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The Talk Show

429: ‘Weird Turtle Fake Out’, With Matthew Panzarino

 

00:00:00   Matthew, it's been a while.

00:00:01   It has.

00:00:01   It's been a minute.

00:00:02   Yeah, I think we saw each other at WWDC.

00:00:06   Yeah, but what year?

00:00:09   I don't know.

00:00:12   What year is it now?

00:00:13   I don't know, but I was just there.

00:00:14   Oh, yeah.

00:00:16   The talk show, after the talk show, maybe your last appearance there, which was quite good,

00:00:21   by the way.

00:00:21   Yeah, we chatted a bit.

00:00:23   But yeah, other than that, it's been a minute.

00:00:25   I've been out of the Apple orbit.

00:00:26   Oh, that's right.

00:00:28   That's right.

00:00:28   I did see you at the talk show.

00:00:30   Yeah, yeah.

00:00:31   See, the problem is that I saw you at my show, and my show, I'm in a tube of concentration.

00:00:40   I completely forgot that I saw you.

00:00:41   And after.

00:00:43   Yeah, exactly.

00:00:44   While you're in the lead-up, it's all the adrenaline and focus of the show, and in the aftermath,

00:00:50   it's all the endorphin release, so you forget it.

00:00:52   It was good to see you, but it's been a long time since you've been on the show.

00:00:57   On the show.

00:00:58   It has.

00:00:58   Yes, it has.

00:00:59   At the show.

00:00:59   You've been at the show more recently than on the show, which is very unusual.

00:01:03   Yeah, it's probably a rare occurrence.

00:01:07   Well, anyway, the idea popped in my head to have you back.

00:01:10   There's lots that we can talk about.

00:01:12   I have not gone through every single email I've gotten over the last 10 days yet, but I believe you're the only person to point out the technical corrections from my post, which is so very much appreciated.

00:01:38   Oh, yeah.

00:01:39   That's like my itch I get to scratch, because I'm not blogging on a daily basis anymore.

00:01:43   Well, I am on my personal blog, but I'm not blogging for most of the public.

00:01:48   And so, like, I'm the dairy fireball comment section.

00:01:50   I'm just going to text Josh.

00:01:52   That's how I get my jollies.

00:01:54   So, somehow, despite being a – everybody knows.

00:01:59   I mean, this is – I mean, if you're really new here to the podcast, if you're not aware, I'm a James Bond fan.

00:02:06   I obsess over logos and design.

00:02:10   So, the designer of the James Bond 007 logo is an intersection of my interest that is very rare.

00:02:19   And the guy died one day before his 104th birthday.

00:02:24   And he seemed to have a really great long life, this documentary that was made about him at the end.

00:02:34   It was – I'm looking at my post.

00:02:36   By design, the Joe Kareff story, which is streaming on the Max.

00:02:40   I still haven't watched it, because I've been so busy this week.

00:02:42   But it is at the top of my queue.

00:02:46   Apparently, it's only a couple years old.

00:02:48   He was interviewed – he's in it at age 101, and people who have watched it have said he's sharp as a tack.

00:02:53   So, I mean, that's about as good as it gets, right?

00:02:56   Yeah, exactly.

00:02:57   It's sort of unheralded.

00:02:59   Like, that was sort of some of the commentary in his obituaries is that – and it's not just, oh, he did one thing of renown, the 007 gun logo.

00:03:08   He did all of these amazing posters.

00:03:10   He did a whole bunch of posters from the heyday of Woody Allen's career, like the fantastic poster.

00:03:15   Yeah, I think he did Manhattan.

00:03:16   Yeah, which is a really good poster.

00:03:19   It's really, really good.

00:03:20   And West Side Story.

00:03:21   I mean, you can't get much more iconic.

00:03:23   Right.

00:03:24   Yeah, the West Side Story poster is sort of poster as logo.

00:03:31   It's almost like the poster is the logo for that movie, and it's so literally iconic that it just feels like it was always there, right?

00:03:42   Because that's a movie from before we were born, and it just feels like one of those movies that – I'm not a huge musical fan, to say the least, but it's a super well-done, famous, renowned movie.

00:03:54   And the logo itself with the fire escape and the dancing figures and the name attached, West Side Story, that is – it's literally a logo and has been used for the musical on Broadway and many other cases, you know?

00:04:05   You know, he had this renowned career, but he wasn't really – you know, he was sort of a –

00:04:11   Saul Bass, I guess, would be the number one person to compare him to from the era as somebody who designed posters and worked with great filmmakers over the years and just really didn't get the acclaim, but didn't really look for the acclaim either, you know?

00:04:26   I like his philosophy about it.

00:04:27   He's like, hey, it got me a lot of work.

00:04:29   Yeah, yeah.

00:04:29   Which is like a very – I think these days people are, ah, I did that.

00:04:33   I need credit.

00:04:34   And he's like, hey, I got work.

00:04:36   I lived.

00:04:36   Yeah.

00:04:37   Yeah, and he started – he was doing pretty well because the thing is that it is a curiosity that he only got $300 one-time fee for the 007 logo and no other royalties or anything like that.

00:04:51   But I saw in one of his obituaries by, like, you know, that was Dr. No was 1961 or 62.

00:04:58   And by the end of the 60s, he had started his own design firm in New York and had 22 people on staff.

00:05:04   So, you know, he's –

00:05:05   Yeah, he was doing okay.

00:05:07   Yeah, I mean, I think one of his 70s posters that stood out to me was the Cabaret poster.

00:05:11   Oh, that was good.

00:05:12   And so, like, that was – yeah, I think that was 1972.

00:05:14   So – but you definitely continued to have a career and make an iconic stuff.

00:05:18   And it's just unbelievable.

00:05:20   The spaghetti westerns that Sergio Leone made, the Good, the Bad, and – I don't know if he did the Good, the Bad, and Ugly, but he did A Fistful of Dollars and a Few Dollars More, which are some of the – my favorite westerns ever – or movies ever made.

00:05:34   Just fantastic.

00:05:35   Just fantastic.

00:05:35   And just really, really cool posters.

00:05:37   But just all – across all genres of movies, great work.

00:05:41   Just really cool.

00:05:42   But that 007 logo, man, what a great logo.

00:05:46   Talk about a logo, too, that from my perception as a kid born in 1973, already into the – as a baby, the Roger Moore era, that logo just felt like it was already part of the universe.

00:06:04   It's –

00:06:05   Right.

00:06:05   Like, it had always been.

00:06:07   Like, the best design tends to feel inevitable.

00:06:09   And it was like, of course, that's the – of course.

00:06:12   You know, it feels embedded in the fabric of the universe.

00:06:14   Yeah.

00:06:15   It's like, what does a dollar – a U.S. dollar bill look like?

00:06:18   Well, everybody knows.

00:06:19   It's about six inches long, and it's got green on the back.

00:06:23   And then, you know, you look at, like, what money looked like in 1850, and you're like, what the fuck is that?

00:06:28   Right?

00:06:30   Right.

00:06:30   Yeah.

00:06:30   You're like, this is not right.

00:06:32   Yeah.

00:06:33   Lie.

00:06:34   This is a lie.

00:06:35   It's like they've got, like, pre-Civil War dollars that are – I don't know.

00:06:38   They're like a whole sheet of paper, like a diploma.

00:06:41   And it's like, what is that?

00:06:43   How in the world are you walking around with that?

00:06:44   But that's what the 007 logo was to me.

00:06:48   And I mentioned, you know, it was just one of those things where I thought, oh, you know, I at least got a link to this guy's post.

00:06:54   And all of a sudden, I spent all day writing about it.

00:06:56   And I was like, why am I regretting this?

00:06:58   This is why I have a site like Daring Fireball, so I can spend a whole day writing about this.

00:07:04   Yeah.

00:07:04   And I got to scratch an itch that I have literally had to some degree as long as I can remember knowing who and what James Bond are.

00:07:18   I mean, so this is going back to some point in the late 70s as me being six, seven, eight years old.

00:07:26   I don't know if I had seen a James Bond movie in a theater yet, but I know that I had seen them on TV.

00:07:34   And part of my bizarro gift that I sometimes mention on the show that I have an unbelievable ability to tell you what network a TV show was on for most of my life.

00:07:52   Surely this will come in handy at some point.

00:07:54   And I didn't study it.

00:07:57   It wasn't like I sat there with the TV guide and memorized it.

00:08:00   It just comes to me naturally.

00:08:02   It has something to do with my brain being a sponge for branding.

00:08:07   Name a TV show from, like, the 80s.

00:08:10   Name a couple.

00:08:11   The 18.

00:08:13   NBC, Tuesdays, 8 p.m.

00:08:16   That's fantastic.

00:08:18   Maybe not.

00:08:18   But I can often tell you what day.

00:08:21   But I know 100% NBC.

00:08:23   Okay, got it.

00:08:24   Yeah.

00:08:25   And then what about Dukes of Hazzard?

00:08:27   CBS.

00:08:28   Okay.

00:08:30   Forget what day of the week, though.

00:08:32   Yeah, I don't know.

00:08:33   This is.

00:08:34   Yeah, days of the week, let's forget.

00:08:36   But definitely CBS.

00:08:37   Yeah.

00:08:38   Or one more.

00:08:39   One more.

00:08:39   Airwolf.

00:08:40   Ooh.

00:08:43   That's a good one.

00:08:44   That's a late 80s one.

00:08:46   Airwolf.

00:08:47   Who?

00:08:48   Was that Jan Michael Vincent?

00:08:50   It was.

00:08:51   Ooh, it's either CBS or NBC.

00:08:53   But I'm going to go CBS.

00:08:54   Look it up.

00:08:56   It was CBS.

00:08:57   Yep.

00:08:58   The tricky parts is when you get to the shows that were ripoffs of the others.

00:09:03   Right.

00:09:04   So Blue Thunder?

00:09:05   Wasn't Blue Thunder, like, one of the other helicopter ones?

00:09:08   Yeah, somebody else had a helicopter one.

00:09:10   And it was all because of the Clint Eastwood movie with the, I forget what the Clint Eastwood

00:09:16   movie, maybe with Ernest Ford.

00:09:17   Foxfire?

00:09:17   Yeah, Foxfire.

00:09:19   So they ripped off that, right?

00:09:21   And then it was like, Clint Eastwood's movies inspired a lot of TV shows.

00:09:25   We're going on a digression here.

00:09:26   But remember that there's-

00:09:28   What?

00:09:28   What else is very fireball than an enormous digression?

00:09:31   Especially in August.

00:09:32   But remember, Eastwood made Every Which Way But Loose, where he played sort of a rowdy tractor-trailer

00:09:41   driver.

00:09:41   With the monkey.

00:09:42   Whose companion was an orangutan.

00:09:44   Yes.

00:09:46   And then there was a show, oh Christ, I can't even remember what the show was called, but

00:09:52   I know it was on NBC, about a guy who drove a truck, but it wasn't a total ripoff, because

00:09:59   it wasn't an orangutan, it was a chimpanzee.

00:10:01   Oh, okay.

00:10:03   That's how they avoided the infringement case.

00:10:05   Yeah, but I know it was on NBC.

00:10:06   About BJ and the Bear.

00:10:07   BJ and the Bear.

00:10:08   That, and I guarantee you it was on NBC.

00:10:10   That's how sick and twisted my ability to tell you what network it is.

00:10:14   I couldn't remember the name of the show, but I could tell you what network it was.

00:10:18   So, part of that, it's not just the shows, I can tell you that when I was a kid, you know

00:10:24   how like family vacations are often usually the same week of the year, and it was-

00:10:30   Yeah, within the variance, but they're normally kind of like-

00:10:33   Yeah, it was like my dad would, I think we'd go like at the end of July or the beginning

00:10:38   of August, either last week of July or beginning of August, we would go to Wildwood, New Jersey,

00:10:43   the shore, five or six days, and I think we always left on a Monday, and there were a

00:10:50   couple of years, I don't know if they were in a row, but on the Sunday night before we

00:10:55   left for the shore, ABC's million dollar movie of the week was an old James Bond movie.

00:11:00   Okay.

00:11:01   And usually, because they were the old ones that ABC could afford to put on commercial

00:11:06   TV, they were the ones with Sean Connery.

00:11:08   Right.

00:11:08   And I remember watching them with my dad, and you know, I'm a kid.

00:11:13   And I'm like, I don't know, six, seven, eight years old.

00:11:15   So it wasn't like I was responsible for packing.

00:11:17   Right.

00:11:18   Yeah.

00:11:19   So long for the ride.

00:11:20   And I loved them.

00:11:22   But it's so crazy.

00:11:25   It's the way kids are so in tune to what's truly new, that in like, as like a six-year-old in

00:11:35   1979, I thought like Goldfinger from 1964 looked 100 years old.

00:11:43   And I remember thinking, this is good.

00:11:46   I like watching it.

00:11:47   But this is nowhere near as cool as the new ones with Roger Moore.

00:11:51   And my dad telling me, this is such a great, iconic dad moment where he didn't yell at me.

00:11:58   He didn't scream at me.

00:11:59   Right.

00:12:00   He just said, John, those new ones are good.

00:12:04   But he's not a better James Bond than Sean Connery.

00:12:07   There's no comparison.

00:12:08   Yeah.

00:12:08   Yeah.

00:12:09   And I was like, you got to be kidding me.

00:12:11   And I was like, my God.

00:12:12   It's just this.

00:12:12   And I remember thinking, this is my dad is so old.

00:12:15   He thinks that Sean Connery is a better James Bond.

00:12:17   And my dad just said it to me.

00:12:19   Well, the new one has a Lotus in it.

00:12:21   How could you say that?

00:12:22   Right.

00:12:22   Exactly.

00:12:23   The Sean Connery is just driving around in that dumb old gray car, whatever that is.

00:12:28   No, not even any pop-up headlights on that thing.

00:12:33   Yeah.

00:12:34   Although that Lotus is pretty cool.

00:12:36   But it was on ABC.

00:12:37   And it was like every year in the summer, ABC, to fill a Sunday night, would have an old James Bond movie.

00:12:43   I loved them.

00:12:44   But one of the things that I noticed, because I've always had this aptitude to notice logos,

00:12:51   which is how I associate the commercial breaks, because there'd be an ABC logo while you're watching an ABC show.

00:12:58   And it just sticks in my head.

00:13:00   And I just remember thinking, ever since I can remember, that the way that they make 007 into a gun is cool.

00:13:08   That's cool.

00:13:10   Guns are cool.

00:13:11   I mean, that's how kids think, or at least thought back then.

00:13:15   Oh, yeah.

00:13:15   Guns are cool.

00:13:16   And what could better represent James Bond than a gun?

00:13:19   But I remember thinking, but the gun in the logo doesn't look like a gun that James Bond uses.

00:13:25   It's not like that little Walter PPK that he sticks in the holster and fits under his suit.

00:13:30   It's this long-nosed, Luger-looking gun that wouldn't really comfortably fit in a little side holster under your suit jacket.

00:13:40   And anyway, we're getting to your excellent, excellent reader feedback.

00:13:46   Turns out it's not—there are pictures of Sean Connery with a Luger-looking gun, but it's not a Luger.

00:13:54   Right.

00:13:55   Right?

00:13:56   What is it?

00:13:57   It's actually an air pistol, so it's not even a real gun.

00:14:01   I think the story was that there were some photo shoots being done for promo, and they gave him a Walther LM53, which is like an—it's an air pistol, airsoft gun, I guess you'd call it these days.

00:14:15   But it resembles a Luger a lot.

00:14:18   It's got the sight at the end of a very long barrel, definitely has an iconic look, and that was, I would guess, the inspiration.

00:14:30   It's hard to, obviously, this far in hindsight, look into, like, exactly when those promo shots were taken and whether Karoff would have had them as a reference, but it seems pretty clear that this was the reference for the logo.

00:14:42   Yeah, and I have seen—because those pictures, I'll put them in the show notes.

00:14:48   I've already built up a bunch of these show notes, I swear.

00:14:50   But that picture of Sean Connery or pictures of him holding that gun up by his face are—it's like, oh, yeah, I have seen that.

00:14:59   They're not from the movies, and it's not a prop from any of the movies, but it's like, oh, well, here's a vaguely European-looking gun, right?

00:15:08   Like an exotic-looking handgun.

00:15:10   Those promo shots, by the way, are like a relic that they no longer really do.

00:15:16   I think they did it mostly through the 90s.

00:15:18   These days, now and then, you'll see it, but it used to be every movie that came out, there was always, like, a promotional shoot that went along with it.

00:15:27   There were almost always, like, actors isolated on some sort of background, you know, one or more of the principal actors.

00:15:33   And then, of course, they would use them for a variety of promotional purposes, including graphic design, like putting them on posters or other things.

00:15:40   But it seems like you're seeing that a little—it's more rare now.

00:15:44   They'll still do shoots, but they're usually more highly produced and less—almost these head-shoddy-looking things.

00:15:50   But that photo of him with that gun is extremely iconic.

00:15:54   It's one of those ones where when you see it, you almost—assuredly, almost everybody would be like, oh, yeah, I think I've seen this, you know?

00:16:00   Yeah.

00:16:01   Yeah, and so maybe that didn't come out of nowhere for Karaf.

00:16:05   Maybe he's looking at that gun, and he doesn't know it's not the one from the movie, and so he puts it in.

00:16:10   And it is, like I said, it's like a European debonair handgun.

00:16:15   Right.

00:16:16   And if anything, the air gun looks even more like that, because it's not dainty.

00:16:21   It is a gun, but it's also not like a big American gun, like a .44 Magnum.

00:16:27   Right.

00:16:27   It's not bulky.

00:16:28   It's elegant.

00:16:29   Right.

00:16:29   Right.

00:16:30   It's like the tuxedo of firearms.

00:16:33   It looks like—even if it wouldn't fit in a—under the armpit holster or whatever, it just looks like something a guy wearing a tuxedo driving a fancy European car might have.

00:16:45   So what do you think it's shot, like BBs or pellets or something, if it's an air gun?

00:16:48   I think so.

00:16:49   Yeah, I didn't really look into it that deeply.

00:16:51   I don't know, but it was basically the idea was that the prop master who was there for that shoot that day gave him this, because I think they were like, ah, he won't know the difference.

00:17:04   He doesn't give him this.

00:17:05   Right, just make him look cool.

00:17:07   Yeah, exactly.

00:17:08   Yeah, that leads me to another—something I haven't brought up with you, but that the other thing that the Luger gun always reminded me of is that—because the handle was like round at the bottom of a Luger, and it always reminded me of whatever the name of the gun is that they based the Han Solo blaster off, like a Mauser or something.

00:17:33   I know—see, the way that I know guns is I know like the fake guns.

00:17:40   Yeah, what was the base for the prop?

00:17:42   In the Star—no, I know it was some kind of German World War II-era gun, but in the Star Wars universe, it's a DL-44.

00:17:51   That's right.

00:17:52   Blaster.

00:17:52   The DL-44, yeah.

00:17:53   What the prop is, I don't know, but it's vaguely Luger-like in terms of having that rounded pistol.

00:18:02   And I just remember as a kid thinking—I loved Han Solo, he's my favorite guy in the movie, and I just remember thinking, god damn, that laser gun is the coolest looking prop I've ever seen.

00:18:13   Yeah, I know.

00:18:14   It is in like the sight, like the seemingly unnecessary sight and like everything about it.

00:18:21   Right, because he's never like—

00:18:22   And he never uses it, never once.

00:18:24   Right.

00:18:26   It's always from the hip, which is very Han Solo, you know.

00:18:29   Right, which was part of what made him cool was that the action figure, even—he was the only one.

00:18:33   All the other Kenner action figures had no articulated elbows or knees at the time.

00:18:37   They just had rotating shoulders and hip sockets.

00:18:41   But the Han Solo figure had a bent arm.

00:18:45   Nice.

00:18:47   Like in an L-shirt.

00:18:48   Like, here's where we are, buddy.

00:18:50   This is where this shot is coming from.

00:18:52   Right.

00:18:52   It's coming from low and quick.

00:18:54   It's a blow the belt.

00:18:55   Yeah, the Mouser broom handle, C-96, that was the basis for the DL-44.

00:19:01   See, I even got that right, Mouser.

00:19:03   But little things like that always bothered me as a kid, like with Star Wars.

00:19:08   And like Star Wars, and I'm—I'm the perfect age for the Star Wars.

00:19:18   Like guys like me in Syracusa are like just the perfect age because I was like four when Star Wars came out.

00:19:25   So it's—I was like too young to really understand it, except that it was fucking awesome.

00:19:30   And then they'd put it back in theaters the next summer.

00:19:32   They're like, ah, you can't watch it anywhere else.

00:19:34   And so I got to watch it like three times in the theaters.

00:19:38   And there was no other movies I'd ever seen more than once because you could only—and I'd know it more and more.

00:19:43   And I like just memorized everything in it.

00:19:46   And then I'd go look at the toys and see how they were wrong.

00:19:49   Right.

00:19:50   Because in a lot of cases, I mean, especially in those days, there was not really any super picky attention to accuracy.

00:19:56   They were like, I don't know, give him like a gun.

00:19:58   There was not like these days where they're like, oh, take a mold of the actor's face, laser spin the actor's face.

00:20:03   But make sure that the action figure has his exact nose.

00:20:06   Right.

00:20:07   It was like, I don't know.

00:20:08   He's kind of a white dude with some brown hair and he's got a gun.

00:20:11   Well, for example, I think one of the most famous parts of that is that in the—I'll put this in the show notes, I swear.

00:20:18   But if the Luke Skywalker action figure—in the first round of Kenner figures, the lightsabers for the lightsaber, the three lightsaber-wielding characters, Luke, Obi-Wan, and Darth Vader, had the lightsabers embedded in their arms.

00:20:36   With a little slider, right?

00:20:38   Yeah, with a little slider.

00:20:39   And Darth Vader's was red and Obi-Wan's was blue, but Luke's was yellow.

00:20:45   Oh, right.

00:20:47   So—and that really bothered me.

00:20:50   Right.

00:20:50   You know, it wasn't like I—and I was a good kid.

00:20:53   I was amenable.

00:20:54   It wasn't like I cried and threw a fit.

00:20:56   I just—and I knew my parents didn't care, so it's not like I sat there and chewed their ear off.

00:21:02   I held it inside for 45 years until I could spew here.

00:21:08   That you were so disappointed that it was yellow.

00:21:10   Well, and I was just like, who—I'm a little kid and I know this is wrong.

00:21:15   How can the adults who made these things—clearly it was adults who made these toys.

00:21:20   How could they get this wrong?

00:21:22   It's—this is insane.

00:21:24   So little things like that would bother me.

00:21:26   The Han Solo figure did have a DL-44 gun.

00:21:30   I think Luke came with a gun, too, and it was a DL-44, but that was wrong.

00:21:36   I forget.

00:21:37   Because there was only one DL-44 in the original movie.

00:21:42   And Luke—because Luke didn't really have a gun until they killed a couple stormtroopers and stole one of his.

00:21:47   So maybe Luke came with the correct gun, which would be a stormtrooper gun.

00:21:50   But anyway, but the lightsaber being the wrong color, terrible.

00:21:55   Oh, yeah.

00:21:56   And similarly, the James Bond logo having a gun that he didn't really use seemed wrong to me.

00:22:02   Except that didn't bother me.

00:22:04   It just stuck out to me.

00:22:05   And I remember—I really do.

00:22:07   I know this sounds like something like, come on, you're 52 now.

00:22:10   How in the world do you remember this?

00:22:12   But I just remember thinking at, like, age seven or eight, that's not the right gun, but that gun looks so cool.

00:22:19   So that's probably why they did it.

00:22:21   Yeah.

00:22:22   It totally seemed to me like that's the sort of discussion that the people in charge of James Bond would have.

00:22:28   They're like, should we make the gun and logo look like the gun he actually carries?

00:22:34   Or does this one just look cooler?

00:22:36   Let's just use it.

00:22:37   Yeah.

00:22:37   I mean, it certainly has a better shape for the logo.

00:22:40   Right.

00:22:42   Than the stubby PPK.

00:22:43   And then I never researched it before, but while writing that post last week, I went and it was like—and I started looking at the posters.

00:22:52   I wrote this in the article, but it really does seem like the Eon Productions people—the posters, like you said, there was—the movie world in the 60s was just a different place where they just shot weird promotional photos that weren't on set.

00:23:07   They were just on, like, the equivalent of a blue screen, but like a white screen.

00:23:11   I don't know.

00:23:12   Star Wars had those, right?

00:23:15   Everybody knows that picture of Harrison Ford where his hair's not quite right.

00:23:20   He's, like, in the costume.

00:23:21   It's almost like it was, like, his tryout for the role.

00:23:25   I just remember the thing—and so I looked it up, and I'm looking at all these old posters from the 60s, and it's so hard because it's not like there was one golden eye or gold finger poster or one poster for Thunderball.

00:23:39   So they're all over the place.

00:23:41   And, like, the ones in foreign countries look like they hired entirely different designers for some countries.

00:23:47   Other ones, they just translate to different languages.

00:23:50   Sometimes they'd redraw them.

00:23:52   But it looked like, in the Connery era, they didn't really use the 007 logo that Karif designed religiously.

00:24:01   It's there in Goldfinger, at least in the poster I found.

00:24:03   But then it's not in Thunderball.

00:24:06   It's not there in You Only Live Twice.

00:24:08   And then it's bigger and more prominent on Her Majesty's Secret Service, the first one without Sean Connery with George Lazenby taking the role.

00:24:19   And it totally makes sense to me.

00:24:22   Like, I wrote, it's like, oh, before that, they just used Connery's face to say, this is James Bond, right?

00:24:28   And now it's like, oh, we've got to start building a brand that's not—

00:24:32   Gellion to the brand.

00:24:33   Right.

00:24:33   Right.

00:24:33   The brand over the person.

00:24:35   And then I believe every single official poster for every movie from On Her Majesty's Secret Service in 1969 until now has had the Karif 007 gun logo.

00:24:49   Except I noticed, like the newest ones, it doesn't look like a Luger anymore.

00:24:55   It does look like a Walter PPK.

00:24:58   And so I started going back, and they changed it with Timothy Dalton's first role of two, The Living Daylights.

00:25:07   You know, it makes sense.

00:25:08   It's like they recast the role.

00:25:10   Roger Moore had aged out of the role probably a couple movies before.

00:25:14   But he looks really old in A View to a Kill.

00:25:17   Yeah, I know.

00:25:19   There are those inflection points where you're like, wow.

00:25:22   Wait, oh, wow.

00:25:23   And then I think, you know, it's weird, too, because at least me, and I know you probably watched some of them, I didn't watch most of them until much later.

00:25:31   And so I—you'll reach those moments where you're like, wow.

00:25:36   And then you realize there was like six years between the movies.

00:25:39   You're like, whoa, what happened here?

00:25:40   You realize, oh, was it like today where you're like, oh, this was successful?

00:25:44   Let's film another one, please.

00:25:45   Oh, let's film the next two back-to-back, where the actors actually look roughly the same.

00:25:49   I don't know who directed A View to a Kill.

00:25:53   And it's interesting because 1983 was maybe—

00:25:57   That was John Glenn.

00:25:58   Huh.

00:25:59   It was a weird—83 was a weird Bond year because that's the year that Connery went with the rival producers and made Never Say Never Again in the summer.

00:26:12   And then in the fall, Octopussy came out with Roger Moore.

00:26:17   They both did well, but the Roger Moore one outgrossed Never Say Never Again.

00:26:23   And I think that Eon people took that as, oh, we got to keep this guy.

00:26:28   You know, he even outgrossed Sean Connery, even though he was, I don't know, like 50-something at the point.

00:26:33   So they made A View to a Kill two years later.

00:26:35   And I don't know if he aged in two years or if they just shot him poorly for his age.

00:26:42   And there's a scene where it takes place.

00:26:45   It's like an action chase scene on the Eiffel Tower.

00:26:48   And he looks—even at a movie, it's not like, hey, this is like not just a bunch of kids with a camcorder.

00:26:54   You got to get the shots while you can't.

00:26:56   He looks winded.

00:26:57   Yeah, this is not a run-and-gun production.

00:26:59   Like, give the guy a minute, right?

00:27:01   Yeah.

00:27:01   Tom Cruise, famously.

00:27:03   Tom Cruise is at 8—can you believe it?

00:27:05   87 years old, I believe, Tom Cruise.

00:27:07   Something like that.

00:27:08   86.

00:27:09   96.

00:27:10   Yeah.

00:27:11   Tom Cruise is in his 80s, but is still making Mission Impossible movies.

00:27:15   But Tom Cruise obviously really works out, right?

00:27:20   Brad Pitt starred in the—as a race car driver, F1 race car driver.

00:27:25   Now, he's supposed to—he was aging.

00:27:26   He was an aging, retired F1 driver.

00:27:29   But he's—in real life, he's too old to be an F1 driver.

00:27:33   Oh, yeah.

00:27:34   By far.

00:27:35   I mean, the F1 is incredibly punishing, yeah.

00:27:37   But doesn't look it, right?

00:27:38   I mean, sure, there's all the—Brad Pitt and Tom Cruise money can buy a lot of skincare products.

00:27:47   I do—I will say, like, Tom Cruise, I mean, 63, doing these scenes, and there's—you can defeat a lot of things.

00:27:56   And he is, obviously, in incredible physical shape.

00:27:59   I mean, far better shape than I will—because all the millions that, you know, can buy, that sort of thing.

00:28:04   Plus, his indisputably uncommon will.

00:28:09   He has a lot of willpower.

00:28:11   Like, whatever you think about the man individually or personally or whatever, incredible amount of willpower, clearly.

00:28:16   But I will say, on the most recent movies with him, you can see that the one thing that is undefeated is, like, you cannot defeat, like, the body getting bulkier and boxier.

00:28:28   Like, it just—it happens, right?

00:28:29   Right.

00:28:30   And it's, like, he's incredibly fit and lean, but he's 63.

00:28:33   I mean, look at him.

00:28:34   It's, like, it is what it is.

00:28:35   I have not watched the latest one, the final Reckoning, the last Reckoning, whatever it's called, yet.

00:28:41   But I just re-watched Dead Reckoning Part 7 from two years ago that leads into it.

00:28:47   Just re-watched it in prep for the new one coming to home video.

00:28:52   And it's, like, it doesn't look bad.

00:28:55   It's not awkward.

00:28:57   But, yeah, it's, like, he's puffier in the face, and you know it's not because he's eating poorly, right?

00:29:02   But he's in incredible shape.

00:29:05   It's very clear that in 1985, Roger Moore was not in incredible shape.

00:29:10   I mean, he wasn't fat.

00:29:11   He was slim.

00:29:13   He looked good in a suit.

00:29:14   But he looked closer to 60 than 50 and did not—was not ready to run.

00:29:21   But anyway.

00:29:22   And even when you're a kid, like, there's a switch of disbelief.

00:29:24   It just hits you a little bit.

00:29:25   You're like, really?

00:29:26   Well, but then the other thing, I just—I know that I saw that, like, first run, first opening weekend in the theater.

00:29:35   And it was just—it was a James Bond movie.

00:29:38   And it's—I wasn't—I would criticize—I'd think of things like, hey, the gun's not right in the logo.

00:29:45   But I wasn't a critical thinker at age 12 about cinema, right?

00:29:50   Like, I knew which movies—you know, it's, like, kind of a just pure Ebert and Siskel thumbs up, thumbs down.

00:29:57   And it's like, ah, it's a James Bond movie.

00:29:59   Thumbs up.

00:30:00   You know?

00:30:00   And sort of a thought, like, well, of course it's Roger Moore.

00:30:04   It's always been Roger Moore.

00:30:05   Because it had been Roger Moore since I was born.

00:30:08   And it felt like, well, I don't know.

00:30:10   This will last forever.

00:30:11   But that was it.

00:30:12   But anyway, they recast it, redrew the logo to look like his actual gun.

00:30:17   And I have to say, it doesn't look as cool.

00:30:19   And it hasn't looked as cool since.

00:30:21   Mm-hmm.

00:30:22   Yeah.

00:30:23   The stubbier version is not quite as elegant and doesn't make as much of a statement.

00:30:27   I like the sight on the end, too.

00:30:28   Yeah, I do, too.

00:30:29   If I—if somebody from Amazon was like, hey, you seem to blog about James Bond a lot.

00:30:35   Would you like to be hired as a consultant for our reboot of the franchise?

00:30:40   I, of course, would jump at the chance.

00:30:42   One of my suggestions would be, let's bring back a sort of a 60s-style logo.

00:30:48   I think that would be a hands-down.

00:30:52   I mean, why not, right?

00:30:53   If you're going to put your wife in it, you might as well bring back the old logo.

00:30:57   Because Bezos is apparently angling to have his wife have a role there.

00:31:03   I saw the story.

00:31:05   I think it was in one of the UK tabloids.

00:31:07   So maybe it's of questionable certainty.

00:31:11   Yeah, exactly.

00:31:12   I haven't sourced that one.

00:31:13   So sorry if my journalistic integrity is failing there.

00:31:16   But I found the rumor to be amusing.

00:31:19   Yeah.

00:31:20   And I'd find it to be believable.

00:31:22   Yeah, exactly.

00:31:24   It's not too shocking if it's fair.

00:31:26   All right.

00:31:27   Let's take a break.

00:31:28   And I will thank our first sponsor.

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00:33:30   What else do I have?

00:33:32   I guess we should move on.

00:33:33   Is there anything else on Joe Kareff and Bond?

00:33:35   No, I don't think so.

00:33:37   I mean, I think it's a cool logo.

00:33:39   It's really iconic and enduring.

00:33:41   And I think if there's any takeaways, if you want, from that, I think it's sometimes adherence is not always the right call in design.

00:33:51   When you're like this, we talked about like the yellow lightsaber.

00:33:55   That's probably a bad case.

00:33:57   But the gun is a good case where you're like, I could have made this extremely accurate.

00:34:01   But we all agree now that we've seen them do that, it wasn't the right call.

00:34:05   The right call was to make something that felt like punchy and iconic.

00:34:09   And he made the right call at that moment.

00:34:12   So it's not always the right call to be like as accurate as possible.

00:34:15   So it's just what's the intent and work from there.

00:34:18   Yeah, yeah, absolutely.

00:34:20   And it's again, the books had been a smash hit for Ian Fleming for a decade before the movies started.

00:34:26   But the logo came from the movies and it's impossible.

00:34:30   It's like, how could they not think that the seven in 007 would make a gun?

00:34:34   It's but it's like you don't think a thing when you come up with the perfect thing.

00:34:37   The thing that's not actually obvious becomes obvious once you've seen it.

00:34:42   It's like, yeah, I can't see it.

00:34:43   Like you can't believe that the books didn't have that logo all over the country.

00:34:46   Right.

00:34:47   It's you could easily Mandela affect me into thinking that they were always it was always on the cover.

00:34:53   Let's see what else.

00:34:54   I don't want to spend a lot of time on it.

00:34:56   Did you see the the made by pixel made by Google pixel event?

00:35:00   Yeah, I did.

00:35:02   I did.

00:35:02   I think I saw somebody which I agree with say it felt like being sucked into an episode of WandaVision.

00:35:08   Yeah, yeah.

00:35:09   That was the verges.

00:35:11   Okay.

00:35:12   Yeah, that's a good take.

00:35:14   I think Victoria Song, I'm going to guess.

00:35:17   I'm loading it as we speak.

00:35:18   Yes, Victoria Song from The Verge.

00:35:20   Nice.

00:35:20   Yeah, good turn of phrase, Victoria, because it did feel like that.

00:35:23   It felt very much like a through a mirror, darkly version of a product announcement, but where everybody was supposed to be in on a joke, but the joke wasn't evidently obvious.

00:35:35   It was just an awkward one.

00:35:36   And I think summary was it was not what they hoped it might be, I would guess.

00:35:42   It's funny because it's funny because a lot of us.

00:35:44   I know Ben Thompson, my pal on Dithering is really, really adamant about he really misses live events.

00:35:51   It doesn't not that Apple.

00:35:53   He doesn't think Apple does a poor job with their pre filmed ones, but that he just misses the energy of live events.

00:35:59   Even just watching over video and me personally, I miss them because I get to go see the Apple ones and I do think they're more enjoyable to watch in person or I think there's trade offs.

00:36:11   But I also, you know, in the same way that I could see why they used a cooler looking gun for the 007 logo, I can see why Apple prefers sticking with the pre recorded thing.

00:36:23   But there's other companies have had live events.

00:36:26   Microsoft and OpenAI has had some that have been cool.

00:36:30   And it's it it does make for interesting differences.

00:36:35   Right.

00:36:36   And so everybody's not competing with Apple on this.

00:36:39   It doesn't I don't know that I don't think anybody else has the stomach to to put the effort in that Apple does for those pre recorded ones.

00:36:49   Right.

00:36:49   That it's because they're they don't make them like, you know, like old, really old TV shows.

00:36:57   When you watch like the honeymooners shows or I Love Lucy from like the 50s, it's they're like stage plays with a camera in front of them.

00:37:06   Like a two dimensional like you you could feel like you were in an audience sitting in a chair in a theater, which is the only other major form of like entertainment.

00:37:16   Right.

00:37:17   That most people had a reference frame for for TV.

00:37:20   Right.

00:37:20   Besides movies.

00:37:21   It was like, OK, we can't do the whole movie thing every week.

00:37:24   That's too much.

00:37:25   We're not there yet.

00:37:27   So what do we do?

00:37:28   We film a play.

00:37:29   Right.

00:37:30   And so Apple didn't go that route right from covid onward, right from the first one.

00:37:35   They sort of I believe I'm pretty sure I don't just believe but kind of know, even though he doesn't personally take credit, that is largely driven by Phil Schiller, who still runs events at Apple in addition to running the App Store.

00:37:49   But let's not just have presenters come on and come into an empty Steve Jobs theater and we'll film it from the or not even empty.

00:37:57   Right.

00:37:58   Well, I guess during covid half fill the theater with employees to cheer and clap and just film it like it's an Apple event.

00:38:06   Let's do something if it's going to be different because it's prerecorded, let's do something different and make it more like a TV show or a movie or a documentary or something about these products.

00:38:17   They go every, you know, every I was going to say episode, every event, but it is like episodes.

00:38:26   They go to new locations for the ones outside Apple Park.

00:38:30   It's like here's Cayenne Drance introducing the non-pro iPhones here.

00:38:36   It's an outdoor opera house in Sydney, Australia or something.

00:38:40   Right.

00:38:41   And I don't think other companies have the will to do that.

00:38:44   I think it's so much work.

00:38:46   I think it's like, oh, you know, whatever urge companies have to, oh, we should do what Apple does.

00:38:50   And then they start plotting like, wait a minute.

00:38:52   How much time are we going to ask our executives to spend traveling around California or the world to shoot these things?

00:39:01   And so the fact that so many companies have gone back to live ones makes for an interesting contrast.

00:39:07   Right.

00:39:07   And NVIDIA is a great example.

00:39:10   Right.

00:39:11   Because NVIDIA is filling arenas once or twice a year.

00:39:14   Like it's CES, 7,000 seat arenas, you know, like Apple used to at Mac World Expo or at WWDC.

00:39:23   It's an interesting contrast.

00:39:25   And so I want to say kudos to Google for trying something new.

00:39:31   But I don't know why they thought this would work.

00:39:35   Yeah.

00:39:36   Yeah.

00:39:37   I don't know either.

00:39:38   I don't know what the impetus was.

00:39:40   I know Google has definitely leaned more into the celebrity angle over the past couple of decades worth of their events.

00:39:47   They certainly have had more celebrity guests.

00:39:49   It's not that Apple has not, especially musicians, right?

00:39:52   And every once in a while, partners, which are like high profile CEOs.

00:39:56   And then now and then a celebrity or two, especially like Apple TV events and things like that.

00:40:00   They definitely have had it.

00:40:02   So I'm not saying that they haven't.

00:40:03   But it just seems like Google has leaned into that more.

00:40:06   And I'm not sure exactly what's driving it internally.

00:40:09   I know a little bit more about the decision making process that Apple went through and like the iterations that they went through in their event process.

00:40:17   Obviously, the pandemic was why the 2020 event was the way it was, but then why they didn't go back.

00:40:23   And some of the impetus there was like to get more people involved, to like get more people on stage than they would be able to like get on and off a stage during the event cycle.

00:40:33   So they could get more visibility to different teams that were actually working on things.

00:40:37   But the on the Google side of things, if you look back at their history of events, they've gone through a ton of different formats, like whether it's like more talk show style formats or variety show or music centric or whatever.

00:40:52   They've definitely mixed it up.

00:40:53   And I like that they're trying new things.

00:40:56   I just think that in this case, they tried this thing and it didn't work out.

00:40:59   And I think that a large part of it is just it came down to the wrong host.

00:41:04   I could actually see this working with the right host.

00:41:08   And I have some experience in this because we we hosted this award show called The Crunchies and we did it for a few years.

00:41:14   And our first host for that for the first couple of years was John Oliver.

00:41:19   And this is pre John Oliver being John Oliver, right?

00:41:22   Like he was it was early, very early in his career or much earlier.

00:41:26   And we didn't have quite as wide a recognition.

00:41:28   And he was amazing at that because he deeply understood tech, like not from a I'm a techie or I'm a tech person, but from like he got the dynamic, right?

00:41:40   He understood that, hey, yes, these people are building things that are difficult to build.

00:41:44   But at the same time, there's a certain amount of hubris and a lot of money involved.

00:41:48   And he got like the line to walk where you could host an event like that and have it still be an award show where we're like giving awards to rich people.

00:41:58   You got to everyone has to acknowledge this or about to be rich founders, etc.

00:42:02   But it's still you could poke fun.

00:42:05   But, you know, it's leavened.

00:42:06   And like I think the Jimmy Fallon type who just isn't really technically savvy or at least did not display it on this stage and did not or did not have the time, energy or remit to dive deeper and really understand the topics.

00:42:23   Because you could see him making many of those jokes that landed poorly, like saying tensor and clapping, you know, like a seal.

00:42:30   But if he had just made a different joke about it that was more in the know, like it would have worked fine.

00:42:37   Like it wouldn't have been to my personal taste probably still, but it absolutely would not have landed with a thud like it did.

00:42:43   So I think it's like wrong host, not really well prepared.

00:42:47   And then like the format secondarily didn't help the matter.

00:42:50   Yeah, I think Victoria Song mentioned it in her write up at The Verge and I heard from somebody else who was there.

00:42:57   I wish I had gone because it was in New York and I've been to Google events before.

00:43:01   I'm obviously not like on their A list of people who write about Pixel phones.

00:43:07   But I'm pretty sure if I had asked, I could have gotten in because I've gotten in before.

00:43:11   And I wish I had, especially knowing it was only in New York and I regret it because I really wish I could have seen it first person.

00:43:18   But they literally had an applause sign and they had a warm up just like a real talk show, like a real TV talk show.

00:43:27   They had a warm up comic who came out 10 minutes before the actual show started to warm the crowd up.

00:43:32   But you know what the press is like at these events, like an applause sign.

00:43:39   What do you I mean?

00:43:41   And I mean this.

00:43:42   I know this sounds like a joke.

00:43:43   But what do you think would go over more poorly in the press at a tech keynote event?

00:43:54   A sign that lights up and says applaud or a sign that lights up and says fuck you?

00:44:01   The fuck you would probably would have gotten a more hilarious response.

00:44:07   It probably would have been hilarious.

00:44:09   Hey, we delivered.

00:44:11   You thought we would.

00:44:13   The fuck you side only comes on.

00:44:15   Right.

00:44:16   I honestly think that would go.

00:44:18   The club side is definitely not going to go over well.

00:44:20   Right.

00:44:20   Because the press is so cynical and so down, you know, concentrating on this and, you know, and thinking.

00:44:28   I'm not on your team.

00:44:29   I'm here to write about this and try to detect if you're full of shit about any of this.

00:44:33   And I'm here to serve.

00:44:36   You know, hopefully this is how most people in the press think.

00:44:39   They're thinking like how I'm here to serve my readers and give them this and they're concentrating.

00:44:43   And it's like the last thing they want to do is applaud.

00:44:46   And it's and it's just I'm not religious about it.

00:44:50   But a lot of people in the press are that they like it's almost like a religious thing where they feel like it's inappropriate in the press to applaud that you're here to represent.

00:44:59   You're not.

00:45:00   So you're not going to cheer for anything.

00:45:03   And, you know, you and I have sat next to each other and dozens of these things.

00:45:07   It's like, you know, especially for things like if somebody says that the new AirPods have twice the range away from the device that they had before and all the Apple employees who are in the crowd start clapping.

00:45:21   Right.

00:45:22   Especially the people from the AirPods team.

00:45:24   Right.

00:45:25   Right.

00:45:25   I'm not going to clap for that.

00:45:28   You're not going to clap for that.

00:45:29   No one.

00:45:29   No one in the press is going to clap for that.

00:45:31   But like in the opening part where they talk about somebody whose car went over a cliff and their Apple watch saved their life because it said like it seems like you're in a car accident.

00:45:42   And we're going to call emergency services.

00:45:45   People start clapping.

00:45:47   I'll clap for that.

00:45:47   The guy's life was saved.

00:45:49   Right.

00:45:49   You know, like the tearjerker stuff.

00:45:51   I'll clap for.

00:45:52   I'm not religious about it, but I'm not there to clap.

00:45:55   I am there to work.

00:45:56   Right.

00:45:56   So it just is.

00:45:58   It's it's it's tone deaf.

00:46:00   Right.

00:46:00   But it might also sort of be.

00:46:04   And I know you and I.

00:46:05   I don't know if we talked about it on like a podcast, but I know we've talked about it privately.

00:46:09   But like the media is very bifurcated and it's tilting.

00:46:16   It's still continuing to tilt between what I traditionally think of as the media, which is journalists or columnists or people who are serious about it.

00:46:29   And it it used to seem like the distinctions were only which medium you worked for.

00:46:35   Were you from TV were you from print like the New York Times or Time magazine or Wired magazine or the web or, you know, and then the web.

00:46:45   Which generally, by the way, was a scale of detail.

00:46:47   Like you were all working with the same general journalistic principles.

00:46:50   It was just on TV.

00:46:52   You're building a two and a half minute segment.

00:46:54   So you're trying to pick your 30 seconds at a time.

00:46:56   And then in print, you're trying to pick your soundbites to go around an exclusive interview or glossy.

00:47:02   And then in the blogs, you're like trying to get everything right.

00:47:05   Like you're trying to like almost transcribe, but then add your take.

00:47:09   Right.

00:47:09   That's that was like the rough scale.

00:47:11   But yeah, the underlying principles were all the same.

00:47:14   You're there to fact find you're there.

00:47:16   And maybe that also changes in scalar detail.

00:47:19   But that's the same job was being done.

00:47:22   Yeah.

00:47:22   Different levels.

00:47:23   And yeah.

00:47:25   And so the distinctions were artificial.

00:47:28   Right.

00:47:28   And it's not just me as having been the up and comer and I have no background in print and no face for television.

00:47:38   And so I was web only from my own publication.

00:47:43   Like my publication didn't have a hundred year history of the print before it existed.

00:47:48   And so with some of the people in the media, I never got like a stink eye or like a sharp elbow, but I could sense coldness.

00:47:58   And I've told this story before, but the opposite.

00:48:00   And it was the first time I don't remember if it was a WWDC or a Mac world, but it was definitely at Moscone West.

00:48:08   And the first time that I got that didn't just get a press invitation to watch the keynote, but also got a, hey, we'd like to schedule a briefing with somebody to talk about the keynote after the keynote be like an hour afterwards or something.

00:48:24   And there's a green room off to the side of where the keynote was up on the fourth floor of Moscone.

00:48:31   And the first time I went in there and I felt a little weird and Walt Mossberg said, hey, I really like what you're doing.

00:48:38   It's good to see you here.

00:48:40   It just was super welcome.

00:48:41   And I got to say, you're Walt Mossberg.

00:48:45   I think that's what I said.

00:48:47   I'm existing in the same place as you.

00:48:49   That's awesome.

00:48:49   Yeah, I think I was like, you're Walt Mossberg.

00:48:51   I don't know.

00:48:52   I think I handled myself okay.

00:48:53   But it was like, oh, I was like, that was pretty neat.

00:48:56   He said hello to me and was very, very gracious and then immediately got taken away to go talk to Steve Jobs or something.

00:49:02   And I got to wait.

00:49:03   But I was like, that was cool.

00:49:04   But those distinctions were artificial.

00:49:06   And I think your articulation of it is it's really about depth.

00:49:09   TV, very shallow.

00:49:11   Print, traditional.

00:49:12   The web was where I could write 4,000 words about the keynote.

00:49:16   Yeah.

00:49:17   Or you could go ham on a button and people would either read it or ignore it.

00:49:21   It would win on its merits.

00:49:22   Right.

00:49:23   And there were always people like Pogue who did both, right?

00:49:26   Pogue is good on TV.

00:49:28   I mean, he's still on the CBS morning show.

00:49:30   But part of what made him good about it is he knew, here, I can write 800 words for The New York Times.

00:49:36   But I could also write 90 seconds for CBS Sunday News.

00:49:40   Now, though, it's the influencers.

00:49:42   And it is different.

00:49:46   And I keep thinking, you know, and it's just like when you're a kid and you think, hey, when I become a parent, I'm not going to do blank.

00:49:54   I'm not going to make my kid go to bed early on a school night.

00:49:56   I'm going to let him stay up until 10 o'clock or whatever.

00:49:59   And I do think, in a lot of ways, I don't want to be the grumpy old man who's like, get off my lawn, right?

00:50:07   There's enough of that that's inevitable, right?

00:50:09   You can concentrate.

00:50:10   You can wake up every morning and think, I am not going to tell the kids to get off my lawn.

00:50:14   I'm not going to tell the kids to get off my lawn.

00:50:16   And then three times every day, you're going to tell the kids to get off your lawn.

00:50:19   But that's why.

00:50:20   Can't help it.

00:50:22   That's why.

00:50:22   It's like the Roger Rabbit bit, right?

00:50:24   Where it's two bits.

00:50:25   He can't help but say two bits.

00:50:26   It just bursts out of you at some age.

00:50:28   Get off my lawn.

00:50:29   Two bits.

00:50:31   I remember being the younger person in the media pool who'd come up only through the web, only through my own stuff.

00:50:41   I had no background at any other publication.

00:50:44   And I remember feeling this sort of get off my lawn vibes.

00:50:50   Nobody said anything, but I could feel it.

00:50:52   And I don't want to be that way to the younger people now.

00:50:54   I remember how Walt was to me.

00:50:57   I try to be like that to younger people who I see, whose work I recognize.

00:51:01   I come up to them to say hello.

00:51:03   I like doing that.

00:51:05   But the influencers, like the pure YouTubers, you know, there's like the MKBHDs of the world, who's totally just rock solid aces, maybe the best overall tech reviewer working today.

00:51:21   I'm talking like the TikTok type people, like people who I don't even know.

00:51:26   It's like YouTube doesn't even recommend their stuff to me, right?

00:51:30   Yeah.

00:51:32   And those people have a very different approach to being in the media at an Apple event, right?

00:51:39   It is like, yeah, it's, it's a complex topic, too, because you have certainly people and I think people are young people are smart.

00:51:49   All people are smart to some degree in their own ways.

00:51:51   But young people are especially media savvy because they've been, they've grown up like kind of surrounded with this.

00:51:59   What's the word I'm looking for?

00:52:00   Not a panorama.

00:52:01   Panopticon.

00:52:02   Panopticon.

00:52:03   Of information, right?

00:52:04   They have all of these ways to consume information.

00:52:08   And in fact, they couldn't stop it if they wanted to.

00:52:12   It's almost like Clockwork Orange style.

00:52:14   Like their eyeballs have been pinned back and it's being fed to them from at a very early age.

00:52:20   And I mean this in terms of all kinds of media from a TikTok to an Instagram reel to a Twitter feed or, or whatever they're consuming, their phones are always with them.

00:52:30   We did not have that.

00:52:31   We had you and I speak in we, but I'm sure some members of your audience are following the same bucket.

00:52:36   We had time for our brains to absorb information and understand what that was like at a relatively slow pace.

00:52:45   And we had relationships with people that these days, I guess you'd classify them under what we would call parasocial, right?

00:52:52   Like parasocial relationships are relationships with people that you don't personally know, but you build a relationship with them based on exposure to them.

00:53:00   And we've had some of that where in our day it was called being a fan, right?

00:53:04   Oh, I'm a fan of this actor.

00:53:05   I'm a fan of this musician or this writer.

00:53:07   But you never really expected to have a personal relationship with them.

00:53:11   But influencers and people that make content on TikTok or on YouTube, they have these deep parasocial relationships with the chat or with their fans or followers, where those fans or followers feel very, very personally attached to them.

00:53:26   And so like you or I, even Daring Fireball is a layer between you and a fan.

00:53:30   And they know it's John, right?

00:53:32   But you have a brand.

00:53:33   For a lot of these people, their brand is their body, right?

00:53:36   Their brand is themselves, their soul or whatever.

00:53:38   And so people develop these really deep, really like tight attachments to them.

00:53:43   And so when you put somebody like that in a context of an Apple event where there are journalists there, there are people with these strong bodies of fans or group of people that they have these parasocial relationships with.

00:53:56   It's just a completely different vibe.

00:53:58   And in some cases, that can manifest itself as, hey, that parasocial relationship is stronger than their expectation of access.

00:54:07   So like an MKBHD or somebody else who is out there doing journalism level journalism, they just happen to be operating in this space where they have like deep relationships with their viewers that go beyond a brand.

00:54:22   Like, okay, I wrote for TechCrunch and some people know me, but like more, they knew a brand a lot better, right?

00:54:26   And so, oh, how did TechCrunch cover this thing?

00:54:29   Or how did TechCrunch write about this thing?

00:54:30   Whereas with an influencer, it's like, no, no, what is so-and-so saying about this thing?

00:54:35   Period.

00:54:35   That it's a one-to-one relationship.

00:54:37   And so you'll find influencers that have that ability to go, you know what?

00:54:41   This relationship is more important to me between me and these people who have chosen to follow me and therefore enrich me or allow me to keep doing this thing.

00:54:51   And then there are other people where the access is more important because they are churning out old audience.

00:54:57   They don't really care about the audience that would deeply care about this sort of thing.

00:55:00   They only care about the new audience and growing their followership and all that stuff.

00:55:04   And they're constantly in seek of new.

00:55:05   And so in order to be in seek of new and growth and all of that things that the platforms emphasize, they have to have access.

00:55:13   And so to them, access to an Apple event and to the hardware and to the people so that they can make these soundbitey things, they can make this content that gets new followers or that captures new audience is more important than actually telling the truth.

00:55:26   When you come up against something where you're like, I'm not really so sure these are good colors.

00:55:29   They're kind of blah.

00:55:30   It's okay.

00:55:31   Well, then you don't get access to the next event and therefore you don't get any new followers.

00:55:34   Right.

00:55:35   And so I think it's just like journalism where there is a nuance and subtlety to it as well.

00:55:40   There are layers to it.

00:55:41   And so I don't think of it in the buckets of like influencers versus journalists.

00:55:45   It's just now it's like, what if instead of five major outlets, there were 5,000, right?

00:55:52   And now you have to think of it in those terms.

00:55:54   It's weird.

00:55:54   It's different.

00:55:55   Yeah, it's not.

00:55:56   And so one thing I'll say that it's very clarifying from what you just said is it's not the medium, although maybe video, right?

00:56:06   TikTok, I think, is geared towards influencing.

00:56:09   I don't know that there's anybody whose primary outlet is TikTok who I would consider a journalist.

00:56:15   I mean, maybe TikTok is so big that there are exceptions that I'm not aware of.

00:56:19   I don't know.

00:56:20   But in tech, I can't think of anybody.

00:56:23   But for example, being a YouTuber, that's just a medium, right?

00:56:27   And there are people like Marques Brownlee and Quinn Nelson.

00:56:32   Justine is Eric, right?

00:56:34   I, Justine, who they're more like bloggers whose medium is the show of YouTube, right?

00:56:44   And influencing, it's just a different, totally different mindset.

00:56:49   It's like everything you just said, like the access is the most important thing.

00:56:53   And it ties into, if I'm going to make it all about me, you know, the whole kerfuffle this year with the Apple executives not doing my show after WWDC because they're a little prickly about what I wrote about the Apple intelligence stuff, which was always, I never felt it hanging over my head.

00:57:16   And I said this on stage with Neely and Joanna, and I'll get to Neely's, to me, my favorite point of that whole show.

00:57:23   But I always set things up for me that I don't need access, right?

00:57:28   And it was nice when I started getting those invitations to attend the press events.

00:57:33   And it was nice when they, without me asking, invited me to have the briefings after the events.

00:57:39   And it is, you've, I've been in, not just been in the keynotes, but been in the briefings with you many times.

00:57:46   And it is actually helpful to get to ask people like Jaws questions.

00:57:51   And yes, you know, we often don't get the answer you really want to get, but, you know, without a tape recorder running and with an agreement that it's off the, on background, you get a better answer to certain questions.

00:58:05   And it's like, oh, that's really interesting.

00:58:07   So it is definitely helpful.

00:58:08   It's not just the way that they answer, right?

00:58:10   It's like, they're like, have full confidence in it.

00:58:13   They were well-prepared.

00:58:14   Even the fact that they were well-prepared for that question tells you something.

00:58:17   Yeah.

00:58:18   It can tell you like, oh, they saw this coming.

00:58:20   And so they clearly thought about this problem a lot, which means, et cetera, right?

00:58:23   You school it out.

00:58:24   Yeah.

00:58:25   You just, the way they answer, it's helpful, but I don't need it.

00:58:28   And Neelai's great summation of that on stage was the less you need their access to them, the more they need you, you know, that they need the verge and that they need, the verge is very prickly about all of these things, right?

00:58:46   Like they're, they've, for a couple of years now, they're very prickly even about the, they won't say Apple said, or Apple spokesperson said, they're going to give the name of the Apple spokesperson, even though the spokespeople do.

00:58:58   They do not want their name.

00:58:59   They want it to say an Apple spokesperson said.

00:59:02   The verge is very prickly about that, but because they're prickly and they're good at what they do and they don't need, you know, they're like, we just won't run it if we can't put your name on it.

00:59:12   And they're willing to do that.

00:59:14   Then because the verge is the verge, Apple's like, okay, we'll give you a spokesperson whose name you can use to say what we, what the company wants to say.

00:59:23   And that's a good defining line between what side of this is journalism and what's influencing is do, you know, oh man, whose line is it?

00:59:33   I think it's George Orwell who said journalism is printing something that somebody doesn't want printed.

00:59:41   Everything else is public relations.

00:59:45   That sort of mindset is journalism and influencing is something different and it absolutely needs the access, right?

00:59:55   Getting cut off from getting invited to the iPhone event in early September is, I mean, it may not be death of your channel, but it's death of your channel when it comes to talking about iPhones.

01:00:06   Yeah, it's so like the way it works for Apple is they get sort of an opportunity to get an end run around critique and just have the products be shown off on their merits.

01:00:16   The way it works for influencers, I guess at the most, at their most craven, which they're just people.

01:00:22   So some of these people are cool people and conscientious people and some of them are not so good.

01:00:27   And like at its most craven, it is very much a, hey, we're just like saying this product exists and we're showing it and we have access to it.

01:00:35   And the fact that we have access to it means we get a view out of you and maybe a follow.

01:00:37   But then at the upper scale, at the most conscientious and most, even if you don't, even if you don't cross the line from like an influencer into a tech columnist that just happens to use YouTube as a medium,

01:00:50   even if you stay below that line, there are influences that are really, they're not covering the products, nor are they even claiming to review them, right?

01:00:57   They're just sort of like in the presence of them and their fans are like interested in seeing them in the presence of those things.

01:01:05   So it's honestly more about them than it is the product.

01:01:08   It's just the marriage of the two gives them the lift.

01:01:10   There are shades of it and it's just so much more nuanced than it used to be.

01:01:15   It is just a very different mindset.

01:01:19   And again, the best of them are very honest and upfront about it, right?

01:01:23   That's the thing is it's not dishonest.

01:01:25   They're just like, oh, yeah, they gave me this thing to have in my house for a month.

01:01:30   And, you know, I just think it's cool.

01:01:32   Look at it.

01:01:32   That's awesome.

01:01:33   And they're, theoretically, their viewers trust them, you know, to some degree.

01:01:38   Now, they are not claiming to run it through lab testing and lying about it, right?

01:01:42   They're just saying it's existing in the same space as I am for a while.

01:01:45   And isn't that cool?

01:01:46   Yeah.

01:01:46   But the exclusivity of the access is part of what makes them influencers, right?

01:01:53   And that's the part that's just a different game.

01:01:56   And I remember, I don't remember exactly which device it was.

01:02:00   I think it was iPhones.

01:02:01   It would make sense if it was iPhones, but it could have been anything.

01:02:05   But I'm sure you remember the vague details of this.

01:02:07   But it was maybe like five, six years ago.

01:02:09   It was pre-COVID, I think.

01:02:11   And whatever the new thing was, like, me and you and everybody, The Verge and everybody had

01:02:19   been to the event.

01:02:20   And people with review units, you get them under NDA.

01:02:24   Everybody knows that there's an NDA or an embargo until next Tuesday at 9 a.m.

01:02:30   Eastern, and like a day or two before the embargo, there were like all of these YouTubes that came

01:02:36   up from YouTubers with these phones.

01:02:41   I don't know if they were iPhones, but let's just say they were iPhones.

01:02:43   Showing these iPhones, like, two days before the embargo, saying, hey, this is really cool.

01:02:49   I got the pink one.

01:02:50   This is really beautiful.

01:02:51   And we were all like, what the hell is going on here?

01:02:55   Why am I operating under this embargo that's 48 hours away?

01:02:58   And these people got to show these phones off.

01:03:02   And I forget if I complained.

01:03:06   I don't know.

01:03:06   But a bunch of people in the press did complain.

01:03:09   Like, hey, what the hell is going on?

01:03:11   And I think Apple was taken aback because they're like, oh, these people aren't like you.

01:03:14   Right.

01:03:16   I don't know that they called them influencers, but they're like, we just had them to our place

01:03:22   in New York, that big secret mansion.

01:03:24   And they didn't get phones, like, to review and leave the premises with.

01:03:31   They got to be there and have a hands-on.

01:03:33   But that's a big, huge, spacious, five, six, seven-story townhouse in New York.

01:03:39   In New York.

01:03:41   And they all got to go off into different rooms in their own corner and find the light

01:03:45   they want.

01:03:45   And, of course, they made it look like they weren't in a press scrum with 25 or 30 of their

01:03:54   peers.

01:03:54   They made it look like it was all about them.

01:03:57   And I got a blue, brand-new iPhone a week before they come out.

01:04:02   And here it is.

01:04:03   And I can show it to you.

01:04:04   And whoever else was there, 20 feet away from them, shooting a similar video with a pink

01:04:11   one, looked like they were in a totally different place.

01:04:14   But then once I knew that's what happened, and I'm familiar enough with what most of the

01:04:18   interior of that whole townhouse looks like.

01:04:21   Oh, I see.

01:04:22   And it is like every room looks a little different, and each floor has different lighting and

01:04:28   is sort of a different thing.

01:04:29   And they all just sort of spread out as – because it's their instinct, is how do I make my video

01:04:36   look as distinctive as possible?

01:04:37   Yeah, it's got to be unique, right?

01:04:38   Right.

01:04:38   If it looks the same as everybody else's, why would they watch mine over somebody else's?

01:04:41   Right, and that's why they're the ones who got invited, because they're obviously good

01:04:45   enough to have hit Apple's radar for popularity.

01:04:48   And so their natural abilities at being an influencer and creating content for the influencer audience

01:04:55   kicked in, and they made these videos.

01:04:57   But then their videos, for us on the outside, triggered us of, hey, how did this group of

01:05:02   people, most of whom I've never heard of, get these review units without the embargo?

01:05:07   Which wasn't what happened at all, right?

01:05:09   Yeah.

01:05:09   But it started this whole – and anyway, to bring this all back full circle, I feel like

01:05:16   the whole PR industry is adapting to this new world.

01:05:22   And it's – even at Apple, which is obviously the tech company PR I'm most familiar with,

01:05:28   I'm not saying it feels like I'm talking to an entire PR organization that's optimized for

01:05:34   influencers.

01:05:35   I don't, because I think my contacts there aren't meant for that.

01:05:39   But I can kind of sense, though, that overall they are adapting to it.

01:05:43   And I don't blame them, right?

01:05:45   Because that's where the attention is, right?

01:05:47   Like, I just was listening to a podcast today where somebody mentioned that in terms of like

01:05:53   media strategy – not saying this tilted the election or whatever, but Kamala Harris' big,

01:05:59   okay, I'm going to do this interview, I'm going to do this 60 minutes.

01:06:02   And it was like a week before the election, Kamala Harris on 60 minutes, and there were

01:06:07   4 million people who watched.

01:06:08   And Donald Trump's big, I'm going to do this, I'm going to do this show, I'm going to do

01:06:14   an interview, was appearing on Joe Rogan's podcast.

01:06:18   And 60 million people watched.

01:06:20   Right.

01:06:22   And it's say what you want about Joe Rogan, say what you want about the quality of the

01:06:27   interviews of Harris on 60 Minutes versus Trump talking for three hours nonstop with Joe Rogan

01:06:33   or however crazy long it was.

01:06:34   It's the modern media world, right?

01:06:38   Like, the Joe Rogan show is a huge deal, right?

01:06:41   And these – the influencers who hit Apple's radar and make the cut to get invited for this

01:06:47   obviously have huge audiences, right?

01:06:49   And that's ultimately – and I don't blame them.

01:06:52   This is what Apple wants is they want to get their message to a huge audience of people,

01:06:58   young people who might buy iPhones.

01:07:00   And I don't blame them, but it does corrupt the process in a weird way because what I detect – and

01:07:11   again, I'm not throwing anybody at Apple under the bus.

01:07:13   I detect it from other companies even more, but I just detect it where – you know this,

01:07:19   like, from being the editor-in-chief at TechCrunch for a long time and writing about this stuff,

01:07:23   is you knew you weren't going to bend to Apple's, oh, we really don't want you to mention that, right?

01:07:30   You're like, well, I got to mention it if it's important.

01:07:32   But you could feel that they want you to, right?

01:07:35   They kind of like, oh, you know, we'd rather have you not talk about the bend gate with the iPhone 6

01:07:40   or, you know, it's, hey, it's okay, just don't put it in your back pocket.

01:07:43   Whereas the influencers, they're like, hey, we'd rather not have you talk about this thing

01:07:48   where the one guy made a video where he put it in his back pocket and the iPhone bent.

01:07:51   And they're like, okay, sure, I won't mention it.

01:07:53   And the PR people, that's just crack to them.

01:07:56   They're like, oh, finally.

01:07:58   You know, like, they're like braced for an argument.

01:08:02   And instead, they bring it up and the person is like, oh, yeah, sure.

01:08:04   Why would I mention that?

01:08:06   It's not really that important to them either, unless controversy is their brand, right?

01:08:10   Right.

01:08:10   Because they have a personal brand.

01:08:11   And if their brand is controversy, which there are some out there that are,

01:08:14   then they're all over that.

01:08:16   And they don't really even expect to get invited, right?

01:08:18   Right.

01:08:19   So they have what they would like you to talk about.

01:08:21   And if you're just like, sure, I'll just stick to your talking points, they're like, oh, this is great.

01:08:26   Why are we dealing with these other people with smaller audiences?

01:08:29   And so I definitely felt implicit stuff over the years, because how could they not be like, oh, please don't.

01:08:36   Right.

01:08:36   Please don't mention this terrible foible or whatever.

01:08:38   But I was never explicitly asked because they knew.

01:08:41   Right.

01:08:42   Right.

01:08:42   They're not going to ask me not to say anything, you know.

01:08:44   Right.

01:08:45   Whereas I feel like the way it works now is that the influencers will ask for it.

01:08:50   They'll be like, what do you want me to say about this?

01:08:52   I really do think it because it and it's the nature of their work in their medium.

01:08:57   And it is more popular in terms of just how many eyeballs are watching it.

01:09:02   You know, it's a quantity versus quality thing, I hope.

01:09:05   I mean, that's what the remainder of my career is hopefully staked on.

01:09:08   But it's a very different it's such a different thing for the same PR organization to be dealing with.

01:09:19   Whereas I don't think dealing with TV, print and web meant that the PR people 15 years ago had to have different mentalities.

01:09:29   Whereas now it's a bifurcation and I kind of feel PR needs a very different approach to it.

01:09:36   And to bring this all to where I was going is I can't help but think that the nature of this made by Google event was sort of put together by influencer first people at Google that.

01:09:51   Oh, my God.

01:09:52   We'll have Jimmy Fallon.

01:09:53   We'll have Steph Curry.

01:09:54   We'll have all of these.

01:09:56   The Jonas brother, whoever else was there.

01:09:58   I forget.

01:09:59   I mean, not just a celebrity at the end.

01:10:01   It was like a dozen famous people from TV and from music and from sports and stuff.

01:10:07   Some famous people for everybody.

01:10:09   And you could, you know, be there when they come out.

01:10:12   Here's Cody from Peloton, the most famous Peloton trainer.

01:10:17   And the applause sign, I don't think that some of the people in the audience thought twice about it, right?

01:10:23   Right.

01:10:23   No, honestly, as an influencer, you're used to running your own talk show every day, right?

01:10:27   Even if it's YouTube, you're in the comments.

01:10:29   If it's Twitch or another streaming service, you're talking to chat and you need that, right?

01:10:35   That's how you build relationship with your audience.

01:10:36   That's how you build engagement.

01:10:37   That's how you get either money directly from them in terms of like subscriptions or gifts or long term brand deals based on more followers, right?

01:10:46   Like there's sort of that they're a nerd to that concept.

01:10:50   Whereas a journalist, you're not, you're very much allergic to that concept of, oh, I'm in the audience of a talk show.

01:10:59   I don't want to be here.

01:11:00   I want to be in a place where I can get information that is closer to the truth than this highly produced scenario.

01:11:07   Yeah.

01:11:07   So I have something weird going on and I can't help but think that that weird Google event is a sort of, I don't think it's a sign of the future.

01:11:16   Cause I don't think they're going to do it again, but maybe like you said, maybe they'll make another stab at it.

01:11:20   It won't be exactly the same, but they're definitely not going back.

01:11:23   I think Google has definitely organically integrated creators in their, into their marketing for a while.

01:11:29   Like Apple's basic timeline was, as you mentioned, like 2019, right?

01:11:33   The iPhone 11 release was, and I have some information about this that is non-public, but like the, the nature of it was like, that was basically the year they decided to go at it.

01:11:44   Right.

01:11:44   Let's influencers are out there.

01:11:46   They're going to cover our stuff.

01:11:47   Anyway, we need to like loop them in so that we can control the environment at least.

01:11:52   So it's not just some guy getting in, in the mail and throwing it on the ground.

01:11:55   Right.

01:11:56   It's okay.

01:11:56   Let's, let's embrace them.

01:11:58   You, well, you know, that's what they do.

01:11:59   I was doing, I drew it from a building and it broke.

01:12:01   I can't believe it.

01:12:02   You know, at least that was the mentality of some folks, but they embraced them.

01:12:06   That was the first year they did it.

01:12:08   They gave them this, their early access, as you mentioned, a few hours early, 12 hours, whatever it was.

01:12:13   Like the day before they were allowed to post very lightweight, Hey, look at this thing videos, but that was the first year they do it.

01:12:19   And they, they managed like parallel outreach pipelines, journalists and influencers, and they've only gotten more aggressive about it since.

01:12:27   And it's more fleshed out.

01:12:28   Now they have a full pipeline, influencer pipeline.

01:12:30   And you, you, like the last iPhone event, there were hundreds of people there that were not journalists.

01:12:36   They were very much more on the influencer spectrum.

01:12:40   Google has done it organically for a long time as well.

01:12:43   I don't, I know they have an influencer outreach department, like in their comms department, but I'm not sure if it's, I'm not sure how fleshed out it is.

01:12:53   I'm not intimately familiar with it, but they certainly from external externalities, they clearly do have embraced influencers.

01:12:59   They're not going back.

01:13:00   Nobody is because you can't afford to.

01:13:02   You're giving up so much earned media.

01:13:05   Like you can't even say paid media.

01:13:08   They're not paying them, right?

01:13:10   It is earned media, but it basically is as easy as paid media.

01:13:14   So like for the un-journalists or un-media savvy out there, there's basically tiers of media coverage that you can get.

01:13:20   As a comms person, you, they have certain rough values too.

01:13:25   So earned media, organic media is basically media that happens without you saying you want it to explicitly happen or paying for it.

01:13:32   Then you have paid media, which is like ads, right?

01:13:35   Or sponsorships or things like that, where you're paying, get your message out.

01:13:38   And then there are other various shades of it, but like those are the main ones that are important to talk about right now.

01:13:43   And so like with an influencer, you're technically getting the ease of paid media, which paid media, anybody will say anything you want as long as you're paying them.

01:13:50   Like Facebook will put all over their site, iPhone's the best in all of their ads.

01:13:53   You're on the hook for the legal aspect, not Facebook, right?

01:13:56   So if you say iPhone will cure cancer, they'll put it all over, right?

01:14:00   And then they're like, iPhone cures cancer all over.

01:14:01   Like 10,000 people will see it in the next 30 seconds, right?

01:14:04   That's paid media.

01:14:05   And like with influencers, you can get access to millions of people, millions of viewers with relatively the same kind of level of attention to it.

01:14:15   Is this actually true or not as paid media?

01:14:18   And you could do it like at the top of a hat.

01:14:20   And all you got to do is invite them to your event.

01:14:22   Yeah.

01:14:23   They bring their camera equipment.

01:14:24   They bring their brain.

01:14:25   They bring their creative, which is in many cases, amazing creative juices.

01:14:29   Like these people wouldn't be big if they didn't build creative content.

01:14:34   They're amazing editors, they're amazing videographers, all of that.

01:14:37   And yet they are not really hypercritical because that's not their job.

01:14:41   That's not their job to their audience.

01:14:43   That's not their job to themselves, the vast majority of them.

01:14:45   And so like they view this as like an opportunity to just get new content.

01:14:48   It's the same for them as doing that versus going to the beach.

01:14:51   It's like, oh, look at this amazing sunset.

01:14:53   I'm here in my bikini.

01:14:54   Let's film this content.

01:14:56   Or let's like, let me go ride an ATV in the woods with my buddies.

01:15:00   And now we can think whatever they're doing that's keeping people interested

01:15:03   and viewing, that's just another drumbeat for them.

01:15:07   And for Apple, it's very easy too.

01:15:08   It's very low stakes.

01:15:10   It's very easy to get all these views.

01:15:12   So why wouldn't they, right?

01:15:13   And I think Google thinks the same way.

01:15:15   Yeah.

01:15:15   Something's going on and I can't help but feel like the show exemplifies it.

01:15:19   Yeah.

01:15:20   And I do think that the fundamental mistake was Fallon as host.

01:15:24   There's some disconnect there.

01:15:27   Not that I don't like his show really, but I don't hate it.

01:15:30   I get why it's been on the air for a long time.

01:15:33   I'm drawing a blank on who they could have got, who else they could have gotten.

01:15:37   Right.

01:15:37   I don't feel any of the other late night hosts would have been right.

01:15:43   Right.

01:15:43   I don't.

01:15:44   Kimmel.

01:15:45   No.

01:15:45   Stephen Colbert.

01:15:47   Definitely not.

01:15:48   Right.

01:15:48   And I think Colbert, I just, I don't know.

01:15:52   Maybe Colbert would have been better at it, but I don't know that they could get him.

01:15:55   And I don't think if they could have, maybe Seth Meyers would have been better.

01:16:00   Seth Meyers did some Verizon commercials a year or two back and it was pretty good.

01:16:06   I can't help but feel that Seth Meyers could have bridged the, look, this is a bunch of geeks

01:16:13   and we're trying to talk to normal people and I'm going to bridge that gap, right?

01:16:18   That there is that fundamental disconnect.

01:16:20   And Apple has less of it because Apple is a company with cooler people.

01:16:26   It really is.

01:16:28   It just, you know, I know some people out there roll their eyes like, but it is, it's

01:16:32   sort of what makes Apple, Apple, where Apple knows how to speak to normal people better than

01:16:37   most tech companies do.

01:16:38   They just do.

01:16:40   See, the thing is though, they could have nailed this.

01:16:43   They like, the format is not actually that bad.

01:16:47   I know people were joking about the QVC aspect of some of it.

01:16:50   I get it.

01:16:51   But if it's the right host, it doesn't matter, right?

01:16:53   Because there are celebrities that are generally like very tech savvy and actually care.

01:16:58   And are nerds.

01:16:58   And are probably watching the event.

01:16:59   Yeah.

01:17:00   Like, go find those.

01:17:01   Joseph Ford and Levitt has a tech company, right?

01:17:05   Go, go get it.

01:17:05   Like, you know, we've had him.

01:17:06   He's amazing.

01:17:07   He's like very intelligent about this stuff.

01:17:09   I mean, you could go broader.

01:17:10   Even Will.i.

01:17:11   Him, he's founded several tech companies.

01:17:13   They haven't been extremely successful.

01:17:15   Right.

01:17:15   And they've been kind of weird, but he loves tech and like certainly has a viewpoint.

01:17:19   There are versions of this that I think could have worked.

01:17:23   You know, I just think, I think it did not have the right host.

01:17:26   Yeah.

01:17:27   All right.

01:17:28   Let me take a break here to thank our next sponsor.

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01:20:33   I'm trying to think what else.

01:20:35   Rapid-fire stuff.

01:20:37   Did you see that the UK has withdrawn their demand for the iCloud backdoor?

01:20:44   Yeah, I did see that.

01:20:45   That is interesting.

01:20:46   I kind of felt like that was inevitable, but it's ultimately, it's, it's, everybody has their

01:20:54   limit on what they understand about, well, almost everybody, I guess.

01:20:57   Somewhere there's somebody who understands all the math in the world, but somewhere, you know,

01:21:01   you run into the limits of your ability to understand math and encryption is math.

01:21:06   And the, hey, okay, end-to-end encryption.

01:21:11   Sure, sure, we support it, but we would just like to let the good guys in the middle.

01:21:15   And it's like, you don't understand saying you want to get in, even, you know, you pinky swear,

01:21:22   it's only for the good guys.

01:21:24   And even if we take off the table of debate right now, that good guys only could lead to

01:21:30   bad guys getting in through social engineering or through a bug or through an election, take

01:21:37   that off the table.

01:21:38   It just isn't possible, right?

01:21:40   Like with end-to-end encryption, there is no way to put a thing in the middle.

01:21:44   So if you say you're going to pass a law that you have to have a spot in the middle,

01:21:48   that means you're banning end-to-end encryption because it's impossible.

01:21:54   And they're like nodding their heads and they're like, yeah, but we're not banning end-to-end

01:21:58   encryption.

01:21:58   We're just saying we have to be in the middle.

01:22:00   And it's like, that's like saying you want two plus two to equal five.

01:22:04   Right.

01:22:05   Yeah.

01:22:07   It was clearly like, it is one of those topics that is clearly a non-starter from anybody

01:22:14   who's technically savvy enough to understand it and like theologically like world-breaking.

01:22:18   Okay.

01:22:19   Well then encryption might as well not exist.

01:22:21   If you're going to build any sort of backdoor or middleman, it might as well not do it at

01:22:24   all.

01:22:25   And I think the UK was definitely being used as a test case to see, hey, how are liberal

01:22:33   democracies going to treat anti-encryption legislation?

01:22:36   Because they have the Online Safety Act is what this is based on, which they passed in

01:22:40   like 2023.

01:22:41   And the argument was like, hey, this is about CSAM and about illegal material and drug deals

01:22:48   and this kind of stuff.

01:22:48   And Apple definitely was duck's feet about it.

01:22:51   I mean, has negotiated furiously behind the scenes and then made some public statements as

01:22:56   well about withdrawing iMessage entirely from the UK and all of that.

01:23:00   And I definitely think there was a lot of negotiation, a lot of stuff that-

01:23:04   And they did.

01:23:05   They never pulled iMessage from the UK, but they did pull iCloud Extra Protection.

01:23:11   That's not the name.

01:23:13   I forget.

01:23:13   It's not called Extra Protection.

01:23:14   Yeah, I don't remember it either.

01:23:15   Sorry.

01:23:15   But it's the super extra, everything is end-to-end encrypted.

01:23:21   And you can't go to the Apple Store and say, everything was on my iPhone and I just dropped

01:23:27   it in a lake and I need a new iPhone.

01:23:30   I don't remember my password.

01:23:31   Is there a way that you can help me out?

01:23:33   It's no.

01:23:34   There is no way to help you out if you turn it on.

01:23:36   Advanced Data Protection.

01:23:37   Advanced Data Protection.

01:23:39   Right.

01:23:39   They did pull it.

01:23:40   And it wasn't as a stunt.

01:23:43   It was like there was no way to keep it and be- And I guess maybe they pulled it before

01:23:47   they had to, to comply with the law, to send a message, but it's like, we have to pull this

01:23:52   if you're going to make us go down this route.

01:23:54   And the UK law, and again, the US is, you know, I don't want to just, obviously, there's

01:24:02   politics going on in the United States, but, and it's polarizing, let's say.

01:24:07   Yeah, it almost feels like the rafter in your own eye scenario when we're talking about anybody

01:24:11   else's politics at the moment.

01:24:13   Right.

01:24:13   But there are aspects of US culture and the First Amendment and freedom of speech that

01:24:20   are so permeate our approach to all of life, including politics, that there are things

01:24:29   in other countries, even one as similar in so many aspects culturally to the US as the

01:24:36   UK that you're like, wait, what?

01:24:38   Which is this aspect of the snoopers law or whatever the real name of the law is that they

01:24:43   pass where they can hand this request to a company like Apple, like we would like a backdoor

01:24:50   and there are two aspects of this that are sort of breathtaking, where the one is that

01:24:55   when you get one of these requests, it is illegal under punishment.

01:24:59   It's like a, not like a civil fine.

01:25:01   Oh, you got to pay us some money because you blabbed about it.

01:25:04   It's a criminal law where like somebody at Apple would, would be liable to be locked up

01:25:10   in the UK for a prison term by just saying that they got the request.

01:25:15   It was illegal under UK law to even say that the UK was demanding backdoor access to iCloud

01:25:22   encrypted communications.

01:25:24   Right.

01:25:25   That is just, it's just crazy bananas.

01:25:27   Whether you're, whether you have a red MAGA hat that you like to wear or you're a diehard

01:25:34   Democrat in the US.

01:25:36   Either way, the idea of the government telling a company, you can't even say that we're making

01:25:42   you do this, it really doesn't compute.

01:25:45   And maybe there's some exception somewhere that you agreed, but it just isn't like that

01:25:50   here.

01:25:50   But then the other part about it that was the most breathtaking is what they were asking for

01:25:56   was a worldwide backdoor, not just like for communication between UK citizens and their

01:26:04   iCloud accounts, but it would have given the UK secret service, speaking of throwback earlier

01:26:11   in the podcast, access to anybody's encrypted iCloud communication anywhere in the world, which

01:26:18   is just sort of like crazy bananas.

01:26:20   Yeah, it is a weird one because it's, it, we're kind of at this place and have been for

01:26:25   a while now.

01:26:26   It's just like now coming to loggerheads in a lot of ways where you're, you're having an

01:26:31   argument about whether tech companies or governments can establish and set global policy on things

01:26:36   like encryption.

01:26:37   And there's an argument back and forth.

01:26:39   And unfortunately the most popular, most potent argument for tech companies having the most influence

01:26:45   here is that the governments truly don't understand it or don't have the people in place that

01:26:50   can make decisions that understand it.

01:26:52   Right.

01:26:52   And the, either they're ignoring their advisors or ignoring their people, or they do understand

01:26:58   it or have been explained it and they're being facetious and they're, they're pushing an

01:27:03   agenda based on getting reelected or maintaining personal power instead of what is actually best

01:27:08   for people.

01:27:09   Right.

01:27:10   Or maybe just deliberately setting up the tech companies as scapegoats for any future things.

01:27:17   If a, some kind of widespread CSAM ring pops, you know, like a, the Epstein thing, but like

01:27:24   a new one pops up and it turns out they were all communicating over iMessage or any WhatsApp

01:27:30   or something else that's end to end encrypted.

01:27:33   And they're like, yeah, it's their fault.

01:27:35   We tried to get in the middle so we could interrupt these things.

01:27:37   And they said, no, and it doesn't matter that the math does, doesn't work out.

01:27:42   And that it having end to end encryption and knowing that the math works out, ultimately

01:27:47   it, it is like everything else in life.

01:27:49   A trade-off where yes, in theory, letting the good guys snoop, it could be helpful in

01:27:56   some cases, but overall the trade-offs of having secure end to end encryption.

01:28:01   And therefore, if law enforcement wants to get access to things, you got to do it some

01:28:06   other way, which is more or less gumshoe work, right?

01:28:10   It's show up with a warrant and go in their house and take their devices, right?

01:28:14   And that's, it still happens, right?

01:28:16   It's not like in this world where so much of our text communications is now end to end encrypted

01:28:22   that the law enforcement around the world no longer gets evidence from people's communications.

01:28:29   It still happens all the time.

01:28:30   It's like, they just can't do it by clicking a button from Virginia to communicate.

01:28:36   It's like, you got to go get the devices.

01:28:38   And guess what?

01:28:39   All the stuff is on people's devices.

01:28:41   Right.

01:28:42   And it's, it's a weird one because like on the face of it, if you look at it and examine

01:28:47   it, it's like clearly folly.

01:28:48   It is like to bring back the bond analogy, let's do it again.

01:28:52   Let's keep doing it the whole show.

01:28:53   But remember when, uh, uh, like tomorrow never dies.

01:28:56   Okay.

01:28:56   So Elliot Carver is like Jonathan price, the villain in that movie, the MacGuffin of that

01:29:01   movie is a GPS encoder that can basically make ships believe that they are in a different

01:29:08   place.

01:29:09   Like tell any ship in the world basically, or any GPS enabled in that case, it was in those

01:29:15   years, 97, it was like military, right?

01:29:18   So like 97 GPS was just starting to appear in a lot of places, but it wasn't in everybody's

01:29:24   phone like it is now.

01:29:25   And so like, it was still like this thing that existed.

01:29:28   And so it was like, Oh, what if you had a universal key and you could fool any GPS thing

01:29:33   in the world?

01:29:34   And what is so silly about it is not the premise that you could do that, which technologically

01:29:39   is very feasible.

01:29:40   It is that there, anybody would build a thing like, like they would intentionally build like,

01:29:46   Oh, we're just going to steal this thing that has been built to, and has access to every

01:29:50   GPS satellite to like fool anybody.

01:29:53   Right.

01:29:54   And it's like what these governments are saying is, Hey, build us that.

01:29:57   And let's just, well, trust me, it'll be fine.

01:30:01   We're going to put it in a bolt inside a glass case in a sky, sky rise, and nobody will ever

01:30:06   parachute in and laser cut a window and reach it and take it.

01:30:10   Nobody, it will never happen.

01:30:11   Don't worry.

01:30:12   It's all fine.

01:30:12   It was like intentionally building a MacGuffin for like somebody to steal and misuse.

01:30:17   And it's, it's just actually kind of wild when you think about it in those terms, but

01:30:21   he's the state of the union.

01:30:23   That's where we are.

01:30:24   Right.

01:30:25   And it seemed, and again, knock on wood, I mean, who knows what they actually got, but it's

01:30:30   like certain things inevitably, if anything can be exploited and it, and it's valuable, eventually

01:30:37   it will, right?

01:30:38   And it's almost a certainty and the way that it turns out that Chinese spies have infiltrated

01:30:46   the U S telecom system.

01:30:48   This was big news last year, but that they've been able to intercept phone calls and unencrypted

01:30:55   SMS text messages and that, that they've gotten into the not data centers, whatever you want

01:31:01   to call like the, the centralized parts of the cell phone, the telephone network, there's

01:31:06   a fact it's like, it's like, Oh geez, the Chinese got in here and they were spying on

01:31:10   stuff.

01:31:10   The fact that that none of that, anything that they did get wouldn't have been gettable if

01:31:16   it was end to end encrypted, if it, instead of a telephone call, that's not encrypted.

01:31:20   If you made a FaceTime audio call that is end to end encrypted, well then they'd get nothing.

01:31:26   It sort of opened people's eyes to, Oh yeah, I guess we do want.

01:31:29   And you know, even in law enforcement and government and politics are like, yeah, we, I guess we kind

01:31:33   of do want end to end encryption. So I guess sometimes it works out. I don't know. It was

01:31:38   like, but right before it's just by coincidence, but right before, did you see that the brief

01:31:42   item I had on daring fireball last week where I was like, I don't know. I, I feel pretty

01:31:47   pessimistic about the UK government ever getting encryption because they're, they're having a

01:31:52   drought over there. I don't know if you've heard there's, there's the climate is sort of

01:31:55   screwy. Yeah. A little wacky. Yeah. And the UK's national drought group issued advice to citizens

01:32:02   of the UK to how, how the, how individuals in the UK can help with the drought. They can delete

01:32:08   old emails.

01:32:13   Wait, wait, I swear to God, see this. Why? What's the rationale there? Well, it, uh, we

01:32:22   are, it really helps simple everyday choices such as turning off a tap or deleting old emails

01:32:28   also really helps the collective effort to reduce. And then later on, they have a list of tips

01:32:34   with a bunch of legit tips. Take shorter showers and turn off the tap while you're brushing your

01:32:40   teeth. Right. Right. Yeah. Yeah. If you, you know, you should brush your teeth for like two

01:32:44   minutes anyway. So why run the water the whole time? So turn it off. And then the, the, one

01:32:49   of the bullet points was delete old emails and pictures as data centers require vast amounts

01:32:55   of water to cool their systems. Wow. Wow. I love it. I mean, there is a twisted logic to

01:33:03   it. Theoretically, I mean, if well, okay. Theoretically, this feels like another hour of the podcast.

01:33:09   Right. I thought about the same thing too. And again, it's the way that my, it's the way that

01:33:13   every post on daring fireball, every single one could in theory spiral to 4,000 words, every single

01:33:19   one. Okay. Let's read the numbers. Like how much does steady state store storage need versus active

01:33:27   memory and how often do people access their images and like, you know, like, yeah, let's, let's talk

01:33:33   about this is why I brought it up. But, and I even thought too, all right, let's say you've

01:33:38   got, uh, what, what takes more energy to just leave an old email that you're never going to look at

01:33:45   just leave it in your account. And let's just assume it is stored in a data center in the UK

01:33:53   to just leave it there untouched, never look at it. Or if you delete it, then the server has to do

01:34:01   something. It has to delete it, right? It has to erase it from the storage. And does that consume

01:34:09   more energy? The act of the server deleting and whatever file system actions have to happen,

01:34:16   does that consume more energy than just leaving it there? Because if you just leave it there, the

01:34:23   bits don't change. And then presumably if enough people in the UK deleted enough old email and old

01:34:31   pictures from cloud storage, they could decommission some of the storage on the cloud. And then it's not

01:34:40   even plugged in, right? That that would consume less energy. But just leaving it there versus the act of

01:34:48   doing something with it, like deleting it, does that take more energy? It probably does, at least in the

01:34:53   near term. Yeah. But either way... Let's turn to ChatGPT for a moment. Hold on. We're going to take a ChatGPT

01:34:59   break. 4.0, good ChatGPT, not new ChatGPT. Oh, you're one of those. Really? Oh, yeah. Oh, I don't know.

01:35:06   I like them both. I use them both. You just have to be more articulate. I like... 4.0 is a little

01:35:10   better with lazy prompts. And my prompt was very lazy, right? Okay. Its answer is yes. Over the long

01:35:18   term, deleting an old email can reduce energy consumption. And I think it follows the same

01:35:23   logical thought process that you did, which was my process. Okay. Eventually you could decommission

01:35:28   or stop using that. But it says in the short term, deleting an email uses more energy than just

01:35:33   leaving it alone. You have to wake up storage. You have to modify indexes, so CPU cycles for the mail

01:35:38   system. You have to update metadata and sync states. And then like queuing, deletion, journaling,

01:35:45   like all of it, right? And then over time, basically they say the only like savings would be to actually

01:35:54   decommission or lower the amount of storage in the facility. So like the storage is still going to have

01:36:02   power to it. So it's not really going to be using any more or less. It would only be if there was suddenly

01:36:07   so much less email that they didn't need to run as large of a data center.

01:36:11   Or I guess, and I guess the way that would actually manifest itself, really thinking this through,

01:36:16   which is really fun, is they'll need to add more storage later rather than sooner because there's

01:36:25   free space available on the existing server storage because people deleted their pictures

01:36:32   and emails, right? So that it in the payoff in the future isn't really that they're ever going to

01:36:38   have less storage. That just doesn't seem like it's ever going to happen.

01:36:42   Yeah, no.

01:36:43   But if enough people were like, well, I'll just keep my 100 most recent photos and throw out the other

01:36:49   50,000 that they'll need to add storage further in the future. It's just ridiculous. It makes no sense.

01:36:59   You know what it is? I will say at its base level, at its base level, here's what it is. It's used paper

01:37:06   straws, right? No, it's not about the straws, dude, right? It's about the corporations paying lobbyists

01:37:15   to make it so they don't have to do all the stuff that they really should do because the scale is so

01:37:20   off. You would have to have six billion people recycling their paper straws when you could really

01:37:28   just make Exxon not do the stuff that they're doing. You know what I mean? Like it's really putting the

01:37:33   onus on the individual, which is like the worst. It's the worst part of environmentalist thinking

01:37:38   and like passing the buck that I hate about environmentalism. It is not about, yes,

01:37:44   individual responsibility is great, especially from a personal perspective. I have individual

01:37:48   responsibility. I hope you do too, and other people. However, every single amount of effort we put is like

01:37:55   a drop in a literal ocean of effort that is being pushed in the opposite direction because big corporations

01:38:04   have been lobbying for years to not have to do the due diligence and actually do things that are good

01:38:09   for the environment. So it's like, come on now. Goodness gracious.

01:38:11   Right. If you could split the earth into two multiverses where starting 10 years ago, every single straw,

01:38:21   every single person used across the planet was a paper straw, and in the other one, nobody ever stopped

01:38:29   using plastic straws or giving them out as freely as they did before this became an issue. And then you

01:38:35   came to today, August 2025, and looked at the atmosphere. Would you see any difference whatsoever?

01:38:43   No. I mean, like a couple of molecular, you know, like an omniscient deity could perhaps detect

01:38:52   minor molecular differences, right? But I think most of it would be from the carbon dioxide emissions

01:39:01   of people bitching about paper straws. Yeah, like maybe the straws is the wrong analogy. That was

01:39:08   really like a weird turtle fake out. But you get the idea. It's just like the individual responsibility,

01:39:13   it's so hard to measure. And I think COVID actually showed us how crazy it would have to be the change

01:39:20   in our lifestyle, like an individual's lifestyle. Because we, everybody saw, oh, nature is healing

01:39:24   and all of this stuff. Why? Because literally like every person on the planet stayed home for two

01:39:29   weeks. I mean, that's like, you know, like that's not feasible. Sorry. Right. Like when the people

01:39:34   went out and photographed like the freeways in Los Angeles at four o'clock on a Wednesday,

01:39:39   and they're empty. And it looks like a post-apocalyptic movie where there's just an empty freeway on a sunny

01:39:46   Sunday after weekday in California, Los Angeles. It's like, yeah, the environment got better. Right.

01:39:52   If you could suddenly get rid of every internal combustion engine on the planet and either have

01:39:59   people take mass transit or everybody switches to electric personal vehicles, you'd have a very

01:40:05   measurable effect very quickly. Very quickly. The straws thing is like telling people to delete their old

01:40:12   emails from the cloud server, except at least with the straw thing. It's like, I don't like them either.

01:40:20   And I hate that Trump personally is annoyed by paper straws too. Like I hate, right? I really dislike

01:40:29   this guy so frigging much that when he is, and again, the whole UK thing, I have to admit the Trump

01:40:36   administration did a better job than the Biden administration. The Biden administration was on

01:40:40   the wrong side of this. The Biden administration, I mean, I can put it in the show notes, I guess I'll

01:40:45   make a note here, but the Biden administration, when they found out what the UK was up to,

01:40:50   we're like, Hey, you do yours. Cause they knew the UK would share with them through the sharing

01:40:55   agreement that the UK and Canada and Australia have for secret stuff. They're like, I don't know.

01:41:01   It sounds good to us if we can kind of, yeah, well, we can't get it here. We'll just get the other end

01:41:05   of the conversation. Right. And that there is like a law and that Biden administration officials were

01:41:10   asked by Congress. God bless him. One of my favorite senators, Ron Wyden, I think he's from

01:41:15   Washington or Oregon. I think he's Washington, but whatever. He's very, very good on tech issues and

01:41:20   privacy and encryption and stuff like that. And it was on the committee where they asked them like,

01:41:25   Hey, is there, you know, like they're under an obligation to say when they know that another

01:41:29   country was asking for something that would infringe upon the privacy of the United States.

01:41:34   And the Biden administration was like, yeah, we don't know. I don't think so. It's all good.

01:41:37   Biden administration screwed that up. And the Trump administration was sticking it to the UK on this.

01:41:42   And I kind of feel like, Hey, maybe not for the right reasons. And I know whenever I bring this up,

01:41:48   people are already probably firing an email to me like, Oh my God, the Trump administration would

01:41:52   love to be able to snoop on everybody's email. Don't be surprised if they do ask the same thing,

01:41:57   they just don't want another country to have it. But it's like, I feel like the one factor of

01:42:01   everybody involved from Trump himself to everybody he's surrounded himself now is they're all paranoid

01:42:07   kooks. Right. And so they don't trust conspiracy all the way down. They don't trust each other,

01:42:14   right? Trump doesn't trust anybody else in his administration. He doesn't want them to be able

01:42:18   to snoop on his, his own communications. And none of them do either. Right. Right. That goofy

01:42:24   cash Patel with his googly eyes. I mean, the last thing he wants is somebody reading his text

01:42:29   messages. Anyway, it worked out. Yeah. Yeah, I know. I don't. But anyway, the thing about the

01:42:34   straws, I hate, I hate that I'm on the same side as Trump. But the worst part is you get a shitty

01:42:39   straw that falls apart by the end of your beverage. Yeah, I didn't mean it changes the taste of your

01:42:43   beverage. Whereas if plastic straws, they don't change the taste of your beverage. Any poor sap in the UK

01:42:49   who takes their, if this catches on in the way that, hey, we got to get rid of the straws,

01:42:55   we got to save the dolphins, dolphins are choking on straws or whatever the explanation is, which is

01:42:59   all nonsense. But if somehow this catches on, that you need to help with the drought and the climate

01:43:05   situation by deleting your old cloud storage, then it's heartbreaking because anybody who follows the

01:43:12   advice no longer has cloud storage of their personal photos. Right. Right. Like it does go back to

01:43:19   COVID where billions of people around the planet were like, what do you want me to do? Do you want

01:43:24   me to wear a mask? I'll wear a mask. You want me to stay inside? I'll stay inside. Whatever. I want to

01:43:28   help. There's something, there's a crisis going on. And the same thing with the straws where the whole

01:43:33   reason it took off is that people are like, okay, they say that the plastic straws are bad and there's

01:43:39   obviously bad stuff going on with the climate. So, all right, I'll do what I can. Somebody who takes

01:43:44   their advice on this is deleting their own photos. That's a minor tragedy that like a thousand paper

01:43:53   straws don't amount to. Yeah. And I think they're targeting emails because it's an easy choice of like,

01:43:59   oh, well, do you really read your old emails? No, you can delete those. But you know, you can see it. It's like,

01:44:04   okay, so by that logic, if I use cloud storage, I hate the environment, right? Yes. It's like, okay,

01:44:11   yeah, all right. But it's that personal guilt thing that is really like, I view it as even if people are

01:44:17   well-wishing and it's not pragmatically happening, like actually happening, the framework for thinking

01:44:24   about it is, this is just another way that corporations are able to get away with putting

01:44:29   the onus off of themselves and onto people's guilt. And it's like, all right, oh, I should delete my

01:44:35   old emails, not Google should find a way to make their data centers more efficient, you know? And

01:44:40   which they do, which is fine because it saves them money. So if you can attach money to something,

01:44:45   they'll make it more efficient. But yeah, that's the thing. Any individual deleting their emails

01:44:49   is not going to do anything. Right. I don't think this one is going to take off. I think it's just goofy

01:44:53   and it's not, there's not going to be a rash of people deleting their old photo libraries from

01:44:58   cloud storage, but it does play into the general belief that tech companies are reckless and rather

01:45:06   the tech data centers are overall a drain on the environment, which is true. They are enormous energy

01:45:15   consumers and the energy is the fundamental source of the climate problem, right? Energy is the problem.

01:45:23   that causes all of the carbon emissions and emissions and data centers are enormous,

01:45:30   like the fundamental problem, like the whole reason the compute isn't the limit. It's the compute per

01:45:38   watt is the limit. And that a lot of these places they they're using every watt that they can get into

01:45:43   the data center. And that's what caps their compute. It's not the performance of the servers. It's the

01:45:50   number of watts that are coming into the facility. And so that's true. And so people think, oh yeah,

01:45:58   I guess it is like I'm part of it too. Cause I have a whole bunch of shit in my iCloud, but that's not it. You have no idea what it is that makes these data centers. So energy expensive, but it is not your personal library of 10,000 photos that you've shot over the last 20 years. Yeah. Oh man. All right. One last sponsor to thank. And it is our good friends at Squarespace and Squarespace.

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01:48:55   More on the legal front. The other thing I definitely wanted to talk about just happened this week was the, I have to laugh, the Massimo Apple Watch blood oxygen sensor dispute.

01:49:10   It's still ongoing. It is not settled, but still we persist.

01:49:16   So 18 months ago, I guess it came to a head. I guess Massimo had lodged their complaint months earlier, but it came to a public head right before Christmas 2023, when the Apple Watch Series 9 was new.

01:49:30   And Massimo had won some sort of judgment from the U.S. It's such a confusing name, the International Trade Commission.

01:49:37   Sounds like it's something like the United Nations, where it's like, right?

01:49:42   Yeah, it does.

01:49:43   But it's a U.S. organization that deals with international trade within the U.S.

01:49:52   But I didn't, I had no idea. I never really knew this.

01:49:55   But when the judgment first came, I'd heard of the International Trade Commission, but assumed it was, yeah, NATO or the U.N. or something.

01:50:02   But it's not. It's a U.S. outfit.

01:50:03   And they sided with Massimo that the Apple Watch blood oxygen sensor trampled on a couple of patents that Massimo held.

01:50:14   And we're going to impose a trade block, an import ban.

01:50:20   That's an import ban on Apple Watch.

01:50:22   And Apple got it, at least got it postponed until after Christmas, which is obviously a huge deal for Apple Watch.

01:50:30   You know, but it kicked in either at the end of December or very early January, then 2024.

01:50:36   And from that point forward, the Apple Watches sold in the U.S. were, the hardware was the same, and they still had the blood oxygen sensors.

01:50:45   But from the factory, out of the box, they were running a version of watchOS that in the U.S. disabled the blood oxygen sensors.

01:50:54   And really unusual.

01:50:57   I can't remember anything like this happening to Apple before.

01:51:01   And I thought, and as far as I know, everybody else who follows this thought, well, this will last, what, a month?

01:51:06   And then either Tim Cook writes a check or the judge says, ah, well, you know, this appeal is upheld.

01:51:14   That's, this is not, I don't know, somehow this is going to go away in a couple of weeks.

01:51:18   And it didn't.

01:51:20   And then a whole new generation of Apple Watches came out last September, and the import ban was still on.

01:51:27   Now, again, they're still imported, obviously, to the United States, but the blood oxygen sensor hasn't been available on an Apple Watch in the U.S.

01:51:36   unless you bought it before, on or before December 2023.

01:51:40   And the U.S. Customs Office issued a ruling last week based on an idea that Apple, and it's funny, I read it.

01:51:51   It happened, Apple sent five units, five watches to Chicago from China with this workaround in place for a valuation by the Customs Department.

01:52:04   And the way that it works now is it's still the Apple Watch Series 10 or the Ultra 2, but now when you go to the blood oxygen app on your watch and, say, take a reading, it says, okay, hold your arm still like it does everywhere else in the world or on any Apple Watch purchase before December 2023.

01:52:26   And then it says, you can view the result on your iPhone.

01:52:29   And what happens to work around the patent is the sensors are obviously on your wrist on the watch, but then the data goes to your iPhone for processing.

01:52:39   And the result is only displayed in the health app on your iPhone or any other iPad or Mac with a health app.

01:52:49   And the Customs Department sided with Apple that this gets around the Massimo patents because the patents, and I read the rule.

01:52:57   I didn't read the patents.

01:52:58   I scanned them.

01:52:59   But the Customs Ruling picks out on page 15 of the Customs Department border ruling.

01:53:05   And, well, I'll come back to what I was about to say.

01:53:09   But they point out the patents, and the patents seem to say when you boil them down that the patent is for a device worn on the user that reads via two different lights, like infrared and whatever the other two ways of shining light through the skin.

01:53:29   And non-invasive, doesn't puncture your skin, processes the data on the device worn on the body, and or displays the results on the device.

01:53:41   And so by not processing the data on the device and not displaying the result on the device, it does seem that the patents that Massimo held applied.

01:53:53   And I think Massimo's lawyers own gold themselves because it says in the Customs Ruling that the Massimo lawyers, when Apple first proposed this workaround, only said that we don't think that the patents are limiting that all of the stuff we describe in the preamble of the patent.

01:54:16   Which is that it's a device on them, and it does this, and it processes it on the device, and displays the result on the device.

01:54:24   We don't feel that's limiting, and this word limiting keeps coming up.

01:54:28   And the Customs Office or whoever this hearing was for is, well, what if it's not limiting?

01:54:35   And if the interpretation of the patent, and Massimo was like, we just don't think it's limiting.

01:54:40   And that was their only argument.

01:54:41   And the Customs Department went, or Customs and Borders Office, went to the International Trade Commission, the people who made the original decision.

01:54:50   And they said, was your interpretation of these patents that they were limiting or not, based on the description in the preamble?

01:54:58   And their answer was, oh, yeah, definitely.

01:54:59   We did, definitely limiting.

01:55:01   And so they sided with Apple.

01:55:04   And I honestly think that based on the patents and Massimo's arguments about the patents, I really don't think, I know how silly this sounds, but I really think it was the right decision.

01:55:14   And Apple found a workaround around it.

01:55:16   There.

01:55:19   I think it's a good summary, yeah.

01:55:20   I mean, as far as I understand it, anyway, and obviously not a lawyer, but yeah, I mean, like the ITC order being, like, reversed, and so Massimo claims, like, ex parte.

01:55:31   Like, basically, hey, you need to let us know that you were reversing this, and they didn't.

01:55:35   I think that's, like, the next interesting legal wrangle.

01:55:39   The workaround seems fairly straightforward.

01:55:41   Okay, cool.

01:55:42   Like, this SCT, like, this technology that Massimo basically claims at the center of their patent, it's basically their ability to, like, extract signal from confusing signals that can arrive from venous blood movement and arterial blood movement.

01:55:58   And, like, that patent, which, and forgive me, my memory's a little fuzzy at this point, because I haven't really thought about this patent in a couple years, but I think that's basically what it was.

01:56:06   It was, like, the technology to extract a proper signal from there and to do that on the device, and so Apple is basically saying, hey, we're doing that, but we're doing it off device, so that's where your limiting factor comes in.

01:56:17   Like, is it all this stuff that matters together?

01:56:19   Because if so, we've got a new thing.

01:56:21   And they ruled in their favor.

01:56:22   The ITC ruled in Apple's favor in this new.

01:56:25   Well, no, Customs did.

01:56:26   Sorry, sorry, Customs.

01:56:28   Customs did, yes.

01:56:29   I apologize.

01:56:29   And then Massimo's saying, hey, the Customs ruling is, we don't think this is cool.

01:56:34   And so that's the new legal back.

01:56:36   No, they don't.

01:56:36   They definitely don't think it's cool.

01:56:37   They do not think it's cool at all.

01:56:39   But I think they're suing over that, specifically now.

01:56:41   Yeah, but it's interesting, because they're not suing Apple.

01:56:44   They are suing the Customs and Border people.

01:56:47   And I guess it does sound, I don't know what is typical or not.

01:56:52   I guess this idea that Massimo found out about Apple's workaround solution being okayed when

01:57:00   Apple announced it does seem like, I don't know about that.

01:57:04   First of all, very Apple maneuver.

01:57:05   Right.

01:57:06   It's like, oh, yeah, we'd let you know, because we released a press release.

01:57:09   Right.

01:57:10   It was all very ready to go, right?

01:57:14   Like, from my perception in the press, you know, and I got a email the night before.

01:57:23   It's like the way you know this rigmarole where it's like, we'd like to send you something under NDA for nine o'clock tomorrow morning.

01:57:32   Would you agree?

01:57:33   And I was like, okay.

01:57:34   And then they sent it.

01:57:34   And I was like, oh, that sounds interesting.

01:57:36   And then later today, there will be software updates for the iPhone and watch that do this.

01:57:41   But it was all ready to go.

01:57:43   And nobody had any, there were no leaks about this.

01:57:46   No Mark Gurman reports that Apple's found a thing.

01:57:49   This was all very, very tight lipped.

01:57:51   But it's not, I feel like, I think, I don't know if there was any funny business with Massimo not getting a heads up that they got a word.

01:58:00   But they obviously got to argue about it before customs.

01:58:03   They're not as blindsided as they made it seem in the announcement of their lawsuit.

01:58:09   Right.

01:58:09   It's not like they didn't know anything was going on.

01:58:11   They just didn't know that the ruling had been made.

01:58:13   And it really does seem like they only argued, hey, these patents are not limiting to a combination of all these things.

01:58:20   It's like any one of these things.

01:58:22   So we're okay.

01:58:22   And the ITC said, no, no.

01:58:24   The whole basis of the import ban was that we read these patents as limiting and no watch does all these things on one device.

01:58:33   I kind of, and I've been in an argument with various people about the meaning of the term patent troll.

01:58:39   Because I describe Massimo as trolling over this.

01:58:41   And it's colored by, I obviously have better sources at Apple than I do at Massimo.

01:58:47   And Apple is biased.

01:58:49   Right.

01:58:51   But I have been told that these are not the reason that, you know, why hasn't this settled?

01:58:55   Why haven't you just written a check?

01:58:56   And they're like, because this is bogus.

01:58:59   We are not going to settle this.

01:59:00   And Apple tends to stick to its guns.

01:59:03   There was a case.

01:59:04   I forget the details.

01:59:05   I forget who wrote about it.

01:59:06   But there was some guy, like a blogger, who like 15 years ago took Apple to small claims court because his NVIDIA graphics card and his Mac went bad.

01:59:16   And Apple sent two lawyers out to East Bumblefuck, Kentucky, a small claims court to fight this guy over this.

01:59:25   And in the case, they're like, well, how much would it have cost for you to just replace this card?

01:59:30   And their answer in the courtroom was, oh, nothing.

01:59:34   When those cards go bad, NVIDIA pays, not us.

01:59:36   Right?

01:59:40   You did not want to get into a legal fight with a person like that.

01:59:43   Right.

01:59:44   Or an entity like that.

01:59:45   They're just, it really wasn't about the money.

01:59:47   And they were obviously spending more money to fight it than it would have been because literally they admitted, oh, no.

01:59:53   They're like, we, you know, NVIDIA pays for those graphic cards that go bad, not us.

01:59:57   Yeah, yeah.

01:59:57   In the legal sense, like, they are fighting about precedent at that point.

02:00:03   Okay.

02:00:03   If this guy can get his replaced, okay, what if we have to replace millions or tens of millions?

02:00:09   Right.

02:00:09   Right.

02:00:09   But on the individual basis, it's like just pure, like, nah.

02:00:14   Right.

02:00:14   And I know that Massimo is a real company with a bunch of real products, typically in the medical.

02:00:19   Right.

02:00:19   Which is why I wouldn't classify them as a troll, personally.

02:00:21   Right.

02:00:22   Right.

02:00:22   Because a patent troll, almost like the prototypical patent troll, does not produce any products of their own, doesn't conduct research, you know, doesn't sell products.

02:00:32   And Massimo does.

02:00:33   So they are very aggressive, obviously.

02:00:36   Right.

02:00:36   But I wouldn't consider them a classic patent troll.

02:00:39   And, you know, it's just like a term that I've learned, people.

02:00:43   And my read on patent troll is more like cheating.

02:00:47   This is the analogy I keep coming back to.

02:00:49   And that the worst type of cheaters are people who only cheat.

02:00:52   And if you cheat at card games, the worst cheaters are ones who run, like, a whole team full of cheaters.

02:00:58   And it's like organized crime meant to cheat the slot machines in a casino or something like that.

02:01:04   But it's also somebody who mostly plays honestly, but occasionally, like, takes a peek at a card in a home poker game or something like that.

02:01:13   Or, like, one or two hands a night that tries to slip themselves an ace, that's still cheating, even if you play honestly 99% of the time.

02:01:22   But I get it that some people are like, no, no, a patent troll is only like an outfit.

02:01:27   Like, they're always registered in East Texas because then the court cases get adjudicated by the crazy Yosemite Sam lawyers in East Texas.

02:01:37   And, you know, like a reporter goes to check out, here's the address of the patent holder, and it's like a closet.

02:01:44   It's like room, you know, a suite.

02:01:47   Rusty warehouse.

02:01:47   Yeah, suite 200 at this address is literally just like a janitor's closet.

02:01:52   The most famous, probably, that most people would know, or at least people involved in this world, is intellectual ventures, right?

02:01:58   That's like a pre-load patent troll.

02:02:01   Right.

02:02:01   And they do nothing but collect patents and then sue people over them, basically.

02:02:06   Right.

02:02:06   Right.

02:02:07   It's, you know, Nathan Mervhold, a Microsoft billionaire, who's like, I think, you know, I love the patent system.

02:02:14   He kind of turned patent system to like a cleaned up version of an organized crime, right?

02:02:20   Like, if most patent trolls are like pickpockets and swindlers on the corner, intellectual ventures was like the savings and loan scandal, right?

02:02:31   It's like, oh, no, it's a real business, and it's, you know, it's got real money.

02:02:35   I get it.

02:02:36   And maybe that we need a different term, but it's like, I don't know what to call it, though, if a company like Massimo, who most of their stuff is real products, and they do have real breakthroughs in sensor technology over the decades or however long they've been in business.

02:02:51   But on this particular case, they're trying to assert something that their patents really ought not to allow them to claim to hold exclusivity on.

02:03:02   Right.

02:03:02   It really does not seem to me like their patents mean nobody else in the world other than Massimo or Massimo paying licensee can read blood oxygen through the skin.

02:03:14   What else do you call that but trolling?

02:03:16   And I think it's also tech.

02:03:17   I guess like uppercase T versus lowercase T, right?

02:03:20   Like uppercase T, uppercase G-O-D versus lowercase G-O-D.

02:03:24   Are they a troll or are they a troll?

02:03:26   Like, they're definitely trolling for their recompense here, but are they a capital T troll like an IV?

02:03:32   I don't know.

02:03:32   And, you know, long story short, it's still the U.S. owners of new Apple watches and the people I feel really bad for are anybody who bought a watch before the import ban but got it replaced either under warranty or AppleCare, either because the watch was defective or it got smashed or something.

02:03:53   Even though you bought it before the import ban or you just get, like, the battery replaced, they don't really replace the battery in your Apple watch.

02:04:01   It's like you go in there and they take your watch and send it back and give you somebody else's refurbished Apple watch of the same kind with a brand new battery.

02:04:11   Anything like that, you, after 18 months ago, you get one that doesn't do the blood oxygen reading, which kind of stinks.

02:04:17   I mean, it says that the biggest deal, I mean, if they just said next month at the Apple event, if they just, it turns, again, they wouldn't announce it.

02:04:26   But if after the keynote, everybody's looking at the tech specs in the series 11 Apple watch doesn't have a blood oxygen sensor.

02:04:35   I mean, obviously, in this particular case, people think, well, does that have to do with this Massimo thing?

02:04:39   But would you really think that would affect the sales of Apple watch, the blood oxygen?

02:04:44   This is not a huge deal to why people have an Apple watch, but it's like any one of the sensors, as they go further down the chain of biometric sensing that they can do on your wrist, it all adds up to a better picture of your overall health, right?

02:05:01   The blood oxygen, it's not nonsense, right?

02:05:04   And if your blood oxygen drops below the low 90s percents, it's not good.

02:05:09   And you might want an alert about it and go, it's one of those things that you might get alert about.

02:05:15   And then you're the guy at the beginning of the Apple keynote who's like, yeah, my Apple watch told me I had this.

02:05:21   And I went to the doctor and he said, hey, if your watch hadn't told you that, you'd be dead in a month.

02:05:24   Right.

02:05:25   Yeah, it's like you never know, like the confluence of those things gives you things like the dips in blood oxygen level can, along with other signals, not alone, but along with other signals, tell you things like, hey, you're getting sick, right?

02:05:38   Or, you know, your capacity is lowered, which is one of the newer features that they introduced, which I've seen it happen to me.

02:05:45   And it's been pretty accurate.

02:05:46   Yeah.

02:05:47   So it's like it adds up to a fuller picture and a fuller kind of x-ray vision into your health.

02:05:54   And so I think any losses there are certainly ones that Apple does not want to just take on the chin.

02:05:59   They would want to get more, not less capacity there for reading that information, for what they can do from the wrist, which is already quite limited.

02:06:08   So I think they're going to I doubt they're going to give up the ghost on this at any point.

02:06:12   I think they'll keep fighting it in some way.

02:06:14   Yeah, I do, too, because I and I really do think that they're probably right that the patents should not be applied to the Apple Watch.

02:06:21   But who knows?

02:06:22   I did not expect Massimo's original import ban to last.

02:06:26   So and I was wrong about that.

02:06:28   And so I might be wrong about their suit against the Customs and Border Patrol.

02:06:33   The one thing I want to add to that is and Massimo in their lawsuit did mention specifically that they found it curious that this ruling from Customs and Border Patrol came very shortly after a very high profile visit of Tim Cook at the White House where he gave Trump.

02:06:54   They mentioned this in the law and I don't know if it's in the lawsuit or I guess it's in the lawsuit in comments where they announced that they had they're going to plan to spend.

02:07:03   an extra hundred billion dollars in the US in the coming years on job creation and US manufacturing efforts or blah, blah, blah, and gave him a gold trophy.

02:07:15   And then this happened.

02:07:17   It is true that Tim Cook was in the Oval Office just like two weeks ago and did announce that they're spending more money on US manufacturing and job creation, which is in line with Trump's goals.

02:07:29   And they definitely gave Trump a solid gold trophy.

02:07:33   These things did occur.

02:07:34   Can't dispute it.

02:07:36   But I will say reading all the stuff I did on this that I did that all of this was in the works last year, a year ago, like while Biden was president, like the initial Apple, I think, came up with this workaround of doing the processing and not displaying the results on it on the watch a year ago, over a year ago, and and started the chain of events to get the Customs and Border Patrol to ask the ITC.

02:08:05   Is this is your interpretation of these patents limiting?

02:08:08   All of that was a year ago, and it was all set in motion and seemed inevitably coming to this conclusion from what I read.

02:08:16   So I think it's a coincidence.

02:08:17   But, you know, so on the one hand, if it was sparked by somebody else in the Trump administration calling the Customs Department and saying, hey, Tim Apple, he's our friend.

02:08:28   What's going on here with this?

02:08:30   Give him a good ruling.

02:08:31   Right.

02:08:32   Well, that's rotten, right?

02:08:33   That's just that's that's oligarchy and corruption.

02:08:36   And that's just a rotten and shameful way for the U.S.

02:08:39   federal government to be run.

02:08:40   But even if it's not, even this is a totally up and up, which I really do think is the case, having read the details of this report or the ruling from the CBP or whatever.

02:08:51   Yeah, CBP.

02:08:52   I really do think it's on the up and up and was entirely adjudicated by the sort of bureaucratic, fair minded, nonpartisan people who you think your whole life have been working at places like the Customs and Border Patrol Office of patent disputes on import bans.

02:09:12   Right, right.

02:09:12   I really do think that that's what happened.

02:09:15   But that's the downside of Tim Cook going to the Oval Office and giving Trump his fucking gold trophy is then even when legitimate things work out in your favor, people look at him and say, that seems fishy to me.

02:09:31   Right.

02:09:31   Yeah.

02:09:31   You've given up your benefit of the doubt.

02:09:34   Right.

02:09:35   Or your freeness of speech or whatever you want to call it.

02:09:37   Like, you have created the, at the very least, the optics or planted the seed of that conversation to happen every time you, any one of these things comes down the pike.

02:09:50   And so you can't get mad or upset about it when people assume that your payola is paying off.

02:09:57   It's like, you gave him a gold trophy and then a government agency said, ah, cool, it's fine.

02:10:03   Yeah.

02:10:04   What are we supposed to think, right?

02:10:06   And so, like, I agree with you.

02:10:07   It's probably not the case in this case.

02:10:09   But anything that happens from now on, you've poisoned the well, right?

02:10:13   Right.

02:10:13   Yeah.

02:10:14   And effectively, even though you don't get to see the results of your blood oxygen test on your wrist, it's a very good workaround from Apple's perspective.

02:10:25   You know, I'm sure they're going to continue petitioning to get the whole thing thrown out so they can just make the U.S.

02:10:30   Apple watches have the same experience worldwide where you can see the fucking number on your wrist instead of having to go to your phone.

02:10:38   But effectively, blood oxygen in particular is not something where people are ordinarily running a test.

02:10:44   Like, hey, I'm going to check my blood oxygen.

02:10:46   It's not like heart rate.

02:10:47   Like, heart rate would be devastating, right?

02:10:49   Just like, might as well not have an Apple watch, you know?

02:10:51   Right.

02:10:52   Because people do think, I want to test my heart rate right now and I want to see it while I'm exercising.

02:10:57   Every workout, yeah, every workout, you're saying you're looking at it.

02:10:59   I want to see what my heart rate's at as I'm on the bike or the spin machine or whatever you're doing.

02:11:04   The blood oxygen thing is just a background reading while you sleep a lot, too, and it just shows up in your health report.

02:11:12   And any kind of drop or a change in the weekly trends or something like that, you'll just get in a notification on your phone and it's fine, right?

02:11:22   It really isn't a problem that you don't get to see.

02:11:25   It's a little awkward when you actually run the test on your watch that it's like, we're not going to tell you why, but go check in the health app on your phone.

02:11:32   Yeah, it's like one of those things when Siri tells you, oh, go look on your iPhone.

02:11:35   No, just read it to me.

02:11:37   Shad Zibig, he can read it to me.

02:11:39   Just read it to me, you know?

02:11:41   Yeah, exactly.

02:11:42   I can't tell you that, but I could if you tried it on your phone.

02:11:45   Yeah, yeah, exactly.

02:11:46   I know that, but I'm not going to tell you.

02:11:48   Go pick up your iPhone.

02:11:49   Prove you have one, please.

02:11:50   Thank you.

02:11:50   Yeah.

02:11:51   All right, Matthew.

02:11:52   All right.

02:11:53   It's good to have you back.

02:11:54   You are blogging, and you're at theobsessor.com, which is, I told you the last time, such a great name.

02:12:02   Very, very self-descriptive, because you do obsess.

02:12:05   I do about all kinds of stuff.

02:12:08   But yeah, I'm looking forward to continuing on there, just trying to do some essays, and then also doing some just recommendations, little things.

02:12:15   And what else are you up to?

02:12:16   What in the hell else are you doing?

02:12:18   I work at a company now called GrowthX.ai.

02:12:20   I'm pretty stoked.

02:12:22   It's fun.

02:12:23   We get to work with a lot of AI systems.

02:12:25   We're basically a workflows company, so we're building workflows that could apply to all kinds of different ways that people work.

02:12:31   And I'm stoked.

02:12:32   I get to work with a lot of smart people, do new work.

02:12:35   I mean, one of the reasons I exited journalism was that I wanted to build products and learn how that happened and work with people that did it on a close basis.

02:12:44   So I spent a lot of my day in linear and Figma and messing around with code, doing a little bit of bytecoding myself or regular coding, mostly simplistic stuff.

02:12:53   I'm not that good.

02:12:54   But then I can sketch things out, and the engineers make it a reality.

02:12:57   So that's me.

02:12:59   That's why I kind of left the writing game, not so much because I didn't like it or it wasn't enjoyable to me.

02:13:06   I just had spent a decade-plus covering people that built stuff and learning very deeply in how these processes worked, and I just really wanted to actually do that process.

02:13:15   So that's what I'm doing.

02:13:16   I'm happy.

02:13:16   Very nice.

02:13:18   Well, good to talk.

02:13:19   And I want to thank our sponsors.

02:13:20   We had, I guess I'll go and reverse order, Squarespace.

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