83: 7 Days Out
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I come to the podcast today, Myke, a broken man.
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Physically broken.
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What'd you... you got a skiing accident or something?
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How physically broken is this physically broken?
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Is it like metaphorically physically broken?
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Or did you actually break a bone?
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I don't think so. I don't think... it can't be metaphorically physically broken.
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Well, we're gonna find out, aren't we?
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That's ridiculous.
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That's ridiculous that you could even think that someone could start a story where they're going to be metaphorically, physically broken.
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That's absurd.
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Okay, so what did you break?
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Okay, nothing's broken.
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But I'm still broken.
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I'm still a broken man.
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Metaphorically.
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Through entirely my own fault.
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And I feel like I want to impart a lesson for the listeners that I wish I myself had followed.
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And it's, it's when you're in a good routine, don't, don't let that fall apart.
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It's so easy.
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It's so easy to let it fall apart and you will regret it.
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And what, what happened to me was, I don't know, maybe like a year ago, I
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I had this massage therapist/physiotherapist that I was working with for RSI issues.
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And she was great.
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And she helped keep away all of the various problems that we have discussed many times on the show.
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And then she moved to the other side of the city and I was like, "That's too far. I'm not gonna do that."
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So, what did I do?
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What did I do, Myke?
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Instead of immediately searching out a replacement
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for this person I visited regularly every other week,
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what did I do? Nothing.
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I just was like, "Oh, I feel fine.
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I don't need to find another person to work with
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because I feel great."
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Now, of course, the reason I felt great
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is because I was working with someone.
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Right? But it's like, it's so easy to just let a thing slide.
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Whoever needs to finish a course of antibiotics, am I right?
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Yes, that's exactly it. Like, "Oh, I feel so good. I don't need these pills anymore."
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It's like, "Oh, no, but you do. You do. And particularly with antibiotics, civilization needs you to finish those pills as well."
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It's not just for you. It's for everyone.
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No more plague, please. Thank you.
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And so basically here begins the counter for when is the problem.
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Like the universe begins a countdown timer for like, well, you're going to rue this day.
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And sure enough, we eventually had the perfect storm of interactions, which was, I was working
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a lot over the two weeks where I was at home, working on the videos that just came out.
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And the perfect storm was, "Oh, hey, you know what I'm gonna do?
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You know what's a great idea, Myke?
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Why don't I animate one of these videos myself?
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I haven't done any hands-on animation in a long time.
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I feel like, you know, ooh, let me just crack my bones here.
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Let me get into this a little bit."
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"Time to get back to the craft.
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I've been away from my roots."
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"Yeah, I've been away from my roots for so long.
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Why have I been away?
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Oh, that's right, because crippling pain drove me away.
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like that is long forgotten now.
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And I thought like, oh, this is a great idea.
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Oh, you know what's an even better idea?
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Let me not use the tools that I am familiar with
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for producing animation.
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I'm going to start from scratch.
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And this is a great time at the 11th freaking hour
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to learn Motion 5, just like a whole new animation paradigm
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that I basically have no real experience with.
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- What is, who are you?
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Who are you? - Let me use this
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to produce a video.
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- What is this person that you're describing?
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Are we talking about the metaphorical person again?
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- No, this-- - What happened to you?
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I feel like you need to listen to our show more.
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- Well, this is why I'm telling this story, right?
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Because-- - Oh, this is just for you.
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- Like, this is for me to listen to
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when I'm going over your edit of the show.
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And I do think,
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I do think it's an amazing example of how,
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I don't know, like I say this all the time
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in various different ways, but like,
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you can't trust yourself and your own brain.
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Like your own brain is both like a cunning adversary
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at times, and also just the dumbest idiot
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you have to live with.
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And this is one of these cases where it's like,
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I think because I had been, now at this point,
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close to three weeks of like totally isolated,
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hadn't left my house just working 100% on this project.
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And I think I just like lost all perspective.
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And yeah, so like this is a perfect storm for thinking,
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what a great idea.
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I'm gonna learn a brand new animation tool
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to use to animate the footnote to the main video,
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because I didn't want to bother the animator
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with having to do this thing.
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And it's like, okay, well, we can work in parallel
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and this will be great.
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I'll have like, you know, one and a half kind of videos out on the day because it was more
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than just like a normal little footnote that just adds some point.
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And so then then it was like, oh, this this is like three years ago, Gray, where I'm staying
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up late at night and rushing in the morning to try to finish up the the we can describe
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them as barely competent animations for the footnote video that I put up.
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And it's like, oh, you know what happens when you're rushing?
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When you're rushing, you don't want to swap hands like you would do if you were producing
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a piece of work over a long period of time so that you can maintain yourself.
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I'm gonna use my right hand entirely.
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Oh, and of course, I don't want to switch to the pen either from my mouse because the
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pen's a little bit slower and I'm under the gun for producing this.
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So I was a man filled with regrets.
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with like all of the musculature problems in my arms that I had had like ages ago that
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I'd mostly gone away from. And then of course, didn't seek out help immediately. And then
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it starts to grow. You know, it's the thing where you're shifting your weight, you're
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moving a little strangely because one side of you is broken. And it all culminated this
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morning with my wife looking at the twisted creature that I had become and decided, she's
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like, I'm just sending you, I'm sending you to a place.
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And she sent me off and I had an encounter with a sturdy middle-aged Eastern
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European woman named Olga, who took one look at me and she said, not good.
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This is not good.
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And sorted me out in an incredibly painful way.
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But it was what I deserved after just an incredible series of dumb decisions.
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Do these things help you, these types of massages?
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Like, I feel like they've never helped me, like, for my RSI problems.
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Is there a specific type of, like, therapy that you're looking for?
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So this is the thing, like, to anybody out there, like, there's a couple of different
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things that you're trying to look for, right?
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And so there's RSI problems that are like nerve problems,
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which are the most terrifying kind of problem to have.
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And that's the kind that can manifest where like,
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you just like touching a surface can cause pain in your hand
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or like moving your arm in a certain way
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causes like nerve problems.
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And that's like a real pure RSI problem.
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And I, in my experience, and I think in your experience,
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There's basically nothing that you can do to mitigate that except just to wait.
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Like to just wait.
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Yeah, it's wait, right?
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Like I hurt myself in November for a similar reason of like, I knew that holding the Switch
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and playing it over long periods of time was a problem, but like, I really want to play
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Pokémon this way instead of using the other controller.
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So like, I'm just, if I just support it on my leg at the same time, it'd be fine.
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Wait, what is the position you were trying to do with the Switch?
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I don't understand.
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of support the weight a little bit, like in handheld mode.
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This is stupid.
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It was handheld mode.
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Handheld mode was the problem, right?
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I can play any other way except holding the console.
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Yeah, it's just too heavy.
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You can't do that for any period of time.
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Well, at least some people can, but my weak wrists cannot.
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So that one incident, that was like four or five months.
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It took me to get back to a normal level of uncomfortableness.
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And that, like, this is the, this is like the top tier scary kind of RSI that we've talked about on the show.
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Because it is like, it's very, very frightening.
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So what I'm talking about here would not help that very much at all.
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But what I sometimes get is these like, musculature problems that are like precursors
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to the next level of it's gonna be really scary.
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- Right, okay, so you notice some trends that,
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like because I haven't been dealing with this for very long,
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that maybe I could find, but haven't got to yet.
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- I think if you listen really closely
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to the way your body is under certain circumstances,
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you can start to notice this kind of stuff.
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And it is useful, but this musculature problem
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is like a precursor for me,
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and is something that I weirdly almost always
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like dumbly try to push through.
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Like, ah, no, it's fine, I'm gonna keep going
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because it doesn't start painful like RSI does.
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It just grows to be like crippling.
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But so that kind of thing, like what you're looking for
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is it's very hard to find, but you're looking for someone
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who's not like giving a massage like you see
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in an advertisement for a vacation in Hawaii, right, where there's like, "Oh, it's a beautiful
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setting and there's someone on the beach."
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Like, that's not what you're looking for and that's totally unhelpful.
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So this is the type of massage that would never be preceded by the word "couples."
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Yes, correct.
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It would never be preceded by the words "couples."
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Because nobody needs to see their partner in these types of situations.
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It's the kind of massage where you're thinking like, "Would it be inappropriate for me to
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to cry in front of this woman, right?
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Like it's, right?
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It's half physiotherapy and half like deep tissue
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pushing around, but yeah.
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Anyway, I got like, this morning,
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I got this incredibly disapproving breakdown
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from this woman who was just like,
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"Your back is terrible."
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This was a really bad situation.
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And she's straight upset.
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She's like, "Tomorrow you will have a difficult time
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moving and you should see me again next week." And I'm like, "Okay, I think I need to."
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It's good to know all of that in advance. Because sometimes I've left these situations
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and they're like, "All right, great. So see you next week." And it's like, "Oh, but I
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can't move until then, right? That's the thought you didn't tell me."
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But yeah, so even if you run a podcast where you talk about RSI and have routine discussions
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about trying to be intentional with your decisions and thoughtful about what you do and maintain
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a career over a long period of time and how to manage and delegate work, under the right
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circumstances you too can do the dumbest thing imaginable and pay severely for it.
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I would like to return to reviewing app icons as it seems to have been a weekly segment
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Oh, okay. Who is in the target today, Myke?
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I didn't particularly want to have to keep coming back to this well, but...
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Microsoft gave me an opportunity here which I feel like I just couldn't pass up.
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So as you know I have been using Outlook recently to manage the Cortex brand email that people
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have been sending in.
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So Microsoft decided to change Outlook's icon.
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So I want to provide to you a before and after just so you can, because I know you won't
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use an Outlook, and I just want you to get the full glory of what they've done here.
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So I've given you some links here,
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so these will also be in our show notes.
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Click the before and you take a look.
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- All right, so I've clicked the before.
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- It has all the hallmarks of an email app.
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It's blue and there's an envelope.
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- Right, yes, I was gonna say, as we discussed previously,
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for big corporations, you have two options,
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which is the white and primary colors, or all blue,
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and Microsoft has gone for all blue with Outlook.
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- And then they have that weird door-looking shape
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with the letter O on it, but that's very normal
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for Microsoft Design Language
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across their Office 365 suite of products.
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- I was gonna say, is that a piece of paper?
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Is that what that's supposed to be?
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Is that a piece of paper you're gonna put in the envelope?
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- I don't know what they're supposed to be, honestly,
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but that is the kind of design aesthetic
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that Microsoft's been going for for a while
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with their icons on all platforms.
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- Do they have one of those with an E for Excel?
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- Yeah. - Okay.
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- Yeah, they do.
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- I guess it's a spreadsheet then.
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What are the four? It's Word, Excel, PowerPoint.
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What's the other one? Access? Is that what the other one is?
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Like, do they all have the little rectangle like this with a letter on it?
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- Wait, isn't it Outlook? Isn't Outlook the fourth one?
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Yeah, Outlook, Word, Excel, PowerPoint, and then you're right, Access.
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But I don't know what that is. Access!
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- It's a database program. - OK.
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- Which Excel completely isn't. Nobody uses Excel like a database.
00:16:29
◼
►
- The icon should have told me it was a database because it's a stack of circles.
00:16:34
◼
►
which denotes database.
00:16:36
◼
►
But they all have this, right?
00:16:37
◼
►
They have like this letter on like a door kind of thing.
00:16:42
◼
►
It's like opening to Outlook's an envelope,
00:16:45
◼
►
Word is a piece of paper with some lines on it,
00:16:48
◼
►
PowerPoint is a pie chart, that kind of thing, right?
00:16:51
◼
►
- Oh, I see.
00:16:52
◼
►
Okay, it's a door revealing the app.
00:16:54
◼
►
Very clever Microsoft. - That's what I think it is.
00:16:56
◼
►
- Very clever.
00:16:57
◼
►
I thought it was a letter being stuffed in that envelope,
00:16:59
◼
►
but obviously not.
00:17:00
◼
►
Okay, got it.
00:17:00
◼
►
Outlook, blue, it's very blue.
00:17:03
◼
►
- All right, so now I want you to click on the after.
00:17:09
◼
►
Oh, wow, Microsoft, I'm gonna say it, Myke.
00:17:12
◼
►
Microsoft has forged a new path in corporate design language
00:17:17
◼
►
by combining the two aesthetics.
00:17:22
◼
►
It's blue on a white background.
00:17:25
◼
►
- But now the envelope's blue, which doesn't make any sense.
00:17:28
◼
►
Why is the envelope blue?
00:17:30
◼
►
I want to read to you the way that Microsoft described this.
00:17:34
◼
►
- Okay. - All right?
00:17:36
◼
►
We've updated our icon to reflect how we bring email
00:17:39
◼
►
and calendar together with carefully crafted experiences.
00:17:43
◼
►
Yeah, apparently that honor our office heritage
00:17:47
◼
►
and welcome the future.
00:17:49
◼
►
- So it is an envelope of which a pentone color sheet
00:17:53
◼
►
is coming out of, but which is apparently supposed
00:17:55
◼
►
to be a calendar.
00:17:57
◼
►
- That is totally a pentone color sheet.
00:17:59
◼
►
Yeah, that's not a calendar.
00:18:00
◼
►
not a calendar, with now a smaller O in a traditional app icon shape, which is now flat,
00:18:08
◼
►
it's not a door, sitting on top of it. So there's a couple of things happening here.
00:18:13
◼
►
One, just massively different. Two, none of the other Microsoft apps have updated. So
00:18:19
◼
►
have the Outlook team gone rogue? What is happening over here? All the old apps look
00:18:25
◼
►
the same, right? They have the doors.
00:18:28
◼
►
Well, I mean, they must be following Slack's new design principle, which is that our app
00:18:35
◼
►
icons in unifying them will now look different on each platform that you use them. So it's
00:18:42
◼
►
like our office suite looks the same everywhere except for Apple.
00:18:45
◼
►
As an update, like just as a continuing update in the Slack saga, the Mac app still purple.
00:18:51
◼
►
Yeah, I think that's not changing. I think it's just going to stay purple forever.
00:18:54
◼
►
But you know, #consistencyinicondesign, as Slack were looking for.
00:19:00
◼
►
So yeah, this Outlook logo, it's like, I don't have a particular issue with this
00:19:07
◼
►
I think it's fine.
00:19:08
◼
►
What I think what I find weird about it is they made such a huge change, and then also
00:19:14
◼
►
the way they described it.
00:19:15
◼
►
It's just like, that's not a calendar.
00:19:19
◼
►
And also, again, why is the calendar coming out of the envelope?
00:19:24
◼
►
Because the thing is, is like, alright, so you're trying to say we're combining these
00:19:30
◼
►
Alright, let's go down that line of thinking for a moment, that you're combining calendar
00:19:35
◼
►
Visually, what you were showing me is that the calendar doesn't fit inside of the envelope,
00:19:40
◼
►
which by the extension of your own metaphor, proves the point that your email and your
00:19:44
◼
►
calendar probably shouldn't be in the same app.
00:19:48
◼
►
Because it doesn't fit, is what you're showing me.
00:19:52
◼
►
- Yeah, it's like the image should be, you know,
00:19:57
◼
►
an envelope lying on top of a calendar,
00:20:00
◼
►
like lying on top of a grid or something.
00:20:02
◼
►
- Sure. - Yeah, and--
00:20:04
◼
►
- I mean, what it should be is none of those things,
00:20:07
◼
►
and you should actually try and come up with a logo for it
00:20:10
◼
►
that doesn't have an envelope.
00:20:11
◼
►
- Myke, I don't know if you can expect corporate America
00:20:15
◼
►
to find their email if you don't have an envelope
00:20:18
◼
►
on their icon, that's outrageous.
00:20:21
◼
►
I just wished that like we could define email to be its own thing rather than letters when
00:20:32
◼
►
that just doesn't make sense anymore.
00:20:34
◼
►
I'm gonna I'm gonna disagree with you here.
00:20:36
◼
►
I'm gonna disagree with you here because letters are I mean they're verging on so
00:20:41
◼
►
anachronistic that it it is email right when was the last time you sent a letter?
00:20:48
◼
►
You're asking the wrong guy.
00:20:50
◼
►
Well I've got my pen and paper guy. Like, letters come by my way. Right? Like, this
00:20:56
◼
►
is a thing. Like, I still receive handwritten letters from people.
00:21:03
◼
►
Right? So like, you just... I'm a different beast.
00:21:06
◼
►
I'm gonna send you a handwritten letter.
00:21:08
◼
►
Please do. I would genuinely love to attempt to decipher your handwriting, which I've never
00:21:12
◼
►
seen but can only assume is just a nightmare.
00:21:15
◼
►
You must have seen my handwriting. My handwriting is great.
00:21:18
◼
►
Alright, send me a letter then.
00:21:20
◼
►
Please, I would love that. I'll attempt to read it live on the show, that'd be great.
00:21:25
◼
►
I get your point, right? Like it's the idea of like cut and copy and paste and all that
00:21:29
◼
►
kind of stuff, right? Or like the save icon being a floppy disk. I understand all of that.
00:21:34
◼
►
I would just like to see a new interpretation. Like I would just like to see what somebody
00:21:39
◼
►
could actually do if they weren't attempted to be bound by this, right? Because email
00:21:48
◼
►
a particular look to it, right? We all know what an email is. Email apps all have a particular
00:21:56
◼
►
look to them of these lists of little rectangles. I just think that no large email app uses
00:22:08
◼
►
actual envelopes in the UI. It's just the logo. So give me something else that represents
00:22:14
◼
►
what an email is. I would like to see that.
00:22:16
◼
►
Yeah, the problem, like, don't get me wrong, I'd be very interested to see what people could come up with as the idea for an abstract representation of email.
00:22:30
◼
►
But I think your idea that email looks like anything is misguided,
00:22:37
◼
►
because we're really just looking at all of the...
00:22:41
◼
►
We're looking at the way information is displayed on modern computers,
00:22:49
◼
►
which follows these same kind of table layouts and view columns.
00:22:54
◼
►
There's not actually a lot to work with.
00:22:56
◼
►
I guess the problem would be that it would also look like all messaging apps.
00:22:59
◼
►
Yeah, it looks like almost anything that's a table view of information, right?
00:23:03
◼
►
It's like, it doesn't look that different from iMessage.
00:23:06
◼
►
It doesn't look that different from a whole bunch of other stuff.
00:23:08
◼
►
So, like, email feels a certain way in your head, but that's different from email having a genuinely distinctive visual look that separates it from other things.
00:23:21
◼
►
Anyway, I give Microsoft real points here for this bold combination of the giant corporate
00:23:30
◼
►
aesthetic looks of blue on a white background.
00:23:34
◼
►
I predict that this is going to be a trendsetter.
00:23:39
◼
►
I predict that we will see companies that have been just all blue thinking we're going
00:23:47
◼
►
to mix it up and we're going to do blue on white.
00:23:50
◼
►
I think Microsoft is starting a trend here.
00:23:52
◼
►
That's definitely what we wanted.
00:23:54
◼
►
Talking about things we wanted.
00:23:56
◼
►
The iPad Mini now supports the Apple Pencil.
00:24:00
◼
►
I'm not quite sure they were things that we wanted, but...
00:24:04
◼
►
The royal we.
00:24:05
◼
►
Right, within the grey household, there were literal yelps of excitement
00:24:10
◼
►
upon the announcement of an iPad Mini with Pencil support.
00:24:15
◼
►
Great, that's good news. I'm pleased that that has remained
00:24:18
◼
►
because in the Hurley household,
00:24:20
◼
►
the iPad mini has been cast aside for the 10.5 inch iPad Pro
00:24:25
◼
►
so the previous iPad Pro to the current ones,
00:24:28
◼
►
but when it looked like the iPad mini
00:24:31
◼
►
was maybe never gonna come,
00:24:33
◼
►
I was just like, look, I have bought a new 11 inch iPad,
00:24:37
◼
►
this 10.5 inch iPad is brilliant, just take this,
00:24:42
◼
►
try this, see if it works for you, ended up working.
00:24:46
◼
►
I told it to her about the new iPad mini.
00:24:48
◼
►
She was like, "I like this one now."
00:24:50
◼
►
- Oh, interesting. - Yeah, yeah.
00:24:52
◼
►
- Interesting.
00:24:53
◼
►
We've got one ordered.
00:24:53
◼
►
I'm very happy about that because for what,
00:24:59
◼
►
I've been hearing nothing but grumbles about,
00:25:01
◼
►
"When are they gonna update this thing?"
00:25:02
◼
►
And I want it with a pencil.
00:25:04
◼
►
- And I've been playing the role of,
00:25:07
◼
►
"You're never gonna get what you want."
00:25:10
◼
►
We all have to move on sometimes in life.
00:25:14
◼
►
But luckily this time I was wrong.
00:25:16
◼
►
So I'm really thrilled that they've made it.
00:25:18
◼
►
I still think iPad mini is a great little size.
00:25:22
◼
►
I think it's really interesting that it's,
00:25:26
◼
►
they're keeping pencil generation one support for it.
00:25:29
◼
►
So it doesn't work with the new generation two pencil.
00:25:33
◼
►
- Well, yes.
00:25:34
◼
►
- I think it's interesting because it's Apple,
00:25:36
◼
►
my interpretation anyways, it's Apple wanting to maintain,
00:25:40
◼
►
we didn't have to change the case of the iPad mini.
00:25:43
◼
►
So they keep the costs down and all that kind of stuff.
00:25:46
◼
►
I mean, it's also a separation between the Pro and the other line, because they also
00:25:50
◼
►
bought in an iPad Air, which replaced the old iPad Pro.
00:25:54
◼
►
They kept the old iPad Pro around for a while, and now they've replaced it with a product
00:25:58
◼
►
called the iPad Air, which is better in some ways, worse in others.
00:26:01
◼
►
But now there is an iPad that isn't Pro that has a smart keyboard and a pencil.
00:26:07
◼
►
But they're not the new versions of those things.
00:26:09
◼
►
Oh, the... okay, so I paid exactly zero attention to the other iPad.
00:26:14
◼
►
So that one also uses the Generation 1 pencil?
00:26:16
◼
►
It also uses the Generation 1 pencil, yeah.
00:26:18
◼
►
Hmm, okay, that makes more sense then.
00:26:20
◼
►
That makes more sense.
00:26:21
◼
►
So I think what...
00:26:22
◼
►
So there's a couple of things.
00:26:24
◼
►
One, they want to keep those cases as they are so they don't need to change them.
00:26:28
◼
►
Keeps the cost down.
00:26:29
◼
►
Two, the new iPad Pro with its induction charging and stuff like that,
00:26:35
◼
►
that is like a special thing to the expensive products.
00:26:38
◼
►
Right, right.
00:26:39
◼
►
If you're already giving the other products things that the pros used to have, now you
00:26:43
◼
►
need to define more about what the iPad Pro is.
00:26:46
◼
►
So currently that is USB-C, induction charging, super thin, sleek design, you know, like that
00:26:52
◼
►
kind of stuff.
00:26:53
◼
►
So they've definitely brought these products into the modern, which I think is fantastic.
00:26:58
◼
►
Like they're also super powerful.
00:27:00
◼
►
They have the same chips that the iPhones currently do in them, which that says very
00:27:06
◼
►
good things for the iPad this June. They felt the need to bump all of the current products
00:27:12
◼
►
to much more powerful CPUs, except the low end iPad has remained unchanged, but it was
00:27:17
◼
►
still pretty fine. So yeah, I'm excited about that. But yeah, I think that that little iPad
00:27:23
◼
►
Mini of an Apple Pencil could be really cool. I have not ordered one, but I do want to try
00:27:29
◼
►
it out because I'm very intrigued about a device as small as that which can do full
00:27:36
◼
►
multitasking, it has the same multitasking, you can have two apps open and a slide over
00:27:41
◼
►
app because it's got the RAM, it's got the CPU for it. And also it can fit basically
00:27:46
◼
►
in my hand to a degree and I can make notes on it and stuff like that. I am intrigued
00:27:53
◼
►
by this device. I did kind of spec one up price-wise and to get it with the larger storage
00:28:00
◼
►
and with LTE and to get a smart cover and if I don't think I have a spare Apple Pencil
00:28:05
◼
►
anymore we're looking at £900. So I was like I need to go and try this thing out first
00:28:11
◼
►
because that seems like too much.
00:28:13
◼
►
That's a little pricey to just play around with.
00:28:15
◼
►
Yeah so I want to kind of get a feel for it like what does it feel like because it might
00:28:20
◼
►
just be for me it's like this combination doesn't work because I think that that Apple
00:28:24
◼
►
Pencil is too physically large to use on a device so small but we'll say. I think that
00:28:30
◼
►
the Apple Pencil could always have done with being a bit smaller, the original one, and
00:28:35
◼
►
I think that the balance might be really weird, like, because the Apple Pencil will be like,
00:28:41
◼
►
as big as the iPad, and I'm wondering if that's gonna feel strange, considering like, you
00:28:46
◼
►
probably can't really rest your hand on it to write, so I'm just intrigued as to how
00:28:51
◼
►
that actually feels to use, but I think it's great to have... I'm pleased the iPad Mini's
00:28:57
◼
►
not gone. And I hope that this means that in a couple of years they'll make it look
00:29:02
◼
►
more modern. So here's something funny about this I saw in a review today. The home button,
00:29:08
◼
►
that is a physically moving button.
00:29:10
◼
►
Oh wow, okay.
00:29:12
◼
►
Because they didn't change it. It's not the button that pretends to move, it actually
00:29:18
◼
►
physically moves. I was like, wow, that's wild. It's been a long time since I've had
00:29:25
◼
►
a device that did that.
00:29:26
◼
►
Yeah, it has been a long time. I'm actually glad to hear it because I never warmed to those fake
00:29:32
◼
►
buttons on the phone. I just never... Like it was 80% of the way there, but not enough. So I was
00:29:39
◼
►
happy when we moved to no button. But no, I'm really thrilled that the Mini is still around.
00:29:44
◼
►
I think it's a great little size to act much more like a little notebook to carry with you.
00:29:53
◼
►
And so when my wife gets hers,
00:29:55
◼
►
I'll be very interested to play around with it.
00:29:58
◼
►
I cannot foresee getting one for me
00:30:03
◼
►
because I think I would again go crazy
00:30:06
◼
►
on the difference between the two different pencils.
00:30:09
◼
►
And I've also gotten so used to Face ID
00:30:12
◼
►
that its absence is abhorrent to me.
00:30:15
◼
►
I'm still annoyed at my computers all the time.
00:30:17
◼
►
Like you're looking right at me computer.
00:30:19
◼
►
And so in my heart of hearts,
00:30:21
◼
►
I will still be holding out for pencil support on the phone at some point for what could
00:30:27
◼
►
be a tiny little notebook that I carry with me.
00:30:29
◼
►
But I'm really glad that they haven't abandoned the mini form factor.
00:30:33
◼
►
I know a lot of people who were really heartbroken that it hadn't been updated and I think this
00:30:39
◼
►
is great and I'll be very curious to see one when it arrives in the grey household.
00:30:46
◼
►
I want to tell you a little story.
00:30:49
◼
►
this this iPad mini was released as part of like a week-long super wild set of circumstances
00:30:57
◼
►
from Apple. I should note that we are recording this episode before Apple has a big event
00:31:04
◼
►
because this episode will come out after that so it's just worth mentioning that kind of
00:31:08
◼
►
timeline wise. Yeah you say big event but I hadn't heard about it until you mentioned
00:31:12
◼
►
it. Because you don't go on the internet like you don't... I had to tell you about the iPad
00:31:18
◼
►
Mini being released. You don't know anything. You don't ever go online.
00:31:21
◼
►
Okay, that is also true. You did have to tell me about the iPad Mini.
00:31:24
◼
►
And WWDC tickets being announced.
00:31:26
◼
►
And yeah, that is true. You also did tell me about WWDC tickets.
00:31:30
◼
►
Anyway, I think Apple needs to do more promo. That's all I'm saying.
00:31:33
◼
►
Direct one on one.
00:31:34
◼
►
This episode of Cortex is brought to you by a new sponsor, Luna Display.
00:31:40
◼
►
They're the makers of the only hardware solution that turns your iPad
00:31:45
◼
►
into a wireless display for your Mac.
00:31:48
◼
►
Now, what does that mean? Luna sent me a copy of their little Luna display kit to try out.
00:31:53
◼
►
And what it is is just a little dongle that I can plug into my laptop
00:31:56
◼
►
that then communicates wirelessly with my iPad
00:32:00
◼
►
and gives me a whole second display on my iPad for my Mac.
00:32:04
◼
►
Now, you may be thinking, "I'm sure I've heard that you can do this kind of stuff before."
00:32:09
◼
►
And I have tried it in the past.
00:32:11
◼
►
But it's never really been great.
00:32:15
◼
►
And I don't know what Luna has put in their little dongle that I connect to my Mac,
00:32:19
◼
►
but it must be magic.
00:32:21
◼
►
Because this is the first product like this that I actually really like,
00:32:26
◼
►
works fantastically, just is lagless,
00:32:29
◼
►
and you can genuinely use as a secondary monitor for your laptop.
00:32:34
◼
►
I already am dreadfully building up towards some big summer trips,
00:32:38
◼
►
and on those I always bring my Mac and I bring my iPad,
00:32:42
◼
►
And sometimes it feels kind of dumb and redundant to have both of these things.
00:32:45
◼
►
But having the Luna Display with me now is going to mean that I can genuinely
00:32:50
◼
►
have a little mini two-screen computer setup everywhere during the trip.
00:32:55
◼
►
And it's going to be really great for when I'm in one place for a while
00:32:58
◼
►
and can really set up like a little remote mobile office.
00:33:01
◼
►
So I really like it. And if you've ever wanted to try out an iPad
00:33:05
◼
►
as a second display for your laptop or your computer,
00:33:09
◼
►
either because you don't want to buy a really expensive display when you already have an iPad,
00:33:13
◼
►
or if it, like me, is something you want to do while you're traveling,
00:33:16
◼
►
totally get Luna Display.
00:33:18
◼
►
As a Cortex-in, you can get an exclusive 10% discount on Luna Display.
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Just go to lunadisplay.com and enter the promo code "CORTEX" at checkout.
00:33:27
◼
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Before you ask, it supports all the things you might expect.
00:33:30
◼
►
It means you can use an external keyboard.
00:33:32
◼
►
It also means you can use the Apple Pencil on your iPad
00:33:36
◼
►
as part of your laptop or Mac and all of the regular touch interactions.
00:33:40
◼
►
So this actually also turns your Mac into a kind of touchscreen device.
00:33:45
◼
►
It's really fantastic. I highly recommend it if you want to do this kind of thing.
00:33:48
◼
►
So again, go there now to lunadisplay.com and upgrade your setup.
00:33:55
◼
►
You're going to love it. Just use the promo code "CORTEX" to get 10% off at checkout.
00:34:01
◼
►
That's lunadisplay.com promo code "CORTEX".
00:34:05
◼
►
Thanks to Luna Display for their support of this show and all of Relay FM.
00:34:10
◼
►
It was also part of the week of product releases.
00:34:14
◼
►
There was some updates to the iMac.
00:34:17
◼
►
And as part of the press related to the iMac,
00:34:22
◼
►
on another show that I do called Upgrade,
00:34:24
◼
►
we were granted an exclusive interview with the iMac product
00:34:28
◼
►
manager at Apple, which was a very exciting thing for me
00:34:34
◼
►
This is with a woman whose name is Colleen Novielli,
00:34:37
◼
►
and she runs the iMac team.
00:34:39
◼
►
That's very exciting. That's a good get.
00:34:41
◼
►
It was a very good get. We were very excited about it.
00:34:43
◼
►
So this was, Jason got to interview in person with her.
00:34:48
◼
►
So they had a good chat and it was as part of an overall episode that we did,
00:34:52
◼
►
which also included a draft, which we do drafts as predictions.
00:34:56
◼
►
It's like a different way of doing predictions for the events.
00:35:00
◼
►
And they're always fun to do.
00:35:01
◼
►
There is an interesting Cortex story here, which is
00:35:06
◼
►
working to the craziest kind of deadline that I can possibly have, which is an embargo time from Apple.
00:35:15
◼
►
There is no bigger deadline that could occur in my life than that one.
00:35:21
◼
►
And if you don't know what that means...
00:35:22
◼
►
Yeah, I was gonna say, explain to the listeners what the Apple embargo deadlines are.
00:35:26
◼
►
Basically, this interview was done before the world knew that the iMac was being updated.
00:35:34
◼
►
So we were given a time that we could publish our episode at.
00:35:39
◼
►
Because we couldn't talk about it beforehand, because then we would be breaking the news
00:35:45
◼
►
and Apple like to at least be with the first round.
00:35:49
◼
►
So they had a time in the morning that they were publishing their press release
00:35:53
◼
►
and we could publish at that time though earlier.
00:35:55
◼
►
But what that also means for us is no later.
00:36:03
◼
►
If you have an embargo, you want to be first.
00:36:07
◼
►
You want to be out first,
00:36:09
◼
►
or basically as soon as possible.
00:36:13
◼
►
You may be second, but it's all at the exact same time,
00:36:15
◼
►
so it's first, right?
00:36:16
◼
►
- Yeah, and if Apple has given you access like that,
00:36:20
◼
►
you don't want to publish the next day.
00:36:24
◼
►
- You want to publish it the moment you possibly can,
00:36:28
◼
►
so that you're part of the wave
00:36:31
◼
►
of this product exists in the world.
00:36:33
◼
►
Yeah, and this was the first time that we got to do that,
00:36:35
◼
►
that we got to actually have a representative
00:36:38
◼
►
from Apple Inc. on our show.
00:36:41
◼
►
So I wanted to do it properly.
00:36:43
◼
►
But there were a lot of interesting wrinkles
00:36:47
◼
►
in this situation.
00:36:49
◼
►
One of them was that I was in Romania.
00:36:54
◼
►
- And, so not only is that two hours away from London,
00:37:01
◼
►
The US has undergone the switch to Daylight Savings Time.
00:37:05
◼
►
So I was three hours further away than usual.
00:37:10
◼
►
And Jason was given a specific time to perform this interview.
00:37:17
◼
►
So what it meant was I needed to be ready to be recording
00:37:23
◼
►
sometime between 1 and 4 a.m.
00:37:28
◼
►
because I had to record with him after the interview.
00:37:34
◼
►
- Because neither of us knew
00:37:35
◼
►
what was gonna be happening, right?
00:37:44
◼
►
- So right, so this was the situation.
00:37:45
◼
►
So Jason was given the information
00:37:48
◼
►
and then we could record our part of the episode.
00:37:51
◼
►
So it was, but it was also one of these things of like,
00:37:53
◼
►
we didn't really know when he was gonna be available.
00:37:56
◼
►
We didn't know how long the interview was gonna take.
00:37:58
◼
►
were kind of just waiting. We started at like 3.20, I think, until 4. And then I had to
00:38:06
◼
►
wake up the next morning to edit it all to get it ready to be published. Now we did actually
00:38:14
◼
►
work a little bit in our favor. We recorded the episode of a multiple days.
00:38:19
◼
►
Okay. All right. So the other, you broke up the other parts of the show so that you weren't
00:38:23
◼
►
doing it all at four in the morning.
00:38:25
◼
►
The other sections were all done at different times.
00:38:28
◼
►
So this was like the pre-planning, because we were given some notice, like this wasn't
00:38:32
◼
►
completely sprung enough.
00:38:34
◼
►
We had some time to plan, so we sat down and we planned it out, right?
00:38:39
◼
►
We know it's going to be difficult, anything that we need to record as part of the announcement,
00:38:43
◼
►
because it's going to be a time that nobody knows when it's going to be.
00:38:46
◼
►
So what parts can we record in advance?
00:38:49
◼
►
So we did that, and then we recorded the other part afterwards, and then it was a case of
00:38:53
◼
►
me waking up and getting everything ready and I've never checked a file more than that one.
00:38:58
◼
►
And also as well, I had a kind of just a wild recording setup whilst in the hotel room in
00:39:08
◼
►
Romania. Let me see if I can send you a picture of it. I think I have a picture here.
00:39:12
◼
►
I was gonna say, please tell me that you knew this was going to happen before
00:39:16
◼
►
you went off to Romania. So you were at least prepared with gear.
00:39:19
◼
►
that is that's not a problem that was never going to be a problem because i was always recording
00:39:24
◼
►
something there right like i was taking my gear because i did two shows there anyway i knew i was
00:39:29
◼
►
going to be doing two shows there i didn't know when we originally planned it of course that this
00:39:34
◼
►
was going to be what the show was going to be about but oh that that is a sad podcasting setup
00:39:39
◼
►
yeah we we didn't necessarily consider that we would need a room of a desk in it right because
00:39:47
◼
►
because most hotels do.
00:39:50
◼
►
So I was able to pull this little table
00:39:52
◼
►
and sit on a couple of cushions,
00:39:54
◼
►
but I had to cross my legs in underneath the table
00:39:58
◼
►
to get the microphone close enough to me,
00:40:00
◼
►
which was on a stand on the table.
00:40:02
◼
►
So yeah, it was just one of those things where it's like,
00:40:07
◼
►
I have a very interesting job
00:40:08
◼
►
that's considered glamorous, I think, by some people,
00:40:13
◼
►
'cause I make entertainment.
00:40:15
◼
►
Sometimes it's not glamorous.
00:40:16
◼
►
And like this reminds me, there was an,
00:40:18
◼
►
I can't remember who it was, but like a,
00:40:20
◼
►
an author, like a guy who writes for TV
00:40:24
◼
►
that I saw tweeting about, oh this was Stephen Merchant.
00:40:27
◼
►
I saw him, he posted this on Instagram a while ago.
00:40:31
◼
►
I'll find it for the show notes,
00:40:32
◼
►
but like it was a little video that he made
00:40:35
◼
►
of writing a movie script in hotel rooms.
00:40:38
◼
►
Because he's a super tall guy,
00:40:39
◼
►
so he can never fit under any desks.
00:40:41
◼
►
So he's like turning over trash cans
00:40:44
◼
►
and propping them up on like beds or like room service trays.
00:40:48
◼
►
And it's just like, it is funny where it's like
00:40:50
◼
►
the perception that sometimes you have
00:40:52
◼
►
of the way that people make a thing is so different
00:40:56
◼
►
to the realities of traveling while working.
00:41:02
◼
►
- Here, everything is set up perfectly
00:41:04
◼
►
and it looks probably how you would imagine it.
00:41:06
◼
►
There's all these blinking lights and boxes that I've got.
00:41:09
◼
►
And I got like a boom arm and my microphone's hanging off
00:41:12
◼
►
and I've got this big corner desk
00:41:13
◼
►
and everything I could need is around me.
00:41:15
◼
►
But when you travel and work,
00:41:18
◼
►
you are at the whims of whatever the room you've got.
00:41:21
◼
►
Because everyone's gone through this,
00:41:24
◼
►
the pictures on the website, that's not what you're getting.
00:41:28
◼
►
Right, so this was just the situation.
00:41:32
◼
►
I just don't think we really thought about a desk
00:41:35
◼
►
for this trip, but future trips we will do that
00:41:39
◼
►
because if I'm gonna be working.
00:41:41
◼
►
But yeah, this was just a wild setup for me.
00:41:43
◼
►
That does not look like a comfortable position to be in for recording for a long time.
00:41:48
◼
►
I did one stint of one hour and then another stint of two hours.
00:41:54
◼
►
I'm not exactly sure if the audience thinks of podcasting as a glamorous profession in
00:42:03
◼
►
the way that say script writing for Hollywood is romanticized.
00:42:07
◼
►
I'm not comparing them or at least I should say like cushy, right?
00:42:11
◼
►
that you're not particularly working in very strenuous conditions.
00:42:15
◼
►
The thing that this is making me think of is also like every time there's a YouTuber
00:42:21
◼
►
conference, but people still want to make videos while they're on the road. And I have
00:42:25
◼
►
seen many a hilarious photo of people basically taking the blankets from the bed and building
00:42:35
◼
►
a little fort in the middle of the room like you would as a child to try to get a space
00:42:42
◼
►
in which you can record audio for like the voiceover for video.
00:42:47
◼
►
And it is hilarious to me sometimes like I know videos that have millions of views on
00:42:52
◼
►
them where it's like oh and they recorded it like in a little in a little child's bedsheet
00:42:57
◼
►
fort in their hotel room during VidCon right just to try to get something up it's like
00:43:03
◼
►
know, like, oh, these major productions is like, yes, but in hotel rooms, it's often
00:43:08
◼
►
very improvised.
00:43:11
◼
►
But it was a great thing to be able to do. I just hope that if it ever happens again,
00:43:16
◼
►
I can at least be in my home office and studio. You take these things where you can get them.
00:43:22
◼
►
Sometimes they're on the floors of Romanian hotel rooms.
00:43:24
◼
►
Yeah, but that's exciting. Like it's a really big landmark for Relay to have this. How do
00:43:29
◼
►
you feel to be involved in the breaking of news?
00:43:33
◼
►
But the breaking of news is different. So like there's been times in the past where Jason has
00:43:37
◼
►
had review units and stuff like that, but this was like straight up.
00:43:41
◼
►
Yeah, that's different though.
00:43:42
◼
►
Nobody knows about this thing, but they're going to find out about it from the show.
00:43:46
◼
►
It was actually very fun. I liked the thing that I hoped would happen,
00:43:51
◼
►
which is I heard from many upgradeans, which is like Cortexens, as in the name for the listeners.
00:43:59
◼
►
where many Upgradients were tweeting at me and saying, "I heard about this news from the show!
00:44:06
◼
►
I had no idea it was gonna-" Oh, that's fun. That's really fun.
00:44:08
◼
►
So they saw the episode because the episode was a day late, so people were waiting for it.
00:44:13
◼
►
And so they pressed play and within 30 seconds we're mentioning this news, right? And so that
00:44:20
◼
►
was fun for me and I guess for other people where it's like this is how they found out about it.
00:44:24
◼
►
So yeah, it was it was really great.
00:44:27
◼
►
I was very pleased that we got to do it.
00:44:28
◼
►
I hope that we get to do things like this again in the future.
00:44:31
◼
►
Who knows? I hope so.
00:44:34
◼
►
But it was cool for me and for us especially, because
00:44:38
◼
►
the the woman that we had on, Colleen, this was her first public appearance.
00:44:43
◼
►
So she had never done anything before where people would know about her.
00:44:48
◼
►
Right. So that was really great for us.
00:44:52
◼
►
I was actually very excited when I found this out,
00:44:57
◼
►
like when we found out that it's like,
00:44:59
◼
►
"Okay, this is gonna be somebody
00:45:00
◼
►
"who people haven't heard from before."
00:45:03
◼
►
Because that was like,
00:45:04
◼
►
"Okay, so we're not gonna have Tim Cook on the show."
00:45:08
◼
►
Like that's not gonna happen.
00:45:10
◼
►
And maybe there are other executives that could be,
00:45:12
◼
►
but it's like, I think I kinda like the idea
00:45:15
◼
►
of somebody that is new,
00:45:18
◼
►
rather than someone that you've heard from a bunch of times.
00:45:21
◼
►
- Yeah, it's nice being the introduction platform
00:45:23
◼
►
for someone who's new.
00:45:24
◼
►
That's a nice thing to be able to do.
00:45:26
◼
►
- Yeah, so that was also just like a nice little
00:45:28
◼
►
silver lining to the whole thing, really.
00:45:31
◼
►
The interview went really well, Jason did a great job.
00:45:34
◼
►
I'm very pleased with how it all turned out
00:45:36
◼
►
and people seem to be really excited about it,
00:45:38
◼
►
which I like a lot.
00:45:39
◼
►
I like that it makes our existing listeners
00:45:41
◼
►
really excited too.
00:45:43
◼
►
They come along on the ride with us, so it was fun.
00:45:45
◼
►
- Oh, that's great, that's super exciting, Myke.
00:45:48
◼
►
Yeah, but yeah, crazy deadline. That is the biggest, that is one of the most important deadlines I've ever been a part of, personally.
00:45:55
◼
►
Nice and low stress, huh?
00:45:57
◼
►
I cannot tell you how scared I was working in our publishing system.
00:46:01
◼
►
Oh man, yeah. This is especially not a time to play around with the scheduled release of episodes.
00:46:08
◼
►
Oh, no way. No way.
00:46:10
◼
►
But just in like the file naming, right, to make sure that it wasn't completely obvious
00:46:16
◼
►
in case someone was looking for it and then like just working in the system to get like
00:46:22
◼
►
everything needed so I could press the publish button without pressing the publish button.
00:46:29
◼
►
For people who've never done this kind of web publishing either like with podcasts or
00:46:32
◼
►
with videos, it is always terrifying when you have something ready in advance but you
00:46:38
◼
►
want it to go out at a particular moment.
00:46:40
◼
►
Cause it just, it always feels like, I don't know, like these buttons are there.
00:46:46
◼
►
Just, just waiting for you to accidentally hit them and really screw yourself up.
00:46:51
◼
►
Or it's just like, it's so easy to not notice that a thing is, is set to go out.
00:46:57
◼
►
Uh, without your intervention or like, or like, uh, what you just said there.
00:47:01
◼
►
Oh, the it's not published, but the totally obvious URL is open to the
00:47:06
◼
►
public if anyone was just to type it in.
00:47:08
◼
►
Like there's so many ways it can go wrong
00:47:11
◼
►
that I do not envy your position there of like,
00:47:16
◼
►
please don't let me be the show
00:47:18
◼
►
that messes up Apple's embargo deadline.
00:47:21
◼
►
- Yes. (laughs)
00:47:22
◼
►
We're gonna give you a try on this one.
00:47:24
◼
►
Oh, you've ruined it.
00:47:26
◼
►
- Yeah, especially for your first one out the gate.
00:47:31
◼
►
Like I don't think Apple
00:47:31
◼
►
would be calling you back anytime soon.
00:47:34
◼
►
- It was one personal victory I had in all of this.
00:47:37
◼
►
I was the first tweet in my own public timeline.
00:47:44
◼
►
Right, like I did it at the right time, but like for me, I was first.
00:47:48
◼
►
And as you can imagine, I follow a lot of technology people and publications,
00:47:51
◼
►
but like our one, the Relay FM tweet was like the first tweet.
00:47:54
◼
►
I was like, I had the iPhone in front of me and I was watching the clock icon.
00:47:58
◼
►
And as soon as it got there, hit it.
00:48:01
◼
►
While sitting in a hotel room somewhere in Romania.
00:48:06
◼
►
- Cortex merch.
00:48:07
◼
►
- Cortexmerch.com.
00:48:11
◼
►
The subtlety is back by popular demand.
00:48:13
◼
►
We're doing another run of the subtlety.
00:48:16
◼
►
We've been, this was one of those products
00:48:18
◼
►
that seemed to get more popular after the first sale,
00:48:21
◼
►
which was fun, and I think that was because
00:48:22
◼
►
it is an amazing t-shirt, and when the people received it,
00:48:26
◼
►
when the cortex owners received it,
00:48:27
◼
►
they all spoke very highly of it,
00:48:29
◼
►
so it is now available again.
00:48:31
◼
►
So you can go and get that at cortexmerch.com,
00:48:34
◼
►
and it is being joined by the brand new subtle sweater.
00:48:38
◼
►
This is the first product of the subtle line,
00:48:41
◼
►
which will hopefully be rolling out in the future.
00:48:43
◼
►
Gonna see how this goes, you know,
00:48:44
◼
►
and if the subtle sweater sells well,
00:48:47
◼
►
maybe there'll be other subtle products in the future,
00:48:49
◼
►
which is a very gentle blackmail
00:48:51
◼
►
that if you want there to be other subtle products
00:48:54
◼
►
in the future, buy the subtle sweater.
00:48:56
◼
►
- I think there was nothing subtle
00:48:58
◼
►
about that implication, Myke.
00:49:00
◼
►
- Well, let's say it's,
00:49:02
◼
►
It's not subtle blackmail, it was light blackmail,
00:49:04
◼
►
which is the touch of blackmail.
00:49:06
◼
►
So yeah, I'm very excited about this.
00:49:09
◼
►
I personally wanted a sweater,
00:49:11
◼
►
so that's why sweater's the first.
00:49:13
◼
►
So we're gonna see how it goes.
00:49:14
◼
►
These are only available until April 16th.
00:49:16
◼
►
This is gonna be your only warning on these.
00:49:18
◼
►
So if you're hearing this right now and you want them,
00:49:22
◼
►
go to cortexmerch.com, or just make a mental note
00:49:26
◼
►
to go there later on.
00:49:28
◼
►
Cortexmerch.com, you'll be able to get the subtlety
00:49:30
◼
►
and the subtle sweater just for a short time only.
00:49:34
◼
►
And of course, there are still some other products
00:49:36
◼
►
in the store, all of our original lines,
00:49:38
◼
►
so the hat, the hoodie, the tee, and the pins,
00:49:40
◼
►
you can get those still.
00:49:42
◼
►
But the subtle products, they are only available
00:49:44
◼
►
for a limited time only, just a few weeks.
00:49:46
◼
►
So, cortexmerch.com for the subtle tee
00:49:50
◼
►
and the subtle sweater.
00:49:51
◼
►
They look amazing.
00:49:52
◼
►
You're gonna look super cool and super subtle
00:49:55
◼
►
as a cortexen wearing them.
00:49:57
◼
►
So, other cortexens will know.
00:50:00
◼
►
else, you're just wearing something cool.
00:50:02
◼
►
Right. But you have that little wink as you pull down your hat to be like, "We know. We
00:50:09
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Howdy partner. Cortexmerch.com.
00:50:14
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All right, let's talk about Seven Days Out 11 Madison Park. This is Cortex Movie Club.
00:50:22
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This is an episode of a Netflix documentary series.
00:50:26
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This wasn't a movie.
00:50:27
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"Well, what do we want? A Cortex Netflix documentary club? How many clubs do you want?"
00:50:32
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Right? Like, there's two clubs. There's a book club and there's a movie club. This is a movie club.
00:50:37
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I guess, yeah, I mean, I guess because if I expand it out so that it includes everything,
00:50:41
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it just sounds boring. Like, Cortex Media viewing club.
00:50:44
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Exactly. And plus, you know, it's a documentary. It was like an hour long. It's a short movie.
00:50:52
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I have a I have so much to say about this documentary, but I guess I want to know just
00:50:58
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so I know how much I need to say.
00:51:01
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I just want to know right off the top.
00:51:03
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Like what did you think of it?
00:51:04
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What were your kind of like did rather than the content itself like breaking down.
00:51:08
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Did you enjoy the show?
00:51:11
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Okay, well now now you've picked.
00:51:14
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You picked an interesting question to start with Myke.
00:51:18
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Did I enjoy it?
00:51:19
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So I watched a few of the episodes in the series.
00:51:22
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I did watch the video gaming one, which was very interesting.
00:51:26
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I can see why you're like, oh, it's not really homework for the show because it was like
00:51:30
◼
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a personal drama, basically, like it didn't really have anything to do with work.
00:51:33
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- But do you see my point about how they clearly thought that was gonna be one of the weaker
00:51:38
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►
Turns out to be an incredibly dramatic thing that occurs during the episode, so we're just
00:51:44
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gonna roll with that this one as being like the crescendo of the entire thing because
00:51:49
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somebody goes through like a horrific family thing yeah so yeah yeah it was it was interesting
00:51:54
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i'm not so sure that they thought it was going to be less interesting in the beginning but
00:51:59
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i like i saw it i watched it i liked it i watched the dog show one which i mentioned
00:52:04
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last time my favorite thing about the dog show episode um so it's like a it's the west
00:52:11
◼
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- Westminster Dog Show, yeah.
00:52:12
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- Yeah, but it's like, what is it?
00:52:13
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Like a beauty pageant for dogs, I guess,
00:52:15
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is like if you don't know what a dog show is.
00:52:16
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- I was gonna be like, listen to the dismissive way
00:52:19
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you're talking about dog shows.
00:52:21
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A beauty pageant for dogs, that's outrageous.
00:52:22
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- I'm trying to break it down into other terms
00:52:25
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that if you don't know what the Westminster Dog Show is,
00:52:28
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then that's what it is, right?
00:52:31
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It's the only way I can think to describe it.
00:52:33
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But they picked a bunch of people to follow,
00:52:35
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like hoping that one of them would win, right?
00:52:37
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Nobody wins.
00:52:39
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So I just thought that was, that's just kind of funny to me in that episode.
00:52:43
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Also with the dog show episode, they totally overhype it.
00:52:46
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They're like, oh, this is full of, full of drama.
00:52:49
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And, and like these people are really cutthroat and actually they're, they're
00:52:53
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following a bunch of dog people and they're all really nice.
00:52:55
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Like they're all helping each other out.
00:52:57
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They're all like, oh, everybody's dog is great.
00:52:59
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Like who doesn't love doggos?
00:53:00
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Um, and the thing that made me smile about that is there's, there's also a documentary
00:53:05
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on Netflix, which follows the Westminster cat show.
00:53:09
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And let me tell you, the Cat Show people are literally,
00:53:14
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literally wishing injury upon their competitors in front of the camera.
00:53:19
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It's like, at least the way it was edited, it confirmed every one of your thoughts about dog people versus cat people, right?
00:53:28
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That like, the dog people were all just happy to be a part of this thing,
00:53:31
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and the cat people were out for blood and hissing at their competitors. It was hilarious.
00:53:37
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But yeah, I saw that one and I saw one more
00:53:40
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that I can't quite remember right now, but--
00:53:41
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- Did you watch the Cassini one?
00:53:42
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- I started to watch the Cassini one.
00:53:44
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I didn't quite make it all the way through.
00:53:47
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I started to watch the Cassini one, but.
00:53:50
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So there's one about the restaurant.
00:53:52
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Here's the thing, I found this,
00:53:57
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I found this like stressful viewing
00:54:00
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because they're under this pressure to open it.
00:54:06
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And it was a good episode, but I had this feeling like,
00:54:10
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I don't know, a little bit like when you're in school
00:54:14
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and there's a whole bunch of stuff to do,
00:54:16
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a kind of low-grade nausea,
00:54:19
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and that's what I felt while I was watching this episode,
00:54:22
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is like, they have so many things to do,
00:54:24
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and they have so many deadlines
00:54:27
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and things that are out of their control
00:54:29
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►
that while it was a great episode of TV,
00:54:32
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I genuinely felt low-grade nausea
00:54:34
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►
throughout the entire viewing experience.
00:54:36
◼
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- That was why I asked you this first,
00:54:38
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'cause I assumed that that could be
00:54:40
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a very possible likelihood of like,
00:54:42
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but that's fine for me, right?
00:54:43
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Like you could see it was good,
00:54:45
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but it made you feel anxious, it's like fine.
00:54:47
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'Cause that is part of the thing about this show,
00:54:50
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is like some of them, a couple of the episodes,
00:54:53
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it's following one inciting event,
00:54:56
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►
like that is actually going to affect
00:54:59
◼
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the people you're watching.
00:55:01
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Some of them are just like, there's a thing happening.
00:55:03
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So there's also like the Kentucky Derby, right?
00:55:07
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- Yes, yeah.
00:55:07
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- Well, the Kentucky Derby is just like,
00:55:09
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it affects a lot of people, but like the restaurant one,
00:55:12
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the esports one, and the Cassini mission,
00:55:15
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it's like you're following the only people
00:55:18
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that care about this.
00:55:20
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- And like that's like a big difference between the show,
00:55:22
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and they actually kind of do a good job of like
00:55:24
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flip flopping from episode to episode,
00:55:26
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if you watch them all in a row.
00:55:28
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►
The one about the fashion show, it is Chanel, I think,
00:55:32
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►
That's just another excellent episode.
00:55:35
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►
But I think this whole series is very good.
00:55:38
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►
But this one episode, I enjoyed it the first time.
00:55:42
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I loved it the second time.
00:55:44
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I wanna know if you can guess
00:55:47
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►
why specifically I liked this episode.
00:55:49
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►
- Yeah, so it's interesting
00:55:52
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that you feel so strongly about this
00:55:53
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because I watched it and I really liked it.
00:55:56
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And I think there are some things to discuss,
00:55:58
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►
But it was not obvious in the viewing to me
00:56:03
◼
►
why you would feel so strongly about this episode.
00:56:08
◼
►
If I had to guess, I would guess that you love the,
00:56:13
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I don't know his name,
00:56:16
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but the guy who is the front of house guy.
00:56:17
◼
►
- Ha ha, yes.
00:56:19
◼
►
- Okay, is that like-- - Will Ghidara.
00:56:21
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Will Ghidara. - Okay.
00:56:22
◼
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- I love this man.
00:56:27
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He, I am like obsessed with him now.
00:56:31
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►
Like I can't stop thinking about him.
00:56:32
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- Are you following him on Instagram yet or?
00:56:35
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That was the first thing I did after I watched the episode.
00:56:38
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- That was a joke that is now real, okay.
00:56:40
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- Why would I not do that?
00:56:41
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- I don't know.
00:56:42
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- This is how people tend to work in like social media.
00:56:46
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If you think someone's cool,
00:56:48
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you follow them on social media.
00:56:49
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Like that's typically what people do great.
00:56:51
◼
►
Like I know that's not how you operate in social media,
00:56:55
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►
but like this is how most regular people operate
00:56:59
◼
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in social media, right?
00:57:00
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- Thank you for that low key slight.
00:57:02
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- No worries.
00:57:03
◼
►
So, if you haven't watched the show, you should,
00:57:07
◼
►
but if you haven't watched it,
00:57:09
◼
►
basically why they are following the reopening
00:57:13
◼
►
of this restaurant, it's called Eleven Madison Park,
00:57:16
◼
►
it's in New York.
00:57:17
◼
►
This restaurant was awarded the best restaurant in the world
00:57:20
◼
►
in April of 2017 in a thing called the 50 best awards.
00:57:25
◼
►
They closed for renovation that year.
00:57:27
◼
►
And this is the story of them
00:57:30
◼
►
seven days before their reopening.
00:57:32
◼
►
- If I remember correctly, they closed for three months.
00:57:36
◼
►
- And that is, this is also part of the stress
00:57:40
◼
►
of watching it, that is a shockingly short amount of time
00:57:44
◼
►
to try to renovate a whole restaurant.
00:57:47
◼
►
Like all I kept thinking of when I was watching this is,
00:57:50
◼
►
must have been about a month and a half ago,
00:57:53
◼
►
the boiler in my apartment broke
00:57:57
◼
►
and it needed to be replaced. - The reason I laughed,
00:57:58
◼
►
I wondered if you were ever gonna mention this,
00:58:00
◼
►
because boiler replacement is like a,
00:58:04
◼
►
it's like a long-standing theme of this show.
00:58:08
◼
►
- Cortexmerch.com. (laughs)
00:58:11
◼
►
- Yeah, I believe that was the initial impetus
00:58:15
◼
►
for doing merch was--
00:58:16
◼
►
- I don't know, it was the second t-shirt we ever did.
00:58:18
◼
►
- Oh, it was the second one, okay.
00:58:18
◼
►
- It was the second run of the "Monkey Brain" show.
00:58:20
◼
►
- It was the second "Monkey Brain" show.
00:58:21
◼
►
my boiler basically needed an entire replacement.
00:58:25
◼
►
So like, you know, like I wasn't really directly involved in this, but it's like still the
00:58:33
◼
►
boiler needed to be replaced in my apartment.
00:58:35
◼
►
And it was, it was a two week process that tore the whole apartment apart in ways that
00:58:43
◼
►
was inconceivable to me before it began.
00:58:46
◼
►
Where if, if someone had told me ahead of time, like, Oh yeah, the, you know, they're
00:58:50
◼
►
They're going to get some guy to come in here to replace the boiler and they're going to
00:58:53
◼
►
be pulling piping out of the wall in the bedroom.
00:58:57
◼
►
Like I would not have expected that.
00:58:59
◼
►
So anyway, like I just, I just kept thinking like, oh, it took two weeks to do what seemed
00:59:03
◼
►
like should have been a relatively straightforward thing in a tiny London apartment.
00:59:08
◼
►
And I'm looking at their gigantic restaurant space in the middle of New York where we're
00:59:16
◼
►
like the demand for construction labor
00:59:19
◼
►
must just be incredibly high.
00:59:22
◼
►
And I was like, you guys are gonna redo this whole place
00:59:25
◼
►
in three months?
00:59:26
◼
►
It seemed like an insane, insane deadline
00:59:30
◼
►
to redo the restaurant.
00:59:32
◼
►
And as Myke likes, the chief guy is Will,
00:59:36
◼
►
is that his name?
00:59:37
◼
►
- Mm-hmm, Will.
00:59:38
◼
►
- I like him too,
00:59:38
◼
►
because he does have this surprisingly rare quality
00:59:43
◼
►
of someone who is really detail oriented. And it's like this man is thinking of every
00:59:52
◼
►
single detail that he wants just so in the front of the house. And I would think this
00:59:59
◼
►
would need a year to produce this whole thing the way that he wanted.
01:00:03
◼
►
There's a great quote from the architect, because they're doing it in three months in
01:00:07
◼
►
New York City, where he says, where it's at least twice as hard as anywhere else in the
01:00:11
◼
►
US. Right, right. Because New York has a lot of union rules. Plus, it is like a very dense
01:00:20
◼
►
city, so like moving and doing deliveries and stuff like that is also, I'm assuming,
01:00:24
◼
►
incredibly difficult. But they do this refit in this incredibly short period of time. And
01:00:28
◼
►
it's not a small one, either. They gutted the entire place. They didn't just redecorate,
01:00:34
◼
►
right? Like it's a brand new restaurant. It is owned by Will and the chef, whose name
01:00:40
◼
►
is Daniel Hoom. So Daniel Hoom is the chef, runs the back of house. Will Guidara is the
01:00:44
◼
►
restauranteur front of house man. They bought the restaurant after they'd worked in the restaurant.
01:00:50
◼
►
And there's like, there's an interesting theme in here as well of these two people being what
01:00:58
◼
►
most people would think of as winners. Like they are two individuals who their stories are like,
01:01:05
◼
►
OK, they are the type of people that put their mind to something and they succeed.
01:01:10
◼
►
Like when they bought the restaurant, there's a there's like an interview
01:01:13
◼
►
with the guy they bought the restaurant from who was their boss before.
01:01:16
◼
►
And he asked them when they bought it, where do you go from here?
01:01:19
◼
►
And they said, number one in the world. Right.
01:01:22
◼
►
And at this point, that restaurant was nowhere near that.
01:01:26
◼
►
Like it was a good restaurant in New York, but it was not like a
01:01:30
◼
►
even in top 50, right?
01:01:32
◼
►
Like it was in the top 50 contention.
01:01:34
◼
►
And then they went and they did it.
01:01:36
◼
►
They became the best, considered the best restaurant
01:01:38
◼
►
in the world, which is quite a thing to do.
01:01:42
◼
►
- Yeah, it really is quite a thing to do.
01:01:44
◼
►
And I was looking at both of them and thinking this thing,
01:01:47
◼
►
which I don't know, it's always like,
01:01:51
◼
►
it's just this thing that if you're looking at people
01:01:56
◼
►
who are really successful, you know,
01:01:58
◼
►
say number one restaurant in the world,
01:02:01
◼
►
in the restaurant field, which is pretty competitive.
01:02:05
◼
►
You should not expect the people who do that
01:02:08
◼
►
to be normal people.
01:02:11
◼
►
And it's like, yeah, that's why Will is like 99th percentile
01:02:16
◼
►
of humans detail focused on everything
01:02:19
◼
►
that's in the whole dining area, right?
01:02:21
◼
►
Like he's not just like,
01:02:23
◼
►
"Oh, we need someone to run the front of house."
01:02:25
◼
►
He's like, "No, no, no, no, no, no, no, no, no."
01:02:28
◼
►
He's upset that the cushions aren't soft enough
01:02:31
◼
►
that they've just installed.
01:02:32
◼
►
- We can't talk about the cushions yet.
01:02:34
◼
►
We can't talk about the cushions yet.
01:02:36
◼
►
- We'll talk about them, right?
01:02:37
◼
►
- That's why I have a whole thing about the cushions.
01:02:38
◼
►
- Okay, yeah, but he's obsessed with all of this stuff
01:02:41
◼
►
for the lighting and every detail of this whole place.
01:02:46
◼
►
And then they run through his history
01:02:47
◼
►
and then he's like, "Well, I sat down with my dad
01:02:51
◼
►
"when I was 12 and made a list of all the things
01:02:53
◼
►
"that I wanted to do and I just did them."
01:02:55
◼
►
It's like, yeah.
01:02:56
◼
►
- The way this comes about, right?
01:02:57
◼
►
His dad was a restaurateur and this is like wild, this story to me.
01:03:02
◼
►
One day his dad gives him a paperweight when he's 12 years old that says,
01:03:07
◼
►
what would you attempt to do if you could not fail? Then said,
01:03:10
◼
►
write a list of things you want to do in your life.
01:03:13
◼
►
And on that list was open a restaurant in New York city.
01:03:18
◼
►
It's just like, at 12 years, why does his dad do this? I mean, clearly it worked,
01:03:23
◼
►
but that is like, again, so like you start to think like,
01:03:26
◼
►
Why is he maybe this way?
01:03:27
◼
►
Well, maybe it's because when he was 12 years old,
01:03:29
◼
►
his dad made him plan out his life.
01:03:32
◼
►
I mean, this is--
01:03:33
◼
►
This isn't a criticism as such.
01:03:35
◼
►
That is a harsh thing to do, but it's an interesting thing
01:03:40
◼
►
to be asked at an age and then plan it.
01:03:42
◼
►
And as well, just because this happened
01:03:44
◼
►
didn't mean he had to continue down this path.
01:03:47
◼
►
People diverge from what they want to do when they're kids.
01:03:50
◼
►
This was something he really wanted to do.
01:03:51
◼
►
And then you would assume the more he went down
01:03:53
◼
►
this route in his life, the more he realized
01:03:55
◼
►
he wanted to do it, but it is just kind of like a funny,
01:03:58
◼
►
inciting event.
01:04:00
◼
►
- Yeah, well, and also like that to me is the view of like,
01:04:03
◼
►
children are much more like their parents than the children
01:04:08
◼
►
or even the parents sometimes recognize.
01:04:10
◼
►
It's just like, oh, right.
01:04:12
◼
►
It is pretty common to have
01:04:14
◼
►
Uber successful competitive people,
01:04:16
◼
►
they produce Uber competitive successful children,
01:04:18
◼
►
like at a higher than average rate
01:04:21
◼
►
compared to the general population.
01:04:23
◼
►
But I think like, he's an interesting comparison
01:04:25
◼
►
to the chef who sort of like mentioned it offhandedly,
01:04:30
◼
►
but he's like, "Oh yeah, I used to be a professional athlete
01:04:34
◼
►
"in bike racing, and then one day I decided,
01:04:37
◼
►
"hmm, maybe I could be competitive in the world of cooking."
01:04:40
◼
►
And so I became an amazing chef, right?
01:04:42
◼
►
And it's like, okay.
01:04:44
◼
►
You're just, you're not a normal person.
01:04:47
◼
►
- He was 21 years old when he made that decision.
01:04:51
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And is now like one of the best chefs in the world,
01:04:54
◼
►
but just decided he would do it
01:04:56
◼
►
when other people at his level have been doing it
01:04:59
◼
►
since they were like nine.
01:05:01
◼
►
- Yeah, yeah, and just like,
01:05:02
◼
►
"Oh, I'm gonna do a career change
01:05:05
◼
►
"and just take this competitiveness in me
01:05:08
◼
►
"and point it at something else and just go."
01:05:12
◼
►
And that is a thing that I find interesting in,
01:05:15
◼
►
I don't know,
01:05:17
◼
►
I think in humans,
01:05:21
◼
►
if you think of all of their various characteristics,
01:05:23
◼
►
you have a bunch of sliders. And I have a hard time relating to people who have the
01:05:27
◼
►
competitiveness slider set really high. But it's also interesting, like those people,
01:05:33
◼
►
not surprisingly, tend to be really successful. But I think he's a good example of a thing
01:05:37
◼
►
I've noticed where, like, for people who competitiveness is set really high, they don't, it almost
01:05:44
◼
►
doesn't matter what the domain is. It's just like, oh, I just want a domain in which to
01:05:50
◼
►
And I've been a professional athlete,
01:05:54
◼
►
and now it's time to just do something else.
01:05:56
◼
►
And boom, cooking, whatever.
01:05:58
◼
►
The way he describes it, it almost feels like
01:06:01
◼
►
it could have been anything.
01:06:04
◼
►
He could have become a professional painter just as easily.
01:06:07
◼
►
It's interesting the way he describes it.
01:06:12
◼
►
As just like, oh, I just shifted this field of attention
01:06:15
◼
►
to this different domain,
01:06:16
◼
►
and now I run the number one restaurant in the world.
01:06:21
◼
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FM. Squarespace, make your next move, make your next website. So there's like a thing going on for
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me here which I think is running in parallel to one of the reasons that I was particularly like
01:08:00
◼
►
taken aback or like this specific episode has been like rattling around in my brain a lot recently
01:08:08
◼
►
is that I am becoming, I'm finding myself becoming more and more in awe at what chefs do,
01:08:14
◼
►
the idea of being a chef, because it's like this very very intense way of living. You seem to need
01:08:24
◼
►
to dedicate your life to it, not just in time, like in history, but also time in every day.
01:08:33
◼
►
It seems like being a chef consists of a lifetime of training and learning,
01:08:39
◼
►
incredibly long hours, like all hours, and I'm also becoming more and more interested in the
01:08:47
◼
►
fact that it seemingly comes from nowhere for some people. So, Qum is a good example of this.
01:08:53
◼
►
We also just finished watching a competition show called The Final Table on Netflix,
01:08:57
◼
►
which is like a cooking competition show, which is pretty good that we liked.
01:09:01
◼
►
But a lot of the people, there's like something like 20 chefs or something like that on this show in total.
01:09:06
◼
►
So many of them, their story was just they changed careers to become chefs.
01:09:12
◼
►
Or there's a couple of them that are like completely self-taught, but they are cooking at this incredible degree.
01:09:19
◼
►
But they never were trained. They just do it.
01:09:23
◼
►
And I find it to be not just impressive in that way, but one of the most creative things
01:09:32
◼
►
a human can do is to cook at this high level, right?
01:09:37
◼
►
Like this Michelin star level, right?
01:09:40
◼
►
Which all these restaurateurs on this show that we just competition show that we're watching,
01:09:44
◼
►
they all have Michelin stars or they're considered the best in their country at this or that.
01:09:49
◼
►
They show all of the stuff that they do.
01:09:51
◼
►
The ability to be able to create this incredible looking food, and I'm sure incredible tasting
01:09:58
◼
►
food, right?
01:09:59
◼
►
Just seems like such a thing which is almost unparalleled in creativity.
01:10:03
◼
►
It's like art, it's like music, right?
01:10:06
◼
►
They feel like these things that are pretty similar to me, where it's creating something
01:10:09
◼
►
out of nothing from components that already exist, right?
01:10:15
◼
►
All of these ingredients exist, or all of these words exist in the language, but you
01:10:20
◼
►
have been able to put them together in such a way to create this thing that nobody's experienced
01:10:25
◼
►
before. I find that very interesting.
01:10:27
◼
►
I'm wondering here if I'm eventually going to lose my podcast co-host to the world of
01:10:31
◼
►
cooking. Because I've been hearing you increasingly over the years be interested in cooking, so
01:10:39
◼
►
far like expanding your own palates and cooking yourself.
01:10:42
◼
►
This also comes with the fact that over the last few years I've been able to get over
01:10:51
◼
►
and get better at some health stuff, which has meant that I have been able to eat better
01:10:57
◼
►
and more rounded than I ever have before.
01:11:00
◼
►
So that has been another reason why I have become more interested in food as a person,
01:11:05
◼
►
because I am able to eat more interesting things.
01:11:09
◼
►
So I am just becoming more intrigued about flavors, because I am able to have more of
01:11:17
◼
►
them, which is wonderful.
01:11:19
◼
►
So looking into what it takes to make food has become really interesting to me.
01:11:25
◼
►
And it's not just Michelin star food, because I don't eat Michelin star food.
01:11:32
◼
►
This isn't a thing that occurs to me on a daily basis.
01:11:35
◼
►
I eat at regular restaurants, I eat at nice restaurants where I can, but they're all
01:11:40
◼
►
like incredibly different and the food is always so interesting to me. Like why can
01:11:49
◼
►
a cheeseburger taste so differently in all these different places? You know, like what
01:11:54
◼
►
goes into this? And like that has just become something I've been a little bit more interested
01:11:57
◼
►
in. I also love and find very intriguing the respect that you see in kitchen environments.
01:12:07
◼
►
And this respect is also dealt in such a way that is also aggressive and horrible, but
01:12:13
◼
►
is this hierarchy so interesting to me?
01:12:16
◼
►
Yeah, kitchens always seem kind of military almost.
01:12:19
◼
►
Yes, and that is fascinating. Like, and you see it in this show a lot. One of the other
01:12:23
◼
►
main character of the show is a guy called Dimitri who is the chef de cuisine which sounds
01:12:29
◼
►
like he's in charge of the food but actually he's the middle manager. He is in charge of
01:12:33
◼
►
all the people and he has to work so hard to effectively run things for him on a daily
01:12:42
◼
►
basis but there seems to be a drive for him because he wants to impress the chef. Like
01:12:49
◼
►
He wants to make it the way it should be because he believes in the chef's vision. And that
01:12:57
◼
►
kind of... The way in which a kitchen seems to be stacked is so interesting to me. The
01:13:04
◼
►
way that people... The words they use, you know, like everything is "yes chef". You
01:13:10
◼
►
know, like there is a really interesting moment when the restaurant, the opening night of
01:13:14
◼
►
restaurant where the chef whom hugs Dimitri tells him that he loves him and Dimitri says
01:13:22
◼
►
yes chef. Now that is so interesting to me in that moment because Hume is having an emotional
01:13:32
◼
►
reaction but Dimitri is still upholding the typical level of respect that he must show
01:13:39
◼
►
the chef. And it's just this the way that again I really appreciate that like these
01:13:46
◼
►
environments can be rewarding but also like soul breaking for people because as you mentioned
01:13:51
◼
►
it is like the military but it is the fact that it has remained is so intriguing to me.
01:13:58
◼
►
There are not I can't think of another professional endeavor outside of the military and outside
01:14:06
◼
►
of cooking where this institutional respect is maintained and that is just so fascinating
01:14:13
◼
►
to me as to why this occurred. Like there is another moment where they're doing the
01:14:18
◼
►
tasting, you see over the day before, I think it's the day before they're doing like the
01:14:22
◼
►
friends and family thing, and something's cooked badly and the duck is raw inside of
01:14:28
◼
►
this apple, right?
01:14:29
◼
►
Oh god, yeah.
01:14:31
◼
►
I love is the words that Hume uses. He says, "Why does this happen?" And I love that phrasing,
01:14:39
◼
►
just like as a thing, like when you think about like language and stuff, like the way
01:14:44
◼
►
he asks that question, like, "Why does this happen?" It's such an interesting way of asking
01:14:50
◼
►
the question of like, he didn't say "how", he said "why". And like that's so interesting
01:14:57
◼
►
to me is like how he thinks. It's like, "Why would you do this to me?" is kind of what
01:15:02
◼
►
he's actually saying. But the way that then the cook involved in that process is talking
01:15:10
◼
►
to the people and the way that people are talking to him, it's like such an interesting
01:15:14
◼
►
dynamic. So these are some of the reasons why I'm finding this stuff particularly interesting
01:15:20
◼
►
right now. And I don't really know where this is coming from, watching lots of cooking related
01:15:26
◼
►
shows. Another incredible Netflix series is called Somebody Feed Phil, where the creator
01:15:30
◼
►
of Everybody Feeds Love is Raymond, goes around the world eating food. It is one of the most
01:15:35
◼
►
wonderful, wholesome and enjoyable things I've seen in years. It's two seasons. Everyone
01:15:41
◼
►
should watch this show because it is wonderful. And then, Netflix has a ton of cooking content.
01:15:48
◼
►
If you are interested in food in any way, oh boy, Netflix has got you covered. So I've
01:15:53
◼
►
I've been watching more of this stuff and just becoming increasingly interested in food
01:16:00
◼
►
because what I have also noticed about myself is you can go to a nice restaurant and eat
01:16:05
◼
►
things that typically you do not enjoy and they're good and I'm also really intrigued
01:16:09
◼
►
about that as like a thing.
01:16:11
◼
►
I don't really like fish, right?
01:16:13
◼
►
I'm not really a big seafood guy but I've been taken to some nice restaurants and have
01:16:20
◼
►
eaten fish because it's like all they do is like oh this is good but I know I
01:16:24
◼
►
don't like this in other places and so like just and I know it's like it's the
01:16:27
◼
►
way it's cooked and it's the ingredients and blah blah blah but it's like I'm intrigued
01:16:31
◼
►
about like the why to some of that so mm-hmm this is part of the reason as
01:16:36
◼
►
well as my ridiculous man crush on the front of house guy as to why this
01:16:41
◼
►
episode is so interesting to me do you want to tell people about the pillows
01:16:45
◼
►
So there's a couple of parts that I need to tell to lead up to this story.
01:16:53
◼
►
One thing is talking about a lady called Natasha McGovern.
01:16:58
◼
►
Oh my god, the secret hero of this episode.
01:17:02
◼
►
I was looking at Natasha the whole time and I was like, you are the woman making all of
01:17:06
◼
►
this come together.
01:17:08
◼
►
Her role is director of creative projects.
01:17:12
◼
►
She is the person responsible for managing the renovation.
01:17:15
◼
►
She is also the person between Will and everyone else.
01:17:20
◼
►
So she takes his demands and softens them and makes things happen.
01:17:29
◼
►
That is kind of like her role.
01:17:31
◼
►
Yeah, that's a good way to put it with the softening
01:17:35
◼
►
as a key component of this kind of in-between role.
01:17:41
◼
►
So it's important to know who she is for me to tell you about a few instances of Will and why I
01:17:49
◼
►
have an interesting like respect for this guy. The reason for this by the way is I see some of
01:17:55
◼
►
my own sensibilities in this guy like I'm not as intense as him but I definitely feel
01:18:01
◼
►
that way sometimes and as I am getting older more frequently. So the mohair benches.
01:18:09
◼
►
So there are benches that are put in which is half of the scene. You've got benches, you'll see these
01:18:17
◼
►
right? They're like the little booth type situations in a restaurant. So this is a perfect
01:18:22
◼
►
example of how he intensely cares about everything. He describes himself as a reasonably particular
01:18:28
◼
►
person. So they sit down in these benches and he says "I'm really nervous, it's terrible to sit
01:18:39
◼
►
There is words when he sits down in them the first time.
01:18:43
◼
►
Because he found them too prickly and they need breaking in, right?
01:18:46
◼
►
Like they've just been made, it's like that kind of like a bristly feeling.
01:18:50
◼
►
Yeah, like I think people will know this, you'll feel this sometimes if you're sitting up against a cushion that has been stuffed with hairs that have...
01:19:00
◼
►
Like hairs that have substance to them so they can sometimes poke through the actual fabric that contains them.
01:19:08
◼
►
Like that's the impression that I get of what's going on when he's talking about
01:19:13
◼
►
It's like he's sitting up against these things and they feel a bit prickly.
01:19:16
◼
►
Yeah, so because they're new, they are prickly and over time they will soften but they don't
01:19:21
◼
►
have time and so they're talking about it.
01:19:24
◼
►
This is like day five.
01:19:25
◼
►
Yeah, they're talking about it and there is a line that he says, "I am preceded by
01:19:33
◼
►
somebody saying," he's like talking with people and we don't hear what comes before
01:19:36
◼
►
But my perception is like somebody says like, oh, you know,
01:19:39
◼
►
this could be a problem.
01:19:43
◼
►
The line he says is it's not a question of whether it's a problem.
01:19:46
◼
►
It is a problem.
01:19:49
◼
►
And when I heard this on my first viewing, I think I exclaimed that I love him
01:19:54
◼
►
because what I like about him and whilst he is obviously incredibly demanding,
01:20:00
◼
►
he is very clear
01:20:03
◼
►
about cutting through the type of corporate language that you typically hear.
01:20:08
◼
►
He does not accept the way that people typically talk in business environments if he is unhappy
01:20:18
◼
►
about something. And there is another example of that that I want to get to in a minute,
01:20:21
◼
►
but there's still way more about the mohat situation. It ends up being that it becomes
01:20:30
◼
►
an absolute code red situation for everybody else around him and you see it play out throughout the
01:20:36
◼
►
rest of the episode because clearly like there was like phone calls being made and you're hearing
01:20:42
◼
►
phone calls and people making jokes about it or whatever but i think what has clearly been
01:20:48
◼
►
established by the people around him is it doesn't matter what anybody else says this needs to be
01:20:54
◼
►
fixed. It doesn't matter if this is or isn't a thing. It doesn't matter if it can or can't
01:21:02
◼
►
be fixed. It must be because Will is upset about it.
01:21:05
◼
►
Yeah, I think also with what's important to understand for the setting of this, which
01:21:10
◼
►
makes it 10,000 times better, is the restaurant is is still in total disarray around them.
01:21:18
◼
►
There are a million things that need to be done.
01:21:20
◼
►
At this point, they don't even have gas turned on.
01:21:23
◼
►
- Yeah, that's exactly it.
01:21:23
◼
►
Like the kitchen is completely non-functional.
01:21:26
◼
►
You can just see in the background of shots.
01:21:29
◼
►
Like there's guys everywhere,
01:21:31
◼
►
there's stuff all over the place.
01:21:33
◼
►
Natasha, my favorite person in the episode by far,
01:21:36
◼
►
has this punch list that she shows the camera.
01:21:39
◼
►
- I was waiting for you to mention this list.
01:21:41
◼
►
- Oh my God.
01:21:42
◼
►
Well, first of all, her handwriting is amazing.
01:21:44
◼
►
- Unbelievable.
01:21:45
◼
►
- It's like unbelievable handwriting,
01:21:47
◼
►
but it's like she has just this incredible list of things.
01:21:51
◼
►
- It's thousands probably.
01:21:52
◼
►
Like it's just she has multiple lists of hundreds and hundreds of items that need to be that are like absolute must be fixed things
01:22:00
◼
►
Right all of them all of them are and like, you know, she's running through this list and you know
01:22:06
◼
►
All I can think of is how many man-hours each of these little items represents
01:22:11
◼
►
Or or like how many of these things that they're dealing with
01:22:17
◼
►
only one or two people can possibly solve.
01:22:20
◼
►
So it was like getting the inspectors in for the gas, right?
01:22:23
◼
►
Or the guy who's doing the gold foil on the ceiling, right?
01:22:26
◼
►
It's like, there's a craftsman who can handle this gold foil
01:22:30
◼
►
that they need over the whole ceiling.
01:22:32
◼
►
Like, and you know, that's just, that's all they've got there.
01:22:34
◼
►
So this is what makes him being particular about the seats even more striking
01:22:42
◼
►
Because it's like, hey, these seats compared to almost everything else on this list, a
01:22:49
◼
►
normal person could say it's done, right?
01:22:52
◼
►
We've got a million things to do.
01:22:54
◼
►
Maybe this isn't the thing that we need to focus on.
01:22:57
◼
►
But that's why like his, his line of like, no, no, no, I'm not, I'm not discussing this
01:23:01
◼
►
This is a problem is even more striking because it's not like, it's not like they have a bunch
01:23:07
◼
►
of free time and he's looking to cause problems.
01:23:10
◼
►
You know, it's like, they've got so much to do and this thing that is done, he's like,
01:23:14
◼
►
no, no, no, it's not done.
01:23:15
◼
►
It's not remotely done.
01:23:17
◼
►
It's like ultimately they're able to soften it, but like steam it and they get it to a
01:23:21
◼
►
point where he finds it acceptable.
01:23:24
◼
►
But this scenario, right, like the one that you mentioned, like if there are so many things
01:23:29
◼
►
going on, but he seems to intensely care about this and everybody pays attention to it.
01:23:34
◼
►
It all plays into like a theory that I have, that I've kind of been developing over the
01:23:38
◼
►
time of working on things creatively. My theory is that all things that are great are great
01:23:46
◼
►
because somebody worried intensely about all of the things you would never notice. And
01:23:52
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►
because somebody can care about something so small that it has to be fixed, it ensures
01:23:57
◼
►
that it will ultimately be seen as good by everybody else. Because probably nobody would
01:24:02
◼
►
have noticed the prickliness of the mohair but the fact that he cared so much about that
01:24:09
◼
►
thing which is probably an unimportant thing means that no important thing was left unfixed.
01:24:17
◼
►
So like that it's just like a thing that I think of when I sometimes find myself intensely
01:24:22
◼
►
stressing over minutely unimportant things that are massively important to me but probably
01:24:30
◼
►
nobody else cares about. I make myself feel better but I just thought that the fact that
01:24:34
◼
►
I care and will fix this thing which is unimportant probably means that my attention to detail
01:24:40
◼
►
is such that the overall product will be good, hopefully. But like that is like my theory
01:24:45
◼
►
of like why is this the best restaurant in the world? Probably partly because he cares
01:24:50
◼
►
so much about the prickliness of the benches.
01:24:53
◼
►
Yeah and I like I think of just the media that I consume. I know this is this is a common
01:24:58
◼
►
thread that like I love watching and consuming like movies and TV shows and YouTube videos where
01:25:02
◼
►
it's clear that someone has sweated a thousand little details of like what's going on in the
01:25:07
◼
►
background or how this is shot and it's like yeah the the you'll never notice all of the things that
01:25:13
◼
►
the director or the creator of that thing was worried about but I just I don't know it's it's
01:25:20
◼
►
always a thing that like even when watching movies with my wife we're always discussing like oh this
01:25:24
◼
►
this is clearly a movie that somebody cared about
01:25:27
◼
►
and you tune into that when you notice some detail
01:25:31
◼
►
that's like, oh, you didn't need to do that movie,
01:25:34
◼
►
but somebody cared enough to make this scene transition
01:25:38
◼
►
a little better or like, oh, there's a nice continuity here
01:25:41
◼
►
that nobody who doesn't pay attention
01:25:44
◼
►
to how movies are made would ever notice.
01:25:46
◼
►
And those things are nice and you tune into them,
01:25:48
◼
►
but it does mean that there's a million things in the movie
01:25:50
◼
►
that you're not thinking about that also just help it
01:25:53
◼
►
go along more smoothly.
01:25:55
◼
►
- Yeah, I think this for me started
01:25:57
◼
►
in media studies class.
01:25:59
◼
►
So I took, in the UK, when I was 16,
01:26:04
◼
►
you would go on to do A levels
01:26:05
◼
►
and they were just different things
01:26:07
◼
►
that you could choose to do
01:26:08
◼
►
and you have to have A levels to go to university,
01:26:11
◼
►
by and large.
01:26:12
◼
►
And one of the classes that I picked was media studies
01:26:16
◼
►
and in media studies class,
01:26:19
◼
►
you're looking at all different types of media
01:26:21
◼
►
but one of them being film.
01:26:22
◼
►
And I think it was during the course of this two year class
01:26:27
◼
►
where I was being shown things in movies,
01:26:32
◼
►
was like, "Oh, pay attention to this very specific thing
01:26:36
◼
►
"that's going on here.
01:26:37
◼
►
"The reason the director did this
01:26:39
◼
►
"is because of this symbolism of this and this and this."
01:26:42
◼
►
Stuff that you won't notice,
01:26:44
◼
►
but they took the time to very particularly do it.
01:26:47
◼
►
Like, it's stuff like that I think was what started
01:26:50
◼
►
my kind of like obsession of these like doing these things that nobody else may even notice
01:26:56
◼
►
because they're important to you and I think that kind of like set this off for me like
01:27:01
◼
►
a thing in my brain of like why did you even do that like why was that important does that
01:27:06
◼
►
add to the overall feeling of a thing so that's kind of like what I think one of the reasons
01:27:11
◼
►
why I liked both of them I think they're both like this to a degree but Will is more he
01:27:17
◼
►
is more like that. My favorite though, just as a very quick aside, is this thing about
01:27:25
◼
►
the lights in the restaurant. He's having a conversation with a guy who is part of a
01:27:31
◼
►
lighting company who's renovated the lights. And Will is unhappy because he says that you
01:27:36
◼
►
used to be able to turn some of the lights on and some of the lights off independently
01:27:40
◼
►
and the new lighting cannot be done. And the lighting guy says that this is how it always
01:27:45
◼
►
And Will says, "I have spent thousands of hours under these lights and I am telling
01:27:50
◼
►
you we used to be able to do this."
01:27:52
◼
►
And the guy's like, "Well, we didn't change anything.
01:27:54
◼
►
We just changed the way the lights work.
01:27:56
◼
►
We didn't actually change the underpinnings.
01:27:58
◼
►
This is how it was."
01:28:00
◼
►
And then it's going back and forth and Will's saying, "No, it used to be able to be done."
01:28:05
◼
►
And the lighting guy's saying, "I understand."
01:28:07
◼
►
Which is a very normal thing that you find whenever you're making a complaint to someone,
01:28:11
◼
►
whenever you're working in any kind of company, when you're upset about something, people
01:28:16
◼
►
say to you, "I understand." But what I like about this is Will's saying, "What are you
01:28:21
◼
►
saying you understand?" Like he's asking him to his face, like, "What are you saying you
01:28:26
◼
►
understand?" Now they didn't show the resolution to this, ultimately, but I think I know how
01:28:32
◼
►
it went. But I just really love the way that he won't accept what normal people accept,
01:28:41
◼
►
Which is when somebody tells you they understand, you back away because they're attempting to
01:28:46
◼
►
empathise with me fakely.
01:28:49
◼
►
They have false empathy is being shown to me now, so I will back off because this person
01:28:54
◼
►
He's like "no no no!"
01:28:55
◼
►
He's like "I won't accept this!"
01:28:57
◼
►
And I just find it really interesting as a person whose soul was crushed in a company
01:29:02
◼
►
listening to this type of language for so many years, that he just decides "I'm not
01:29:07
◼
►
accepting this."
01:29:08
◼
►
And again, it's also like, well, yeah,
01:29:10
◼
►
'cause he's paying for it.
01:29:11
◼
►
- Yeah, I mean, there is a thing where
01:29:13
◼
►
he sort of tries to break that conversation
01:29:15
◼
►
by simply saying, well, you know, make it this way.
01:29:18
◼
►
I do have to say that is the one part
01:29:20
◼
►
in the episode though, where I'm not confident
01:29:25
◼
►
that he's right.
01:29:27
◼
►
I'm not saying that he's wrong,
01:29:29
◼
►
but I do feel a bit like I'd love to know
01:29:33
◼
►
who is actually correct here.
01:29:35
◼
►
- Yeah, this isn't like, I felt the same.
01:29:37
◼
►
I don't know that he's right, they don't resolve it.
01:29:41
◼
►
He believes he is, but yeah.
01:29:43
◼
►
- Yeah, but one of the things that's interesting is
01:29:45
◼
►
whether or not he actually is correct.
01:29:48
◼
►
And it is the moment where I doubt a little bit,
01:29:52
◼
►
because it's like the electrician is talking about
01:29:53
◼
►
some of the way it's wired in the walls,
01:29:56
◼
►
and like, oh, it can't possibly be this way.
01:29:59
◼
►
And that's what makes me doubt him a little bit,
01:30:02
◼
►
like, I don't know, man.
01:30:05
◼
►
Like just because you have been in this room for forever
01:30:06
◼
►
doesn't mean that you do accurately remember
01:30:09
◼
►
how the lights went.
01:30:11
◼
►
But nonetheless, it is nice that it kind of cuts
01:30:14
◼
►
to the point of, he says something like,
01:30:15
◼
►
"Okay, well, let's make them this way."
01:30:18
◼
►
Right, like he doesn't, he's like trying to move past
01:30:21
◼
►
this as well, like even in the argument of like,
01:30:24
◼
►
"Okay, whatever, like let's just do it like this."
01:30:27
◼
►
And yes, and then the camera sort of cuts
01:30:31
◼
►
and you have no idea how this resolved,
01:30:32
◼
►
and I imagine not well is the answer.
01:30:35
◼
►
There's one thing I also liked in this episode,
01:30:38
◼
►
which I always think is a really important
01:30:40
◼
►
and underrated skill, which is both of these guys,
01:30:45
◼
►
like we've said, being very successful goal-oriented dudes,
01:30:51
◼
►
but they both also recognize that the task
01:30:56
◼
►
of doing the number one restaurant in the world
01:30:59
◼
►
is not something that they could do on their own.
01:31:02
◼
►
And I just think it's always,
01:31:05
◼
►
I think it can be hard for people who are like that
01:31:10
◼
►
to sometimes recognize where are the limits
01:31:12
◼
►
of their own skills.
01:31:13
◼
►
- Yeah, they know they need each other.
01:31:15
◼
►
- Yeah, they know they need each other
01:31:16
◼
►
and I think it's like the task of knowing oneself,
01:31:20
◼
►
like what are you good at and what are you not good at?
01:31:23
◼
►
Or if you want to achieve this thing,
01:31:26
◼
►
where do you need help and where do you not need help?
01:31:28
◼
►
Like that is an invisible meta skill
01:31:32
◼
►
that it's really easy to get wrong.
01:31:34
◼
►
And I think it's, I like how they both really acknowledge
01:31:39
◼
►
that they need the other person.
01:31:42
◼
►
And this discussion about how, you know,
01:31:45
◼
►
in many restaurants, either like the kitchen
01:31:47
◼
►
is running the restaurant or the front of house
01:31:49
◼
►
is running the restaurant, but that's not what
01:31:51
◼
►
they were gonna do in their restaurant,
01:31:52
◼
►
that it's like, it's one unified experience.
01:31:56
◼
►
And I think it's that recognition that like,
01:32:00
◼
►
oh, we're both really good at what we do,
01:32:02
◼
►
but the restaurant needs both of us,
01:32:05
◼
►
is probably why it was able to achieve
01:32:08
◼
►
being number one in the world.
01:32:09
◼
►
Because it wasn't like, oh, my desire
01:32:13
◼
►
to have these fancy meals overrides everything else.
01:32:17
◼
►
It's actually even a little thing that I really liked
01:32:19
◼
►
and I felt like I could really sympathize with
01:32:20
◼
►
with the chef where he's talking about
01:32:23
◼
►
how he has these various principles about making meals,
01:32:25
◼
►
like a meal should have--
01:32:27
◼
►
- I have the principles written down if you'd like them.
01:32:30
◼
►
- Right, I was like, it should be delicious,
01:32:31
◼
►
it should be creative, it should be beautiful,
01:32:35
◼
►
and it should be what else?
01:32:37
◼
►
- So I wanna read them to you,
01:32:38
◼
►
'cause they're so great when you just,
01:32:40
◼
►
so the dish has to be delicious,
01:32:42
◼
►
the dish has to be beautiful, it has to be creative.
01:32:45
◼
►
Every dish should add something
01:32:47
◼
►
to the dialogue of food today.
01:32:49
◼
►
And number four is intention.
01:32:51
◼
►
It needs to make sense that the dish exists.
01:32:55
◼
►
I just love it, it's so beautiful.
01:32:57
◼
►
And he says as well, these fundamentals
01:32:59
◼
►
sometimes work against each other,
01:33:00
◼
►
like creativity and deliciousness,
01:33:02
◼
►
but they both have to be there.
01:33:04
◼
►
- Yeah, and like, that's the part that I think is,
01:33:07
◼
►
is again, a way of being self-aware,
01:33:10
◼
►
that I think like a person who was really good,
01:33:15
◼
►
but less self-aware could just leave it
01:33:18
◼
►
at their four principles of the meal.
01:33:21
◼
►
But it's an important recognition that creativity
01:33:24
◼
►
can play off of these other things,
01:33:27
◼
►
or like beauty, you know, it's very easy to imagine
01:33:30
◼
►
a thing that is more beautiful and less delicious, right?
01:33:34
◼
►
Or like, you know, it makes it feel like he's aware
01:33:37
◼
►
much more that instead of thinking of a thing
01:33:40
◼
►
where there's four vertical bars
01:33:42
◼
►
and he wants to max out all of them,
01:33:44
◼
►
that instead he's dealing with a surface
01:33:48
◼
►
and a geometric shape that he's trying to spread
01:33:52
◼
►
across a bunch of axes and he only has so much area
01:33:54
◼
►
to work with.
01:33:55
◼
►
And it's like, yes, that is a much better way
01:33:57
◼
►
to think about that.
01:33:59
◼
►
And this is a part of any creative process
01:34:02
◼
►
is things can play off of each other.
01:34:05
◼
►
And it just,
01:34:08
◼
►
like it made me think of like my own comparison in this.
01:34:15
◼
►
And it's a thing that I like I talk about
01:34:17
◼
►
with other creators is like the trade off
01:34:20
◼
►
between like clarity and complexity.
01:34:24
◼
►
And it's good to have a topic that's complex,
01:34:28
◼
►
but it also has to be clear,
01:34:30
◼
►
and these two things are always pulling at each other.
01:34:33
◼
►
That you want a topic to be complex and to be clear,
01:34:38
◼
►
but you're always gonna maximize a different project
01:34:40
◼
►
in a different way.
01:34:41
◼
►
So again, I just thought that was a really interesting way
01:34:44
◼
►
of being self-aware about the dishes,
01:34:46
◼
►
instead of just yelling at a chef.
01:34:47
◼
►
It's like, "Oh, it has to be more beautiful,
01:34:50
◼
►
but I will sacrifice nothing to achieve that greater beauty."
01:34:53
◼
►
Yeah. And you did mention about needing each other.
01:34:56
◼
►
I think that's part of the reason that I like this too, is I work in a lot of one-on-one
01:35:00
◼
►
collaborative environments, right? Like I have many creative partners, like people that rely on
01:35:05
◼
►
me, I rely on them and we work together to create things and run things. And I think that's part of
01:35:11
◼
►
what draws me to this is like the two of them have clearly a very strong bond. Like we've spoken
01:35:18
◼
►
about this in the past about like working with friends and working with people that
01:35:23
◼
►
you have a relationship with, like how it crushed me when I found out that the MythBusters
01:35:27
◼
►
weren't friends. That experience is like, it hurt me so bad that like I think I am now
01:35:36
◼
►
even more like drawn to when I see people that clearly have an emotional feeling for
01:35:42
◼
►
each other working together and how they balance all of that.
01:35:47
◼
►
And so it made it extra fascinating to me.
01:35:51
◼
►
And then again, more so because I could see some of my own qualities in Will that it kind
01:35:58
◼
►
of I think just really drew me to this.
01:36:00
◼
►
Like I just think it's fantastic.
01:36:02
◼
►
And I just like the way that they approach everything.
01:36:06
◼
►
They talk about how they know the kind of world that they're playing in, that they know
01:36:10
◼
►
that their food is expensive and they know that it's like a thing that means a lot to
01:36:15
◼
►
people when they go to that restaurant because it's not something that they can do every
01:36:18
◼
►
day, but they talk about how it's not about them. Everything that they do is in service
01:36:26
◼
►
to giving somebody a good evening. And I like that. I like it because they're like trying
01:36:31
◼
►
to whilst it being a pretentious activity, trying to make it less so because it's less
01:36:37
◼
►
about them and more about the enjoyment of the person. There's just a lot of things I
01:36:43
◼
►
think that just spoke to kind of my sensibilities in the way that these people approach what
01:36:48
◼
►
is traditionally a very stuffy environment.
01:36:51
◼
►
I'm glad that you recommended it, even though I did feel low-grade nausea throughout the
01:36:57
◼
►
viewing process and also intense concern for Natasha and her punch list that seemed to
01:37:04
◼
►
never got finished. I don't know if it's ever been finished.
01:37:07
◼
►
Yeah it's opening night and she's like "oh I still have all of these things that need
01:37:13
◼
►
to get done" and it's like "oh god, you're the true hero here". But yeah I was really
01:37:19
◼
►
glad to have watched it and I want to finish off the couple of other episodes that are
01:37:24
◼
►
left. I'm particularly interested in the fashion show one. But yeah it was interesting and
01:37:29
◼
►
And I think hearing you talk about it, I can see why, I can see now why more clearly this
01:37:33
◼
►
episode spoke to you, Myke.