because all video games are something like this.
01:31:29
◼
►
What are you doing collecting all those items in World of Warcraft?
01:31:32
◼
►
Like you're just manipulating true false variables in an array.
01:31:36
◼
►
You're not doing anything.
01:31:39
◼
►
All games are like this, but I personally find these games--
01:31:46
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It's just too exposed the mechanics of the game to me.
01:31:54
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It's like the curtain is pulled a little bit too far back,
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and I also think these games, by their very nature,
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lean really hard on some of the more vulnerable levers of the human mind for getting you to keep
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coming back, like to getting you to keep checking it and keep winding those clocks back up to make
01:32:19
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them go off later. So I did put it on my phone because I wanted to just play around with it for
01:32:23
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a little bit, but very quickly I was like, I just have to take this off my phone because I don't
01:32:28
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even want this kind of thing on my phone and I just left it on my iPad to kind of play around
01:32:34
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with a little bit when I was watching TV and just not doing something else. But for free to play
01:32:40
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games I will agree that it's very well designed and it does not force you to pay money to play it
01:32:48
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but it's not something that's going to stick with me for a long time. When I say I like work
01:32:53
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simulator games like this is not at all what I mean. There's no real work in it.
01:32:57
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Yeah and as dumb as it sounds like I find like it's too obviously
01:33:04
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disconnected from the things that you're doing like you press a button to make a
01:33:07
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video and then like views just like but there's it's not actually simulating any
01:33:12
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work everything is just bizarrely disconnected so that the the YouTube
01:33:17
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just feels like a very thin skin on top of all of these clocks that you're
01:33:24
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winding up right like why is this clock views like because it's YouTube themed
01:33:28
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right so it has to be views that that's why it's views you know what why do all
01:33:33
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of these things happen it's like they're all up there all a bunch of clocks but I
01:33:36
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do give it a lot of credit for the elements of designing your own rooms
01:33:42
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right and and this kind of
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wish fulfillment of like
01:33:47
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You have done this thing like you have like upgraded your computer and you've upgraded your desk
01:33:53
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And and you filled your room with all of these things that you want. Like I understand why why that is appealing
01:33:59
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I I really do and again as far as these things go it's pretty well designed, but it's not for me
01:34:04
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But I do have I do have a question for you Myke. Mm-hmm
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Where do you have more subscribers?
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YouTube or Tuber Simulator.
01:34:16
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- Tuber Simulator.
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And I think I probably always will.