115: A Streaming Intervention
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I have a question for you.
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Have you ever had a hangover?
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- Why, what do you mean have you ever had a hangover?
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- It's a thick and some valid question.
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Not everybody's had a hangover in their life, you know?
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- I mean, I guess it is true.
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Not everyone has had a hangover.
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Obviously everyone who is under age
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has yet to experience a hangover.
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There may be other reasons why you've never had a hangover.
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I haven't had a lot, but I've had them.
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Why do you ask?
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Are you hungover for this recording?
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Have you ever experienced that feeling from working?
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- 'Cause this happened to me yesterday.
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- You had a work hangover.
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- I had a work hangover, I think, for the first time.
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And it's not something that I knew existed.
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I don't know if it does exist,
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but yesterday I felt horrifically hungover
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and I had no alcohol the day before.
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And the only thing that I can attest it to
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is the fact that I was working until, I don't know,
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like one in the morning.
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and still trying to stay awake with caffeine and food
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at a time when I should have definitely been sleeping.
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- Right, you've been spending all your cortisol
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and adrenaline on getting things done.
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- And then you are tapped out, my friend.
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Yeah, no, work hangover, I think that's a real thing
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if you've really been going for a whole bunch.
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Work hangovers, yes, regular hangovers, not so much,
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but I'm sorry to hear that you had a work hangover,
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though it is completely understandable
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because it is Apple events time, which I totally knew about
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before you messaged me about it and I saw it
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in the show notes.
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It's a busy week for you.
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- Yeah, so Tuesday was when the event was
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and they're obviously later in time anyway, right?
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So if I'm recording, which I am, I recorded with Jason,
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we do our kind of like post event analysis.
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I can't start that until we're ended.
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And then I also had some meetings,
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which to get some more information about the product.
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So all of that just kept pushing the day on and on and on.
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And I think adrenaline is one of the things
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that I can assume was a big factor for how I was feeling.
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Because I had like a weird feeling after I was finished,
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like it was kind of like one in the morning,
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I was super hungry and I was like incredibly sweaty.
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And so like I can assume, yeah lovely right?
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I can assume it must have been adrenaline based.
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And I think that set me up for a bad Wednesday.
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I was bad, it was so bad.
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And I still had a bunch of stuff to do.
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We did an interview for next week's upgrade
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and again, I'm trying to like get through it.
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And I just, I felt like I was, I don't know,
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like 22 again or something.
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- Yeah, I could see in my head, Myke,
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with the sunglasses as you're recording a podcast
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and drinking coffee.
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- From underneath my desk.
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- Yeah. - In the fetal position.
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It reminded me of when,
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so I used to work in retail banking
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and my very first jobs in that field
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was actually working in the bank branches,
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opening bank accounts and that kind of stuff.
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And I remember what it was like to work Saturdays
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having gone out on Fridays.
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They were rough times, man.
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And that's what I felt like yesterday.
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- I'm so sorry.
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Because that's the worst thing then, the hangover is having to do something, right?
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Working through a hangover is one of the most excruciating things a person can go through.
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It's so bad. Like, if you have to sit in a meeting, you know?
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The universe feels unjust in those moments.
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And so I've discovered that it's possible now, maybe this is in my advancing age,
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that now I can just work too hard and get a hangover, which is not a thing that I knew.
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I had to consider, but I guess that's kind of where I am in my mid-30s now.
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Happy birthday! Here's a new problem for you.
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Oh, I'm so sorry, Myke. I'm so sorry that this is now a thing that can be part of your annual life.
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Yeah, maybe. I made a decision though, which was a pretty good one.
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I had like a positive thinking kind of moment, you know, like a positive mental attitude kind
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of moment. It was like, I was looking at my calendar and these weeks they were just like,
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it's like dropping a nuclear bomb into my calendar because there is a moment on the Tuesday that is
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where like the bomb hits and then the shockwave hits out across the rest of the calendar as all
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of my shows will start getting moved around. It's kind of an incredible thing. It's like this event
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occurs and then this has to move and this has to move and then having moved that means I need to
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move this and how you know and it's just like this. I've heard it described as silly season.
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My friend Merlin calls it silly season which is like if one person who's in a podcast goes
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goes on vacation, the effect of that person
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going on vacation can be felt across
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like four different podcasts, right?
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So I was looking at all of this and I was assessing
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the amount of work that I had to do
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and all these extra things and all my editing projects
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that I'm gonna have to do.
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And I made the decision in that moment
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to not look at this as, oh man, this is so much to do.
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But to choose to feel grateful for it
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because this is what I wanted.
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And it is what I wanted, right?
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this is what I signed up for, all of this stuff.
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When I set out on this path to try and attain the career
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that I have, it was to get these moments.
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So this week especially, I am appreciating the work more
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than thinking, oh man, this is gonna be hard to get done.
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I'm just choosing to feel grateful for it
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instead of tired about it.
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- I think that's really good because I think about the Myke
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who I first met, and he would be thrilled to hear how busy your week is because of the
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things that you're able to do.
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Yeah, the opportunities and that kind of stuff.
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You really work towards this over the years, and this is a good example of where trying
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to reframe something really can work.
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You know, it's like with the journals and if you use them for gratitude journaling,
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like I always say, it's frustratingly effective, but this is one of the reasons why that stuff
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kind of works is you can, to a limited extent, reframe things under the right circumstances
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and choosing to be grateful for all of the stuff that you get to do this week is like
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I'm glad to hear that you did that after hearing that you had to go through your work hangover
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while also working with your sunglasses on and drinking your coffee.
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And the electrolytes. I was I was burning up on electrolytes yesterday. Is I gonna get
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Electrolytes and bone broth, all to be perky on a podcast.
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Not a fan of bone broth?
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I don't like the words.
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I never really thought about it.
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Look, you just- Myke, you just grind up a bunch of bones,
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you broth them, and then you drink them.
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How doth one broth something?
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Look, I don't know.
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I'm not a witch with a cauldron, you know, mixing these things together.
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Toil, toil, bubble in trouble or whatever, I don't know.
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I have mute and all that stuff, yeah.
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I opened our document a couple of days ago and was met with something that I couldn't conceive of.
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Oh, this is the thing I forgot about. Is this the Slack notification flow chart?
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Yes. So I'm going to put a link in the show notes to what I ended up finding,
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which is a blog post from Slack's engineering team
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where they show off this flow chart.
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And we can talk about what this is in a minute
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and why it's here.
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But when I first saw this, I thought you had made this.
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- Oh no, no.
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- And this was something that you were trying to,
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I don't know, tell me how I should be sending notifications
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to you in our Slack or something.
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I was like, oh God.
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I could just imagine you and your assistant coming up
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with this system of like, when can Gray be notified?
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And that's what I originally thought this was.
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- I actually kind of like that as an idea.
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Like the when and how to approach gray, the flow chart.
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I like that, but maybe I should make that.
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- I mean, honestly I would like that
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because then I would know when I can alert you or not.
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Right, like what are the types of messages
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which warrant the @gray and where do they go?
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Because I will say, since we created the Cortex brand Slack,
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our communication has gotten much more complicated.
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- Yes it has. - 'Cause now we have
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three places. - Three places.
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And I never really know now where to put things again.
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I think we need to have a meeting about this
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'cause it's, everything's gotten more complicated again.
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- Yeah, it definitely has gotten more complicated.
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And also in all fairness to you,
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this is where I am completely unhelpful with the show notes
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because I was sent this diagram as like,
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oh my God, look at how complicated Slack notifications are.
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And I thought, oh, I'm gonna forget about this.
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Let me just quickly drop it into the show notes.
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with no context, right?
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Not a sentence or anything.
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I just dropped it in as an image.
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And then of course, promptly forgot that I had ever put it in there.
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So you're presented with this, how to run a nuclear power station level flow chart
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that is absolutely nothing surrounding it.
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I just wanted this as, as a little bit of like follow up to our conversations
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where I sometimes express frustration about notifications.
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And we've talked about Slack a whole bunch and even to this day, still
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find it really endlessly frustrating about what do I or do not get notified about in Slack.
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And Slack is one of these weird cases where it tends to be the reverse of I actually want
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more notifications from this system, but I sometimes find it hard to get the ones that
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I'm looking for. But anyway, so this flowchart, I just put it in here to visually show how it is
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actually incredibly complicated about does or does not Slack notify
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you when a message takes place.
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And I was really relieved to see this, to think, okay, it is not just me.
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This flowchart must have what?
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Two dozen boxes on it, all with yes/no options of, you know, is it here?
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Is it there?
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Is it under this circumstance?
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What's the global state, you know, blah, blah, blah, blah, blah.
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And so that's why I put it here.
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This to me is like vindication flowchart.
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Slack notifications are super complicated.
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- It's also an incredible example of how
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you add complication by adding new features.
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- Yes, yes. - Me and Adina
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were talking about this yesterday.
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She started selling some prints of the comics
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that she's been doing.
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She wanted to test it out.
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And she wanted to set up Instagram shopping, right?
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'Cause you can buy things in Instagram.
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- Oh, I didn't know that, okay.
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Yeah, it integrates with Shopify, I think, and you can just sell stuff.
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So it's physical prints of the artwork.
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Yeah, she has some postcards made, it's like a test of a thing that she wants to try and do more of.
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And she's also doing this as a test for us, for Clothix brand, right?
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It's like, "Why don't you do this and tell me how it goes?"
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"We'll see if this is a thing we want to do in the future, I don't know."
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Right, it's great to have tasks have two purposes.
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Yeah, exactly.
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Two purposes is one purposes, so yeah, that's great.
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And so to do it, she had to set up a Facebook page for her Instagram account and link them.
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To do a lot of stuff on Instagram, you have to have a Facebook page attached to it, like
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to do ads and stuff like that.
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So she created the Facebook page, but now it refuses to link them.
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Like she's hit some bug and she found a bunch of Reddit threads where people have been having
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this bug for months.
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And we were talking about it last night and it was like, this is an example of you start
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with a product and then you have a bunch of other features and you keep adding like 20
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layers on top because it doesn't make any sense why to make ads on Instagram you need
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a Facebook page other than the fact which is this is the only way they could do it without
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having to remake their system every time so you just keep adding more and more dependencies
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on top of everything else and like that's this thing with Slack of like because they
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added threads in, it added like 20 more boxes on this flowchart.
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You can see the word "thread message" in question marks all over the place because
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they added this feature in.
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This is like a perfect example of how you can make things more complicated for yourself
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because you try to do them in the most expedient way, which is to just add a feature on top
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rather than trying to fully integrate it.
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This is not a criticism on any of these companies because they all do this, right?
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This is just, you can't every time you have an idea remake all of Facebook.
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You can't, you know, it's like, "Oh, we've had this great idea.
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We need to start again with Facebook so we can properly integrate this."
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It doesn't work like that.
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But this is how you end up building these layers upon layers of complexities in such
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that to send a notification, there is one of the most complicated flowcharts I've ever
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Yeah, it's great.
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And then you think this also then interacts with, if you're me, your
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notification system on the phone, right?
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All of this is like before the notification even gets into Apple's system.
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Which is, you know, so it's like, Oh great.
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All of these complicated flow charts are interacting with
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other complicated flow charts.
00:15:16
◼
►
So anyway, it just, I wanted to throw it in here as like, Oh God, it's incredible.
00:15:22
◼
►
How complicated software can be.
00:15:25
◼
►
And this is one of the few cases where I feel like I dramatically underestimated what the
00:15:31
◼
►
scope of the problem really is.
00:15:33
◼
►
It's like, oh, I thought I was managing five things, but I didn't realize, oh, there's
00:15:37
◼
►
10 things here.
00:15:38
◼
►
This is why I can never quite get Slack to work the way that I want to.
00:15:44
◼
►
And I even learned new things from this flow chart of like, oh, there's the difference
00:15:48
◼
►
between @channel, @everyone, and @here.
00:15:54
◼
►
in my head I just sort of mushed them all together, but it's amazing to see this where it's like, "Oh,
00:16:00
◼
►
okay, this is a mention. It's an @here mention. Is the user active? Like, are they in Slack right
00:16:06
◼
►
now?" You know, no, then they won't get notified. It's like, "Oh, but if you're using @everyone,
00:16:11
◼
►
it's like, yes, they will get notified unless the channel mentions are suppressed, then they won't."
00:16:17
◼
►
Right? It's like, it's incredible how complicated this is. To go to your point, you can easily see
00:16:22
◼
►
how someone at some point says, "You know, you don't always want to mention everyone in a channel.
00:16:29
◼
►
You literally want to know who is here right now." And you go, "Oh yeah, that's a good idea. That's
00:16:34
◼
►
a useful feature." But then fast forward to onboarding new users a year later, and since
00:16:41
◼
►
they haven't seen each of the pieces come in and like read the changelogs as they get added,
00:16:47
◼
►
You just go, "Oh, @here, @everywhere, yeah, all of this is like, how do I talk to everyone in the channel thing?"
00:16:53
◼
►
It's a very hard design problem, like, I do not envy...
00:16:57
◼
►
Just to be clear, this is not me being like, "Oh, Slack is ridiculous."
00:17:00
◼
►
This is more like, I just don't envy the engineers who have to work on it, and
00:17:06
◼
►
for a tool that is attempting to manage,
00:17:09
◼
►
how does everyone in a company communicate with everyone else?
00:17:13
◼
►
It's a really, really hard problem to solve.
00:17:16
◼
►
We get to do that thing that we rarely do where there's some kind of like breaking news
00:17:20
◼
►
that we can bring into the show because before we started recording today the WWDC rumors
00:17:26
◼
►
started right?
00:17:28
◼
►
I want to read you a paragraph from a Bloomberg report from Mark Gellin because I think you
00:17:31
◼
►
might like this.
00:17:33
◼
►
I know you hate the rumors when I'm telling you anyway.
00:17:34
◼
►
Yeah I'm like why are you telling me rumors?
00:17:37
◼
►
Because this is particularly exciting for you.
00:17:39
◼
►
But they're nonsense.
00:17:40
◼
►
It's just a rumor.
00:17:41
◼
►
It's just not real.
00:17:42
◼
►
The company is planning a new feature that will allow users to set different notification
00:17:47
◼
►
preferences, such as if the phone makes a sound or not, depending on their current status.
00:17:52
◼
►
The enhancement will come in the form of a new menu that lets users select if they are
00:17:56
◼
►
driving, working, sleeping, or custom categories that they are choosing.
00:17:59
◼
►
The menu will be shown on the updated lock screen and in Control Center.
00:18:02
◼
►
So basically, you may be able to, with iOS 15, say "Hey, I'm working now" and then your
00:18:10
◼
►
phone will send you a very limited set of notifications that you can customize.
00:18:14
◼
►
Imagine that life.
00:18:15
◼
►
Yeah, okay, so this is why I don't like rumors, because now you put me in a terrible position.
00:18:18
◼
►
Yeah, I know.
00:18:19
◼
►
I like to do this to you.
00:18:20
◼
►
Because now you're like, "Oh, now I want it."
00:18:22
◼
►
Because now you think it might be out there.
00:18:23
◼
►
This is very fun for me.
00:18:26
◼
►
So yeah, if this doesn't happen, I will be disappointed.
00:18:28
◼
►
If it does happen, I will also take credit for the existence of this feature.
00:18:32
◼
►
I'll just assume…
00:18:33
◼
►
I mean, this is, without a shadow of a doubt, this only exists because people that make
00:18:37
◼
►
iOS listen to you complain.
00:18:39
◼
►
It's like, look, Apple engineers, I know you're there.
00:18:41
◼
►
I know you can hear me now.
00:18:43
◼
►
So I am gonna completely take credit if this feature exists.
00:18:48
◼
►
But then that only serves to redouble my disappointment
00:18:51
◼
►
if it doesn't happen.
00:18:52
◼
►
So thanks a lot, Myke.
00:18:53
◼
►
- This is like the many years of dark mode.
00:18:55
◼
►
- Right, yeah, no, this is great.
00:18:59
◼
►
Breaking news in Cortex, I give it two thumbs down.
00:19:01
◼
►
Do not want, do not repeat, do not notify, please.
00:19:06
◼
►
- We have a new product that I'm very excited about.
00:19:08
◼
►
The subtle notebook.
00:19:10
◼
►
- The subtle notebook.
00:19:11
◼
►
- So we obviously have worked very hard
00:19:13
◼
►
on creating the theme system journal
00:19:15
◼
►
and we've had a lot of great feedback about it
00:19:17
◼
►
'cause people just really like to use
00:19:19
◼
►
the theme system journal.
00:19:20
◼
►
So we decided to take all of the work that we have done
00:19:23
◼
►
in creating a fantastic paper product
00:19:26
◼
►
that is really nice to use
00:19:28
◼
►
and turn it into just a regular notebook.
00:19:31
◼
►
So if you love your theme system journal,
00:19:32
◼
►
now you can write all of your notes
00:19:34
◼
►
in a book made just like it.
00:19:36
◼
►
Or if for some reason you've been wondering,
00:19:37
◼
►
hey what's all this fuss about?
00:19:39
◼
►
But you don't want to be a journal person,
00:19:41
◼
►
which I don't understand if you don't,
00:19:42
◼
►
I think everybody should get a theme system journal,
00:19:44
◼
►
but nevertheless, now we have a product for you.
00:19:47
◼
►
So it's made exactly the same with the same materials.
00:19:50
◼
►
It has a different cover,
00:19:51
◼
►
which is a wonderful kind of slightly metallic blue
00:19:54
◼
►
with a more subtle logo,
00:19:55
◼
►
but otherwise is constructed identically
00:19:58
◼
►
to the theme system journal.
00:19:59
◼
►
It has dot grid, number pages, corner perforations
00:20:02
◼
►
so you can keep your place, and a lay flat design.
00:20:05
◼
►
It's on sale now at cortexmerch.com.
00:20:08
◼
►
- Yeah, I've got mine right here, right next to me.
00:20:10
◼
►
Obviously, Myke designed, it's beautiful.
00:20:13
◼
►
And yeah, if you are looking for a high quality notebook,
00:20:18
◼
►
it is obviously, we recommend it.
00:20:20
◼
►
It's great, I love it.
00:20:21
◼
►
And it's taken all of the work that you've done
00:20:24
◼
►
for the theme system and notebookified it.
00:20:27
◼
►
And I also just really love that when you pitched this
00:20:31
◼
►
to me the first time, it was,
00:20:33
◼
►
We want to take the subtle shirt and turn it into a notebook.
00:20:37
◼
►
And that's exactly what has happened.
00:20:38
◼
►
I 100% love that it matches this shirt so well,
00:20:42
◼
►
like with a nice subtle logo on the side.
00:20:44
◼
►
It's, I love it.
00:20:45
◼
►
It's so good.
00:20:46
◼
►
- It is a notebook version of a t-shirt.
00:20:50
◼
►
- Yes. - That's what we've made.
00:20:52
◼
►
You're listening to Cortex right now.
00:20:54
◼
►
What more do you need to know?
00:20:56
◼
►
Cortexmerch.com.
00:20:59
◼
►
- We need to talk about live streaming.
00:21:02
◼
►
Why? Why do we need to talk about live streaming?
00:21:04
◼
►
- I think for a couple of reasons.
00:21:05
◼
►
One, I have been live streaming weekly for six months now.
00:21:10
◼
►
So I wanted to check in on how that's been going for me,
00:21:13
◼
►
but also because you're a live streaming machine
00:21:15
◼
►
who can't be stopped.
00:21:16
◼
►
- No, I don't know if that's true.
00:21:18
◼
►
Okay, if we're going to talk about live streaming,
00:21:21
◼
►
what it actually needs to be is I need to learn
00:21:24
◼
►
from your experience of live streaming.
00:21:27
◼
►
- Gray, that's partly why we're having this conversation.
00:21:31
◼
►
- Okay, is this like a streaming intervention
00:21:33
◼
►
that's actually occurring? - A little bit.
00:21:35
◼
►
- Hey, we need to talk about your streaming.
00:21:37
◼
►
- There's some stuff that we need to talk about,
00:21:39
◼
►
but there's other parts that I'm just intrigued about.
00:21:41
◼
►
So to kind of give everybody a refresher,
00:21:44
◼
►
I have been streaming weekly at mike.live
00:21:47
◼
►
with keyboard related content.
00:21:49
◼
►
This is my new hobby and I've really been enjoying it.
00:21:52
◼
►
And every Friday I've been doing a stream
00:21:54
◼
►
for an hour or two where I might be building something
00:21:58
◼
►
or looking at some upcoming products.
00:22:00
◼
►
This is kind of called like group buyer reviews.
00:22:02
◼
►
We look at stuff that's coming down the line
00:22:03
◼
►
and I give my thoughts and opinions on the designs.
00:22:06
◼
►
And now that I'm back in the studio more,
00:22:09
◼
►
I'm thinking about maybe doing more streams
00:22:11
◼
►
and I've actually been wanting to do
00:22:12
◼
►
some game stuff as well.
00:22:14
◼
►
And I can maybe do that on different days in the week.
00:22:16
◼
►
So I've really been enjoying it.
00:22:18
◼
►
And I wanna talk a little bit about some of the changes
00:22:20
◼
►
that I've gone through,
00:22:22
◼
►
especially from an equipment perspective
00:22:24
◼
►
and also talk about some of the stuff that I've learned
00:22:26
◼
►
from having done this for another like six months.
00:22:29
◼
►
So that's where I am right now, but now I want to kind of get everybody up to speed
00:22:33
◼
►
and where you are too, so in the past you've been doing some director's commentary live
00:22:37
◼
►
streams, right?
00:22:38
◼
►
That's something you've been doing for a while when you post a big video.
00:22:41
◼
►
Yeah, I feel like it's been about a year, I guess, that I've been doing that.
00:22:45
◼
►
I think since the Tumbleweeds video, that was the first one.
00:22:49
◼
►
And so, you know, my understanding is that's like a perk for Patreon too, right?
00:22:52
◼
►
They get like the video and stuff, your direct support gets the videos.
00:22:55
◼
►
And you've done some occasional game streams, mostly Mario Kart, if memory serves, right?
00:23:01
◼
►
But in the past week or so, you've been playing an absolute ton of Minecraft.
00:23:07
◼
►
And so I'm keen to understand what triggered this.
00:23:13
◼
►
I don't know.
00:23:14
◼
►
Okay, that's a perfectly fine reason.
00:23:17
◼
►
Saying "I just wanted to do it" is like, great!
00:23:21
◼
►
It's one of these- it's like, um, it's been a weird series of escalations combined with just a bunch of timing stuff, but...
00:23:35
◼
►
Okay, so if I'm trying to reconstruct it- so there's the background thing which is going on here.
00:23:42
◼
►
When I switched my business to be much more direct support, and I gave up doing embedded sponsorships in the videos,
00:23:49
◼
►
One of the things that had been on my list for a really long time is I wanted to have
00:23:52
◼
►
a second place that people could sign up to support the channel because sometimes for
00:23:58
◼
►
whatever reason, like people don't want to use Patreon, they want like a second
00:24:01
◼
►
option was a frequent request.
00:24:03
◼
►
And I've been kind of looking at stuff for a while and eventually with the timing of
00:24:09
◼
►
it, it's like YouTube has just been rolling out their members program.
00:24:13
◼
►
And I got an invitation to be one of the early trial people for this.
00:24:18
◼
►
And I thought, "Okay, let me give this a shot."
00:24:20
◼
►
And so I've been trialing that out for, I don't know, maybe six months or so?
00:24:24
◼
►
It seems like from the outside, basically, they took Patreon and Twitch and mushed them together.
00:24:32
◼
►
I mean, I don't know very much about Twitch, so that's hard for me to comment on, but I think it is very fair to say that this is YouTube's answer to Patreon in a large number of ways.
00:24:43
◼
►
Anyway, so I wanted to just have an answer when people email me and they're like,
00:24:47
◼
►
hey, I want a different option.
00:24:48
◼
►
So I've been trying it out and.
00:24:50
◼
►
This actually just goes right into the, the like flow chart that we were talking
00:24:57
◼
►
about before was like, as you keep adding things, each individual thing makes
00:25:02
◼
►
everything much more complicated.
00:25:04
◼
►
There's like a nonlinear amount of complication that occurs.
00:25:07
◼
►
And so I've been working a lot on trying to make sure that people who sign up to
00:25:14
◼
►
become members or patrons that for the primary two levels that people use,
00:25:20
◼
►
everything is as the same as it can be.
00:25:22
◼
►
I don't think that the content experience should be different.
00:25:25
◼
►
And that ends up being a lot more work and a lot more difficult than you expect.
00:25:28
◼
►
You've got to double the work now.
00:25:30
◼
►
So there's, there is double the work.
00:25:32
◼
►
Like, so that, that is the boring business background all to get to the sentence of,
00:25:37
◼
►
so what I was trying to figure out how to do and completely failed in doing was how
00:25:44
◼
►
can I stream the director's commentaries to both groups of people?
00:25:50
◼
►
And normally the way that I've done it is since the director's commentaries
00:25:55
◼
►
are for the supporters of the channel, like it's been a private thing.
00:25:58
◼
►
Then I was thinking, okay, but how can I stream this to both groups?
00:26:02
◼
►
And it's like, Oh God, this is a technical challenge.
00:26:05
◼
►
And also a Gray's internet is not fast enough and not reliable enough challenge as well.
00:26:12
◼
►
And I basically gave up with, what was it? I guess it was the metric paper video. I gave
00:26:17
◼
►
up even attempting to do that and just did the director's commentary live on the channel
00:26:24
◼
►
instead of having it behind a paywall because I couldn't figure out how to do the thing.
00:26:30
◼
►
And I was like, well, I don't want to favour one group over the other. So, uh, everybody
00:26:34
◼
►
can watch when it's live, I guess now.
00:26:36
◼
►
Yeah, but then you can do, which I think you have been doing, which I think is, I think
00:26:39
◼
►
a really fair way to do it is then the replay is only available for members or patrons, right?
00:26:46
◼
►
B: Yeah, yeah, that's what I've done for now. This is also one of these things where, simply
00:26:52
◼
►
because of the language issue as well, I've never really had a name for the group of people who
00:26:57
◼
►
support the channel, but now that there's two system, it's like I need a way to refer to both
00:27:01
◼
►
of them, and so I've come up with the Bonnie B Brigade as like an outgrowth of the Bonnie B that
00:27:07
◼
►
that I've used on the channel for a long time.
00:27:09
◼
►
But again, it's, it's one of these things of, I've always avoided
00:27:14
◼
►
any kind of collective name.
00:27:16
◼
►
That's fine until you have two systems and now you need one name.
00:27:21
◼
►
First you can just adopt what that system calls their customers, right?
00:27:26
◼
►
So like your patrons of Patreon.
00:27:29
◼
►
Like I used to just say crowdfunders or patrons or whatever.
00:27:32
◼
►
And, and I've used crowdfunders a little bit in the past year, but
00:27:36
◼
►
I just really hate it as a word.
00:27:37
◼
►
I think it's an ugly word.
00:27:38
◼
►
That word doesn't mean any more, I think, what it used to mean.
00:27:42
◼
►
Now like crowdfunding is Kickstarter.
00:27:44
◼
►
Yes, exactly.
00:27:45
◼
►
There's like a legacy term way that I'm using it, which is slipping.
00:27:49
◼
►
Like you don't you don't want to get stuck on the old term for forever.
00:27:52
◼
►
So I don't know.
00:27:53
◼
►
It's just it's been it's been this weird time where I've been trying to solve a bunch of
00:27:57
◼
►
these weird background technical issues.
00:28:01
◼
►
Like the you know, the direct support is totally what the channel relies on and just trying
00:28:06
◼
►
to make this work by what I thought was, "Oh, I'll just flip a switch and give it a try
00:28:12
◼
►
and see how it works."
00:28:13
◼
►
I didn't realize, "Oh, this is actually going to introduce a much larger number of
00:28:17
◼
►
problems than I thought at first."
00:28:20
◼
►
But so anyway, I gave up trying to solve one problem.
00:28:22
◼
►
I just did the director's commentary live.
00:28:25
◼
►
Then I was trying to solve the problem again and accidentally streamed live on the channel
00:28:30
◼
►
when I didn't mean to.
00:28:32
◼
►
and basically just said, "Okay, f it, let's roll with this and I'll just do some Mario
00:28:38
◼
►
Kart on the mainstream." And then that just opened the flood doors of, "Oh, I guess I
00:28:44
◼
►
can just stream on the main channel and it's okay dot dot dot question mark?" Like, I'm
00:28:52
◼
►
not 100% sure. It's very early in doing this, which is probably why it's a good time for
00:28:57
◼
►
your intervention if you're going to try to direct me here. This is like a very inflectiony
00:29:02
◼
►
point kind of thing. Yeah so anyway it's a combination of so I sort of opened this door
00:29:08
◼
►
accidentally and then it's I mean this is like a whole other side thing but it's just
00:29:14
◼
►
worked out that some of my videos are in a really frustrating stage of development like
00:29:20
◼
►
I feel really stuck on two of them in these really annoying ways and so I've ended up
00:29:25
◼
►
having a bunch of days work-wise that are just kind of frustrating after the morning
00:29:31
◼
►
and I feel like I just haven't really accomplished much. And so that has totally pushed me to
00:29:39
◼
►
just try to play around with streaming a bit more and figure out what's here and what works.
00:29:45
◼
►
It originally started with, I can't remember how, but I think someone mentioned when I
00:29:49
◼
►
did that Mario Kart stream about Myst, which is a game that I really love.
00:29:54
◼
►
Yes, you have played Myst, yes.
00:29:55
◼
►
And just haven't played in literally over 20 years.
00:29:59
◼
►
It's very old.
00:30:00
◼
►
And I just thought, oh, that might be just kind of fun to try out on the channel.
00:30:05
◼
►
Like I referenced Myst several times in my vlogs because it had a really big aesthetic
00:30:09
◼
►
impact on me.
00:30:10
◼
►
And so yeah, I gave that a try and I don't know, it's, I was really happy to just experience
00:30:17
◼
►
the game again.
00:30:18
◼
►
Like it was an interesting experience.
00:30:20
◼
►
And also, you know, I could use help getting through it because I wasn't going to remember
00:30:23
◼
►
all the puzzles. It was much harder than I remembered it. I thought like, "Oh, blast
00:30:29
◼
►
through this, no problem." It's like, "No, it's still quite a hard puzzle game even
00:30:33
◼
►
after 20 years." When I was doing that, someone mentioned Minecraft, which I didn't
00:30:38
◼
►
realize was still incredibly popular. I just kind of assumed that it had faded away a little
00:30:43
◼
►
I mean, I don't know if it's still now, but there was a time in the last year where
00:30:48
◼
►
it was, again, the most popular video game in the world.
00:30:51
◼
►
Yeah, I mean, it has amazing staying power.
00:30:54
◼
►
And yeah, so again, I just, I had some really frustrating days with trying to work on some videos.
00:31:01
◼
►
And the Minecraft thing was just really nice.
00:31:03
◼
►
Like, oh, I feel like I've done something in the day after a frustrating morning.
00:31:09
◼
►
And it's also just genuinely quite fun to play.
00:31:13
◼
►
So it's been this weird combination of one, like we've talked about streaming for years and years now.
00:31:20
◼
►
And I think, to anyone who's been with us, it has always been clear that I'm the one
00:31:24
◼
►
who has a much harder time with this, and I don't get it, and I feel like I've never
00:31:28
◼
►
really figured it out.
00:31:31
◼
►
And this is much more of me making a concerted effort to try to figure it out, because it's
00:31:37
◼
►
just happened to work out that I have a couple of good games that I wanted to try anyway,
00:31:43
◼
►
and a, like, bumpier period in the main script time.
00:31:49
◼
►
So yeah, so it's really just been a bunch of messing around is the long answer to why
00:31:54
◼
►
has this happened?
00:31:56
◼
►
It's just been like one thing on top of another.
00:31:58
◼
►
That's why it's happened.
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◼
►
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and Relay FM.
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Poking in and peeking in,
00:33:50
◼
►
as you've been doing this over the last few days.
00:33:52
◼
►
I mean, I can say from business perspective,
00:33:54
◼
►
this is a good idea.
00:33:56
◼
►
Your numbers are incredible.
00:33:58
◼
►
- I didn't realize you've been spying on me.
00:33:59
◼
►
- I've been spying on you, yeah.
00:34:01
◼
►
I mean, YouTube actively tells me when it's happening.
00:34:04
◼
►
Like you can't get away from it,
00:34:06
◼
►
which is really interesting.
00:34:08
◼
►
Now it's good, this is good, right?
00:34:09
◼
►
I think that, okay, 'cause here's the,
00:34:11
◼
►
like when I first saw it, I was like,
00:34:13
◼
►
why would you stream on YouTube?
00:34:14
◼
►
Like Twitch is the place, right, for streaming.
00:34:17
◼
►
It's just about a platform for it
00:34:18
◼
►
because it's built around it, right?
00:34:20
◼
►
Like that's what Twitch is.
00:34:22
◼
►
YouTube's like trying to make fetch happen, you know?
00:34:25
◼
►
Like that they are really trying with live streaming,
00:34:27
◼
►
but people go to Twitch because it's kind of
00:34:30
◼
►
the expectation now, is that that's where you live stream.
00:34:34
◼
►
But you have this inbuilt audience there already subscribed.
00:34:39
◼
►
YouTube wants to tell them, like every time you're streaming
00:34:44
◼
►
you are the top video in my subscriptions list
00:34:47
◼
►
no matter what's coming in.
00:34:48
◼
►
They put you right up there and you're like live.
00:34:52
◼
►
So like for you, I think it makes perfect sense
00:34:55
◼
►
to stream on YouTube rather than,
00:34:57
◼
►
'cause then, I mean, honestly, if you did on Twitch
00:34:59
◼
►
you would then be having a third option, right?
00:35:04
◼
►
of like, now you have these subscribers and where do they go, there is something to be
00:35:09
◼
►
said about the diversification of that, which is intriguing, but I feel like would add so
00:35:15
◼
►
much on top that probably makes it more complicated.
00:35:21
◼
►
And also just from watching, like, it seems like it is a really great way to encourage
00:35:27
◼
►
people to subscribe.
00:35:29
◼
►
Because when you're streaming live, if you are a person who watches live streams, you're
00:35:34
◼
►
very used to the idea of this will encourage people to subscribe and then at least with
00:35:40
◼
►
the YouTube stuff they get additional benefits they don't really get on Twitch, right?
00:35:44
◼
►
Like Twitch is just kind of like I support this creator now I don't see ads and I get
00:35:48
◼
►
some emotes but at least with the YouTube stuff I assume from what I could glean if
00:35:53
◼
►
somebody supports you by like subbing while you're live they also get all of the benefits
00:35:59
◼
►
that you would get as a patron/regular subscriber. So there is definitely something to be said
00:36:06
◼
►
for someone like you using YouTube as your live streaming platform rather than trying
00:36:12
◼
►
to start something new on Twitch. And I've also found it intriguing to watch some of
00:36:19
◼
►
these streams because it's so different content-wise to the stuff that you normally
00:36:24
◼
►
right because it's live which is not a thing that you really do and I was kind
00:36:32
◼
►
of intrigued as to how that makes you feel to be creating live.
00:36:37
◼
►
Yeah I mean when well you know when you pitched me on Cortex years ago I remember one of my
00:36:42
◼
►
main points was like just so you understand this will never be live right
00:36:47
◼
►
because you were doing other shows live.
00:36:50
◼
►
Most of my other shows, especially my weekly shows, we stream them live.
00:36:55
◼
►
People can listen in our members Discord, they can listen on the web.
00:36:59
◼
►
It's just a thing that I've always done, so it's just a thing that I do.
00:37:03
◼
►
I don't particularly feel like that there is a reason.
00:37:06
◼
►
Like this is other shows that I do that I don't stream live.
00:37:09
◼
►
It adds and it also makes some things more tricky at the same time.
00:37:12
◼
►
For the shows that are like quite news focused and information heavy, it can be useful because
00:37:17
◼
►
the live stream actually provides information, right?
00:37:21
◼
►
But say for a show like ours, the one we're doing right now,
00:37:24
◼
►
I don't think streaming live would help.
00:37:26
◼
►
It would actually make the show harder to make.
00:37:28
◼
►
- Oh yeah, yeah, yeah.
00:37:30
◼
►
Back in the day, you would have wanted it to be live,
00:37:34
◼
►
and I think-- - 'Cause it was what I was used to.
00:37:35
◼
►
- I was very firm on not live. - Please no, yeah.
00:37:39
◼
►
- Yes. (laughs)
00:37:40
◼
►
- And it's for the best for this show.
00:37:42
◼
►
There has been one live appearance ever, right?
00:37:45
◼
►
When you came to San Francisco,
00:37:47
◼
►
we did a segment.
00:37:49
◼
►
- But, so I just find it very interesting
00:37:51
◼
►
to watch you creating live.
00:37:54
◼
►
- Yeah, I mean, there's so much
00:37:55
◼
►
in what you've just already said is,
00:37:57
◼
►
and this is where I really feel like
00:37:58
◼
►
I'm trying to figure it out.
00:38:01
◼
►
I am concerned about the notification issue.
00:38:06
◼
►
I don't think it's a problem,
00:38:09
◼
►
but I just don't know. - No.
00:38:10
◼
►
- And it's just-- - It's not a problem.
00:38:11
◼
►
- It's early days.
00:38:12
◼
►
- It's not a problem.
00:38:13
◼
►
- I mean, yes. - Well, okay.
00:38:15
◼
►
It will maybe become a problem
00:38:16
◼
►
if you streamed a lot and then people turn off notifications and they don't get notifications
00:38:21
◼
►
for the videos anymore.
00:38:22
◼
►
But that's not a thing that you can work out.
00:38:25
◼
►
And as well, it's like, if you start relying on the notifications to tell people when you're
00:38:29
◼
►
streaming live, you are then at the whim of YouTube again, as to when they may or may
00:38:33
◼
►
not send that notification that you expect.
00:38:37
◼
►
And also, how much sense this makes to do long term, I just don't know.
00:38:43
◼
►
I suspect that a lot of this might just be a kind of novelty effect at the moment.
00:38:48
◼
►
Like, it's novel for me, which is what makes it interesting,
00:38:51
◼
►
and it can also just be novel for people to watch it.
00:38:54
◼
►
Yeah, there's always a novelty to stuff like this.
00:38:56
◼
►
Yeah, I think one of the other big things about having direct support
00:39:01
◼
►
be the main thing that supports the channel,
00:39:04
◼
►
that, you know, now that I've been doing this for a while,
00:39:08
◼
►
is I've realized like I have to have a visible reminder that this is a thing that people
00:39:15
◼
►
can do now that like the business and the people that I work with depend on this as
00:39:20
◼
►
an income source.
00:39:22
◼
►
Because what happens over time with any of these kinds of things is like, okay, if I
00:39:25
◼
►
make a video that says, you know, please support me on Patreon or whatever, over time, the
00:39:32
◼
►
number of people who are there decay just as like credit cards expire or people like
00:39:37
◼
►
lose interest or whatever.
00:39:40
◼
►
There's always a certain amount of churn and like it's a thing that I've- if the business
00:39:45
◼
►
depends on this, I have to promote it in some way, but I am just- I'm deeply uncomfortable
00:39:53
◼
►
with the direct ask.
00:39:56
◼
►
I've done it two or three times in 10 years, which is not enough if the business actually
00:40:05
◼
►
needs to depend on this as the primary source of income.
00:40:08
◼
►
So one of the things that I've been doing with this is just to have a visible reminder
00:40:14
◼
►
to people that like, "Oh, you can support the channel."
00:40:17
◼
►
And if you do, there are perks.
00:40:20
◼
►
And it is one of the things that's quite interesting about YouTube members to me is
00:40:26
◼
►
it does make it very visually and immediately obvious to people, "Hey, there's more content
00:40:34
◼
►
Like, I always find it quite interesting with the creators that I support on Patreon that
00:40:39
◼
►
I almost never consume their additional content that exists there.
00:40:45
◼
►
It's a pain.
00:40:46
◼
►
It's a pain.
00:40:47
◼
►
It's very hard to go back and to find it
00:40:50
◼
►
I have a couple of people that I support on patreon and one of the things that they'll do is you get the video
00:40:56
◼
►
early, right
00:41:00
◼
►
They send me an email and then I have to open the email and then I want to save the video to my watch later
00:41:06
◼
►
Queue which means I didn't have to sign in to YouTube again
00:41:10
◼
►
Even though I'm already signed in in another tab right and then open the video and then press the button. It's a pain
00:41:16
◼
►
It doesn't just show up where I want it to be.
00:41:20
◼
►
So for like, for more text people subscribe
00:41:22
◼
►
and it's in their feed.
00:41:24
◼
►
It's like if every time we were like,
00:41:26
◼
►
we sent people an email every month,
00:41:28
◼
►
which had an MP3 attached to it,
00:41:31
◼
►
which had the additional content.
00:41:33
◼
►
And it's like, you can go listen to this now, right?
00:41:36
◼
►
Like it's like, it doesn't,
00:41:37
◼
►
it's not meeting people where they are.
00:41:41
◼
►
And I think that's the interesting part of
00:41:44
◼
►
you leaning into what YouTube's offering,
00:41:47
◼
►
as well as what Patreon's offering,
00:41:49
◼
►
because it really is leaning into where your customers
00:41:54
◼
►
are already, which is YouTube.
00:41:58
◼
►
- Yeah, so I mean, part of the experience that I had,
00:42:00
◼
►
which also made me consider this,
00:42:02
◼
►
is I signed up for a couple people's memberships
00:42:04
◼
►
on YouTube myself, and found,
00:42:08
◼
►
oh, I'm actually watching the additional stuff
00:42:11
◼
►
that they create.
00:42:13
◼
►
I mean, it may be literally true a thousand percent more because I would basically never
00:42:17
◼
►
watch it on Patreon.
00:42:19
◼
►
And I've caught myself thinking, oh, there's some channels like I wish they would put their
00:42:23
◼
►
stuff on YouTube.
00:42:24
◼
►
So I don't know, it's interesting and the, you know, the program is still in beta, so
00:42:29
◼
►
I'm a little bit limited about what I can say about it.
00:42:32
◼
►
But what I can say is it presents this real split where, you know, when someone is supporting
00:42:39
◼
►
the channel, it works much better for me if they do that on Patreon.
00:42:47
◼
►
Like all things being equal, I would much prefer someone to sign up on Patreon by a
00:42:56
◼
►
But I know as a user, it's way more convenient if it's right there on YouTube.
00:43:04
◼
►
So it's an interesting split and I think well if I was a supporter of me I would prefer
00:43:13
◼
►
to sign up on YouTube and so that's one of the reasons why I'm just kind of giving it
00:43:18
◼
►
a try and seeing how things go.
00:43:22
◼
►
You know it's funny because like obviously I had the 10-year thing that we talked about
00:43:26
◼
►
last time or the time before yeah and so obviously I've been thinking a lot about the next 10
00:43:31
◼
►
years of the business. And, you know, I really want to lean on direct support quite a lot
00:43:37
◼
►
through, you know, memberships and through merchandise, you know, weird stuff like the
00:43:42
◼
►
stamp or whatever. But one of the things that sort of dawned on me is that I think I've
00:43:47
◼
►
been doing my career in a little bit of a reverse way from the way a lot of content
00:43:54
◼
►
creator production facilities go where my early stuff was also much less personal.
00:44:03
◼
►
And over the last 10 years, I think there has been a trend towards more personal.
00:44:11
◼
►
And I've also trended away from advertising and like both of those are very in the
00:44:19
◼
►
opposite direction of the way most things go. That as a channel gets bigger, often one
00:44:25
◼
►
of the things that people want to do is they want to try to more formalize, like, what's
00:44:30
◼
►
the system? How does this work? How do we make this more reproducible? And like, that's
00:44:33
◼
►
how you make a bigger business. But I've realized I'm very happy to lean into the channel actually
00:44:41
◼
►
becoming just more personal over time, which is why like, oh, the vlogs have gone up. And
00:44:48
◼
►
also why I feel comfortable experimenting with the live streaming stuff because that
00:44:53
◼
►
then feels incredibly personal on the spectrum. It's like, "Oh, I'm here right now, you're
00:45:00
◼
►
listening to me talk, and I'm just kind of playing a video game, and so there's something
00:45:07
◼
►
incredibly unserious and hangouty about it."
00:45:12
◼
►
I'm pleased you said that because I wanted to say this.
00:45:16
◼
►
You probably won't like it but I'm going to say it anyway.
00:45:20
◼
►
In watching you play the game, I see more of who I know because there is more silliness
00:45:34
◼
►
because you're playing a video game and so it's funny and you're doing silly things
00:45:37
◼
►
And I know that side of you more, and it's not the side of you that comes out in your videos, especially, like most of the time.
00:45:45
◼
►
Most of the times, you are presenting something and it's serious, right?
00:45:49
◼
►
And that is what people see from you.
00:45:52
◼
►
But in the live streaming stuff, because it's happening live, your natural reaction to things is coming out more.
00:46:01
◼
►
Right? Like I was watching you build a train track and I think one moment you
00:46:07
◼
►
press the button and the train car flew away and you know you're just like
00:46:11
◼
►
giggling up a storm.
00:46:13
◼
►
Trains are fun.
00:46:14
◼
►
Yeah and it's like there's a spectrum I think that people would see you on right?
00:46:18
◼
►
So people that watch the YouTube videos see one side of you, people who listen to
00:46:23
◼
►
the podcasts get a little bit more of that right? Like a little bit more of you
00:46:27
◼
►
as the full person but content where it's live just naturally you will give
00:46:34
◼
►
more of you like the whole you because it's not written it's not planned in
00:46:40
◼
►
advance it's not being presented you're just playing the game and being yourself
00:46:45
◼
►
so all this is to say if the goal is to give more of your personal side because
00:46:53
◼
►
that is the way that the business continues with a direct support model.
00:46:57
◼
►
Things like live streaming I think are a very good thing to continue and to add
00:47:02
◼
►
in because it does open you up a little bit more as a person and as a creator
00:47:09
◼
►
because people get to see more of who you are and I think that that is why, you
00:47:15
◼
►
know, like I'm watching and I've seen lots of people were subscribing and that's kind of
00:47:19
◼
►
the way that I see the popular Twitch creators that I watch.
00:47:23
◼
►
The more you watch, the more you're like "oh subscribe because I enjoy, I'm having
00:47:28
◼
►
fun here over a period of time."
00:47:31
◼
►
So I think if that is your goal, I think that this helps continue to further that.
00:47:38
◼
►
Yeah, I would say less as like, it's the goal, but more like it's okay, right?
00:47:45
◼
►
Like it's okay to have the more personal stuff.
00:47:48
◼
►
I mean, this, this again is where I was really worried about having two vlogs in a row and like,
00:47:54
◼
►
oh, it turned out fine.
00:47:55
◼
►
And I think this is, this is a side effect of audience expectations.
00:48:00
◼
►
Again, people know what the deal is.
00:48:01
◼
►
You know, again, I'm slightly worried because the YouTube streams are subscriber net negative.
00:48:08
◼
►
if I look in the back end, but they're not very net negative.
00:48:12
◼
►
- What does that mean?
00:48:14
◼
►
- So I mean like if I do a stream,
00:48:16
◼
►
I lose subscribers on that stream.
00:48:19
◼
►
- Oh, you mean overall subscribers.
00:48:20
◼
►
So this is where, okay, this is where naming is difficult
00:48:24
◼
►
because subscribers on Twitch means
00:48:26
◼
►
the people that pay you money.
00:48:28
◼
►
- I know, I know.
00:48:29
◼
►
This is one of the like sidebar, I'm always harping on this.
00:48:35
◼
►
I think YouTube should just ditch the whole concept
00:48:37
◼
►
of subscribers, but they can't because they built their dumb awards around it.
00:48:41
◼
►
But I've thought forever, like they need to get rid of this.
00:48:44
◼
►
Well, it's all changing now.
00:48:45
◼
►
Like, so we're recording this just as Apple's launched their Apple podcast
00:48:48
◼
►
subscriptions thing, which obviously there is a parallel to that conversation,
00:48:52
◼
►
but it's too early for me to even have formed a full opinion on this program.
00:48:58
◼
►
But Apple and Apple podcasts now has follow and subscribe.
00:49:04
◼
►
Oh, that's way better.
00:49:05
◼
►
Follow is what people do for our show right now, right?
00:49:09
◼
►
Like the vast majority of our listeners,
00:49:11
◼
►
they are now like, if they use Apple Podcasts,
00:49:14
◼
►
following us, they've just,
00:49:15
◼
►
and what we would have always called,
00:49:17
◼
►
subscribe to the show, right?
00:49:19
◼
►
- Right, yes.
00:49:20
◼
►
- But then you have the membership and the paid stuff,
00:49:23
◼
►
and that is now a subscription.
00:49:25
◼
►
I mean, I'm just old school, so I'm used to it,
00:49:27
◼
►
but I wouldn't mind if this naming actually just changed
00:49:30
◼
►
and just standardized,
00:49:31
◼
►
'cause now I'm used to, with Twitch,
00:49:33
◼
►
subscriptions is where the money occurs. That's where there's an exchange of whatever. I now want
00:49:39
◼
►
just please standardize this language across the platforms.
00:49:44
◼
►
Right, yeah. No, I didn't know Apple changed the language and I'm 100%
00:49:49
◼
►
behind that. I think subscribe has, it's an anachronistic word, it doesn't make sense,
00:49:53
◼
►
it's confusing. It's confusing even between right now and this moment, two professionals talking
00:49:58
◼
►
about what's going on. I was like, "Oh, I'm net negative on subscribers." And you go, "Wow, that
00:50:02
◼
►
Like, how are you losing money?
00:50:05
◼
►
- Right, and I'm like,
00:50:06
◼
►
"Oh, I don't think it's a big deal at all."
00:50:08
◼
►
Whereas it's like,
00:50:09
◼
►
"Oh, if my direct supporters were abandoning me en masse
00:50:12
◼
►
when I streamed, it's like, I would stop streaming real fast."
00:50:16
◼
►
Like, you know, so it's-
00:50:18
◼
►
- That doesn't make any sense.
00:50:21
◼
►
They're all off refunds.
00:50:22
◼
►
- Yeah, it's hard to talk about,
00:50:23
◼
►
but I guess what I was trying to say there is,
00:50:26
◼
►
I'm worried about the notifications thing.
00:50:28
◼
►
I know that the people who follow me on YouTube
00:50:31
◼
►
with the subscription button, that number goes negative when I stream, but not by a lot.
00:50:37
◼
►
And I also easily expect that's hugely disproportionate to people who like just signed up on the last main video.
00:50:45
◼
►
Like, I would bet 80% of those unsubscribes are people who just subscribed when they found Metric Paper.
00:50:51
◼
►
And then they're like, "Oh, this is a nostalgia streaming channel? I didn't know that, like unsubscribe."
00:50:57
◼
►
Or it is the far less engaged person who is now annoyed that this is happening, but they
00:51:04
◼
►
were not going to particularly watch every video or ever sign up.
00:51:12
◼
►
And this is also where one of the things related to the whole concept of YouTube subscriptions
00:51:17
◼
►
is I'm trying to just psychologically let go of, you know, it's a bit like the serenity
00:51:24
◼
►
prayer and you know, hey, you know what you have to say the serenity prayer about?
00:51:27
◼
►
When does YouTube notify people about your videos?
00:51:29
◼
►
And it's like, well, you know, don't spend a lot of time and energy on the things you
00:51:34
◼
►
can't control and you don't know about.
00:51:36
◼
►
So it's like, I don't have any idea when YouTube notifies people about the main videos or the
00:51:43
◼
►
It's incredibly difficult to even try to get any kind of idea of when that happens.
00:51:47
◼
►
So it's like, you know what, whatever, I'm going to just give up and let YouTube sort
00:51:53
◼
►
it out and I don't know, maybe YouTube will figure out at some point which people do or
00:51:58
◼
►
don't want game streams and which people want the main videos.
00:52:02
◼
►
But that's also where I'm not as confident as that, like, oh, I'm not going to worry
00:52:06
◼
►
thing, you know, as that sounds like, well, you know, we'll see how this pans out in the
00:52:12
◼
►
But yeah, I guess the original idea here about like just being more personal is also trying
00:52:16
◼
►
to eliminate the complexities is it makes more sense to just consolidate everything
00:52:24
◼
►
onto the main YouTube channel.
00:52:27
◼
►
So it's like I used to have that's the secondary channel for streaming games, but that doesn't
00:52:32
◼
►
make sense anymore once there's the members program like this is where oh that just kind
00:52:37
◼
►
of has to go because I don't want three places where people try to sign up and they don't
00:52:43
◼
►
work with each other and it's confusing.
00:52:45
◼
►
And you have enough control where it doesn't mess up the video list and stuff like that.
00:52:52
◼
►
You don't get all these game videos intermixed.
00:52:55
◼
►
Like you're able to kind of like split them out.
00:52:58
◼
►
Yeah, I think it's clear that YouTube is interested in this as an important future part of their
00:53:04
◼
►
platform and I don't know if they're going to continue doing this but it is a big deal
00:53:09
◼
►
to me that, yeah, this kind of stuff doesn't show up as main video stuff. It's very clearly
00:53:16
◼
►
separated from the main videos. This allows me to have it be much more obvious like, "Hey
00:53:23
◼
►
guys, this is bonus, not serious stuff. This isn't what the channel is. It's just like
00:53:30
◼
►
these extra things." So it does allow me to consolidate this stuff. But I think thinking
00:53:35
◼
►
about the channel long term, it's helped me also realize it makes sense and it's fine
00:53:41
◼
►
to consolidate all of these things. My audience, I think after 10 years, gets it that there's
00:53:46
◼
►
going to be random things all the time on the channel. It's not advice that I would
00:53:50
◼
►
generally give. This is what I mean by like, it's the reverse of how I see most YouTube
00:53:56
◼
►
channels go that I think many people as their channels grow, it makes way more sense to
00:54:04
◼
►
to do spin-off and secondary channels.
00:54:07
◼
►
And I think for almost any creator, if they're asking me,
00:54:12
◼
►
oh, they want to do a very different kind of thing,
00:54:13
◼
►
it's like, you should have a separate channel,
00:54:17
◼
►
but that's also dependent on the whole business model
00:54:19
◼
►
of like embedded sponsorships are very important
00:54:22
◼
►
for most content creators.
00:54:24
◼
►
So it's just a very different position
00:54:26
◼
►
that I find myself in.
00:54:27
◼
►
- I do think that we're on a bit of an inflection point
00:54:30
◼
►
with this type of stuff though.
00:54:32
◼
►
- What do you mean?
00:54:33
◼
►
So I think that the pandemic has forced a lot of creators to consider their revenue
00:54:38
◼
►
streams differently.
00:54:39
◼
►
And so there is a lot more trending towards asking people to, you know, if you like
00:54:44
◼
►
the content, support the content and we'll try and give you something extra for that.
00:54:50
◼
►
And so I expect there to be a lot more of people doing the type of thing that you are
00:54:56
◼
►
attempting to do right now of leaning into the main source providing some kind
00:55:03
◼
►
of incentive to build a larger support base and rely less on advertising.
00:55:10
◼
►
I'm not confident about that as a general statement but I don't know maybe.
00:55:14
◼
►
I think that 2020 has highlighted the fragility of advertising based support
00:55:22
◼
►
models. So I can imagine a lot more people thinking okay there is a market
00:55:30
◼
►
for people to want to support whether it's once or on an ongoing basis and as
00:55:37
◼
►
long as creators continue to find a good balance, right, like it's not gonna work
00:55:43
◼
►
for people in my opinion who are like alright I'm just gonna say my content is
00:55:48
◼
►
all behind a paywall and that's not the way to do it. But if you can provide a value proposition
00:55:54
◼
►
then they will give you their money. Like I know this because it's working for us, I know this is
00:55:59
◼
►
me as a consumer of content, like I want to give money to people that I like and to get something
00:56:07
◼
►
out of it. So I mean this is more of just like I agree with what you're saying about you're doing
00:56:13
◼
►
things kind of in reverse to the typical creator because typically a creator begins they have a
00:56:17
◼
►
small audience, they ask that audience for help, it helps them grow, they get numbers,
00:56:21
◼
►
they get advertising and they grow from there and you have kind of gone in the reverse a
00:56:26
◼
►
little bit. I mean there is a thing of like when you started there wasn't really a lot
00:56:29
◼
►
of options for direct support though so you know it's that it is a slight inaccuracy
00:56:35
◼
►
in that thinking right like Patreon didn't exist you know none of these things existed
00:56:40
◼
►
but the point that I'm making is I do think that larger creators now are considering
00:56:47
◼
►
direct support more than they would have say in 2019.
00:56:52
◼
►
- Yeah, I think that's totally fair.
00:56:54
◼
►
- But they're not doing what you're doing,
00:56:55
◼
►
which is then saying, hey, I'm not doing ads anymore.
00:56:58
◼
►
- Right. - On the YouTube channel.
00:57:00
◼
►
Well, like most creators, like say me as well,
00:57:03
◼
►
like with the membership stuff that we're doing,
00:57:05
◼
►
we still do ads, but we also have direct support as well.
00:57:10
◼
►
But you've gone an extra step in saying,
00:57:13
◼
►
"Hey, I'm taking this leap now, please help."
00:57:17
◼
►
Right, like that's the difference.
00:57:19
◼
►
It's like it was a bigger step that you took,
00:57:21
◼
►
which does put you on the, on the outs.
00:57:23
◼
►
But anyway, we have gone way into reservation now.
00:57:26
◼
►
I want to bring us right back into live streaming.
00:57:28
◼
►
One of the things that I found, it was funny to me,
00:57:33
◼
►
is hearing you do the live streaming thing,
00:57:36
◼
►
which is the convention of live streaming.
00:57:38
◼
►
When someone subscribes or becomes a member,
00:57:42
◼
►
whatever the word is, you say like, "Thanks, Jane."
00:57:48
◼
►
Like, that's what you need to do.
00:57:49
◼
►
And when I turned it on, like, I turned on the screen,
00:57:51
◼
►
I was like, "Is he gonna do that?"
00:57:52
◼
►
'Cause I just wasn't sure, right?
00:57:54
◼
►
'Cause this is new for you.
00:57:55
◼
►
I remember when I first ever started streaming,
00:57:57
◼
►
I didn't know you needed to do those things.
00:58:00
◼
►
And people were like, "Why are you not interacting with us?"
00:58:03
◼
►
And I was like, "I didn't know I had to."
00:58:05
◼
►
Right, like, it's very strange when you start,
00:58:08
◼
►
but you were doing it, you know?
00:58:10
◼
►
you're like, "Thanks Billy Bob for joining," or whatever the words are.
00:58:14
◼
►
Yeah, all my words are still very complicated.
00:58:16
◼
►
They're all new.
00:58:17
◼
►
It takes a while, like it really takes a while, because again, like Twitch is much more complicated
00:58:22
◼
►
too, because there are like follows, subs, bits, gifted subs, like it's a much broader...
00:58:29
◼
►
Oh great, sign me up for Twitch, this sounds like what I need.
00:58:33
◼
►
I mean, I will say as a creator and as a consumer, I think Twitch is better at this stuff.
00:58:37
◼
►
But again, it's not the right option for you.
00:58:39
◼
►
The right option for you is to stream on YouTube
00:58:41
◼
►
because it just makes so much sense.
00:58:44
◼
►
There is like this whole vernacular that you need to use.
00:58:47
◼
►
And it was like, as I could feel you were trying to like,
00:58:50
◼
►
you're trying to find it, right?
00:58:52
◼
►
Like, cause it is, it's very, again,
00:58:54
◼
►
it's super different to all of the other types of content
00:58:57
◼
►
that you make in that way.
00:58:59
◼
►
- Yeah, I'm totally unexperienced with this.
00:59:01
◼
►
And also I have the additional problem,
00:59:04
◼
►
which is because there are two ways
00:59:06
◼
►
that people can sign up.
00:59:07
◼
►
I have two chat rooms that I'm managing,
00:59:10
◼
►
which is very like, oh God, where am I looking?
00:59:13
◼
►
It's very, it's, it is surprisingly hard.
00:59:17
◼
►
- So Adina was like, oh, great streaming.
00:59:19
◼
►
And then she was watching, I don't understand the chat.
00:59:21
◼
►
And I was like, okay, so he's kind of got these two,
00:59:23
◼
►
he's got the Discord and the YouTube chat.
00:59:26
◼
►
So, but why are they both there?
00:59:27
◼
►
I said, yeah, 'cause they just have to be.
00:59:29
◼
►
Right, like so.
00:59:30
◼
►
Now I, so this is one of the things
00:59:32
◼
►
that I wanna give you feedback on.
00:59:34
◼
►
What tool are you using? What software are you using?
00:59:36
◼
►
Streamlabs OBS, that's what I'm using.
00:59:39
◼
►
Because I think one of the ways that you can benefit from this is some visual design to the stream.
00:59:45
◼
►
What do you mean? My streams are beautiful.
00:59:48
◼
►
They're gorgeous, like really amazing.
00:59:50
◼
►
There are, you know, like there are visual tricks that you can play for putting things in boxes and stuff like that.
00:59:57
◼
►
And, you know, you will see this with other people that stream, you know, you kind of have a layout.
01:00:03
◼
►
I don't remember the exact name of it now, but you can kind of set up a layout and I
01:00:06
◼
►
just think your layout could do with some refinement to make things a bit clearer.
01:00:11
◼
►
I have refined it quite a lot actually.
01:00:16
◼
►
I mean, in all seriousness, this is just the problem of like the complication versus just
01:00:21
◼
►
getting it done issue.
01:00:24
◼
►
And I don't know, like Streamlabs, you recommended it to me and I do quite like it, but I constantly
01:00:32
◼
►
run into just tons of technical problems with all of the streaming software. Technical problems that
01:00:37
◼
►
are completely baffling, you know, the kind of thing where you're following through someone's
01:00:40
◼
►
tutorial and then step six just doesn't work or like, "Oh, that button doesn't exist."
01:00:46
◼
►
All right, okay. So now we need to actually get into the real meat of this.
01:00:51
◼
►
If you're going to do this, you need a PC. I'm sorry, you don't want to hear it,
01:00:55
◼
►
but this is it because so many of the problems that you're having
01:01:01
◼
►
would be solved by using a PC.
01:01:03
◼
►
'Cause when you say the button isn't there,
01:01:05
◼
►
well, you know why the button isn't there?
01:01:06
◼
►
'Cause it's in the Windows version.
01:01:08
◼
►
It's not in the Mac version.
01:01:09
◼
►
And that's so many of the technical issues
01:01:11
◼
►
that you find yourself in,
01:01:13
◼
►
because the Mac is not good at this.
01:01:16
◼
►
- Right, no, I understand the Mac's not good at this,
01:01:18
◼
►
but I'm not getting a whole other computer for that.
01:01:21
◼
►
Like this is, you talk about now,
01:01:24
◼
►
like introducing more complexity.
01:01:26
◼
►
Every operating system is literally a universe
01:01:30
◼
►
unto itself.
01:01:32
◼
►
And you're like, "Oh, hey, you can't get subscriber names to pop up nice on the screen?
01:01:36
◼
►
Well don't worry, just pop over into this parallel universe where all the physics are
01:01:40
◼
►
different and you can solve this problem."
01:01:42
◼
►
It's like, guess what?
01:01:43
◼
►
I don't need to solve the problem that badly.
01:01:46
◼
►
Like it's fine.
01:01:48
◼
►
What I'm saying to you is for what you're doing right now, right, right now, it's fine.
01:01:55
◼
►
But if this is a thing that you will want to continue, it is my strong recommendation
01:02:04
◼
►
that you make your life easier for yourself, ultimately, in having a small form factor
01:02:11
◼
►
Yeah, but you're presuming that it will make my life easier.
01:02:14
◼
►
I know I know.
01:02:15
◼
►
I don't think that it will.
01:02:17
◼
►
I really don't think that it will.
01:02:18
◼
►
I have been on this journey.
01:02:20
◼
►
I know how much easier it can be.
01:02:23
◼
►
My PC is just set now.
01:02:27
◼
►
I do two things on it.
01:02:29
◼
►
Nothing ever changes.
01:02:30
◼
►
It works great.
01:02:32
◼
►
Of course I get the occasional issue which is solved by unplugging and replugging a USB
01:02:36
◼
►
device but that is like the majority of the issues that I have is just that, if that.
01:02:42
◼
►
It's like once you set it up and you get it fixed in the way that you want, as long as
01:02:47
◼
►
you don't do anything else to the PC, which I don't because I only use it for this, it's
01:02:52
◼
►
But look, Myke, what are you trying to sell me here?
01:02:54
◼
►
All I have right now is, oh cool, there's Minecraft on the right and there's Discord
01:02:59
◼
►
chat on the left.
01:03:02
◼
►
Like, I'm good.
01:03:03
◼
►
Like, that's fine.
01:03:04
◼
►
It works fine.
01:03:05
◼
►
All I'm saying is I agree with you for right now.
01:03:09
◼
►
But again, if this is something that like it becomes a thing in your portfolio that
01:03:16
◼
►
do frequently. My recommendation is you make your life easier and the stream more professional
01:03:23
◼
►
looking by enhancing some things. So you get some scenes made for yourself, right? So like
01:03:29
◼
►
you end up with a more visual design to the stream where things are broken up and laid
01:03:33
◼
►
out a bit better. And then you also have a PC that can render Minecraft draw distances
01:03:40
◼
►
an awesome stream at the same time for you.
01:03:44
◼
►
Putting this out there to you is just like just-
01:03:47
◼
►
No, but like, no, but this is like, this, I don't know, to be like, this is, this is like
01:03:50
◼
►
antithetical to what I'm actually doing here.
01:03:52
◼
►
Like, number one, I'm not actually going to be a daily streamer.
01:03:57
◼
►
Yeah, of course you're not.
01:03:58
◼
►
Yeah, I've been doing it a bunch, you know, because this has been a confluence of events
01:04:03
◼
►
that have made it happen more frequently.
01:04:05
◼
►
Like, I think I would like to be able to do this somewhat frequently going forward into
01:04:09
◼
►
the future I don't really know what that means but I wouldn't expect that it is as frequent
01:04:13
◼
►
as it has been.
01:04:14
◼
►
I have a question for you.
01:04:16
◼
►
Why do you have a writing computer?
01:04:19
◼
►
No Myke, now you're just trying to start a fight here.
01:04:23
◼
►
Well I'm not trying to start a fight, I'm just asking, just a question that I have for
01:04:28
◼
►
you is why do you have a writing computer?
01:04:32
◼
►
The purpose of the writing computer is to try to physically separate the work.
01:04:37
◼
►
I know where you're going with this.
01:04:38
◼
►
Where am I? I don't know where I'm not going anywhere. I just, I just couldn't remember.
01:04:42
◼
►
Look, the writing computer is very simple. It's for writing. It's for podcasting. It's also a
01:04:51
◼
►
server. It's also a server for all of my video files. And it's a Hazel machine that automatically
01:04:59
◼
►
categorizes and sorts all of the video footage that I shoot. It's my fastest computer. So it's
01:05:04
◼
►
also my rendering computer when I'm short on time, and it's also my video game streaming
01:05:09
◼
►
computer now. So that's what the writing computer does.
01:05:13
◼
►
- Right. - Okay.
01:05:16
◼
►
- I mean, just to finish the point, I do... I know what you're saying about getting a
01:05:26
◼
►
PC and trying to make things more professional. I do get it, even though I'm giving you a
01:05:30
◼
►
hard time about that. I understand your point, but part of this for me is like, but I am not a
01:05:37
◼
►
professional streamer. No, I'm not recommending like you're doing this anytime soon. Yeah, if it
01:05:45
◼
►
doesn't feel like I'm actually just playing this game and I'm enjoying this, I'm not gonna do it.
01:05:51
◼
►
Like it doesn't really make sense for me to do as a business. Like it makes sense for me to do
01:05:58
◼
►
as a fun bonus thing for people who support the channel and it also makes sense if it's a fun
01:06:05
◼
►
thing for me to do in the afternoon when I wouldn't be doing anything else anyway like I'd just be
01:06:11
◼
►
sitting around so this is why it all makes sense and like you have to be careful about how much you
01:06:17
◼
►
professionalize some things and I feel cautious about this. Nobody understands this more than me
01:06:24
◼
►
Because this is exactly where I am, right?
01:06:27
◼
►
Like, I stream every week, but it's my fun thing that I do.
01:06:30
◼
►
I look forward to it, and I don't want to think of it
01:06:34
◼
►
as part of my job so much,
01:06:36
◼
►
because it will take some of the fun away.
01:06:38
◼
►
Like, it's my hobby, but as a hobby,
01:06:41
◼
►
I get to share it with other people,
01:06:43
◼
►
and it's just something that I really enjoy.
01:06:45
◼
►
But it has become way less frustrating for me
01:06:50
◼
►
once I had the equipment in place
01:06:53
◼
►
to properly manage what I was trying to do.
01:06:57
◼
►
Because what I found was,
01:06:59
◼
►
when I was trying to stream everything from my laptop,
01:07:02
◼
►
it worked most of the time,
01:07:03
◼
►
because the laptop couldn't handle it,
01:07:05
◼
►
and it was like random, where sometimes,
01:07:08
◼
►
just like I would be at like seven frames per second, right?
01:07:11
◼
►
And just like, as I said before, I think,
01:07:13
◼
►
it's like people were joking
01:07:15
◼
►
and calling it like a PowerPoint presentation.
01:07:18
◼
►
That made it less fun.
01:07:21
◼
►
- And when it made it less fun,
01:07:22
◼
►
made it feel like work. So when I ended up investing, I built a new PC, I love my new
01:07:28
◼
►
PC. I have a parts list that I'll put in the show notes if people want to check it out.
01:07:33
◼
►
Now it's even more fun again because everything just runs so smoothly. I just turn everything
01:07:38
◼
►
on and I'm ready to go. It's just a joy. So all I'm saying is I'm not recommending this
01:07:43
◼
►
for now because you don't know if this is even something you're going to be doing in
01:07:46
◼
►
six weeks time, right? My suggestion is if you decide this is something that you want
01:07:52
◼
►
want to do for fun, but also as a community building exercise, my recommendation to you
01:08:00
◼
►
is to really strongly consider some things that will make the experience smoother.
01:08:08
◼
►
Recommendation noted, Myke.
01:08:10
◼
►
And again, I just want to get this in your head, right?
01:08:14
◼
►
And just keep doing what you're doing for now, right?
01:08:16
◼
►
It's only come up because you mentioned about the two chats, right?
01:08:20
◼
►
like that's what led me down this whole little road.
01:08:23
◼
►
- Right, but your PC isn't going to solve the problem
01:08:25
◼
►
that there's two separate systems.
01:08:27
◼
►
- No, there were two parts of this, right?
01:08:29
◼
►
Like the first part was having somebody create
01:08:32
◼
►
a more visual scene, this guy called scenes for you,
01:08:36
◼
►
which could help highlight things.
01:08:38
◼
►
You could, you know, there could be some labeling
01:08:40
◼
►
as to like why these things are both here,
01:08:42
◼
►
but then the other part of it was
01:08:44
◼
►
while I'm talking about this,
01:08:46
◼
►
let me also mention to you how much
01:08:48
◼
►
your life would be made easier if you had a Windows PC to do this with.
01:08:53
◼
►
- Right, so that's what this intervention was.
01:08:56
◼
►
- Yeah, this was like the other thing that I wanted to mention.
01:09:00
◼
►
- In watching your streams and knowing how much easier and smoother and better looking
01:09:05
◼
►
they would be if you had hardware that could actually handle it.
01:09:09
◼
►
- Yeah, I do think my bottleneck is actually the internet connection.
01:09:13
◼
►
It's not the hardware at this point.
01:09:14
◼
►
- I think there's a bit of both.
01:09:15
◼
►
I mean, because like stuff like your draw distance in Minecraft is not affected by your
01:09:20
◼
►
Yes, that's true.
01:09:21
◼
►
That is true.
01:09:22
◼
►
I don't have the draw distance at maximum, but I do really think 80% of the problem is
01:09:27
◼
►
the internet connection.
01:09:28
◼
►
And also, I don't know anything about PCs and don't want to learn an entire other universe.
01:09:34
◼
►
No, trust me, I feel you.
01:09:36
◼
►
I've been there.
01:09:38
◼
►
It's not as bad as it seems, though.
01:09:40
◼
►
But it's the thing is you choose whether you want to give into it or not.
01:09:44
◼
►
I'll just tell you my favorite little thing that's happened so far with the streaming,
01:09:48
◼
►
it just made me laugh, is I try very hard on the streams not to curse because if it's
01:09:56
◼
►
live there's no bleeping, right?
01:09:58
◼
►
So sometimes I curse on this podcast and you bleep it and that always makes it funnier.
01:10:03
◼
►
- I censor you.
01:10:04
◼
►
- Yes, exactly.
01:10:05
◼
►
- The reason I take curses out of the show is it's easier for people that don't want
01:10:08
◼
►
it and it's also easier for people that are listening mixed company.
01:10:11
◼
►
- Yeah, exactly.
01:10:13
◼
►
don't know, it's mixed company, there's going to be a grandma with pearls that she will
01:10:18
◼
►
clutch if you curse, and you don't want that to be the case. Also, I suspect with streams,
01:10:23
◼
►
it's much more of a background activity, so everything about it feels like you probably
01:10:31
◼
►
shouldn't curse, so I try not to curse. Although of course when you're playing video games,
01:10:36
◼
►
surprising things happen. LINDSAY: Especially Minecraft. Minecraft is
01:10:39
◼
►
dangerous game for no cursing.
01:10:41
◼
►
It is, it is dangerous, you know, because it is...
01:10:46
◼
►
It is the perfect example of, "Oh, you've spent two hours doing a thing, and then in two seconds,
01:10:51
◼
►
one stupid thing happens, and you've just lost two hours of your life that you're never getting back."
01:10:56
◼
►
In all of my years, any time I've ever streamed, I think I have been 100% successful about not cursing.
01:11:02
◼
►
But on the very last stream, I did once, because I was just too surprised.
01:11:07
◼
►
I turned around and was just very surprised and cursed out loud.
01:11:11
◼
►
And what I loved is before I'd even finished the stream, YouTube was like,
01:11:16
◼
►
"Oh, we've demonetized this video for language."
01:11:19
◼
►
I was like, "Wow!"
01:11:23
◼
►
I, yeah, I saw the little like ineligible limited monetization language.
01:11:29
◼
►
Unbelievable.
01:11:29
◼
►
I was like, "Boy, look at this.
01:11:31
◼
►
These bots, they sure know how to look.
01:11:34
◼
►
Like they are watching you with sharp eyes."
01:11:37
◼
►
I thought that was amazing.
01:11:39
◼
►
That's incredible.
01:11:40
◼
►
And horrifying.
01:11:41
◼
►
Yeah, so anyway, YouTube.
01:11:43
◼
►
They're always watching.
01:11:45
◼
►
This episode of Cortex is brought to you by Squarespace, the all-in-one platform to build
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their incredible portfolio designs, publish your next blog post, promote your business,
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Something I wanted to do recently was to create a kind of landing page for all the different
01:13:02
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projects that I have, and I've had a website mikehurley.net on Squarespace for a while
01:13:06
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and I haven't really done much with it, so I just spent some time one day, I put in a
01:13:10
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►
little bio about myself, some imagery and then some links out to all of the different
01:13:14
◼
►
projects that I'm up to today.
01:13:15
◼
►
It was so easy, they had a template that was perfect for it, it was really easy to do,
01:13:20
◼
►
to drop in a gallery of images, so so simple.
01:13:22
◼
►
I really love how Squarespace gives me all of the tools that I need to do this in a way
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that makes sense to me.
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Go to squarespace.com/cortex and you can sign up for a free trial with no credit card required.
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And when you're ready to launch, use the offer code "CORTEX" to save 10% off your first purchase
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of a website or domain.
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That's squarespace.com/CORTEX.
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And then when you sign up, use the offer code "CORTEX" to get 10% off your first purchase
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and to show your support for the show.
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Thanks to Squarespace for their continued support of Cortex and all of Relay FM.
01:13:52
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Great, let's do some #AskCortex questions.
01:13:55
◼
►
So Cortex's have questions, we have answers.
01:13:58
◼
►
I was like, do we have answers?
01:14:00
◼
►
I don't know the answer to that yet.
01:14:01
◼
►
We have answers.
01:14:04
◼
►
They might not always be the answers people want or expect, but we do have them.
01:14:10
◼
►
Jan asks, "What kind of art do you have or want in your offices?
01:14:15
◼
►
Where do you choose form over function, maybe in regards to furniture?"
01:14:20
◼
►
I mean, I won't be surprised.
01:14:21
◼
►
I generally prefer function over form, particularly in a work environment.
01:14:27
◼
►
I mean, I do think it is nice to have some kind of matching, you know, so like I have
01:14:34
◼
►
the two desks in my office, one for the regular computer, one for the writing computer.
01:14:39
◼
►
They're the same.
01:14:41
◼
►
And when I got a storage unit, it was important to try to like match the wood so that it does
01:14:44
◼
►
look nice in the room.
01:14:46
◼
►
But yeah, in general, I care a lot more about office stuff being functional.
01:14:51
◼
►
And to that end, I don't have any art in my office.
01:14:56
◼
►
I painted the walls blue, which I love, but I don't have any, like, paintings on the walls.
01:15:01
◼
►
You know, none of that is something that I would really want.
01:15:06
◼
►
There's a window in my office, but it is permanently closed forever.
01:15:10
◼
►
But I guess the thing that I would want as art, I guess, has always kind of stuck with me,
01:15:16
◼
►
but there are companies that make these fake windows.
01:15:19
◼
►
I don't know if you've ever seen this.
01:15:21
◼
►
Like, I run across this on the internet every once in a while,
01:15:24
◼
►
And it's one of these, like, how much money do you want to spend kind of questions.
01:15:28
◼
►
But yeah, there are companies that will make these fake windows that try to create the appearance of sunlight coming through them.
01:15:35
◼
►
Oh my god, these are so weird.
01:15:37
◼
►
I'm looking at some now where they put, like, images.
01:15:40
◼
►
Yeah, and so some of the better ones try to solve the parallax problem, because like, with artwork, obviously, it doesn't have any depth to it because it's just a flat image.
01:15:49
◼
►
And so some of the better windows try to solve for the parallax problem by having just a little bit of layers that's offset in a way which exaggerates parallax, so it gives it a bit of depth as you're walking past it.
01:16:02
◼
►
I'm looking at these ones now that are curved.
01:16:04
◼
►
Yes, like that kind of stuff.
01:16:06
◼
►
I hate this.
01:16:07
◼
►
No, some of these are great.
01:16:08
◼
►
Like, you know, for people who have underground prepper bunkers, like, you know, the real millionaire billionaire people who do this kind of stuff is like, "Oh, I have this underground nuclear bunker."
01:16:18
◼
►
But also this window that always shows me what it looks like in Hong Kong now or whatever.
01:16:25
◼
►
Like that's the kind of thing if money was no object and I could build my office from scratch,
01:16:31
◼
►
I think I would, I wouldn't have art, but I would love to have like the best fake windows money can buy.
01:16:39
◼
►
That's what I would put in my office.
01:16:40
◼
►
For me, I like to try and display things that are achievements.
01:16:48
◼
►
I have my prints from PodCon. Remember those?
01:16:52
◼
►
- Yeah, yeah, of course.
01:16:53
◼
►
- And those framed, I have some, like, those fracture prints
01:16:57
◼
►
of like little moments.
01:16:59
◼
►
I actually have a fracture of the aforementioned time
01:17:03
◼
►
that we were on stage together in San Francisco.
01:17:05
◼
►
I want to do more of it for the studio
01:17:08
◼
►
because the studio is just big blank walls.
01:17:11
◼
►
It's just like these large white walls.
01:17:14
◼
►
But again, it's like, I haven't had the time
01:17:16
◼
►
to really decorate this place.
01:17:17
◼
►
I have a clock that I really like that has just been sitting in a box for 10 months.
01:17:23
◼
►
I like the idea of having things in a workspace to make it feel
01:17:28
◼
►
personalized to kind of take the edge off a little bit.
01:17:32
◼
►
I mean honestly this is part of like the aesthetic desire for fun keyboards.
01:17:37
◼
►
Yeah I think I imagine especially just being in a bigger space
01:17:41
◼
►
you would have more desire to decorate something on the walls.
01:17:45
◼
►
Especially because, I mean, it's not very soft feeling in this.
01:17:48
◼
►
And it's just like, "White brick wall."
01:17:52
◼
►
The coziest of decorations. "White brick wall."
01:17:57
◼
►
John asks, "I know Myke edits and posts the podcast, but what is the, quote,
01:18:02
◼
►
'final cut ownership' like on an episode? Does Gray just listen for mistakes and
01:18:06
◼
►
note corrections to Myke, or do both of you listen and edit it equally?"
01:18:11
◼
►
I like that. Oh Myke, I'll just send you my list of mistakes and I'll let you do it.
01:18:16
◼
►
I think that's really funny.
01:18:17
◼
►
I have had editing relationships like that.
01:18:20
◼
►
I mean, I think it can make sense. It just strikes me as funny.
01:18:24
◼
►
I mean, honestly, in some ways it's more logical than what we do,
01:18:28
◼
►
which is literally pass a logic project backwards and forwards, which
01:18:32
◼
►
is I can't believe we haven't had a problem that's occurred from that.
01:18:37
◼
►
I'll give Logic a lot of credit for never really choking on that.
01:18:43
◼
►
That's worked really well.
01:18:44
◼
►
But I think this is also the case of we are both Logic editors.
01:18:48
◼
►
It's no big deal for me to open up a Logic file and edit a podcast.
01:18:52
◼
►
It's super easy.
01:18:54
◼
►
It's way easier than working in Final Cut and is super fast.
01:18:59
◼
►
I think there's two things going on here.
01:19:03
◼
►
"Okay, well, when both of us know how to use the same editing program that reduces a lot of friction,
01:19:10
◼
►
and when one of us is incredibly picky about a bunch of details, like, it also makes, like,
01:19:18
◼
►
I would never send you a list of like, "Oh, Myke, here's the couple little things that I want you to change."
01:19:23
◼
►
I tend to make a lot of very small edits on the final one, but honestly,
01:19:31
◼
►
I think it's the two of us working on this that is part of why I think
01:19:36
◼
►
Cortex sounds really good as a podcast is I always want to be clear, like
01:19:41
◼
►
Myke is putting in 90% of the work.
01:19:44
◼
►
I just view my edit as I always have picky stuff that I just want
01:19:51
◼
►
to change or tweak a little bit.
01:19:52
◼
►
I have a question for you.
01:19:54
◼
►
Do you edit yourself more or me more?
01:19:59
◼
►
I mean, I think probably on average, I edit myself way more.
01:20:02
◼
►
You know, I think this is just the human thing of,
01:20:05
◼
►
you're always going to be more annoyed
01:20:08
◼
►
by little things that you do wrong,
01:20:11
◼
►
or you're more aware of when you've said things
01:20:14
◼
►
in a weird way, like that was not what I intended,
01:20:17
◼
►
but if I cut this, it sounds closer to what I meant to say.
01:20:22
◼
►
- I edit you more than me.
01:20:25
◼
►
- Oh, okay, that's totally shocking to me, why?
01:20:28
◼
►
I'm gonna edit you more now.
01:20:30
◼
►
Go for it. See if I can.
01:20:32
◼
►
You're gonna edit me out.
01:20:34
◼
►
I'll show you!
01:20:35
◼
►
This is really funny, 'cause like, I've always kind of assumed,
01:20:38
◼
►
"Oh, Myke is giving me this file.
01:20:41
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He must be 100% happy with the way he sounds about everything,
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because I'm not going to pass back the file to him until I've listened to it
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and make sure that I'm happy with the way I sound."
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I edit myself a lot, right? Like I'm not relying on you.
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Like I'm not relying on you to do it for me.
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The reason I edit you more is because I know how picky you are
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for yourself, so I try and just pick up a lot of that.
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- Thank you, I really appreciate that.
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- Well, it's part of my job here is to edit the show.
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And so like, as well, you have, I think,
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more fixable verbal tics than I do, right?
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Everybody has verbal tics.
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I am just lucky that yours are more repairable more frequently than mine are.
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I can't get rid of a lot of mine.
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What are your unremovable verbal texts?
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Oh, I'm not saying them on the show.
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Well, you can tell me later.
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Because then everyone will hear them all the time and will lose their minds.
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But you're quite controlled with yours, which makes it easy.
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One of them is the exact opposite of a verbal take, which is you take a long time.
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That, yeah, that is true.
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Lots of pauses.
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And your other thing is you just restate stuff a lot.
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- Yes, well, this is also the magic of it's not live is, oh.
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- It's amazing, yeah.
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- I start this sentence and then, oh, it's a car crash.
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And then you just wait.
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- Start over.
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- Start over, try that again and try to speak like a person
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who could speak in full sentences.
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Yeah, no, extemporaneous speech is not my strong point,
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which is one of the reasons why it's like,
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Myke, this podcast will never be live.
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- Well, Gray, I'll tell you, it's nobody's strong point.
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It really isn't.
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- Extemporaneous speaking is incredibly difficult.
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Most podcasts are not edited like us.
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They're just not because it just takes too much work.
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You wouldn't do it, right?
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And it's like when I talk to people,
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especially with the mentorship program that I've been doing,
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when we talk about editing,
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I tell them the different ways that I edit.
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I tell them how I edit this show
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and suggest nobody edit like this.
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- Right. (laughs)
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- It's not necessary to produce a good podcast.
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We just do it because this is what we do.
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- Yeah, yeah.
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- But I don't recommend people do things like we do.
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You know, like if I say the word your twice in a sentence,
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right, so like your, 'cause I'm just restating it,
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I'll cut one of those out.
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Nobody notices that stuff, but I just don't want it there.
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So really, the final cut ownership,
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I mean, it is kind of mine,
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because you give me the final, final cut,
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but I don't really change a lot
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after you give it back to me.
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Because I was just thinking, I don't even know now.
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I don't know- like, you do listen to it again after I've edited it, or not?
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- No, I never listen to it again.
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- Yeah, see, there you go, you didn't- I can't. I don't have the time for that.
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- Myke, we need to do three passes on this podcast!
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- Well, I'll tell you what, then, Gary. - One, two, three, pull out of it!
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- If you want that, you gotta get it to me a day earlier, right? Like, that's the thing.
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I can't listen to the show if you're giving me the show on the day the show's being posted.
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- Myke, I don't understand. The show needs to be posted on Tuesday at 4pm,
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and I got it to you at 3 p.m.
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Didn't you listen at double speed?
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I don't understand. - What's wrong with you?
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- No, I don't listen back again.
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Something that I do do is I would sometimes
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check the edits that you make.
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Sometimes I wanna just tidy up a little bit.
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- Yeah, yeah.
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- And it's easy 'cause we edit differently.
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You crossfade everything so I can see where your edits are.
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- Yes, and this is where I crossfade everything
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because I am not as good of an editor as you are.
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And so like crossfades makes it much easier.
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I open up Myke's one and it's like, "No crossfades here."
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Myke doesn't rely on that low-level noob trash.
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Like, he doesn't need to do it.
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Myke just has hard cuts.
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- I'm an artisanal editor, sir.
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I find the natural point between the two words
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to match that up.
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No crossfade in here.
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- In all seriousness, Myke's podcast edits look like,
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I don't know, what professional sushi cuts look like.
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Just these perfectly straight lines,
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and it's like, "Wham, wham, wham."
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and my edits look like trash.
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- I would have done this a few times.
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I'll include a link in the show notes
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to what the Logic project just looks like at the end.
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'Cause it really is kind of incredible
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to see what is often thousands of cuts.
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And it's quite a sight to see sometimes.
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- Yeah, I think, again, I'll just reemphasize here
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that yes, no one should edit a show this way,
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But this is the byproduct of I'm very picky, but I genuinely think that for this show,
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it does make it much better.
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And I also think that this show has above average, at least re-listenability.
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And so that, that is something that I often have in mind when I'm doing my pass is someone
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may listen to this, not just once, but they may listen to it several times.
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And then it kind of changes the calculus in my head of if an edit is worth it or if it's
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worth tightening up this little section.
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So this is why most podcasts are more ephemeral and then that's why it doesn't necessarily
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make sense to do like two and a half passes of it.
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So yeah because it's also content.
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That's the thing we didn't mention.
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We do take things out, remove things, move stuff around to make the content of it sound
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better as well as just the raw speech of it right yeah and that is again just a very different thing
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the content editing i do recommend for people depending on the type of show that they're making
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yeah this isn't something that i do all the time i think you can remove the need for content editing
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by planning a lot and then also just by paying attention while you're recording you know because
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this shows that i do where i don't edit as heavily but we'll remove stuff from the final edit because
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because I just know it didn't work.
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But this show, we do listen through it in that way
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to make sure that it is relistenable and replayable.
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And again, it's like there are considerations that we make,
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which is this weird chicken and egg scenario
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that because the show is successful
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and has a large listenership, you edit it more tightly.
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But is the show successful because it's edited that way?
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We'll never know.
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But that's this chicken and egg that we're in,
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that we're happy with.
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but it's also why the show happens every month and not every week.
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It's impossible to know if the show is more successful because of the way that we edit
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it, but I know for sure that the answer is yes, even though I also know that this is
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not generally applicable to all podcasts.
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That is perfectly acceptable, I think, to say all of what you've just said and I'm
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pretty sure I agree with all of it.
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Great, I'm glad it only took me three tries to get it right in that sentence.
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But nobody will ever know.